Daria and her friends call themselves the Authentics, because they pride themselves on always keeping it real.But in the course of researching a school project, Daria learns something shocking about her past, which launches her on a journey of self-discovery. It seems everyone is keeping secrets. And it’s getting harder to know who she even is any longer.With infighting among the Authentics, her mother planning an over-the-top sweet sixteen party, and a romance that should be totally off limits, Daria doesn’t have time for this identity crisis. As everything in her life is spinning out of control—can she figure out how to stay true to herself?

    Now twenty-five, with a new life and the prospect of a child, Kimiâ is inundated by her own memories and the stories of her ancestors, which reach her in unstoppable, uncontainable waves. In the waiting room of a Parisian fertility clinic, generations of flamboyant Sadrs return to her, including her formidable great-grandfather Montazemolmolk, with his harem of fifty-two wives, and her parents, Darius and Sara, stalwart opponents of each regime that befalls them.In this high-spirited, kaleidoscopic story, key moments of Iranian history, politics, and culture punctuate stories of family drama and triumph. Yet it is Kimiâ herself—punk-rock aficionado, storyteller extraordinaire, a Scheherazade of our time, and above all a modern woman divided between family traditions and her own “disorientalization”—who forms the heart of this bestselling and beloved novel.

    By admired historian, author of Untapped: The Scramble for Africa's Oil ("he would do Graham Greene proud" --Kirkus Reviews).In this rich, fascinating history, John Ghazvinian traces the complex story of the relations of these two powers back to the eighteenth-century's Persian Empire, the subject of great admiration of Thomas Jefferson and John Quincy Adams and for the Iranians, an America seen as an ideal to emulate for its own government.Drawing on years of archival research both in the US and Iran--including access to Iranian government archives rarely available to western scholars--the Iranian-born, Oxford-educated historian leads us through the four seasons of US-Iran relations: the 'spring' of mutual fascination; the 'summer' of early interactions; the 'autumn' of close strategic ties; and the long, dark 'winter' of mutual hatred.Ghazvinian, with grasp and a storyteller's ability, makes clear where, how, and when it all went wrong. And shows why two countries that once had such heartfelt admiration for each other became such committed enemies; showing us, as well, how it didn't have to turn out this way.

    In this virtuosic array of poems, lists, shards, and sequences, Sharif assembles her family’s and her own fragmented narratives in the aftermath of warfare. Those repercussions echo into the present day, in the grief for those killed, in America’s invasions of Afghanistan and Iraq, and in the discriminations endured at the checkpoints of daily encounter.At the same time, these poems point to the ways violence is conducted against our language. Throughout this collection are words and phrases lifted from the Department of Defense Dictionary of Military and Associated Terms; in their seamless inclusion, Sharif exposes the devastating euphemisms deployed to sterilize the language, control its effects, and sway our collective resolve. But Sharif refuses to accept this terminology as given, and instead turns it back on its perpetrators. “Let it matter what we call a thing,” she writes. “Let me look at you.”

    by throwing a party?By the time Erica Buist’s father-in-law Chris was discovered, upstairs in his bed, his book resting on his chest, he had been dead for over a week. She searched for answers (the artery-clogging cheeses in his fridge?) and tried to reason with herself (does daughter-in-law even feature in the grief hierarchy?) and eventually landed on an inevitable, uncomfortable truth: everybody dies.While her husband maintained a semblance of grace and poise, Erica found herself consumed by her grief, descending into a bout of pyjama-clad agoraphobia, stalking friends online to ascertain whether any of them had also dropped dead without warning, unable to extract herself from the spiral of death anxiety… until one day she decided to reclaim control.With Mexico’s Day of the Dead festivities as a starting point, Erica decided to confront death head-on by visiting seven death festivals around the world – one for every day they didn’t find Chris. From Mexico to Nepal, Sicily, Thailand, Madagascar, Japan, and finally Indonesia – with a stopover in New Orleans, where the dead outnumber the living ten to one – Erica searched for the answers to both fundamental and unexpected questions around death anxiety. This Party’s Dead is the account of her journey to understand how other cultures deal with mortal terror, how they move past the knowledge that they’re going to die in order to live happily day-to-day, how they celebrate rather than shy away from the topic of death – and how when this openness and acceptance are passed down through the generations, death suddenly doesn’t seem so scary after all.

