Her whole life is leading up to the day she decides to become Grady, a guy. While coming out as transgender feels right to Grady, he isn't prepared for the reaction he gets from everyone else. His mother is upset, his younger sister is mortified, and his best friend, Eve, won't acknowledge him in public. Why can't people just let Grady be himself? Grady's life is miserable until he finds friends in some unexpected places -- like the school geek, Sebastian, who explains that there is precedent in the natural world (parrotfish change gender when they need to, and the newly male fish are the alpha males), and Kita, a senior who might just be Grady's first love. From acclaimed writer Ellen Wittlinger, this is the groundbreaking story of one teen's search for self and his struggle for acceptance.

    She wears big green fisherman's boots. She's the founding (and only) member of NOLAW, the National Organization to Liberate All Weirdos. Emily wears sweaters with faux pearl buttons. She's vice president of the student council. She has a boyfriend.These two girls have nothing in common, except the passionate "private time" they share every Tuesday afternoon. Jesse wishes their relationship could be out in the open, but Emily feels she has too much to lose. When they find themselves on opposite sides of a heated school conflict, they each have to decide what's more important: what you believe in, or the one you love?

    Numbers have superpowers and they’re safe – any problem they might throw up can be solved.'If I were a five, I’d be shaped like a pentagon … there’d be magic in my walls, safety in my angles.'People are so much harder to cope with. At least that’s how it seems until Bailey Hunter arrives at school. Bailey has a stutter, but he can make friends and he’s good at judo. And Bailey seems to have noticed Felix:‘Felix keeps to himself mostly, but there’s something about him that keeps drawing me in.’Both boys find they’re living in a world where they can’t trust anyone, but might they be able to trust each other, with their secrets, their differences, themselves?

    Her neighbour Clementine is not so submissive. Outspoken and radical, Clem is delectably dangerous and rebellious. And the regime has noticed. Jess cannot keep both her perfect life and her dearest friend. But which can she live without?THE BIG LIE is a thought-provoking and beautifully told story that explores ideas of loyalty, sexuality, protest and belief.

    Kevin would do anything to prevent his teammates on the baseball team from finding out. Min and Terese tell everyone they're really just good friends. But after a while, the truth's too hard to hide - at least from each other - so they form the "Geography Club." Nobody else will come. Why would they want to? Their secret should be safe.

    I dreamed he came into my room and sat on my bed.” “And!” Tony’s eyes got wider. Wider than usual.“He talked about lawnmowers.”“And!”“That’s it, he just talked.”Actually, it hadn’t been a dream, not totally. It was one of those half-awake ones where I knew what was going on so I let it run just to see what would happen. We’re all curious…“You ever dreamed about a bloke?” I asked him.“No!” Tony’s eyebrows went dead flat. “Never!”With a denial like that, maybe he had, but he sure as hell wasn’t talking about it.

    Not gay enough for the Dykes, her ex-clique, thanks to a recent relationship with a boy; not tiny and white enough for ballet, her first passion; and not sick enough to look anorexic (partially thanks to recovery). Etta doesn’t fit anywhere— until she meets Bianca, the straight, white, Christian, and seriously sick girl in Etta’s therapy group. Both girls are auditioning for Brentwood, a prestigious New York theater academy that is so not Nebraska. Bianca seems like Etta’s salvation, but how can Etta be saved by a girl who needs saving herself? The latest powerful, original novel from Hannah Moskowitz is the story about living in and outside communities and stereotypes, and defining your own identity.

    One roots for Lily as one does for Huck Finn. This beautifully written debut novel explores the fragile links between a girl’s growing awareness of her sexuality and the far-reaching effects this has upon her family.”—Pamela Ball, author of Lava and The Floating City"Lu Vickers is an exquisite writer. Her work can be, at once, poetic, sharp, hilarious, and relentlessly moving. In Breathing Underwater, she investigates, with keen insight, the legacies of guilt, the intricacies of the mother-daughter relationship, and the complexities of budding sexuality. A stunning, rich, and haunting debut." --Julianna Baggott, best-selling author of Girl Talk, The Madam, and Lizzie Borden in LoveIn 1970s Chattahoochee, Florida, where the main employer is a mental institution, it’s sink or swim for Lily. When her mama, a former beauty queen who once dreamt of being Miss Florida, takes Lily and her siblings fishing one morning, Lily nearly drowns while her mother looks on, “weighing her gains against her losses.” Lily proves to be a survivor, which she will need to prove again and again, as she struggles to stay afloat amidst her mother’s slow mental deterioration, her first love, and her quest to come to terms with who she is and what she wants from this crazy world. With lyrical prose, Lu Vickers gives voice to Lily’s inner soul, and in turn reveals how universal our needs and desires are.

