She’s locked in a bitter struggle with her ex-husband and teenage daughter, and her reckless new partner is anything but trustworthy.Still, she has a job to do: there’s a killer at large, and a pregnant woman has gone missing. Once Devlin and her partner get to work, they quickly unearth secrets involving Birmingham’s most esteemed citizens. Each new layer of the investigation brings Devlin closer to the killer and the missing woman, who starts looking more like a suspect than a victim.But just as answers come into view, the case twists, expands, and slithers into Devlin’s personal life. There’s a much more sinister game at work, one she doesn’t even know she’s playing—and she must unravel the truth once and for all to stop the killer before she loses everything.

    When the lines blur, who do you trust?When two bodies surface in the garden of a rented house in North London, Forensics discover fingerprints which link back to an unsolved crime that no one in the Metropolitan Police wants to remember.More than a decade ago, in an isolated holiday cottage in Sussex, a family was found brutally slaughtered. The prime suspect was Callum Carmichael, the father of the family and a police officer from the Met's own ranks. But without enough evidence to arrest him, the case was hushed up and the trail left to go cold.Now, with fresh proof that the killer is still out there, rookie DC Ebony Willis is sent to find Callum Carmichael. But Carmichael is an unknown entity and, with every piece of information she tells him, she risks leading a dangerous man closer to his prey.

    He's working a routine case, complete with hours of tedious surveillance, when he sees something that shakes him to the core. There, with the subject, is a little blond girl wearing a pink top and denim shorts—the same outfit worn by Tracy Turner, a six-year-old abducted the day before. When the police are skeptical of Ballard's report—and with his history, who can blame them?—it's the beginning of the most important case of his life.

    Only fifteen years old, Amy disappeared walking home from school one day and was found in a coma three days later. Her attacker was never identified and her angelic face was plastered across every paper and nightly news segment.Fifteen years later, Amy lies in the hospital, surrounded by 90’s Britpop posters, forgotten by the world until reporter Alex Dale stumbles across her while researching a routine story on vegetative patients.Remembering Amy’s story like it was yesterday, she feels compelled to solve the long-cold case.The only problem is, Alex is just as lost as Amy—her alcoholism has cost her everything including her marriage and her professional reputation.In the hopes that finding Amy’s attacker will be her own salvation as well, Alex embarks on a dangerous investigation, suspecting someone close to Amy.Told in the present by an increasingly fragile Alex and in dream-like flashbacks by Amy as she floats in a fog of memories, dreams, and music from 1995, Try Not to Breathe unfolds layer by layer to a breathtaking conclusion.

    And your daughter…"When a stranger asks Jo Blackmore for a lift she says yes, then swiftly wishes she hadn't.The stranger knows Jo's name, she knows her husband Max and she's got a glove belonging to Jo's two year old daughter Elise.What begins with a subtle threat swiftly turns into a nightmare as the police, social services and even Jo's own husband turn against her.No one believes that Elise is in danger. But Jo knows there's only one way to keep her child safe – RUN.

    Now, Roisin has discovered a secret—one Erin has kept for over a decade—and she’s determined to make Erin pay for her lies.Erin wants nothing to do with Roisin. She has a new life in London and no intention of going back home. Yet when her father is mysteriously and critically injured, Erin has no choice but to return and face Roisin—and her past. Erin knows if the secret of what she gave up got out, the consequences could be devastating.When Roisin suddenly disappears, suspicion soon lands on Erin. She would do anything to protect her family, but just how far is she willing to go when time is running out…?

    But something goes terribly wrong on their way home, and the last time Zoë sees her, Holli is in the clutches of a sadistic killer. Zoë flees with her life, changed forever.A year later and still tortured with guilt, Zoë latches on to a police investigation where the crime eerily resembles her abduction. Along with a zealous detective, she retraces the steps of that fateful night in the desert, hoping that her memory will return and help them find justice for Holli. Her abductor—labeled the “Tally Man” by a fascinated media—lies in wait for Zoë. For him, she is not a survivor but simply the one that got away.With an unforgettable heroine, a chillingly disturbed psychopath, and a story that moves at breakneck speed, The One That Got Away is thriller writer Simon Wood at his finest.

    Driven off the force by her treacherous partner and lover, she’s flat broke and struggling with a gambling addiction. All Nicole has left is the dream of a warm bed at a homeless shelter and the haunting memories of three-year-old Kelsey Chase—whose murder case ended her career.As Nicole obsesses over the old facts, she realizes everything about that case felt off: a disinterested mom, a suicidal pedophile, and too many questions left unanswered. When the little girl’s grieving father begs Nicole for help, she’s drawn back into the investigation…and given one shot at redemption.But the deeper Nicole digs, the more evil she uncovers, including betrayals that hit painfully close to home. Will a shocking discovery be the key to finally getting justice for Kelsey and resurrecting her own life?