    His ancestors were the companions of Prophet Mohammad and played a significant role in the early Islamic conquests.Imam Tawhidi ended his relationship with the Iranian regime and continued his studies in the Holy Cities in Iraq. In 2014, ISIS conquered large parts of Iraq's territory and murdered members of Tawhidi's family. In 2015, Imam Tawhidi began to gradually call for reform within Muslim societies. His views have been broadcast on international media and have been met with both criticism and praise.In this book, Tawhidi takes you on a unique journey detailing the highlights of his life that prompted his transition from an extremist into a reformist. He then emphasizes the theological, jurisprudential and historical difficulties of Islamic thought and Islamic governance, including insights that have never been published before.Celebrated as the Imam of Peace, Tawhidi's international activism against Islamic extremism has earned him a nomination for the 2019 Australian of the Year Awards.

    Or so the doctors say. But Nahid is not the type to trust anyone. She resents the cancer diagnosis she has been given and the doctor who has given it to her. Bubbling inside her is also resentment toward life as it turned out, and the fact that it will go on without her. She feels alone, alone with her illness and alone with her thoughts. She yearns yet fails to connect with her only daughter, Aram. As the rawness of death draws near, Nahid should want to protect Aram from pain. She knows she should. Yet what is a daughter but one born to share in her mother’s pain?At fifty, Nahid is no stranger to death. As a Marxist revolutionary in eighties Iran, she saw loved ones killed in the street and was forced to flee to Sweden. She and her husband abandoned their roots to build a new life in a new country. They told themselves they did it for their newborn daughter, so she could live free. But now as she stands on the precipice facing death, Nahid understands that what you thought you escaped will never let you go. And without roots, can you ever truly be free?

    Rather than returning Soraya's dowry, as custom required before taking a second wife, he plotted with four friends and a counterfeit mullah to dispose of her. Together, they accused Soraya of adultery. Her only crime was cooking for a friend's widowed husband. Exhausted by a lifetime of abuse and hardship, Soraya said nothing, and the makeshift tribunal took her silence as a confession of guilt. They sentenced her to death by stoning: a punishment prohibited by Islam but widely practiced. Day by day sometimes minute by minute Sahebjam deftly recounts these horrendous events, tracing Soraya's life with searing immediacy, from her arranged marriage and the births of her nine children to her husband's increasing cruelty and her horrifying execution, where, by tradition, her father, husband, and sons hurled the first stones. This is one woman's story, but it stands for the stories of thousands of women who suffered and continue to suffer the same fate. It is a story that must be told.

    Caught in this shifting world of fanaticism, ambition, duplicity, heartbreak and violent death are the foreign helicopter pilots who have been servicing the oilfields. Their one objective now is to make a bold concerted escape, with their helicopters, to safety across the Gulf.

    Saag, MD, an internationally known expert on the virus that causes AIDS, but the book is more than a memoir: through his story, Dr. Saag also shines a light on the dysfunctional US healthcare system, proposing optimistic yet realistic remedies drawn from his distinguished medical career.Mike Saag began his medical residency in 1981, within days of the Centers for Disease Control’s first report of a mysterious “gay cancer” killing young men. Soon, the young doctor’s career was yoked to the epidemic. His life’s work became turning the most deadly virus in human history into a chronic, manageable disease.In the lab at the University of Alabama at Birmingham, Dr. Saag and colleagues made seminal early discoveries about the elusive virus. And at the AIDS clinic he founded, Dr. Saag met people whose fight against a virtual death sentence touched his heart and inspired him to work even harder. As his career stretched across three decades, Dr. Saag found himself battling another foe, this one almost as pernicious as AIDS itself: a broken healthcare system shaped more by politicians, insurers, and lobbyists than by patients’ needs.Positive is Dr. Saag’s tribute to the unforgettable patients he has known and an urgent call to create a comprehensive, compassionate, accessible healthcare system in the name of those we can save today.

