They recount the key episodes in the lives of the gods, and dramatise the moments when they first appear before mortals. Together they offer the most vivid picture we have of the Greek view of the relationship between the divine and human worlds.

    The definitive one-volume Urdu text by Ghalib Lakhnavi and Abdullah Bilgrami appeared toward the end of the nineteenth century, but English translations of this text have always been censored and abridged-until now.In Musharraf Ali Farooqi's faithful rendition, "The Adventures of Amir Hamza" is captured with all its colorful action, ribaldry, and fantastic elements intact. Here is the spellbinding story of Amir Hamza, the adventurer who loves Mehr-Nigar, the daughter of the Persian emperor, Naushervan. Traveling to exotic lands in the service of his emperor, Amir Hamza defeats many enemies, loves many women, and converts hundreds of infidels to the True Faith of Islam before finding his way back to his first love. Guided by a Merlin-like clairvoyant called Buzurjmehr, protected by legendary prophets, and accompanied by his loyal friend, the ingenious trickster Amar Ayyar, Amir Hamza rides his devoted winged demon-steed, Ashqar, into combat against a marvelous array of opponents, from the deadly demon, Sufaid Dev, to his own rebellious sons.Appreciated as the seminal Islamic epic or enjoyed as a sweeping tale as rich and inventive as Homer's epic sagas, "The Adventures of Amir Hamza" is an extraordinary creation and a true literary treasure.

    The poems speak intimately of their authors' sexual longing, fulfillment and disillusionment.

    Inventive, humorous, inexhaustible, the story recounts Orlando's love-stricken pursuit of "the fairest of her Sex, Angelica" (in Milton's terms) through a fairyland that combines the military valors of Charlemagne's knights and their famous horses with the enchantments of King Arthur's court. Today it seems more than ever appropriate to offer a new, unabridged edition of Boiardo's Orlando Innamorato, the first Renaissance epic about the common customs of, and the conflicts between, Christian Europe and Islam. Having extensively revised his earlier translation for general readers, Charles Ross has added headings and helpful summaries to Boiardo's cantos. Tenses have been regularized, and terms of gender and religion have been updated, but not so much as to block the reader's encounter with how Boiardo once viewed the world. Charles Stanley Ross has degrees from Harvard College and the University of Chicago and teaches English and comparative literature at Purdue University. "Neglect of Italian romances robs us of a whole species of pleasure and narrows our very conception of literature. It is as if a man left out Homer, or Elizabethan drama, or the novel. For like these, the romantic epic of Italy is one of the great trophies of the European genius: a genuine kind, not to be replaced by any other, and illustrated by an extremely copious and brilliant production. It is one of the successes, the undisputed achievements." -C. S. Lewis

    "Conveys a world that is spiritual, foreign, and entirely accessible."--Vanity Fair. Reading tour.

    Two of the world's great religions - Hinduism and Buddhism - have their origins in South Asia, and the lands east of the Indus River have long been a central hub for trade, migration, and cultural exchange. Today the subcontinent contains 20 percent of the world's population and is a thriving center for global business, making this region one of most significant economic powerhouses in the world.Go inside this thrilling story with A History of India, a breathtaking survey of South Asia from its earliest societies along the Indus and Ganges rivers through the modern challenges of the 21st century. These 36 sweeping lectures enable you to understand the epic scope of the subcontinent's history. Perhaps the most important facet of this history is how diverse the region truly is. Roughly the size of continental Europe, India - along with its neighbors, Pakistan and Bangladesh - contains a myriad of ethnic groups, socioeconomic classes, religions, and cultural mores.In this wide-ranging investigation, you'll: Meet the many religious communities that have coexisted in India, including Hindus, Jains, Buddhists, Muslims, Christians, Jews, and Zoroastrians Delve into the legacies of the Mauryan Empire, the Mughal Empire, and British colonialism - three of the few governments that ever unified the subcontinent Witness the fight for independence from European powers and the partition of the region into the countries of India, Pakistan, and Bangladesh in the 20th century Consider the challenges and opportunities faced by this area today, from expanding urbanization to the vast need for energy sources to the ongoing heated debates about national identity Professor Fisher, who has traveled and taught in South Asia for decades, reveals this complex narrative with skill and compelling insights.1. Introduction to India 32 min 2. The Mughal Empire in 18th-Century India 32 min 3. Indian and British Economic Interests 31 min 4. British Expansion in India (1757-1820) 28 min 5. Knowing the Country: British Orientalism 30 min 6. Race, Gender, and Culture (1750-1850) 30 min 7. The Age of Reform (1830-1850) 30 min 8. The Great Uprising (1857-1858) 27 min 9. Economics and Society under the Raj 29 min 10. Caste and Tribal Identity under Colonialism 29 min 11. The Nationalization of Hinduism (1870-1900) 32 min 12. Indian Muslim Identity and Colonial Rule 31 min 13. The Late-19th-Century British Raj 29 min 14. Princely States and Royalist Relationships 29 min 15. Indian Nationalism and the Freedom Struggle 31 min 16. The Great War and Its Impact on India 29 min 17. Gandhi's Moral-Political Philosophy 29 min 18. The Noncooperation Movement 31 min 19. Indian Muslim Politics between the Wars 29 min 20. The Civil Disobedience Campaign 32 min 21. Britain and Its Empire in the 1940s 30 min 22. The Raj on Its Knees (1945-1947) 30 min 23. A Split India: Negotiating Independence 30 min 24. Reflections on Postcolonial India 29 min

