Were it not for Zelda, a protective coworker, and Giles, her loving neighbor, she doesn’t know how she’d make it through the day.Then, one fateful night, she sees something she was never meant to see, the Center’s most sensitive asset ever: an amphibious man, captured in the Amazon, to be studied for Cold War advancements. The creature is terrifying but also magnificent, capable of language and of understanding emotions…and Elisa can’t keep away. Using sign language, the two learn to communicate. Soon, affection turns into love, and the creature becomes Elisa’s sole reason to live.But outside forces are pressing in. Richard Strickland, the obsessed soldier who tracked the asset through the Amazon, wants nothing more than to dissect it before the Russians get a chance to steal it. Elisa has no choice but to risk everything to save her beloved. With the help of Zelda and Giles, Elisa hatches a plan to break out the creature. But Strickland is on to them. And the Russians are, indeed, coming.

    Or not missing–perhaps she has fled, abandoned her family. Or perhaps she's been kidnapped, and set loose to wander in the dense woods of the north. Alone and possibly lost, she meets another woman in the forest. Then everything changes.On a journey that will take her through a wolf-haunted wood, down a deep well, and onto a living ship made of human bones, our heroine is forced to confront her past and may find that the evil she flees has been inside her all along. Eerie and disturbing, In the House in the Dark of the Woods is a novel of psychological horror and suspense told in Laird Hunt's acclaimed lyrical prose style. It is the story of a bewitching, a betrayal, a master huntress and her quarry. It is a story of anger, of repression, of revenge and redemption. It is a story of a haunting, one that forms the bedrock of American mythology, told in a vivid voice you will never forget.

    A middle-aged man returns to his childhood home to attend a funeral. Although the house he lived in is long gone, he is drawn to the farm at the end of the road, where, when he was seven, he encountered a most remarkable girl, Lettie Hempstock, and her mother and grandmother. He hasn't thought of Lettie in decades, and yet as he sits by the pond (a pond that she'd claimed was an ocean) behind the ramshackle old farmhouse, the unremembered past comes flooding back. And it is a past too strange, too frightening, too dangerous to have happened to anyone, let alone a small boy.Forty years earlier, a man committed suicide in a stolen car at this farm at the end of the road. Like a fuse on a firework, his death lit a touchpaper and resonated in unimaginable ways. The darkness was unleashed, something scary and thoroughly incomprehensible to a little boy. And Lettie—magical, comforting, wise beyond her years—promised to protect him, no matter what.A groundbreaking work from a master, The Ocean at the End of the Lane is told with a rare understanding of all that makes us human, and shows the power of stories to reveal and shelter us from the darkness inside and out. It is a stirring, terrifying, and elegiac fable as delicate as a butterfly's wing and as menacing as a knife in the dark.

    After the death of her beloved father, she is forced to maintain a shabby dignity as the unwanted boarder of her tyrannical uncle, fending off marriage to a local mill owner. But just as she is on the cusp of accepting a life of misery, events take a stunning turn when a handsome stranger—the poet and notorious rake Lord Byron—arrives at her house, stricken by what seems to be a curse, and with a cryptic message for Lucy. Suddenly her unfortunate circumstances are transformed in ways at once astonishing and seemingly impossible. With the world undergoing an industrial transformation, and with England on the cusp of revolution, Lucy is drawn into a dangerous conspiracy in which her life, and her country’s future, are in the balance. Inexplicably finding herself at the center of cataclysmic events, Lucy is awakened to a world once unknown to her: where magic and mortals collide, and the forces of ancient nature and modern progress are at war for the soul of England . . . and the world. The key to victory may be connected to a cryptic volume whose powers of enchantment are unbounded. Now, challenged by ruthless enemies with ancient powers at their command, Lucy must harness newfound mystical skills to prevent catastrophe and preserve humanity’s future. And enthralled by two exceptional men with designs on her heart, she must master her own desires to claim the destiny she deserves. The Twelfth Enchantment is the most captivating work to date of a master literary conjurer.

