Some might call them mermaids. Each one, it seemed, was more remarkable than the last. Except Minnow.The only remarkable thing about Minnow was the questions she asked. So many questions! "Where do bubbles go?" "Why don't crabs have fins?" "What lies beyond the kingdom?"When a curious and beautiful new object drifts into her life, Minnow can't imagine what it might be for, but she's certain it must have a purpose. So she follows her questions into the unknown, all the way to another, wondrous world. There she makes several remarkable discoveries...

    He is a monkey. He has a job. He is Baby Monkey, Private Eye! Lost jewels?Missing pizza? Stolen spaceship? Baby Monkey can help... if he can put on his pants! Baby Monkey's adventures come to life in a blend of picture book, beginning reader, and graphic novel.

    "Exceptional." - School Library Journal, starred review

    When the town-folk send for St. George to slay the dragon, the boy needs to come up with a clever plan to save his friend and convince the townsfolk to accept him. This story first appeared as a chapter in Grahame's Dream Days and was first published as a separate book by Holiday House in 1938 with illustrations by Ernest H. Shepard.

    Priscilla the princess has accidentally switched places with Pigmella, the farmer's new piglet. The kindly farmer and his wife believe it's the work of a good witch, while the ill-tempered king and queen blame the bad witch-after all, this happens in fairy tales all the time! While Priscilla grows up on the farm, poor yet very happy, things don't turn out quite so well for Pigmella. Kissing a frog has done wonders before, but will it work for a pig?Sure to hog all the attention, this story's frequent nods to well-known fairy tales such as Sleeping Beauty, The Frog Princess, and Thumbelina-plus hilarious illustrations-will delight readers of any age.

    Sometimes she feels like a bird, flying north in the spring and south in the fall. Sometimes she feels like a jack rabbit living in an abandoned burrow, as her family moves into an empty house near the fields. But most of all she wonders what it would be like to stay in one place.The Low German-speaking Mennonites from Mexico are a unique group of migrants who moved from Canada to Mexico in the 1920s and became an important part of the farming community there. But it has become increasingly difficult for them to earn a livelihood, and so they come back to Canada each year as migrant workers in order to survive. And while they currently have the right to work in Canada, that right may be challenged. Working conditions are difficult for all migrant workers, most of whom have to leave families far behind. And yet countries like Canada and the United States benefit greatly from their labor.Beautifully written by Maxine Trottier and imaginatively illustrated by Isabelle Arsenault, this book describes what it is like to be a child in a migrant family.

    When his mother receives a loan from some village families, she gives a little money to her son. With this tiny loan, Kojo buys a hen.A year later, Kojo has built up a flock of 25 hens. With his earnings Kojo is able to return to school. Soon Kojo's farm grows to become the largest in the region.Kojo's story is inspired by the life of Kwabena Darko, who as a boy started a tiny poultry farm just like Kojo's, which later grew to be the largest in Ghana, and one of the largest in west Africa. Kwabena also started a trust that gives out small loans to people who cannot get a loan from a bank.One Hen shows what happens when a little help makes a big difference. The final pages of One Hen explain the microloan system and include a list of relevant organizations for children to explore.One Hen is part of CitizenKid: A collection of books that inform children about the world and inspire them to be better global citizens.

    Grabbing an old paper bag and some rusty scissors, the whole family wades into the muck to collect as much of the muddy, snail covered watercress as they can.At first, she's embarrassed. Why can't her family get food from the grocery store? But when her mother shares a story of her family's time in China, the girl learns to appreciate the fresh food they foraged. Together, they make a new memory of watercress.Andrea Wang tells a moving autobiographical story of a child of immigrants discovering and connecting with her heritage, illustrated by award winning author and artist Jason Chin, working in an entirely new style, inspired by Chinese painting techniques. An author's note in the back shares Andrea's childhood experience with her parents.

    Each spread tells of an event and the lesson learned. By turns, these events become darker and more sinister as the boys push their games further and further.

    When a newly orphaned baby in the moon makes friends with the children of Earth, he seeks a way to ward off their fears and nightmares.Up there in the sky.Don’t you see him?No, not the moon.The Man in the Moon.He wasn’t always a man.Nor was he always on the moon.He was once a child.Like you.Until a battle,a shooting star,and a lost balloonled him on a quest.Meet the very first Guardian of Childhood.MiM, the Man in the Moon.

    "There's a really big bear in the backyard." This is how three children meet Stillwater, a giant panda who moves into the neighborhood and tells amazing tales. To Addy he tells a story about the value of material goods. To Michael he pushes the boundaries of good and bad. And to Karl he demonstrates what it means to hold on to frustration. With graceful art and simple stories that are filled with love and enlightenment, Jon Muth -- and Stillwater the bear -- present three ancient Zen tales that are sure to strike a chord in everyone they touch.

    It’s an adventure, but how will he find his way? And how will he find his way home? As the young bat discovers, navigating the world around him is easy as long as he uses his good sense.This beautiful and touching coming-of-age story, with mesmerizing artwork from New York Times bestselling illustrator Loren Long and lyrical text from Ari Berk, conveys a heartwarming and universal message: No matter how far away you go, you can always find your way home.

    When she arrives at a strange house in the wintry woods, a peek in the window reveals that the footprints Kikko had been following did not belong to her father at all, but to a bear in a long coat and hat! Alice in Wonderland meets Little Red Riding Hood in this charmed tale.

    She gets the chance to prove herself and find what she's good at when puppy Ooh-la-la goes missing.

    With The Birchbark House, award-winning author Louise Erdrich's first novel for young readers, this same slice of history is seen through the eyes of the spirited, 7-year-old Ojibwa girl Omakayas, or Little Frog, so named because her first step was a hop. The sole survivor of a smallpox epidemic on Spirit Island, Omakayas, then only a baby girl, was rescued by a fearless woman named Tallow and welcomed into an Ojibwa family on Lake Superior's Madeline Island, the Island of the Golden-Breasted Woodpecker. We follow Omakayas and her adopted family through a cycle of four seasons in 1847, including the winter, when a historically documented outbreak of smallpox overtook the island. Readers will be riveted by the daily life of this Native American family, in which tanning moose hides, picking berries, and scaring crows from the cornfield are as commonplace as encounters with bear cubs and fireside ghost stories. Erdrich--a member of the Turtle Mountain Band of Ojibwa--spoke to Ojibwa elders about the spirit and significance of Madeline Island, read letters from travelers, and even spent time with her own children on the island, observing their reactions to woods, stones, crayfish, bear, and deer. The author's softly hewn pencil drawings infuse life and authenticity to her poetic, exquisitely wrought narrative. Omakayas is an intense, strong, likable character to whom young readers will fully relate--from her mixed emotions about her siblings, to her discovery of her unique talents, to her devotion to her pet crow Andeg, to her budding understanding of death, life, and her role in the natural world. We look forward to reading more about this brave, intuitive girl--and wholeheartedly welcome Erdrich's future series to the canon of children's classics. (Ages 9 and older) --Karin Snelson