    After writing Fridthjof's Saga Tegner was considered the father of modern Swedish poetry. Fridthjof's Saga dates back to the 8th century in Iceland. King Beli had two sons, Helgi and Halfdan, and a daughter named Ingeborg. On the other side of the fjord, lived the king's friend whose son Frithjof was called "the bold" and he was the bravest among men. Frithjof had been raised together with Ingeborg by their foster-father Hilding. Both Beli and �orsteinn died in war whereupon Helgi and Halfdan ruled the kingdom. The two kings were jealous of Frithjof's excellent qualities and so they refused to let him marry Ingeborg. When Frithjof returned he burnt down Baldr's temple and went away and became a Viking. After three years, he came to king Ring. Just before the old king died, Frithjof's identity was apparent to everybody and the dying king appointed Frithjof Earl and made him the care-taker of Ring and Ingeborg's child. When Ring died, Frithjof and Ingeborg married and he became the king of Ringerike. Then he declared war on Ingeborg's brothers killing one of them and making the second his vassal.

    These unique temples are not just places of worship, but living museums of architectural wonders, mind-boggling sculptures, graceful dances, colourful crafts and many other cultural activities. More than anything, they are treasure troves of lore and legend, teeming with tales of gods and goddesses, demons and devotees, plants and beasts, the magical and the mysterious – all just waiting to be discovered by you. Join Sudha G. Tilak as she takes you on an unusual journey to the country’s most sacred places, where the lines between fact and faith are blurred and stories come alive!

    Features 32 lovely illustrations.

    Here are myths of gods, heroes and warriors; legends of Buddha, and of the goddess Benten and the god Daikoku; tales of the sea and of Mount Fuji; accounts of superstitions and supernatural beings; observations on the spiritual properties of fans, flowers, dolls and butterflies and much more.The collection begins with the early myths of Japan, which the author describes as "quaint, beautiful, quasi-humorous." These are followed by legends celebrating early heroes and warriors, and the earliest examples of the Japanese romance, "The Bamboo-Cutter and the Moon-Maiden." Many of the legends that follow reflect a poetic love of beauty and of nature. But as the author points out, "there is plenty of crude realism in Japanese legend. We are repelled by the Thunder God's favorite repast, amazed by the magical power of foxes and cats; and the story of 'Hōïchi-the-Earless' and of the corpse-eating priest afford striking examples of the combination of the weird and the horrible."Thirty-two full-page illustrations offer compelling images of Buddha and the Dragon; A Kakemono Ghost; The Jelly-Fish and the Monkey; The Firefly Battle; Tokoyo and the Sea Serpent; Sengen, the Goddess of Mount Fuji; and other subjects of these timeless myths. In addition, the author has included several invaluable appendixes that offer a helpful note on Japanese poetry, a listing of gods and goddesses, a genealogy of The Age of the Gods, and an index of poetical quotations.

    Vividly portraying legendary and semi-legendary figures such as Lear, Cymbeline, Merlin the magician and the most famous of all British heroes, King Arthur, it is as much myth as it is history and its veracity was questioned by other medieval writers. But Geoffrey of Monmouth's powerful evocation of illustrious men and deeds captured the imagination of subsequent generations, and his influence can be traced through the works of Malory, Shakespeare, Dryden and Tennyson.

    English versions of Sophocles’ three great tragedies based on the myth of Oedipus, translated for a modern audience by two gifted poets.

    Passionate and powerful, the three plays collected together in this volume represent August Strindburge (1849-1912) at his best, 'The Father', 'Miss Julia', and the more mystical 'Easter.' In all three plays, Strindberg combines acute psychological analysis with total mastery of the power to create unforgettable dramas of human life and love.

    It is a literature dominated by a deep sense of wonder, wild inventiveness and a profound sense of the uncanny, in which the natural world and the power of the individual spirit are celebrated with astonishing imaginative force. Skifully arranged by theme, from the hero-tales of Cú Chulainn, Bardic poetry and elegies, to the sensitive and intimate writings of early Celtic Christianity, this anthology provides a fascinating insight into a deeply creative literary tradition.

    At the same time they are intended to reach other levels.