He is sucked into a silent war which hinges on an incriminating data file. Finding it is Travis’s only hope for surviving a deadly chase across America. But to find its location, Travis must discover the link between the biggest medical cover-up in history and the greatest assassination conspiracy of the twentieth century. The key lies within a secret underground of doctors sworn to an ancient oath.When the solution is the problem, which side will you be on?

    Brown.From its inception in California in 1974 to its Broadway revival in 2022, the Obie Award–winning for colored girls who have considered suicide/when the rainbow is enuf has excited, inspired, and transformed audiences all over the country for nearly fifty years. Passionate and fearless, Shange’s words reveal what it meant to be a woman of color in the 20th century. First published in 1975, when it was praised by The New Yorker for “encompassing…every feeling and experience a woman has ever had,” for colored girls who have considered suicide/when the rainbow is enuf will be read and performed for generations to come. Now with new introductions by Jesmyn Ward and Broadway director Camille A. Brown, and one poem not included in the original, here is the complete text of a groundbreaking dramatic prose poem that resonates with unusual beauty in its fierce message to the world.

    

    The Other evokes just that sort of rapid pace and dramatic imagery. Consider FBI Agent Zack Tolliver, the sun-washed ochre cliffs of Arizona, the body of a little blonde girl found on a remote mesa top apparently killed by a bear, the Navajo guide side-kick, the tracks that change mid-stride from animal to human, the evidence that appears to lead to a local recluse crazed by the tragic death of his wife and child. Then the wild ride from case closed to case wide open again, racing off to the deserts of California, another little blonde girl preyed upon and abandoned, and who’s doing all this, anyway? What sinister force is toying with our FBI agent?

    Robbed of her youthful ideals and at the center of scandal and tragedy, Jade ran as far and as fast as she could. But she never forgot the sleepy "company town" where every man, woman, and child was dependent on one wealthy family. And she never forgot their spoiled son, who, with his two friends, changed her life forever. Someday, somehow, she'd return, exact a just revenge -- and free herself from fear, and the powerful family that could destroy her.

    . .Dr. Sheila Tao is a professor of psychology. An expert in human behavior. And when she began an affair with sexy, charming graduate student Ethan Wolfe, she knew she was playing with fire. Consumed by lust when they were together, riddled with guilt when they weren’t, she knows the three-month fling with her teaching assistant has to end. After all, she’s finally engaged to a kind and loving investment banker who adores her, and she’s taking control of her life. But when she attempts to end the affair, Ethan Wolfe won’t let her walk away.. . . no one else can.Ethan has plans for Sheila, plans that involve posting a sex video that would surely get her fired and destroy her prestigious career. Plans to make her pay for rejecting him. And as she attempts to counter his every threatening move without her colleagues or her fiancé discovering her most intimate secrets, a shattering crime rocks Puget Sound State University: a female student, a star athlete, is found stabbed to death. Someone is raising the stakes of violence, sex, and blackmail . . . and before she knows it, Sheila is caught in a terrifying cat-and-mouse game with the lover she couldn’t resist—who is now the monster who won’t let her go.

    "Never before, in the entire history of the American theater, has so much of the truth of black people's lives been seen on the stage," observed James Baldwin shortly before A Raisin in the Sun opened on Broadway in 1959.Indeed Lorraine Hansberry's award-winning drama about the hopes and aspirations of a struggling, working-class family living on the South Side of Chicago connected profoundly with the psyche of black America--and changed American theater forever.  The play's title comes from a line in Langston Hughes's poem "Harlem," which warns that a dream deferred might "dry up/like a raisin in the sun.""The events of every passing year add resonance to A Raisin in the Sun," said The New York Times.  "It is as if history is conspiring to make the play a classic."  This Modern Library edition presents the fully restored, uncut version of Hansberry's landmark work with an introduction by Robert Nemiroff.

    This is the opener of a planned Cade Chase series. It is a crime thriller set in the fictional Rockledge, an impoverished town in the center of Appalachia, more precisely in extreme southwest Virginia.The main character, Cade Chase, recently retired from the military. He has given insufficient thought to life afterward. He accedes to the urgings of a longtime friend and former JAG officer, to come to the town of Rockledge. He leaves Florida and heads to Rockledge uncertain that this move is wise.On his first morning in Rockledge he runs across a hillbilly octogenarian named Dale Carter, who tells him finding a place to live will be tough. So Carter invites him to have a look at a home, one of three, he owns on a mountainside "out in the valley." The home he shows Cade is one of the grandest Cade has ever seen. Carter tells Cade the house is his if he wants it. Seems joining the military was the defining event of Dale's life. Without the military's 'gifts' he wouldn't have amassed the wealth he possesses. But he stipulates one condition: help protect him and his wife against what appears to be a dangerous crew of squatters camping in the woods on or near his property.Cade is instantly fond of Dale, and agrees to help him. This agreement sets the story in motion. There's plenty of action from that point onward. Yes, it's a thrilling story involving crime, but more important, it's a story of the evils of autocratic behavior by political elites. Cade is determined to bring the evildoers down. He quickly learns that extreme southwest Virginia has been a whipping boy for sixty years or more. Cade and a cadre of like-minded people strive to end the trampling of this region of the state. You may find it on Amazon and Kindle books. If searching under my name, you need to search under John M. Vermillion, including the middle initial.Thank you.jmv

    Her over-the-top drama was one of the most popular novels of the mid-1800s and provides an interesting portrayal of both class- and gender issues as they intersect within the domestic sphere.

