Gulliver’s Travels is, of course, his world renowned masterpiece in the genre; however, Swift wrote other, shorter works that also offer excellent evidence of his inspired lampoonery. Perhaps the most famous of these is A Modest Proposal, in which he straight-facedly suggests that Ireland could solve its hunger problems by using its children for food. Also included in this collection are The Battle of Books, A Meditation upon a Broomstick, A Discourse Concerning the Mechanical Operations of the Spirit and An Argument Against Abolishing Christianity in England.This inexpensive edition will certainly be welcomed by teachers and students of English literature, but its appeal extends to any reader who delights in watching a master satirist wield words as weapons.

    Unconventional in both style and content, it shattered the myths of small town American life. A collection of epitaphs of residents of a small town, a full understanding of Spoon River requires the reader to piece together narratives from fragments contained in individual poems."

    The Blizzard Voices is based on the actual reminiscences of the survivors as recorded in documents from the time and written reminiscences from years later. Here are the haunting voices of the men and women who were teaching school, working the land, and tending the house when the storm arrived and changed their lives forever.

     A captivating blend of historical fact and imaginative fiction, Above All Things moves seamlessly back and forth between the epic story of Mallory's legendary final expedition and a heartbreaking account of a day in the life of Ruth Mallory. Through George's perspective, and that of the newest member of the climbing team, Sandy Irvine, we get an astonishing picture of the terrible risks taken by the men on the treacherous terrain of the Himalaya. But it is through Ruth's eyes that a complex portrait of a marriage emerges, one forged on the eve of the First World War, shadowed by its losses, and haunted by the ever-present possibility that George might not come home. Drawing on years of research, this powerful and beautifully written novel is a timeless story of desire, redemption, and the lengths we are willing to go for honour, glory, and love.

    In her bestselling novels Lullabies for Little Criminals and The Girl Who Was Saturday Night, she transformed the shabbiest streets of Montreal with her beautiful, freewheeling metaphors. She described the smallest of things--a stray cat or a second-hand coat--with an intensity that made them otherworldly. In Daydreams of Angels, O'Neill's first collection of short stories, she gives free reign to her imaginative gifts. In "The Ugly Ducklings," generations of Nureyev clones live out their lives in a grand Soviet experiment. In "Dear Piglet," a teenaged cult follower writes a letter to explain the motivation behind her crime. And in another tale, a grandmother reveals where babies come from: the beach, where young mothers-to-be hunt for infants in the surf. Each of these beguiling stories twists the beloved narratives of childhood--fairy tales, storybooks, Bible stories--to uncover the deepest truths of family life.

    A seemingly cold and dour spinster, her heart eventually softens to the loveable orphan girl. But for over a century readers have wondered, who was Marilla before Anne? In Louise Michalos's remarkable debut novel, readers are introduced to a spirited eighteen-year-old Marilla Cuthbert—a girl not unlike Anne herself—who is desperately in love, and whose whole life is spread before her. But when a moment of defiance brings life-changing consequences, a new Marilla begins to take shape, one who would learn to bear tragedy like a birthright, and loss as an inevitability, and who would hold steadfast to the secrets that could shatter the lives of everyone around her. Weaving its way from Marilla's early life in Avonlea to her coming-of-age in Halifax, Nova Scotia, and back, Marilla Before Anne is the story readers of Anne of Green Gables have longed for. Told with a refreshingly original East Coast voice, this exquisite, heartbreaking work of historical fiction takes readers on a journey back in time, to the Green Gables where Marilla Cuthbert lived, loved, and learned, long before Anne.

    Seventeen-year-old Roddy, on the other hand, is a faltering student, and occasional shoplifter trying to make sense of his life. Their worlds collide one hot August afternoon when a fake robbery organised by Roddy and his friend Mike goes horribly wrong, leaving Isla with a bullet lodged in her spine. With Roddy 'immobilised' in gaol and Isla lying paralysed in the hospital, they both have lots of time to reflect upon where it all went wrong.

