For Jim Nashe, it all started when he came into a small inheritance and left Boston in pusuit of "a life of freedom." Careening back and forth across the United States, waiting for the money to run out, Nashe met Jack Pozzi, a young man with a temper and a plan. With Nashe's last funds, they entered a poker game against two rich eccentrics, "risking everything on the single turn of a card." In Paul Auster's world of fiendish bargains and punitive whims, where chance is a shifting and powerful force, there is redemption, nonetheless, in Nashe's resolute quest for justice and his capacity for love.

    A studious, law-abiding, intense youngster from Newark, New Jersey, Marcus Messner, is beginning his sophomore year on the pastoral, conservative campus of Ohio’s Winesburg College. And why is he there and not at the local college in Newark where he originally enrolled? Because his father, the sturdy, hard-working neighborhood butcher, seems to have gone mad -- mad with fear and apprehension of the dangers of adult life, the dangers of the world, the dangers he sees in every corner for his beloved boy.As the long-suffering, desperately harassed mother tells her son, the father’s fear arises from love and pride. Perhaps, but it produces too much anger in Marcus for him to endure living with his parents any longer. He leaves them and, far from Newark, in the midwestern college, has to find his way amid the customs and constrictions of another American world.Indignation, Philip Roth’s twenty-ninth book, is a story of inexperience, foolishness, intellectual resistance, sexual discovery, courage, and error. It is a story told with all the inventive energy and wit Roth has at his command, at once a startling departure from the haunted narratives of old age and experience in his recent books and a powerful addition to his investigations of the impact of American history on the life of the vulnerable individual.

    He was able to make contact in dream states with his intuitive father within days and verbal contact by the end of the first month. Two years later he requested his father write down communication from Galen about his new circumstances. Dr. Stoller’s only comments in this revelatory account appear in Editor’s Notes at the end of each chapter. While there are many accounts of near-death experiences, never has an account been written documenting a personal encounter with such detail and clarity. The story of this gifted boy intent on getting through to earth the knowledge of what lies beyond is both comforting and sobering with a message relevant for all of us still living in this dimension.

    'Ohio Impromptu...speaks poetically and with a stunning theatricality about a last love. Catastrophe...is a politically prescient black comedy about man's enslavement by the state. What Where, the most enigmatic of three pieces, is a cryptic gram of truth about the manipulation of man by man. A compelling triptych.' ---Mel Gussow, The New York Times

