Like everything he writes, it is new, stimulating and sparkles like champagne.Braudel's technique, it has been said, is that of a pointilliste. Myriads of separate details, sharp glimpses of reality experienced by real people, are seen miraculously to orchestrate themselves into broad rhythms that underlie and transcend the excitements and struggles of particular periods. Braudel sees the past as we see the present — only in a longer perspective and over a wider field.The perspective is that of the possible, of the actual material limitations to human life in any given time or place. It is the every¬day, the habitual — the obvious that is so obvious it has hitherto been neglected by historians — that Braudel claims for a new and vast and enriching province of history. Food and drink, dress and housing, demography and family structure, energy and technology, money and credit, and, above all, the growth of towns, that powerful agent of social and economic development, are described in all the richness and complexity of real life.The intensely visual quality of Braudel's understanding of history is brought into sharper focus by the remarkable series of illustrations that of themselves would make this book incomparableFERNAND BRAUDEL was born in 1902, received a degree in history in 1923, and subsequently taught in Algeria, Paris and Sao Paulo. He spent five years as a prisoner of war in Germany, during which time he wrote his grand thesis, The Mediterranean and the Mediterranean World in the Age of Philip II, which was published in 1949. In 1946 he became a member of the editorial board of Annates, the famous journal founded by Marc Bloch and Lucian Febvre, whom he succeeded at the College de France in 1949. He has been a member of the Ecole Pratique des Hautes Etudes and since 1962 has been chief administrator of the Maison des Sciences de l'Homme. Professor Braudel holds honorary doctor¬ates from universities all over the world.Jacket painting: Detail from Breughel the Elder's The Fall of Icarus, from the Musees Royaux des Beaux-Arts, Brussels. (Giraudon)"Braudel deserves a Nobel Prize. . . . [This is] the most remarkable picture of human life in the centuries before the human condition was radically changed by the growth of industry that has yet been presented. A book of great originality, a masterpiece."—J. H. Plumb, The Washington Post"Braudel's books enthrall. ... He is brilliant in demonstrating how most history is written on the backs of most people."—John Leonard, The New York Times"Even a preliminary glance at The Structures of Everyday Life shows a book that has no obvious compeer either in scope of reference or level of accessibility to the general reader. ... Its broad authority remains deeply impressive."—Richard Holmes, Harper's"Here is vast erudition, beautifully arranged, presented with grace of style, with humility before life's complexity and warm humanist feeling. Braudel's subject is nothing less than every¬day life all over the world before the industrial revolution.... He succeeds triumphantly in his first purpose: 'if not to see everything, at least to locate everything, and on the requisite world scale.'"—Angus Calder, The Standard"On neither side of the Atlantic does there live a man or woman with so much knowledge of the past as Braudel, or with a greater sense of its aptness to the intellectual occasion in hand....You can't pick up this big fat book without having your attention transfixed by something or other, if only the great gallery of pictures. They are a masterpiece in themselves."—Peter Laslett, The Guardian"This new book is unarguably a brilliant survey of demog¬raphy, urbanisation, transport, technology, food, clothing, housing, money and business, social classes, state power and international trade in the fifteenth to the eighteenth centuries."—Theodore Zeldin, The Listener-----By examining in detail the material life of preindustrial peoples around the world, Fernand Braudel significantly changed the way historians view their subject. Volume I describes food and drink, dress and housing, demography and family structure, energy and technology, money and credit, and the growth of towns.

    But for much of the rest of Europe this was a day with no meaning, as a continuing, nightmarish series of conflicts engulfed country after country.In The Vanquished, a highly original and gripping work of history, Robert Gerwarth asks us to think again about the true legacy of the First World War. In large part it was not the fighting on the Western Front that proved so ruinous to Europe's future, but the devastating aftermath, as countries on both sides of the original conflict were savaged by revolutions, pogroms, mass expulsions, and further major military clashes. In the years immediately after the armistice, millions would die across central, eastern, and southeastern Europe before the Soviet Union and a series of rickety and exhausted small new states would come into being. It was here, in the ruins of Europe, that extreme ideologies such as fascism would take shape and ultimately emerge triumphant.As absorbing in its drama as it is unsettling in its analysis, The Vanquished is destined to transform our understanding of not just the First World War but the twentieth century as a whole.

    Multiple parties campaigned for seats in the Duma, the nation’s parliament. The media criticized the government freely. Eight years later as Putin completes his second term as president of Russia and announces his bid for prime minister, the country is under a repressive regime. Human rights abuses are widespread. The Kremlin is openly hostile to the West. Yet the United States and Europe have been slow to confront the new reality, in effect, helping Russia win what experts are now calling the New Cold War.Edward Lucas, former Moscow Bureau Chief for The Economist, offers a harrowing portrait from inside Russia as well as a sobering political assessment of what the New Cold War will mean for the world. In this big, hard hitting and urgently needed book, he shows how* Russia is pursuing global energy markets* Neighboring nations are being coerced back into the former Soviet orbit* Journalists and dissidents are being silenced* Foreign investments and private enterprises are routinely defrauded* Putin is laying the groundwork for controlling industry and planning his new role as prime ministerDrawing on new and hitherto reported material, The New Cold War brilliantly anticipates what is in store for the new Russia and what the world should be doing.