    J. Tudor.Welcome to Chapel Croft. Five hundred years ago, eight protestant martyrs were burned at the stake here. Thirty years ago, two teenage girls disappeared without a trace. And two months ago, the vicar of the local parish killed himself.Reverend Jack Brooks, a single parent with a fourteen-year-old daughter and a heavy conscience, arrives in the village hoping to make a fresh start and find some peace. Instead, Jack finds a town mired in secrecy and a strange welcome package: an old exorcism kit and a note quoting scripture. "But there is nothing covered up that will not be revealed and hidden that will not be known."The more Jack and her daughter Flo get acquainted with the town and its strange denizens, the deeper they are drawn into their rifts, mysteries, and suspicions. And when Flo is troubled by strange sightings in the old chapel, it becomes apparent that there are ghosts here that refuse to be laid to rest.But uncovering the truth can be deadly in a village where everyone has something to protect, everyone has links with the village's bloody past, and no one trusts an outsider.

    The two hit it off: the Devil talks about his home, where he employs Dante as a gardener; Savage lends him a volume of Tennyson. But when the party's over and Vivien has disappeared, the poet concludes in horror that he must have inadvertently sold his wife to the dark lord. Newly in love with Vivien,  Savage plans a rescue mission to Hell that includes Simmons, the butler; Tompkins, the bookseller; Ashley Lancaster, swashbuckling Buddhist; Will Kensington, inventor of a flying machine; and Savage's spirited kid sister, Lizzie, freshly booted from boarding school for a "dalliance." Throughout, his cousin's quibbling footnotes to the text push the story into comedy nirvana.Lionel and his friends encounter trapdoors, duels, anarchist-fearing bobbies, the social pressure of not knowing enough about art history, and the poisonous wit of his poetical archenemy. Fresh, action-packed and very, very funny, The Gentleman is a giddy farce that recalls the masterful confections of P.G. Wodehouse and Hergé's beautifully detailed Tintin adventures.

    Its author tells the story of a priceless tarot deck, now lost to history, but as Semele delves further, she realizes the manuscript is more than it seems. Both a memoir and a prophecy, it appears to be the work of a powerful seer, describing devastating wars and natural disasters in detail thousands of years before they occurred.The more she reads, the more the manuscript begins to affect Semele’s life. But what happened to the tarot deck? As the mystery of her connection to its story deepens, Semele can’t shake the feeling that she’s being followed. Only one person can help her make sense of it all: her client, Theo Bossard. Yet Theo is arrogant and elusive, concealing secrets of his own, and there’s more to Semele’s desire to speak with him than she would like to admit. Can Semele even trust him?The auction date is swiftly approaching, and someone wants to interfere—someone who knows the cards exist, and that the Bossard manuscript is tied to her. Semele realizes it’s up to her to stop them: the manuscript holds the key to a two-thousand-year-old secret, a secret someone will do anything to possess.

    After being unceremoniously dumped by her longtime boyfriend, Annie seeks a fresh start. She accepts a teaching position that moves her from Manhattan to a small village upstate. She’s stunned by how perfect and picturesque the town is. The people are all friendly and warm. Her new apartment is dreamy too, minus the oddly persistent spider infestation. Then Annie meets Sophie. Beautiful, charming, magnetic Sophie, who takes a special interest in Annie, who wants to be her friend. More importantly, she wants Annie to stop apologizing and start living for herself. That’s how Sophie lives. Annie can’t help but gravitate toward the self-possessed Sophie, wanting to spend more and more time with her, despite the fact that the rest of the townsfolk seem…a little afraid of her. And like, okay. There are some things. Sophie’s appearance is uncanny and ageless, her mansion in the middle of the woods feels a little unearthly, and she does seem to wield a certain power…but she couldn’t be…could she?

    Eliza Caine arrives in Norfolk to take up her position as governess at Gaudlin Hall on a dark and chilling night. As she makes her way across the station platform, a pair of invisible hands push her from behind into the path of an approaching train. She is only saved by the vigilance of a passing doctor.When she finally arrives, shaken, at the hall she is greeted by the two children in her care, Isabella and Eustace. There are no parents, no adults at all, and no one to represent her mysterious employer. The children offer no explanation. Later that night in her room, a second terrifying experience further reinforces the sense that something is very wrong.From the moment she rises the following morning, her every step seems dogged by a malign presence which lives within Gaudlin’s walls. Eliza realises that if she and the children are to survive its violent attentions, she must first uncover the hall’s long-buried secrets and confront the demons of its past…

    Though newspapers have dubbed him ‘the Torso Killer’, this murderer’s work is overshadowed by the hysteria surrounding Jack the Ripper’s Whitechapel crimes. The victims are women too, but their dismembered bodies, wrapped in rags and tied up with string, are pulled out of the Thames – and the heads are missing. The murderer likes to keep them.Mayhem is a masterwork of narrative suspense: a supernatural thriller set in a shadowy, gaslit London, where monsters stalk the cobbled streets and hide in plain sight.