    No more searching for each of Sir Arthur Conan Doyle's Sherlock Holmes books, you get them all in one book. In addition you get 54 amazing mystery stories by all time great writers, including the Father Brown series and The Man who Was Thursday. The following is included:THE HOUND OF THE BASKERVILLESMR. SHERLOCK HOLMESTHE CURSE OF THE BASKERVILLESTHE PROBLEMSIR HENRY BASKERVILLETHREE BROKEN THREADSBASKERVILLE HALLTHE STAPLETONS OF MERRIPIT HOUSEFIRST REPORT OF DR. WATSONSECOND REPORT OF DR. WATSONEXTRACT FROM THE DIARY OF DR. WATSONTHE MAN ON THE TORDEATH ON THE MOORFIXING THE NETSTHE HOUND OF THE BASKERVILLESA RETROSPECTIONTHE RETURN OF SHERLOCK HOLMESTHE ADVENTURE OF THE ABBEY GRANGETHE ADVENTURE OF BLACK PETERTHE ADVENTURE OF CHARLES AUGUSTUS MILVERTONTHE ADVENTURE OF THE DANCING MENTHE ADVENTURE OF THE EMPTY HOUSETHE ADVENTURE OF THE GOLDEN PINCE-NEZTHE ADVENTURE OF THE MISSING THREE-QUARTERTHE ADVENTURE OF THE NORWOOD BUILDERTHE ADVENTURE OF THE PRIORY SCHOOLTHE ADVENTURE OF THE SECOND STAINTHE ADVENTURE OF THE SIX NAPOLEONSTHE ADVENTURE OF THE SOLITARY CYCLISTTHE ADVENTURE OF THE THREE STUDENTSTHE MEMOIRS OF SHERLOCK HOLMESSILVER BLAZETHE YELLOW FACETHE STOCK-BROKER’S CLERKTHE “GLORIA SCOTT”THE MUSGRAVE RITUALTHE REIGATE PUZZLETHE CROOKED MANTHE RESIDENT PATIENTTHE GREEK INTERPRETERTHE NAVAL TREATYTHE FINAL PROBLEMA STUDY IN SCARLETTHE ADVENTURES OF SHERLOCK HOLMESA SCANDAL IN BOHEMIATHE RED-HEADED LEAGUEA CASE OF IDENTITYTHE BOSCOMBE VALLEY MYSTERYTHE FIVE ORANGE PIPSTHE MAN WITH THE TWISTED LIPTHE ADVENTURE OF THE BLUE CARBUNCLETHE ADVENTURE OF THE SPECKLED BANDTHE ADVENTURE OF THE ENGINEER’S THUMBTHE ADVENTURE OF THE NOBLE BACHELORTHE ADVENTURE OF THE BERYL CORONETTHE ADVENTURE OF THE COPPER BEECHESTHE SIGN OF FOURTHE VALLEY OF FEARHIS LAST BOWTALES OF TERROR AND MYSTERYINNOCENCE OF FATHER BROWNTHE MAN WHO WAS THURSDAY * The Great Valdez Sapphire by Anonymous * The Lost Duchess by Anonymous * The Minor Canon by Anonymous * The Pipe by Anonymous * The Puzzle by Anonymous * The Baron's Quarry by Egerton Castle * The Dream Woman by Wilkie Collins * A Case of Identity by Sir Arthur Conan Doyle * A Scandal in Bohemia by Sir Arthur Conan Doyle * The Red-Headed League by Sir Arthur Conan Doyle * His Wedded Wife by Rudyard Kipling * In the House of Suddhoo by Rudyard Kipling * My Own True Ghost Story by Rudyard Kipling * The Sending of Dana Da by Rudyard Kipling * The Pavilion on the Links by Robert Louis Stevenson * The Fowl in the Pot by Stanley John Weyman * Bourgonef by Anonymous * The Closed Cabinet by Anonymous * The Avenger by Thomas De Quincey * The Haunted House by Charles Dickens * No. I Branch Line: The Signal Man by Dickens * The Haunted and the Haunters by Baron Edward Bulwer Lytton * The House and the Brain by Baron Edward Bulwer Lytton * The Incantation by Baron Edward Bulwer Lytton * Melmoth the Wanderer by Charles Rober Maturin * A Mystery with a Moral by Laurence Sterne * On Being Found Out by William Makepeace Thackeray * The Notch on the Ax by William Makepeace Thackeray * The Nail by Pedro Antonio de Alarcón * The Adventure of the Three Robbers by Lucius Apuleius * Melmoth Reconciled by Honoré de Balzac * The Conscript by Honoré de Balzac * The Deposition by Luigi Capuana * The Invisible Eye by Erckmann-Chatrian * The Owl's Ear by Erckmann-Chatrian * The Waters of Death by Erckmann-Chatrian * An Uncomfortable Bed by Guy de Maupassant * Fear by Guy de Maupassant * Ghosts by Guy de Maupassant * The Confession by Guy de Maupassant * The Horla by Guy de Maupassant * The Man with the Pale Eyes by Guy de Maupassant * The Necklace by Guy de Maupassant * The Miracle of Zobéide by Pierre Mille * Letter to Sura by Pliny, the Younger * The Torture by Hope by Auguste comte de Villiers de L'Isle-Adam * Zadig The Babylonian by Voltaire

    This edition features an introduction by Gary Scharnhorst.

    This volume presents a comprehensive critical study of Samuel Beckett's first and most renowned dramatic work. Lawrence Graver discusses the play's background and provides a detailed analysis of its originality and distinction as a landmark of modern theatrical art. He also reviews some of the differences between Beckett's original French version and his English translation.

    Stallings, recipient of the 1999 Richard Wilbur Award, uniquely juxtaposes poetic meditations on mythological themes with poems about the everyday occurances of contemporary life -- such as losing an umbrella or fishing with one's father. In doing so, Archaic Smile continually bridges the gap between these two distant but interrelated worlds with striking insights. James Dickey, having praised the author's accomplished critical skills, also points out that she has "the most indispensable quality that a poet must have: an original way of looking at things." A.R. Ammons aptly characterizes the power of her mythological poems in his comments on "Apollo Takes Charge of His Muses" which he chose for The Best American Poetry: "It delivers the ancient past into our present with such astonishing justness that I'm silenced with appreciation." Archaic Smile is a powerful debut collection by a provacative poet who has found strikingly original ways to personalize our myths and conjure the deep significances of our everyday life.

    But at the moment, she's living in New York City and writing advertising jingles to pay the rent while her fiancé, Jack, pursues his singing career. So when Amanda's mother, Kim, calls one evening from New Hampshire and asks for her help with something she can't discuss over the phone, Amanda is only too happy to leave New York. Once home, Kim reveals that she's leaving Amanda's father and needs help packing. Amanda balks and ends up (gently) hitting the postman, who happens to be her first boyfriend. They spend the night together in an apple orchard, where Amanda tries to tell Billy how her life got sidetracked. It has something to do with being a young woman in a profession that only recognizes famous men. Billy acts like he might have the answer, but doesn't. Neither does Amanda's mother. Or, for that matter, her father. A Feminine Ending is a gentle, bittersweet comedy about a girl who knows what she wants but not quite how to get it. Her parents are getting divorced, her fiancée is almost famous, her first love reappears, and there's a lot of noise in her head but none of it is music. Until the end. "Ending′ is a promising beginning...the playwright has a sense of humor that brings to mind a budding Wendy Wasserstein and a liberated sense of form that evokes a junior Paula Vogel."-Los Angeles Times "Darkly comic. FEMININE ENDING has undeniable wit." -New York Post. "Appealingly outlandish humor." -The New York Times. "Courageous. The 90-minute piece swerves with nerve and naivete. Sarah Treem has a voice all her own." -Newsday.