    In the fragmentary sequel, Memoirs, Brown explores Carwin’s bizarre history as a manipulated disciple of the charismatic utopian Ludloe.

    The stories take place after the events of Threshold, the third full-length novel in the series, and before the events of Ragnarok, the fourth. The novellas are all co-authored by Jeremy Robinson and one of six other fantastic authors. The Chesspocalypse novellas are designed to introduce readers to the series. If you haven't read the novels, no worries. Enjoy the ride!The stories were released in the following order:Callsign: King–Book 1Callsign: QueenCallsign: RookCallsign: King–Book 2–UnderworldCallsign: BishopCallsign: KnightCallsign: Deep BlueCallsign: King—Book 3—BlackoutThis collection contains the standalone Queen, Rook and Bishop stories.CALLSIGN: QUEENAt the beginning of her search for Rook, a missing Chess Team member, Zelda Baker, Callsign: Queen, is redirected to Pripyat, Ukraine, a ghost town on the radioactive outskirts of Chernobyl. Intel indicates that splinter cell of Manifold Genetics—a ruthless corporation dismantled by Chess Team—may be operating in the area. Tasked with confirming the existence of a Manifold facility, Queen begins a recon sweep of the abandoned town in search of clues, but soon finds herself fighting for her life. Something sinister lurks beneath the decaying, surreal remnants of Pripyat's never-used amusement park, and it rises up to greet Queen.In Pripyat, the streets are empty, the derelict buildings crumble, but the bodies...are fresh.CALLSIGN: ROOKAfter a failed mission claims the lives of his five-man support team, Stan Tremblay, Callsign: Rook, flees Siberia and finds himself on the secluded coast of Norway, north of the Arctic Circle. Exhausted, cut off from the outside world, and emotionally beaten from his defeat in Russia, Rook just wants to find a place to rest. The small coastal town of Fenris Kystby seems like the perfect place.Within hours of arriving, he discovers that the town is not as tranquil as it appears. The townspeople are mistrustful of outsiders, a pack of mysterious wolves stalk the local tundra, and two villagers have been killed by a creature that defies explanation. To make things worse, there are rumors of something sinister, something the townspeople refuse to discuss.Despite the hostility of the locals, Rook commits to stopping the creature murdering townspeople. As the body count rises, he quickly learns that the greatest threat might walk on two legs. And when he uncovers the town's hidden past, Rook knows only one thing for certain: something is rotten in Norway.CALLSIGN: BISHOPAn Iranian terrorist cell has gotten their hands on weaponized Ergot-B—a compound that causes violent hysteria, madness and death within 24 hours—and plan to unleash the weapon on major cities around the world. Successful deployment would begin a bloodbath, as those exposed would kill everyone they encountered before succumbing to the compound's lethal effects.Erik Somers, Callsign: Bishop, is called in to investigate, but his first discovery shocks him to the core. Dawoud Abbasi, the terrorist leader planning to unleash Ergot-B, is his biological father.

    These darkly humorous poems illuminate far corners of the heart, revealing teeth, tails, and more than a few dreams.I watched a lion eat a man like a piece of fruit, peel tendons from fascialike pith from rind, then lick the sweet meat from its hard core of bones.The man had earned this feast and his own deliciousness by ringing a stickagainst the lion's cage, calling out Here, Kitty Kitty, Meow!With one swipe of a paw much like a catcher's mitt with fangs, the lionpulled the man into the cage, rattling his skeleton against the metal bars.The lion didn't want to do it—He didn't want to eat the man like a piece of fruit and he told the crowdthis: I only wanted some goddamn sleep . . . Natalie Diaz was born and raised on the Fort Mojave Indian Reservation in Needles, California. After playing professional basketball for four years in Europe and Asia, Diaz returned to the states to complete her MFA at Old Dominion University. She lives in Surprise, Arizona, and is working to preserve the Mojave language.

    But when the sun went down, her life was an endless, faceless whirl of bars and beds and men she'd never seen before and wouldn't see again. If she couldn't find love, she took chances on men who were better than no men at all. And learned, with each new night and each new nightmare, that finding her man was only the beginning.

    When Stacey levels charges against four of Kate’s classmates, the whole town erupts into controversy. Facts that can’t be ignored begin to surface, and every answer Kate finds leads back to the same question: Where was Ben when a terrible crime was committed?This story—inspired by real events—from debut novelist Aaron Hartzler takes an unflinching look at silence as a form of complicity. It’s a book about the high stakes of speaking up, and the razor thin line between guilt and innocence that so often gets blurred, one hundred and forty characters at a time.

    An entirely new introduction sets the tragedy in the context of pre-Civil War England and gives a revealing view of its imagery and dramatic action.From its well-documented early performances to the two productions seen in the West End of London in the 1995-96 season, a stage history gives an account of the play in performance. Students, actors, directors and theatre-goers will all find here a reappraisal of Webster's artistry in the greatest age of English theatre, which highlights why it has lived on stage with renewed force in the last decades of the twentieth century.