    They’ve shared stolen kisses and romantic promises. But Iran is a dangerous place for two girls in love—Sahar and Nasrin could be beaten, imprisoned, even executed if their relationship came to light.So they carry on in secret—until Nasrin’s parents announce that they’ve arranged for her marriage. Nasrin tries to persuade Sahar that they can go on as they have been, only now with new comforts provided by the decent, well-to-do doctor Nasrin will marry. But Sahar dreams of loving Nasrin exclusively—and openly.Then Sahar discovers what seems like the perfect solution. In Iran, homosexuality may be a crime, but to be a man trapped in a woman’s body is seen as nature’s mistake, and sex reassignment is legal and accessible. As a man, Sahar could be the one to marry Nasrin. Sahar will never be able to love the one she wants, in the body she wants to be loved in, without risking her life. Is saving her love worth sacrificing her true self?

    She'd like this to change, but with her and her sisters dodging their stepfather's fists every day after school, she doesn't have time to do much self-reflecting. Finally her stepfather is taken away on child abuse charges, and Karina thinks things might turn into something resembling normal. The problem is, he's not gone for good. And as Karina becomes closer with a girl at the community center where her stepfather is not showing up for his parenting classes, she starts to realize a couple things. First, for all the problems her family had tried to escape by immigrating from Haiti, they brought most of them along to upstate New York. And second, if anything is going to change for this family, it is going to be up to Karina and her sisters to make it happen. M. Sindy Felin's debut novel is the story of a young girl's coming-of-age amid the violent waters that run just beneath the surface of suburbia -- a story that has the courage to ask: How far will you go to protect the ones you love?

    One night, Manny's sudden announcement that he wants a divorce forces mother and daughter to move to upstate New York to live with Lizzy's grandmother and grandfather—a mixed blessing. At school, Lizzy befriends, then falls in love with, Eva Singer, who is dyslexic, looks like Natalie Wood and lives right down the street. Like all girls her age, Lizzy has to deal with her first period, her first bra and her first boyfriend. But what scares her most is her love for Eva. She is also concerned with getting a new husband for Mama—especially after reading Mama's letters that she has found in the attic. Then Eva gets a boyfriend and Mama's life enters what seems to be a new crisis. . . . How Lizzy comes to grips with life's strange twists and turns makes fascinating reading for adults and young readers alike.

    . . and even more. But nothing stays the same forever. When Opal receives the horrifying news that Marianne is dead, she suddenly must live her life and make decisions based on the needs of one person instead of two. Only with the help of her family and the story of Hannah, a runaway slave, can Opal begin to free herself from the weight of her memories, her ghosts, and her own truth.

    So why does everyone have a problem with it? They think the way she looks and acts means she’s trying to be a boy—that she should quit trying to be something she’s not. If she dresses like a girl, and does what her folks want, it will show respect. If she takes orders and does what her friend Colby wants, it will show her loyalty. But respect and loyalty, Pen discovers, are empty words. Old-world parents, disintegrating friendships, and strong feelings for other girls drive Pen to see the truth—that in order to be who she truly wants to be, she’ll have to man up.

    Louie wants to be a lawyer and is an outstanding student. Willa lives in a pub and just wants to get through the year so she can graduate and become a chef. But they are completely attracted to one another when they first meet at a fast-food restaurant. Soon they fall in love fast and furiously, and everything the girls are sure of - their plans, their faith, their families, their identities - is called into question...

    When two local gay teens are murdered, Noah’s anti-evangelism intensifies—he’s convinced that the killer is a caller on his dad’s program.Then Noah meets Will Reed, a cool guy. But when he learns that Will is gay, Noah gets a little weirded out. Especially since Will seems really into him. Noah gives Will the brush-off. Meanwhile, the killer is still at large . . . and soon Noah finds the next victim. It’s Will.Racked with guilt, Noah decides to investigate. He knows the serial killer is targeting gay teens, but only those who live in foster homes, whose deaths are not that important to society; they are the less-dead. Noah, however, is determined to prove that someone cares. With the help of Will’s journal, which he pocketed at the scene of the crime and in which the killer has written clues, Noah closes in on an opponent more dangerous than he can guess.