Jayant Kaikini’s gaze takes in the people in the corners of Mumbai—a bus driver who, denied vacation time, steals the bus to travel home; a slum dweller who catches cats and sells them for pharmaceutical testing; a father at his wit’s end who takes his mischievous son to a reform institution. In this metropolis, those who seek find epiphanies in dark movie theaters, the jostle of local trains, and even in roadside keychains and lost thermos flasks. Here, in the shade of an unfinished overpass, a factory worker and her boyfriend browse wedding invitations bearing wealthy couples’ affectations—“no presents please”—and look once more at what they own. Translated from the Kannada by Tejaswini Niranjana, these resonant stories, recently awarded the DSC Prize for South Asian Literature, take us to photo framers, flower markets, and Irani cafes, revealing a city trading in fantasies while its strivers, eating once a day and sleeping ten to a room, hold secret ambitions close.

    This book brings together a selection of these stories, along with fascinating historical details about the Mughal court, the emperor and his witty courtier. From the time that a chance meeting in the forest brought Akbar and Birbal face-to-face, the emperor and his minister together faced dilemmas that ranged from the ethical to the personal, from debates on the true nature of justice to the problems of hen-pecked husbands. An old widow is robbed of her bag of gold and Birbal nails the culprit. A thief runs away with the emperor’s royal seal but gives Akbar a surprise later. Birbal manages a miraculous escape when envious courtiers conspire to have him killed. The king asks his ministers how many crows there are in the city, and only Birbal has the answer.With well-researched introductions to each aspect of Mughal life, Amita Sarin recreates Akbar’s court in all its grandeur and vitality. The stories in this collection are both amusing and thought-provoking, both historical and timeless.

    The Chinese have nuked large parts of the country; Bombay has been obliterated; Delhi is in the throes of rigorous reconstruction; Bengal has seceded and is now a protectorate of China; the Maoists have taken over much of what remains. The southern states are a distant and tranquil place that nobody has visited in years.The most powerful person in the country is a deranged bureaucrat called the Competent Authority, who has used his official position as the head of the Bureau of Reconstruction, to subvert all forces of governmental authority. Cloaked in anonymity, his identity known only to his terrified minions, the CA rules the remnants of India with an iron fist.Although, in theory, the government and the armed forces still exist, the Prime Minister, who looks very familiar, and the General, who commands the Army, are mere puppets in the hands of the Competent Authority. All they can do is watch in horror as he tries to put in motion a fiendish plan to annihilate everyone in the country, for reasons that are completely logical.The only person who can stop him is Pintoo, a mutant twelve year old from Shanti Nagar, where all the poor people live. Determined to thwart the CAs plan and save the country from disaster, Pintoo employs three reluctant henchmen to help him: Pande, a corrupt and vicious policeman, Chatterjee, a pessimistic but determined CBI officer and Ali, the last surviving member of Al Qaeda. And then there's also the matter of the hand that has a mind of its own.

    "Another""What It Means When a Crowd in a Faraway Nation Takes a Soldier Representing Your Own Nation, Shoots Him, Drags Him from His Vehicle and Then Mutilates Him in the Dust""The Only Meaning of the Oil-Wet Water""On Wanting to Have Three Walls Up Before She Gets Home""Climbing to the Window, Pretending to Dance""She Waits, Seething, Blooming""Quiet""Your Mother and I""Naveed""Notes for a Story of a Man Who Will Not Die Alone""About the Man Who Began Flying After Meeting Her""Up the Mountain Coming Down Slowly""After I Was Thrown in the River and Before I Drowned"From the Trade Paperback edition.

    Master administrator. Author of the Arthashastra. But before the legend, there was the boy: Vishnu Gupta. Pataliputra, capital of the great Nanda empire, is teeming with crime and corruption. Granted unlimited authority by the hedonistic emperor Mahapadma Nanda, evil mastermind Maha-amatya Kartikeya has the city in a vice-like grip. But another name bubbles up through the chaos; there is talk of a young genius, Vishnu Gupta. When the Maha-amatya investigates the rumours, he recognises a future rival in the boy. He is determined to destroy this competition from the roots – family and all. Vishnu must gather all his wits and his formidable knowledge to protect everything he holds dear. The holy scriptures, his brilliant interpretations of the Vedas and the power of his unmatched mind: these are the only tools he has against the might of the most powerful man in the empire. Epic storyteller Ashok K. Banker imagines the life and formative years of India’s greatest genius, a man whose influence persists down the ages. In this first instalment of a thrilling trilogy, he recreates Chanakya’s early struggles and triumphs.

    His friends go to Yale and Harvard. August himself has just landed a prize government job. The job takes him to Madna, “the hottest town in India,” deep in the sticks. There he finds himself surrounded by incompetents and cranks, time wasters, bureaucrats, and crazies. What to do? Get stoned, shirk work, collapse in the heat, stare at the ceiling. Dealing with the locals turns out to be a lot easier for August than living with himself. English, August is a comic masterpiece from contemporary India. Like A Confederacy of Dunces and The Catcher in the Rye, it is both an inspired and hilarious satire and a timeless story of self-discovery.

