Her exuberant, critically acclaimed teaching guide takes instructors, writers, and general readers into the very heart and intensity of life and the craft of expressing what one feels through the written word.

    This aspect of romance writing is so often neglected, usually with disastrous results; a novel that reads like a badly written script. Fortunately, there's now a way for any writer, regardless of their experience, to get a huge head-start writing in this profitable genre. It's a secret resource that romance writers don't want you to know about! Dahlia Evans has compiled a romance writing thesaurus unlike anything ever published. This reference book is filled to the brim with words and phrases gathered from hundreds of bestselling romance novels. Using this book you will be able to describe intimate encounters of every kind without breaking a sweat.Inside You'll Discover:# 8,500 words and phrases sorted into 37 categories.# Thousands of words you can use to describe each part of the body.# Words that describe each of the five senses; taste, touch, sight, sound, smell.# Words to describe feelings and emotions.# Words that describe facial expressions.# Hundreds of words to describe intimacy.'Thinking Like A Romance Writer' is the culmination of hundreds of hours of research and is a book destined to become a classic in the field of romance writing instruction.

    No other writing craft book teaches you the secret of how to "show, don't tell." Best-selling authors of every genre know the secret to hooking readers—by showing, not telling, their story. But writers are not taught how to “show” scenes in a cinematic way. Without a clear, concise, and precise method for constructing dynamic scenes, a writer will likely end up with a flat, lifeless novel. Filmmakers, screenwriters, and movie directors utilize cinematic technique to create visual masterpieces, and novelists can too—by adapting their methods in their fiction writing. By “shooting” your novel, you can supercharge your story! Sol Stein, in his book Stein on Writing said, “Readers, transformed by film and TV, are used to seeing stories. The reading experience . . . is increasingly visual.” Novelists today—regardless of genre—need to learn cinematic storytelling because that's what readers want! Inside, you’ll learn: The real secret to “show, don’t tell” and how it’s all about “the moment” More than a dozen “camera shots” novelists can borrow from screenwriters and directors to create powerful, active scenes Instruction on how to piece camera shots together to create cinematic scene segments Examples from novels and screenplays showcasing each facet of cinematic technique How to devise a thematic image system of key shots, motifs, and images Ways to use colors, shapes, sounds, and angles for purposeful subliminal effect Shooting your novel with a filmmaker’s eye will transform your good novel into a great one and will change forever the way you approach constructing your scenes. No other book gives you such deep, thorough instruction in cinematic storytelling for fiction writing. Here's what some best writing instructors and best-selling authors have to say about this essential novel writing book: “With such an extensive amount of experience in the screenwriting process (since childhood), it comes as no surprise that C. S .Lakin writes with a trustworthy authority and wealth of insight when it comes to the craft of building dynamic scenes within novels. The pace and flow of Shoot Your Novel makes it easy to follow and the various tips and pointers strewn throughout are succinct. Of particular note is the smart curation of novel excerpts, authors, and filmmakers she cites as examples for the tips she suggests. If you have trouble understanding some of the pointers/tips theoretically, the excerpts always make it more clear. Having myself adapted The War of the Roses for both film and stage I can say that I have actually used quite a few of the techniques Lakin discusses and the one I like the most is the use of portraying "daydreaming" when writing from the POV of a character, effectively blending past, present, and future in one single scene—there is a lot of this going on in The War of the Roses and it is one of the aspects of the story flow that has made the rendering of the character a success.

    Like Agatha Christie and Raymond Chandler, Sara Paretsky and Thomas Harris, you, too, can learn the trade secrets of quality detective fiction.It's true.  Just one year from now, you can deliver a completed mystery novel to a publisher--by writing only on weekends.  Authors Robert J.  Ray and Jack Remick guide you through the entire mystery-writing process, from creating a killer to polishing off the final draft.  Each weekend you'll focus on a specific task--learning the basics of novel-writing, the special demands of mystery-writing, and the secrets professionals use to create stories one scene at a time, building to a shivery, satisfying climax.  Using Agatha Christie's The Body in the Library as a model for the classical mystery tale and Martin Cruz Smith's Gorky Park for the hard-boiled mystery, this unique step-by-step program gives you all the information you need to reach your ultimate goal: a finished book in just 52 weeks!  Let two successful masters of the genre show you how...Discover: Why you must create your killer first The tricks to writing dialogue that does it all--moves your plot, involves your reader, and makes your style sizzle How to "bury" information (and corpses) for your reader to find Why you should NOT build your book around chapters Special techniques for clearing writer's block Plus: examples from Sue Grafton, Dashiell Hammett, Patricia Cornwell, Thomas Harris, Raymond Chandler, and more.