    His extraordinary life and extensive writings have left an indelible mark on the revolutionary consciousness. Yet there was once a danger that his life and influence would be relegated to the footnotes of history. Published over the course of ten years, beginning in 1954, Deutscher’s magisterial three-volume biography turned back the tide of Stalin’s propaganda, and has since been praised by everyone from Tony Blair to Graham Greene. In this definitive work, now reissued in a single volume, Trotsky’s true stature emerges as the most heroic, and ultimately tragic, character of the Russian Revolution.

    Guerrillas on skis, heroic single-handed attacks on tanks, unfathomable endurance, and the charismatic leadership of one of this century's true military geniuses - these are the elements of both the Finnish victory and a gripping tale of war.

    All across the globe, ordinary people spoke out, filled the streets and city squares, and took up arms in an attempt to win their freedom.In this dramatic, page-turning history, Simon Hall takes the long view of the year's events—putting them in their post-war context and looking toward their influence on the counterculture movements of the 1960s—to tell the story of the year's epic, global struggles from the point of view of the freedom fighters, dissidents, and countless ordinary people who worked to overturn oppressive and authoritarian systems in order to build a brave new world. It was an epic contest.1956 is the first narrative history of the year as a whole—and the first to frame its tumultuous events as part of an interconnected, global story of revolution.

    He paints an eminently human portrait of those involved with this repressive arm of the government, featuring interviews with former officers thatuncover a wide array of personalities, from devoted ideologues to reluctant opportunists, most of whom talked frankly about East Germany's obsession with surveillance. Their paths after the collapse of Communism are gripping stories of resurrection and despair, of renewal and demise, of remorse andcontinued adherence to the movement. The book also sheds much light on the role of the informant, the Stasi's most important tool in these out-of-the-way areas.Providing on-the-ground empirical evidence of how the Stasi operated on a day-to-day basis with ordinary people, this remarkable volume offers an unparalleled picture of life in a totalitarian state.

    Hitler's soldiers stormed the city in September 1942 in a bid to complete the conquest of Europe. Yet Stalingrad never fell. After months of bitter fighting, 100,000 surviving Germans, huddled in the ruined city, surrendered to Soviet troops. During the battle and shortly after its conclusion, scores of Red Army commanders and soldiers, party officials and workers spoke with a team of historians who visited from Moscow to record their conversations. The tapestry of their voices provides groundbreaking insights into the thoughts and feelings of Soviet citizens during wartime. Legendary sniper Vasily Zaytsev recounted the horrors he witnessed at Stalingrad: "You see young girls, children hanging from trees in the park.[ . . .] That has a tremendous impact." Nurse Vera Gurova attended hundreds of wounded soldiers in a makeshift hospital every day, but she couldn't forget one young amputee who begged her to avenge his suffering. "Every soldier and officer in Stalingrad was itching to kill as many Germans as possible," said Major Nikolai Aksyonov. These testimonials were so harrowing and candid that the Kremlin forbade their publication, and they were forgotten by modern history -- until now. Revealed here in English for the first time, they humanize the Soviet defenders and allow Jochen Hellbeck, in Stalingrad, to present a definitive new portrait of the most fateful battle of World War II.

    Returning again and again, Garrels found that the city's new freedoms and opportunities were both exciting and traumatic. As the economic collapse of the early 1990s abated, Chelyabinsky became richer and more cosmopolitan while official corruption and intolerance for minorities grew more entrenched. Sushi restaurants proliferated; so did shakedowns. In the neighboring countryside, villages crumbled into the ground. Far from the glitz of Moscow, the people of Chelyabinsk were working out their country’s destiny, person by person.Putin Country crafts an intimate portrait of Middle Russia. We meet upwardly mobile professionals, impassioned activists who champion the rights of orphans and disabled children, and ostentatious mafiosi. We discover surprising subcultures, such as a vibrant underground gay community and a circle of determined Protestant evangelicals, and watch as doctors and teachers trying to cope with inescapable payoffs and institutionalized negligence. As Vladimir Putin tightens his grip on power and war in Ukraine leads to Western sanctions and a lower standard of living, the local population mingles belligerent nationalism with a deep ambivalence about their country’s direction. Drawing on close friendships sustained over many years, Garrels explains why Putin commands the loyalty of so many Russians, even those who decry the abuses of power they regularly encounter.Garrels’s portrait of Russia’s silent majority is an essential corrective to the misconceptions of Putin's supporters and critics alike, especially at a time when cold war tensions are resurgent.

    foreign policy spanning sixty years. For those who want the details on our most famous actions (Chile, Cuba, Vietnam, to name a few), and for those who want to learn about our lesser-known efforts (France, China, Bolivia, Brazil, for example), this book provides a window on what our foreign policy goals really are. This edition is updated through 2003.