    'If I had Jeeves's brain I should have a stab at being Prime Minister or something.'Luckily for us, Bertie Wooster manages to retain Jeeves's services through all the vicissitudes of purple socks and policeman's helmets, and here, gathered together for the first time, is an omnibus of Jeeves novels and stories comprising three of the funniest books ever written: Thank You, Jeeves, The Code of the Woosters and The Inimitable Jeeves.

    Hilariously ironic and irreverent, in Dirty Birds, Morgan Murray generates a quest novel for the twenty-first century--a coming-of-age, rom-com, crime-farce thriller--where a hero's greatest foe is his own crippling mediocrity as he seeks purpose in art, money, power, crime, and sleeping in all day.

    It can also be as dark, as violent, as rapturous. In the end, there may be no difference between them.A girl grows up in Nunavut in the 1970s. She knows joy, and friendship, and parents' love. She knows boredom, and listlessness, and bullying. She knows the tedium of the everyday world, and the raw, amoral power of the ice and sky, the seductive energy of the animal world. She knows the ravages of alcohol, and violence at the hands of those she should be able to trust. She sees the spirits that surround her, and the immense power that dwarfs all of us. When she becomes pregnant, she must navigate all this.Veering back and forth between the grittiest features of a small arctic town, the electrifying proximity of the world of animals, and ravishing world of myth, Tanya Tagaq explores a world where the distinctions between good and evil, animal and human, victim and transgressor, real and imagined lose their meaning, but the guiding power of love remains.Haunting, brooding, exhilarating, and tender all at once, Tagaq moves effortlessly between fiction and memoir, myth and reality, poetry and prose, and conjures a world and a heroine readers will never forget.

    The marriage of the young Irish Catholic woman to an older English man is thought scandalous, but they work happily together, playing music to accompany the films. When George succumbs to illness and dies, leaving Janie with one young child and another on the way, the unscrupulous Joey Elias tries to take over the business. But Janie guards the theatre with a shotgun, and still in mourning, re-opens it herself. “If there was no real bliss in Janie’s life,” recounts her grandson, “there were moments of triumph.”One night, deceived by the bank manager and Elias into believing she will lose her mortgage, Janie resolves to go and ask for money from the Catholic houses. Elias has sent out men to stop her, so she leaps out the back window and with a broken rib she swims in the dark across the icy Miramichi River, doubting her own sanity. Yet, seeing these people swayed into immoral actions because of their desire to please others and their fear of being outcast, she thinks to herself that “…all her life she had been forced to act in a way uncommon with others… Was sanity doing what they did? And if it was, was it moral or justified to be sane?” Astonishingly, she finds herself face to face that night with influential Lord Beaverbrook, who sees in her tremendous character and saves her business. Not only does she survive, she prospers; she becomes wealthy, but ostracized. Even her own father helps Elias plot against her. Yet Janie McLeary King thwarts them and brings first-run talking pictures to the town. Meanwhile, she employs Rebecca from the rival Druken family to look after her children. Jealous, and a protégé of Elias, Rebecca mistreats her young charges. The boy Miles longs to be a performer, but Rebecca convinces him he is hated, and he inherits his mother’s enemies. The only person who truly loves her, he is kept under his mother’s influence until, eventually, he takes a job as the theatre’s projectionist. He drinks heavily all his life, tends his flowers, and talks of things no-one believes, until the mystery at the heart of the novel finally unravels.“At six I began to realize that my father was somewhat different,” says Miles King’s son Wendell, who narrates the saga in an attempt to find answers in the past and understand “how I was damned.” It is a many-layered epic of rivalries, misunderstandings, rumours; the abuse of power, what weak people will do for love, and the true power of doing right; of a pioneer and her legacy in the lives of her son and grandchildren.“David Adams Richards is perhaps the greatest Canadian writer alive,” wrote Lynn Coady in the Vancouver Sun. From this winner of the Giller Prize and the Governor General’s Award comes a story of a woman’s determined struggle against small town prejudice, and her son’s long battle against deceit. Richards’ own family ran Newcastle’s Uptown Theatre from 1911 to 1980, and Janie is based on his grandmother. Cast upon this history is a drama that explores morality and “the question of how one should live,” as The Atlantic Monthly said of Mercy Among the Children, his previous novel.Reviewers agree that Richards’ fiction sits firmly in the tradition of Tolstoy and Dostoevsky by concerning itself explicitly with good and evil and the human freedom to choose between them. Once again, in River of the Brokenhearted, his twelfth novel, Richards has created a work of compassion and assured, poetic sophistication which finds in the hearts of its characters venality and goodwill, cruelty and love.From the Hardcover edition.

