I began to suspect something was wrong with the gothic building when its family fled in the middle of the night, the children screaming, the mother crying. They never came back to pack up their furniture. No family stays long. Animals avoid the place. Once, I thought I saw a woman's silhouette pacing through the upstairs room... but that seems impossible; no one was living there at the time. A new occupant, Anna, has just moved in. I paid her a visit to warn her about the building. I didn't expect us to become friends, but we did. And now that Marwick House is waking up, she's asked me to stay with her. I never intended to become involved with the building or its vengeful, dead inhabitant. But now I have to save Anna... before it's too late for the both of us.

    Understanding the dark impulses that drive men to maim and kill comes easily to him. When he temporarily swaps teaching positions with a University of Michigan colleague, Hadrian assumes he’ll be on a sabbatical from crime. Then a series of disturbing assaults occur on campus and the Ann Arbor police ask him to consult on the case. Pursuing a link between the perpetrator and ancient mythology leads Hadrian to Sarah Roth. His reaction to her challenges his long held assumption that emotional intimacy is beyond him. She believes she’s a monster University of Michigan Classics Professor Sarah Roth dreams of blood and death. Her mother warned her to never share her dreams or she’d be locked away. Sarah pours her passion into teaching as a relationship is out of reach. When Hadrian approaches her for information, she is shocked by her attraction to him. Hadrian is dangerous to her but the demons inside her like to live dangerously. As Sarah struggles to keep her distance from Hadrian, her dreams become more vivid and violent. The real monster is hunting her Someone on campus is secretly obsessed with Sarah. He is recreating the Labors of Hercules, violent feats of power and strength, to prove worthy of her love. Once he’s completed his quest, Sarah will be his forever. Praise for the Novels of DJ Gross:“I was super glued to my Kindle for two days...The balance between the suspense-filled action and romance is spot on." The Romance Reviews on Stolen Justice "Seriously top-notch." Romance Junkies on Stolen Justice "DJ Gross made it so you just had absolutely no idea what would happen next!" Shameless Romance Reviews on Stolen Justice"For anyone who enjoys Romantic Suspense - this is a must read." The Book Pimp Blogs on Stolen Justice

    To show the world that magic isn’t a threat to be feared, but a tool of hope. After eight months, she’s ready to present the Venture, a magically-created ship capable of reaching Mars within hours. It will mark a new phase of human exploration and discovery.But at a crucial moment, her spell is wrested from her control and twisted against her. As Jeneta recovers, whoever sabotaged her magic begins to strike down those around her. The attacker haunts her thoughts and dreams, reviving Jeneta's past traumas. And the most powerful magic-users at New Millennium are unable to help.How do you stop an enemy who strikes from within your own mind?This 15,000-word novelette is set eight months after the events of Revisionary.

    The townspeople below rarely think about the house anymore, but at night they may visit it in their dreams, black visions filled with screams and blood and almost-seen faces leering out of the darkness at them. The lines of the house have skewed over the decades, and its supports grown weak. Where it once stood straight and true it has sagged and bowed. But still it remains, ageless and timeless, watching. And sometimes, it feeds.

    But the evidence proves otherwise.When a state trooper named Caxton calls the FBI looking for help in the middle of the night, it is Arkeley who gets the assignment - who else? He's been expecting such a call to come eventually. Sure, it has been years since any signs of an attack, but Arkeley knows what most people don't: there is one left. In an abandoned asylum she is rotting, plotting, and biding her time in a way that only the undead can.Caxton is out of her league on this case and more than a little afraid, but the fed made it plain that there is only one way out. But the worst thing is the feeling that the vampires want more than just her blood. They want her for a reason, one she can't guess; a reason her sphinxlike partner knows but won't say; a reason she has to find out - or die trying.Now there are only 13 bullets between Caxton and Arkeley and the vampires. There are only 13 bullets between us, the living, and them, the damned.

    He's bitterly depressed and ready to commit suicide; anything to put an end to his miserable existence.AN OFFER TOO GOOD TO REFUSE...When a mysterious billionaire surgeon offers Michael two million dollars for his right arm, he thinks his luck might be about to change. Little does he know that the surgeon has other plans for him. His arm is only the beginning. Bit by bit other pieces of Michael's body are surgically removed; his natural body stripped away and then reassembled using other harvested parts from thirteen different 'donors'.A MODERN DAY FRANKENSTEIN...Now Fox isn't sure if he's a man or a monster, or whether or not he'd be better off dead. One thing he is sure of though, he's not checking out of this world until he finds a way to make the people responsible pay for turning him into the experimental nightmare known as... The Jigsaw Man.

    At its center: Toby O’Dare—a contract killer of underground fame on assignment to kill once again. A soulless soul, a dead man walking, he lives under a series of aliases—just now: Lucky the Fox—and takes his orders from “The Right Man.”Into O’Dare’s nightmarish world of lone and lethal missions comes a mysterious stranger, a seraph, who offers him a chance to save rather than destroy lives. O’Dare, who long ago dreamt of being a priest but instead came to embody danger and violence, seizes his chance. Now he is carried back through the ages to thirteenth-century England, to dark realms where accusations of ritual murder have been made against Jews, where children suddenly die or disappear . . . In this primitive setting, O’Dare begins his perilous quest for salvation, a journey of danger and flight, loyalty and betrayal, selflessness and love.