    Laura is the troubled one-night-stand last seen in the victim’s home. Carla is his grief-stricken aunt, already mourning the recent death of yet another family member. And Miriam is the nosy neighbor clearly keeping secrets from the police. Three women with separate connections to the victim. Three women who are – for different reasons – simmering with resentment. Who are, whether they know it or not, burning to right the wrongs done to them. When it comes to revenge, even good people might be capable of terrible deeds. How far might any one of them go to find peace? How long can secrets smolder before they explode into flame?Look what you started.

    A day of dark impulses. A day to snatch a child from the streets ...The abduction of five-year-old Matthew Farraday provokes a national outcry and a desperate police hunt. And when a picture of his face is splashed over the newspapers, psychotherapist Frieda Klein is left troubled: one of her patients has been relating dreams in which he has a hunger for a child. A child he can describe in perfect detail, a child the spitting image of Matthew.Detective Chief Inspector Karlsson doesn't take Frieda's concerns seriously until a link emerges with an unsolved child abduction twenty years ago and he summons Frieda to interview the victim's sister, hoping she can stir hidden memories. Before long, Frieda is at the center of the race to track the kidnapper.But her race isn't physical. She must chase down the darkest paths of a psychopath's mind to find the answers to Matthew Farraday's whereabouts.And sometimes the mind is the deadliest place to lose yourself.

     Jeremy ‘Remy’ Thorn is a detective from a small town in Oregon. He does his job well and keeps to himself. A past of trauma and abuse, and a compulsive need for balance have shaped him into the person he is today: a decisive, effective killer. His routine is simple but trustworthy. Step one: Find two targets. The first, an abomination of a human being whose only contribution to the world is as fertilizer. The second, a detriment to society, perhaps a sidekick or accessory. Step two: Kill the first. Frame the second. Easy. After his latest, and most personal kill, all seems to be going well. He makes it home by morning and continues with his plan as normal, with each perfectly timed maneuver all mapped out. But to his horror, he finds that the man he was trying to frame—a hotshot detective from a major nearby city—has been called in to work the case. And what’s worse … he’s privy to the truth. "Michael Lilly's first novel, Pond Scum, is distinguished by fine writing, a compelling story and well- wrought characters. An auspicious debut." Michael Nava, author of the Henry Rios novels "Pond Scum is gripping reading...Nice twist to the serial killer/cop story. Pond Scum is definitely one to look out for." Grab This Book review

    She's disturbed to discover the culprit is a raven, and tries to shoo it away. Which is when the killer strikes.DS Nathan Cody, still bearing the scars of an undercover mission that went horrifyingly wrong, is put on the case. But the police have no leads, except the body of the bird - and the victim's missing eyes.As flashbacks from his past begin to intrude, Cody realises he is battling not just a murderer, but his own inner demons too.And then the killer strikes again, and Cody realises the threat isn't to the people of Liverpool after all - it's to the police.Following the success and acclaim of the Callum Doyle novels, A Tapping at My Door is the first instalment of David Jackson's new Nathan Cody series.From the bestselling author of Cry Baby, the beginning of a brilliant and gripping police procedural series set in Liverpool, perfect for fans of Peter James and Mark Billingham"Recalls Harlan Coben - though for my money Jackson is the better writer." Guardian

    An iconoclast. A loner. That's how people describe Garrison Gage, and that's when they're being charitable. After his wife's brutal murder in New York, and Gage himself is beaten nearly to death, the crippled private investigator retreats three thousand miles to the quaint coastal town of Barnacle Bluffs, Oregon. He spends the next five years in a convalescent stupor, content to bide his time filling out crossword puzzles and trying to forget that his wife's death is his fault. But all that changes when he discovers the body of a young woman washed up on the beach, and his conscience draws him back into his old occupation – forcing him to confront the demons of his own guilt before he can hope to solve the girl's murder.

    J. Simpson trial prosecutor Marcia Clark, a “terrific writer and storyteller” (James Patterson). Samantha Brinkman, an ambitious, hard-charging Los Angeles criminal defense attorney, is struggling to make a name for herself and to drag her fledgling practice into the big leagues. Sam lands a high-profile double-murder case in which one of the victims is a beloved TV star—and the defendant is a decorated veteran LAPD detective. It promises to be exactly the kind of media sensation that would establish her as a heavy hitter in the world of criminal law.Though Sam has doubts about his innocence, she and her two associates (her closest childhood friend and a brilliant ex-con) take the case. Notorious for living by her own rules—and fearlessly breaking everyone else’s—Samantha pulls out all the stops in her quest to uncover evidence that will clear the detective. But when a shocking secret at the core of the case shatters her personal world, Sam realizes that not only has her client been playing her, he might be one of the most dangerous sociopaths she’s ever encountered.

    But she spends her life doing what no one else will--searching for missing people the world has stopped looking for. When the police have given up, when the public no longer remembers, when the media has never paid attention, Frankie starts looking.A new case brings her to Mattapan, a Boston neighborhood with a rough reputation. She is searching for Angelique Badeau, a Haitian teenager who vanished from her high school months earlier. Resistance from the Boston PD and the victim's wary family tells Frankie she's on her own--and she soon learns she's asking questions someone doesn't want answered. But Frankie will stop at nothing to discover the truth, even if it means the next person to go missing could be her.