    He's about to take his first-ever trip to Iran, and it's pretty overwhelming—especially when he's also dealing with clinical depression, a disapproving dad, and a chronically anemic social life. In Iran, he gets to know his ailing but still formidable grandfather, his loving grandmother, and the rest of his mom's family for the first time. And he meets Sohrab, the boy next door who changes everything.Sohrab makes sure people speak English so Darius can understand what's going on. He gets Darius an Iranian National Football Team jersey that makes him feel like a True Persian for the first time. And he understands that sometimes, best friends don't have to talk. Darius has never had a true friend before, but now he's spending his days with Sohrab playing soccer, eating rosewater ice cream, and sitting together for hours in their special place, a rooftop overlooking the Yazdi skyline.Sohrab calls him Darioush—the original Persian version of his name—and Darius has never felt more like himself than he does now that he's Darioush to Sohrab. When it's time to go home to America, he'll have to find a way to be Darioush on his own.

    . . My thoughts are filled with frozen rivers that may or may not hold my weight; empty, forgotten valleys haunted by emaciated ghosts; and packs of ravenous, merciless wolves."Having left his job as a high-school geography teacher, Rob Lilwall arrived in Siberia equipped only with a bike and a healthy dose of fear. Cycling Home from Siberia recounts his epic three-and-a-half-year, 30,000-mile journey back to England via the foreboding jungles of Papua New Guinea, an Australian cyclone, and Afghanistan's war-torn Hindu Kush. A gripping story of endurance and adventure, this is also a spiritual journey, providing poignant insight into life on the road in some of the world's toughest corners.

    But this becomes contested territory when a recent immigrant from the Middle East—a former colonel in the Iranian Air Force—becomes determined to restore his family’s dignity through buying the house. When the woman’s lover, a married cop, intervenes, he goes to extremes to win her love. Andre Dubus III’s unforgettable characters—people with ordinary flaws, looking for a small piece of ground to stand on—careen toward inevitable conflict. An “affecting, subtle portrait of two hostile but equally fragile camps” (The New Yorker), their tragedy paints a shockingly true picture of the country we still live in today, two decades after this book’s first publication.

    He was one of the colonels closest to the Supreme Commander. When they meet, years later, far from their country of birth, a strange, equivocal relationship develops between them. Both their shared past of suffering and old romantic passions come rushing back accompanied by recollections of the perverse logic of violence that dominated the dicatorship under which they lived. The Man Who Snapped His Fingers is a novel of ideas, exploring power and memory by an important female writer from a part of the world where female voices are routinely silenced.

    The missing man, Robert Levinson, appeared in pictures dressed like a Guantánamo prisoner and pleaded in a video for help from the United States.Barry Meier, an award-winning investigative reporter for The New York Times, draws on years of interviews and never-before-disclosed CIA files to weave together a riveting narrative of the ex-agent's journey to Iran and the hunt to rescue him. The result is an extraordinary tale about the shadowlands between crime, business, espionage, and the law, where secrets are currency and betrayal is commonplace. Its colorful cast includes CIA operatives, Russian oligarchs, arms dealers, White House officials, gangsters, private eyes, FBI agents, journalists, and a fugitive American terrorist and assassin.Missing Man is a fast-paced story that moves through exotic locales and is set against the backdrop of the twilight war between the United States and Iran, one in which hostages are used as political pawns. Filled with stunning revelations, it chronicles a family's ongoing search for answers and one man's desperate struggle to keep his hand in the game.