    P. Lovecraft written in 1919 and first published in the amateur publication Pine Cones in October 1919. Inspiration Lovecraft said the story was inspired by an April 27, 1919 article in the New York Tribune. Reporting on the New York state police, the article cited a family named Slater or Slahter as representative of the backwards Catskills population. The nova mentioned at the end of Lovecraft's story is a real star, known as GK Persei; the quotation is from Garrett P. Serviss' Astronomy with the Naked Eye (1908). The title of the story may have been influenced by Ambrose Bierce's "Beyond the Wall"; Lovecraft was known to be reading Bierce in 1919. Jack London's 1906 novel Before Adam, which concerns the concept of hereditary memory, contains the passage, "Nor...did any of my human kind ever break through the wall of my sleep.

    Or almost no one. A few people, perhaps one in ten thousand, can still sleep, and they’ve all shared the same mysterious dream. A handful of silent children can still sleep as well, but what they’re dreaming remains a mystery. Global panic ensues. A medical fact: after six days of absolute sleep deprivation, psychosis sets in. After four weeks, the body dies. In the interim, a bizarre new world arises and swallows the old one whole. A world called Nod.

    Still, his life is routine until one day his infected wife, Anna, shows up in line for the incinerator, and Rob must cremate the love of his life. In a race against the clock, he must find his four-year-old son Sammy, who is stranded in a newly quarantined zone, teeming with the walking dead, and crawling with the Necro-Morbus virus. Does Rob have what it takes to fight the undead and put his broken family back together? Or will he also end up in the incinerator – burning with the rest of the dead?

    DO NOT RESEARCH THESE EVENTS! Think of it as fiction, and nothing more.The Smith has returned, leaving a new trail of gruesome serial murders across Manhattan--all blonde, beautiful, beaten to death with a blacksmith's hammer. Gavin Gregory, an FBI agent who profiles serial killers for the Behavioral Analysis Unit, couldn't capture The Smith the first time around and wants a second stab at catching the killer. The case takes a bizarre turn when Debra Esteves, a psychiatrist from a New York mental hospital, says she knows The Smith's identity.Esteves spins a tale of disturbing horror from her past, claiming The Smith controlled one of her patients through his psychic influence. But Gavin considers himself a rational man. He believes in science over superstition and rejects her version of events.When his wife is kidnapped, Gavin has no choice but to turn to Esteves for help. Can she keep him safe from the devil hunting him long enough to free his wife from the clutches of the killer or will The Smith make him a pawn in future murders?

    They are not piloted by Englishmen. They do not have nameplates saying "HAWKER SIDDELEY AVIATION." And they are never, ever filled with smuggled catering packs of Monster Munch.Britain has had a top secret colony in space for decades. Unfortunately, the colony has grown tired of being run by the mother country - and the mother country has decided it's time to send in the military. A war of independence is going on, and one man's rebel is another man's freedom fighter. Between these two sides are Anthony Stevens and Cleopatra Shakespeare, abducted from England and hurled into a war between Britain, America, and the newly, fiercely independent United States of the Zodiac. A black girl from Northampton is about to encounter the dystopian U.S. colony of New Dixie, where the Deep South lives again and the white man rules supreme - and both Ant and Cleo are about to discover that the Cold War never ended in outer space, and that the KGB are still alive and well out among the scarlet stars.All flying saucer technology comes from the Saucerers, but who are they? Where is the mysterious hidden colony of Gondolin? How did the United States of America come to have interstellar spacecraft in the 1950s? And who or what is Truman J. Slughound the Third? Find out in a series guaranteed to contain colour-changing aliens, Godless communists from Altair, rednecks from Barnard's Star, space fighters, rocket pistols, death by ecstasy, very bad hair, and more explosions than you can shake a stick at.

    A slim, sinister text called The King in Yellow drove those who read it to madness. Despite suppression by anxious authorities, it spread through global culture, and history itself, like a virus. Now the contagion bears hideous fruit.New Tales of the Yellow Sign expands the classic horror mythos of weird tales pioneer and Lovecraft precursor Robert W. Chambers into new vistas of unease and imagination. Over the course of eight troubling stories, writer and visionary game designer Robin D. Laws lures you into diseased timelines, impossible pasts, and the all-too-terrifying present.Sterilize your suicide chamber, harken to the remorseless clicking of your black box, and whistle for the monstrous creature that lives in your basement. The pallid mask awaits.

    Drive that route from east to west, and you’ll cross six bridges. Take it from west to east, and you might find seven.But you’d better hope not.Titus and Melanie Bell leave their hotel in Fargo for a second honeymoon canoeing the Okefenokee Swamp. But shortly before they reach their destination, they draw up to a halt at the edge of a rickety bridge with old stone pilings, with room for only one car . . .When, much later, a tow-truck arrives, the driver finds Titus lying in the middle of the road, but Melanie is nowhere to be found.

    Getting out... will be another matter. *** It was supposed to be just one more job: in, out, and millions the richer. But when four thieves break into THIS house, they discover the owners were ready. And waiting. Now, the thieves find themselves in a deadly maze of traps. Traps designed not only to steal their lives, but their sanity. The only way out is the front door. The only way to get there is to survive. And the only way to survive is to be willing to do anything, to suffer all... and to lose everything.