     If the wind calls at night, you must not listen. The wind is lonely, and always looking for company. And there are no strangers in the town of Near.These are the truths that Lexi has heard all her life. But when an actual stranger-a boy who seems to fade like smoke-appears outside her home on the moor at night, she knows that at least one of these sayings is no longer true.The next night, the children of Near start disappearing from their beds, and the mysterious boy falls under suspicion. Still, he insists on helping Lexi search for them. Something tells her she can trust him.As the hunt for the children intensifies, so does Lexi's need to know-about the witch that just might be more than a bedtime story, about the wind that seems to speak through the walls at night, and about the history of this nameless boy.Part fairy tale, part love story, Victoria Schwab's debut novel is entirely original yet achingly familiar: a song you heard long ago, a whisper carried by the wind, and a dream you won't soon forget.

    Black Death ravages London. A killer stalks the streets in a plague doctor’s hood and mask...When a girl is gruesomely murdered, thief taker Charlie Tuesday reluctantly agrees to take on the case. But the horrific remains tell him this is no isolated death. The killer’s mad appetites are part of a master plan that could destroy London – and reveal the dark secrets of Charlie’s own past.Now the thief taker must find this murderous mastermind before the plague obliterates the evidence street by street. This terrifying pursuit will take Charlie deep into the black underbelly of old London, where alchemy, witchcraft and blood-spells collide.In a city drowned in darkness, death could be the most powerful magic of all.

    Twenty years later, one is found--but she's still the same age as when she disappeared. The secrets of witches have reached across the centuries in this chilling Gothic thriller from the author of the acclaimed The Nesting. When single mother Liv is commissioned to paint a mural in a 100-year-old lighthouse on a remote Scottish island, it's an opportunity to start over with her three daughters--Luna, Sapphire, and Clover. When two of her daughters go missing, she's frantic. She learns that the cave beneath the lighthouse was once a prison for women accused of witchcraft. The locals warn her about wildlings, supernatural beings who mimic human children, created by witches for revenge. Liv is told wildlings are dangerous and must be killed.Twenty-two years later, Luna has been searching for her missing sisters and mother. When she receives a call about her youngest sister, Clover, she's initially ecstatic. Clover is the sister she remembers--except she's still seven years old, the age she was when she vanished. Luna is worried Clover is a wildling. Luna has few memories of her time on the island, but she'll have to return to find the truth of what happened to her family. But she doesn't realize just how much the truth will change her.

    While growing up, Rebekkah watched as Maylene performed the same unusual ritual at every funeral: three sips from a small silver flask followed by the words, "Sleep well, and stay where I put you."Now Maylene is gone and Bek must return to the hometown—and the man—she abandoned a decade ago, only to discover that Maylene's death was not natural . . . and there was good reason for her odd traditions. In Claysville, the worlds of the living and the dead are dangerously connected—and beneath the town lies a shadowy, lawless land ruled by the enigmatic Charles, aka Mr. D. From this dark place the deceased will return if their graves are not properly minded. And only the Graveminder, a Barrow woman, and the current Undertaker, Byron, can set things to right once the dead begin to walk.

    Black rocks roll beneath the surface, drowning ghosts. And out of the swell like a finger of light, the salt-scratched tower stands lonely and magnificent.It's New Year's Eve, 1972, when a boat pulls up to the Maiden Rock lighthouse with relief for the keepers. But no one greets them. When the entrance door, locked from the inside, is battered down, rescuers find an empty tower. A table is laid for a meal not eaten. The Principal Keeper's weather log describes a storm raging round the tower, but the skies have been clear all week. And the clocks have all stopped at 8:45. Two decades later, the wives who were left behind are visited by a writer who is determined to find the truth about the men's disappearance. Moving between the women's stories and the men's last weeks together in the lighthouse, long-held secrets surface and truths twist into lies as we piece together what happened, why, and who to believe.In her riveting and suspenseful novel, Emma Stonex writes a story of isolation and obsession, of reality and illusion, and of what it takes to keep the light burning when all else is swallowed by dark.