    They follow “best practices” in marketing that never seem to pan out, don’t produce results, and make them feel lost and oftentimes, frustrated. Be the Gateway offers a powerful way to have an impact. If you want to share your voice and inspire people with your writing, art, craft, or creative idea, you have to be the gateway for them. Instead of throwing “products” out into the marketplace, you open them up to a new way of looking at the world, of knowing themselves, and connecting with others. You unlock new experiences for them -- not just through what you create, but through the unique way you share it with the world. Too often we think about the creative process as separate from the marketing process. Instead, view them as the same. Replace the inclination to “promote” with the desire to share and engage. How and why you create is a story — and your best asset to truly engage people. Be the Gateway shows you how to use that gift with joy and with confidence.

    A personable and funny book on how to write about your life in essay and memoir, by Adair Lara, whom Anne Lamott (Bird by Bird) calls San Francisco's legendary writer and teacher

    With elegance, humor, and sophistication, Gardner describes the life of a working novelist; warns what needs to be guarded against, both from within the writer and from without; and predicts what the writer can reasonably expect and what, in general, he or she cannot. "For a certain kind of person," Gardner writes, "nothing is more joyful or satisfying than the life of a novelist." But no other vocation, he is quick to add, is so fraught with professional and spiritual difficulties. Whether discussing the supposed value of writer's workshops, explaining the role of the novelist's agent and editor, or railing against the seductive fruits of literary elitism, On Becoming a Novelist is an indispensable, life-affirming handbook for anyone authentically called to the profession. "A miraculously detailed account of the creative process."—Anne Tyler, Baltimore Sun

    This is not one of those books. On the contrary, this is a collection of terrible, awkward, and laughably unreadable excerpts that will teach you what to avoid—at all costs—if you ever want your novel published.In How Not to Write a Novel, authors Howard Mittelmark and Sandra Newman distill their 30 years combined experience in teaching, editing, writing, and reviewing fiction to bring you real advice from the other side of the query letter. Rather than telling you how or what to write, they identify the 200 most common mistakes unconsciously made by writers and teach you to recognize, avoid, and amend them. With hilarious "mis-examples" to demonstrate each manuscript-mangling error, they'll help you troubleshoot your beginnings and endings, bad guys, love interests, style, jokes, perspective, voice, and more. As funny as it is useful, this essential how-NOT-to guide will help you get your manuscript out of the slush pile and into the bookstore.

    This book is chock-full of excellent tips to help you learn to write like the pros and create a compelling novel that sells. Not only that, but if you apply these tips to your manuscript, you'll save a lot of money on editing costs.Topics include: hooking readers in on your first pages, writing compelling action scenes, style blunders to avoid, showing instead of telling, streamlining cluttered sentences and paragraphs, avoiding repetitions, choosing words that nail it, varying your pacing, avoiding info dumps, smoothing out awkward structures, writing natural-sounding dialogue, expressing thoughts, showing character reactions, avoiding melodrama, finding your authentic voice, and more.

    But it’s also not as difficult as you imagined.” Dufresne’s smart, practical, hard-nosed guide is for the person who has always wanted to write a novel but has been daunted by the sometimes chaotic, always challenging writing process. A patient teacher and experienced writer, Dufresne focuses his expertise and good humor on helping aspiring novelists take their first tentative steps. His six-month program variously calls attention to the key elements of good fiction writing and offers exercises that are designed to sharpen writers’ command of novel-length storytelling. After six months of guided writing, the users of this book will finish what might have once seemed impossible—a rich and compelling first draft of a novel. Is Life Like This? may well be the most important addition to the aspiring writer’s library.