    Britain, according to Ferguson, entered into war based on naïve assumptions of German aims—and England's entry into the war transformed a Continental conflict into a world war, which they then badly mishandled, necessitating American involvement. The war was not inevitable, Ferguson argues, but rather the result of the mistaken decisions of individuals who would later claim to have been in the grip of huge impersonal forces. That the war was wicked, horrific, inhuman,is memorialized in part by the poetry of men like Wilfred Owen and Siegfried Sassoon, but also by cold statistics. More British soldiers were killed in the first day of the Battle of the Somme than Americans in the Vietnam War; indeed, the total British fatalities in that single battle—some 420,000—exceeds the entire American fatalities for both World Wars. And yet, as Ferguson writes, while the war itself was a disastrous folly, the great majority of men who fought it did so with enthusiasm. Ferguson vividly brings back to life this terrifying period, not through dry citation of chronological chapter and verse but through a series of brilliant chapters focusing on key ways in which we now view the First World War.For anyone wanting to understand why wars are fought, why men are willing to fight them, and why the world is as it is today, there is no sharper nor more stimulating guide than Niall Ferguson's The Pity of War.

    With colorful prose Suzanne Massie details the variety of Russian existence--tsars and serfs and merchant-princes and babushkas--no stone is left uncovered as she cross-references nearly a thousands years, writing with equal consideration of art, poetry, country-life, court-life, politics and its myriad games, myths and legends, influence "outside the sphere."

    Gorbachev, tear down this wall!" President Ronald Reagan's famous exhortation when visiting Berlin in 1987 has long been widely cited as the clarion call that brought the Cold War to an end. The United States won, so this version of history goes, because Ronald Reagan stood firm against the USSR; American resoluteness brought the evil empire to its knees.Michael Meyer, who was there at the time as a Newsweek bureau chief, begs to differ.In this extraordinarily compelling account of the revolutions that roiled Eastern Europe in 1989, he shows that American intransigence was only one of many factors that provoked world-shaking change. Meyer draws together breathtakingly vivid, on-the-ground accounts of the rise of the Solidarity movement in Poland, the stealth opening of the Hungarian border, the Velvet Revolution in Prague and the collapse of the infamous wall in Berlin. But the most important events, Meyer contends, occurred secretly, in the heroic stands taken by individuals in the thick of the struggle, leaders such as poet and playwright Vaclav Havel in Prague; the Baltic shipwright Lech Walesa; the quietly determined reform prime minister in Budapest, Miklos Nemeth; and the man who privately realized that his empire was already lost, and decided -- with courage and intelligence -- to let it go in peace,Soviet general secretary of the communist party, Mikhail Gorbachev.Reporting for Newsweek from the frontlines in Eastern Europe, Meyer spoke to these players and countless others. Alongside their deliberate interventions were also the happenstance and human error of history that are always present when events accelerate to breakneck speed. Meyer captures these heady days in all of their rich drama and unpredictability. In doing so he provides not just a thrilling chronicle of the most important year of the twentieth century but also a crucial refutation of American political mythology and a triumphal misunderstanding of history that seduced the United States into many of the intractable conflicts it faces today. The Year That Changed the World will change not only how we see the past, but also our understanding of America's future.

    From Bach, Goethe, and Schopenhauer to Nietzsche, Freud, and Einstein, from the arts and humanities to science and philosophy, The German Genius is a lively and accessible review of over 250 years of German intellectual history. In the process, it explains the devastating effects of World War II, which transformed a vibrant and brilliantly artistic culture into a vehicle of warfare and destruction, and it shows how the German culture advanced in the war’s aftermath.

    The disaster not only changed the world’s perception of nuclear power and the science that spawned it, but also our understanding of the planet’s delicate ecology. With the images of the abandoned homes and playgrounds beyond the barbed wire of the 30-kilometer Exclusion Zone, the rusting graveyards of contaminated trucks and helicopters, the farmland lashed with black rain, the event fixed for all time the notion of radiation as an invisible killer.Chernobyl was also a key event in the destruction of the Soviet Union, and, with it, the United States’ victory in the Cold War. For Moscow, it was a political and financial catastrophe as much as an environmental and scientific one. With a total cost of 18 billion rubles—at the time equivalent to $18 billion—Chernobyl bankrupted an already teetering economy and revealed to its population a state built upon a pillar of lies. The full story of the events that started that night in the control room of Reactor No.4 of the V.I. Lenin Nuclear Power Plant has never been told—until now. Through two decades of reporting, new archival information, and firsthand interviews with witnesses, journalist Adam Higginbotham tells the full dramatic story, including Alexander Akimov and Anatoli Dyatlov, who represented the best and worst of Soviet life; denizens of a vanished world of secret policemen, internal passports, food lines, and heroic self-sacrifice for the Motherland. Midnight in Chernobyl, award-worthy nonfiction that reads like sci-fi, shows not only the final epic struggle of a dying empire but also the story of individual heroism and desperate, ingenious technical improvisation joining forces against a new kind of enemy.