    In this book, Grizzard turns his attention to his mother, and to all mothers, casting a loving, comic eye toward the most important and defining relationship of all.

    Beginning with the dramatic events surrounding his birth, the richly recalled events of Ferguson's life and a vivid cast of loveable misfits make for a taut and appealingly idiosyncratic tale. In 1959, just one step ahead of the law, Hank Ferguson (the Ferguson brothers' con-artist dad) headed north in a beat-up two-toned 1953 Mercury Zephyr with his pregnant wife, Louise. He got as far as remote Fort Vermilion. Passing himself off as a teacher at the local "Indian school," he settled his ever-expanding family in what was then Canada's third poorest community. In this spirited reading, originally broadcast on CBC Radio in September 2004, Ian Ferguson's gifts as a comic actor rise exuberantly to the fore.

    The best way to survive is to absorb yourself in your own world. Never make eye contact with your fellow inmates. And the last person you can trust is your prison psychiatrist – not only is he likely to be lazy and incompetent (really, why else wouldn’t he be getting rich off of well-heeled clients instead?) but if you complain about him you’re going to be labelled as a “permanent malcontent” and denied parole. So when Dr. Gardonne offers Kate a temporary absence and a job working for him, she only takes it because she knows that turning him down could be worse for her in the long run – counted in prison years, of course. But the real challenge is figuring out why he would choose her.On the surface, it’s pretty clear. Kate has spent her incarceration immersing herself in the writings of Sigmund Freud, and has become a recognized expert on his work. Dr. Gardonne represents the members of a psychoanalytic organization that is being attacked at its core: Anders Konzak, the hand-picked director of the Freud academy, has been boasting to the media that his new research on Freud will bring the entire profession of psychoanalysis to its knees. He’s also been receiving death threats. And Kate, as an outsider, is the only one Konzak will talk to. Though she doesn’t trust Gardonne, Kate accepts his offer, and she races to uncover Konzak’s secrets before he publishes his work.Never one to work well with others, Kate is less than thrilled to find out Gardonne has hired a private detective to be her partner. Jackie Lawton is a hardened ex-con who has spent most of his life in prison and only recently turned things around by starting his own business. From the moment the two meet, Kate sees that it won’t be easy working with a man who isn’t really interested in the intellectual battle at hand and who keeps her prison time at the forefront of every conversation. And can he really be trusted? When key players – who were all last seen with Kate – begin to turn up dead, there’s the very real possibility she’s being set up by Gardonne. After all, who would believe the word of a convict serving time for murdering her husband? All she can hope is that following the threads of Konzak’s research to his sources will keep her one step ahead of Gardonne and lead her to the real killer.With Seduction, Catherine Gildiner gives us not only a gripping detective story full of shifting characters and fast-paced twists but a remarkable intellectual thriller. Through the letters and papers of Sigmund Freud, Charles Darwin and the venerable Wedgwood family, Gildiner brings the personalities and ideological conflicts of the past to life in the present. Along the way we meet an assortment of characters, from social misfits to the demure but resolute Anna Freud, who is still living in the London house where she brought her ailing father for the last year of his life, and where she actively guards his legacy. The story takes us from Toronto to Vienna, London, the Isle of Wight, New York and back again to Toronto – each locale seen through the eyes of Kate, who relishes in the beauty of a world that has been denied to her for a decade.From the Hardcover edition.

    Graduating from a tumultuous childhood to a life of prostitution, she becomes a legend in her neighbourhood, a canny and ingenious woman, generous, intuitive, and exuding a wholesome lust for life.Resonant with myth and superstition, this radiant novel is a joyous celebration of life and the mystery that is at the heart of all experience.