    How do you make your readers believe your characters are falling in love? How do you show that sizzle of attraction? How do you write a good kissing scene? How do you bring in the much-needed tension but still have your characters flirting and getting closer? In this book I take one of my romance novels (Acting Married) and I go through the entire novel with you, basically interrupting myself to tell you what I was thinking as I was writing the novel. It's like watching a movie with commentary. I pull back the curtain so you can see why I started it the way I did, why I decided to put certain scenes in, and what pushes the romance forward in the book. I preface all this with what I consider the essentials of a good romance novel, and I end with my list of well-loved romance tropes that you can draw from in order to write your own bestselling romance novel.

    An author needs all of these to be successful, but writing—and writing well—also demands an entirely different skill set.Spellbinding Sentences arms you with the tools you need to master the power of the English language. In this book, you’ll learn the different qualities of words and the many ways those words can be combined to create sentences that hook readers. You'll emulate sentences from your favorite writers, practice professional techniques, and develop your skills one step at a time. The result?  Your ability to craft excellent sentences will become second nature—and those sentences will hold your readers spellbound, page after page. “Get this book and profit from it!”—Ursula K. Le Guin “Barbara Baig’s Spellbinding Sentences is a tribute to the pleasure and vitality of the English language. Never prescriptive and always clear, this enlightening book is sure to help all those wishing to add grace and strength to their writing.” —Jane Brox, award-winning author of Brilliant: The Evolution of Artificial Light, one of TIME magazine’s top ten nonfiction books of 2010“Spellbinding Sentencesis sophisticated and down-to-earth at the same time. Barbara Baig has distilled decades of experience into this wise book.” —Edward Dolnick, New York Times best-selling author of The Rescue Artist: A True Story of Art, Thieves, and the Hunt for a Missing Masterpiecehttp://www.barbarabaig.com/works.htm

    With Unless It Moves the Human Heart, the revered novelist, essayist, playwright, and respected writing teacher offers a guidebook for aspiring authors, a memoir, and an impassioned argument for the necessity of writing in our world. In the tradition of Anne Lamott’s Bird by Bird, Rosenblatt’s Unless It Moves the Human Heart provides practical insights and advice on the craft, exquisitely presented by one of contemporary literature’s living treasures.

    [It] was due the next day. We were out at our family cabin in Bolinas, and he was at the kitchen table close to tears, surrounded by binder paper and pencils and unopened books on birds, immobilized by the hugeness of the task ahead. Then my father sat down beside him, put his arm around my brother's shoulder, and said. 'Bird by bird, buddy. Just take it bird by bird.'"With this basic instruction always in mind, Anne Lamott returns to offer us a new gift: a step-by-step guide on how to write and on how to manage the writer's life. From "Getting Started,' with "Short Assignments," through "Shitty First Drafts," "Character," "Plot," "Dialogue." all the way from "False Starts" to "How Do You Know When You're Done?" Lamott encourages, instructs, and inspires. She discusses "Writers Block," "Writing Groups," and "Publication." Bracingly honest, she is also one of the funniest people alive.If you have ever wondered what it takes to be a writer, what it means to be a writer, what the contents of your school lunches said about what your parents were really like, this book is for you. From faith, love, and grace to pain, jealousy, and fear, Lamott insists that you keep your eyes open, and then shows you how to survive. And always, from the life of the artist she turns to the art of life.

    How can you make your own plots--in your novels, short stories, memoirs, or screenplays--just as irresistible?"Plot Perfect" provides the answer. This one-of-a-kind plotting primer reveals the secrets of creating a story structure that works--no matter what your genre. It gives you the strategies you need to build a scene-by-scene blueprint that will help elevate your fiction and earn the attention of agents and editors.Inside, literary agent, editor, and author Paula Munier shows you how to:Devise powerful plots and subplots and weave them together seamlesslyOrganize your scenes for the greatest impactDevelop captivating protagonists, worthy antagonists, and engaging secondary charactersUse dialogue, setting, tone, and voice to enhance your plotLayer, refine, and polish your storylineDefine your story in terms of its themeFilled with writing exercises, plotting templates, and expert advice, "Plot Perfect" helps you dive into the intricacies of plot--and write a compelling story that readers won't be able to resist.