    They illuminate as with a flash of lightning a deadly serious problem--and they bring an eloquent and exceptionally powerful voice to the American theatre.Dutchman opened in New York City on March 24, 1964, to perhaps the most excited acclaim ever accorded an off-Broadway production and shortly thereafter received the Village Voice's Obie Award. The Slave, which was produced off-Broadway the following fall, continues to be the subject of heated critical controversy.

    Hold tight as the ordinary turns extraordinary in Mark O’Rowe’s exhilarating new play. A blackly comic vision of Dublin infested with demons, from the author of Howie the Rookie.

    The first published play by an African American writer, The Escape explored the complexities of American culture at a time when tensions between North and South were about to explode into the Civil War. This new volume presents the first-edition text of Brown’s play and features an extensive introduction that establishes the work’s continuing significance.The Escape centers on the attempted sexual violation of a slave and involves many characters of mixed race, through which Brown commented on such themes as moral decay, white racism, and black self-determination. Rich in action and faithful in dialect, it raises issues relating not only to race but also to gender by including concepts of black and white masculinity and the culture of southern white and enslaved women. It portrays a world in which slavery provided a convenient means of distinguishing between the white North and the white South, allowing northerners to express moral sentiments without recognizing or addressing the racial prejudice pervasive among whites in both regions.John Ernest’s introductory essay balances the play's historical and literary contexts, including information on Brown and his career, as well as on slavery, abolitionism, and sectional politics. It also discusses the legends and realities of the Underground Railroad, examines the role of antebellum performance art—including blackface minstrelsy and stage versions of Uncle Tom's Cabin—in the construction of race and national identity, and provides an introduction to theories of identity as performance.A century and a half after its initial appearance, The Escape remains essential reading for students of African American literature. Ernest's keen analysis of this classic play will enrich readers’ appreciation of both the drama itself and the era in which it appeared.The Editor: John Ernest is an associate professor of English at the University of New Hampshire and author of Resistance and Reformation in Nineteenth-Century African-American Literature: Brown, Wilson, Jacobs, Delany, Douglass, and Harper.

    Into her life saunters Cliff, a hard working, hard drinking truck driver. He is rough and witty and just as starved for love as she is. Produced to great success at New York's Circle Repertory, this delicate two-character drama starred Peter Weller and Patricia Wettig. The Woolgatherer features several excellent monologues. "Energy, compassion and theatrical sense are there."-The New York Times "[Mastrosimone] has a knack for composing wildly humorous lines at the same time that he is able to penetrate people's hearts and dreams."-Hollywood Reporter

    But when the young members of the Christian Puppet Ministry put those teachings into practice, one devout young man's puppet takes on a shocking personality that no one could have expected. In this hilarious black comedy, a foul-mouthed sock puppet named Tyrone soon teaches those around him that the urges that can drive a person to give in to their darkest desires fit like a glove. In Hand to God, a "true tour de force" (New York Times), Robert Askins has written a play of "unerring perfection" (Huffington Post). The must-see hit of the 2015 Broadway season, starring Steven Boyer and Geneva Carr, garnered an Obie Award and five Tony Award nominations, including Best Play, following its sold out, critically acclaimed off-Broadway runs at MCC Theater and Ensemble Studio Theatre.

    At the beginning of this novel, she drives back to her family ranch in the foothills of the Sierras to attend the wedding of her identical twin, Judith, to a nice young doctor from Connecticut. Cassandra, however, is hell-bent on sabotaging the wedding. Dorothy Baker's entrancing tragicomic novella follows an unpredictable course of events in which her heroine appears variously as conniving, self-aware, pitiful, frenzied, absurd, and heartbroken—at once utterly impossible and tremendously sympathetic. Cassandra reckons with her complicated feelings about the sister who she feels owes it to her to be her alter ego; with her father, a brandy-soaked retired professor of philosophy; and with the ghost of her dead mother, as she struggles to come to terms with the only life she has. First published in 1962, Cassandra at the Wedding is a book of enduring freshness, insight, and verve. Like the fiction of Jeffrey Eugenides and Jhumpa Lahiri, it is the work of a master stylist with a profound understanding of the complexities of the heart and mind.