    The narrator of this story, a precocious nine-year old child, is sent to visit an aunt. This aunt, ignored by a husband whose only interest seems to lie in entertaining slim-waisted young boys, suffers from a relentless bodily itch, an itch, her niece discovers, no doctor can cure and only her maidservant can relieve. Frank and often wickedly comic, Chughtai's stories were the imaginative core of her life's work, drawn from memories of the sprawling Muslim household of her childhood. With her mastery of the spoken language, economy of form, and her fine eye for the details of the intricate and hidden world of women's experience, Chughtai captured the evolving conflicts of Muslim India. Her exploration of the myriad and subtle tyrannies of middle-class gentility, and, equally, of those unexpected moments of sexual liberation and spirit, is unrivalled in contemporary Urdu literature.

    However, her plans are rudely interrupted when she finds out about the man Shagun is going to marry.

    His friend and confidant, 17-year-old Bhandu, is not faring any better — his parents are divorcing, his father has abandoned him, and the American tourist he is infatuated with doesn’t even know he exists. Bhandu and Pinku seek solace in the distracting shenanigans of their friend Guggi — a pampered rich brat who can do anything for a thrill. Guggi’s reckless hedonism lands the threesome in a series of 'sexpot' escapades — each adventure weirder than the one before.But their seemingly innocuous joyride is about to end.With their Class 12 exams around the corner, Guggi, restless to leave a mark, takes over the school’s notorious protection racket in a violent coup. The fallout drags the trio into a murky world of heartbreak, betrayal, and bloody vengeance . . .Fast, funny, and earthy, The Virgins is a coming-of-age novel that marks the debut of a promising writer.

    He turned forty, and his wife of fourteen years left him for another man, taking their only child with her. Now he is on a train to Dehradun, the town of his childhood, doing the one thing he feels he is still good at: running away. As he looks back on his imperfect past, crowded with personal and professional compromises, only a slim hope saves him from despair: perhaps this flight will give him a second chance to reclaim a long-lost love that could have been his, had he the courage of his convictions. And then he can start afresh. With uncommon sensitivity and a rare understanding of human emotions, Navtej Sarna has produced a poignant account of a life of missed opportunities and approximate loves.

    Take your seat aboard SK502 on row 26 among four evolved souls, who through their life and living take you through an escapade that will change the way you see your own life - forever. The story is a fast paced adventure aboard a flight with a pilot who has decided to end his life by committing suicide, endangering every passenger on board. Every twist and turn leaves you gasping. On another level, the book brings you face to face with questions that linger in your consciousness long after you have turned the last page. Come aboard a suspense filled drama of life and death woven by master storyteller Priya Kumar as she takes you on a ride that you will never forget.

    When the beautiful and lonely lady of the manor invites him to stay and share a story, his grief at the destruction of his glorious city spills forth in a story of two brothers, Taka and Wara - wolf and boy - a tale of love and loyalty, hurt and distrust. The storyteller is amazed when the lady, or Begum, responds with a tale of her own, of Aresh and Barab, and a friendship that transcends death. Transfixed by their storytelling duel and shocked by the discovery of forbidden love, the pair draw out their stories in order to delay the moment of their parting. Part fable, part fantasy, The Storyteller's Tale captures the twilight of the Mughals and transports the reader to the stunning setting of an unforgettable brief encounter. Adapting ancient traditions of storytelling, skilfully weaving history and the lives of ordinary people in a landscape of war and devastation, Ahmad's finely drawn tale draws from the great folklore traditions of One Thousand and One Nights and the Tales of Genji.

    When fortune deserts Jai and his carefully ordered life spins inexorably out of control, Jai stands on the brink of ruin. Only a delayed monsoon can save Jai’s biggest project from disaster, but there are millions across the land praying for the exact opposite. Reason seems to have its limits - the weather defies all prediction, let alone control. Will Jai relinquish the beliefs of a lifetime? Will he reconcile with the awful ambiguity about his past? Will he be able to save his crumbling marriage?

    It had none of the fury, the passion of the monsoons. Instead, it was weak; half-hearted.” Exiled from her family in India for more than a decade, Shirin and her husband lead a comfortable but empty life in London.Memories of her childhood – exotic fragrances, colours, stifling heat and tropical storms – fill Shirin with a familiar and growing ache for the land and the people that she loves.With the recollections though, come dark clouds of scandal and secrets. Secrets that forced her to flee her old life and keep her from ever returning.Thousands of miles away, in Bangalore, the daughter of Shirin’s brother discovers a lost, forgotten photograph. One that has escaped the flames.Determined to solve the mystery of an aunt she never knew, Reena’s efforts will set in place a chain of events that expose the painful trauma of the past and irrevocably change the path of the future. An unforgettable journey through a mesmerizing, passionate land of contrasts – and a family whose story will touch your heart.

    Although plagued by the thought that his success is a fluke and hence ill gotten, he plunges headlong into the sights and sound of this dazzling city.Adi's initiation into college life isn't the most promising...... A night of ragging by a bunch of sniggering seniors brings him and his equally vulnerable batch mates close to tears..... But gradually, he finds his feet in the world and makes friends with a motley crew. He also has his heart broken and falls in love ..... In that order.