Living alongside her young grandmother and other Japanese-American citizens in internment camps, Kiku gets the education she never received in history class. She witnesses the lives of Japanese-Americans who were denied their civil liberties and suffered greatly, but managed to cultivate community and commit acts of resistance in order to survive.

    She's the survivor... the last girl. Meet Cassie Hack, the lone survivor of an attack by a vicious slasher called The Lunch Lady. Now, Cassie — along with her monstrous partner, Vlad — travels the country, hunting down other slashers before they can leave a trail of blood and terror.Featuring an Introduction by award winning author Craig Thompson (Blankets), this collection includes the critically acclaimed one-shots "Euthanized," "Girls Gone Dead," and "Comic Book Carnage," plus never-before-seen production art, sketches, pin-ups, and a new short story, "Slashing through the Snow."

    But what if that first fevered, dreamlike writing about this moment of profound historical upheaval were to be resurrected itself, brought back to life in a haunting and exhilarating bedtime fable for our modern age?In The Harrowing of Hell, Evan Dahm draws upon a wide array of texts both ancient and modern, religious and historical, to create a brand new window into the life and death of Christ, a vision of a dying man’s revolutionary drive and fervent belief in humanity’s salvation from all manner of jailers. Discarding the heroic, demon-smiting Christ that has taken hold in the popular imagination, this story gives us a peaceable and contemplative Christ, defiantly at odds with the ancient and modern desires of His flock.A richly symbolic, densely illustrated allegorical tale that echoes back to us from ancient times, The Harrowing of Hell is a fascinating reinterpretation of one of the most important religious figures in history, before He was the god of the wealthy and powerful, before He was recast as the warrior worshipers preferred.

    It all starts when Lucifer Morningstar abdicates his throne - leaving the Key to Hell with Death's brother, Dream. As the reluctant Sandman contemplates what to do, hell's nastiest denizens are free to evacuate the premises. Unfortunately for Death, they end up in her apartment. It's up to Death to save the day and the afterlife - not to mention the carpet. Written and illustrated by Eisner Award winner and Sandman fan-favorite artist Jill Thompson, this digest also features a special sketchbook section and an introduction to the character and the ten-volume Sandman library.

    On the way to nowhere in particular they pass a number of odd characters and observe a series of baffling phenomena, from a house burning down in a field to a palatial mansion perched precariously on a bluff.At once deeply vexing and utterly hilarious, darkly mysterious and amusingly absurd, The Willowdale Handcar is vintage Edward Gorey.

    When they buy an antique camera along the way, they discover they can capture images of Japan's invisible spirit world. The forgotten spirits they meet can be kindly, mischievous, and some, downright dangerous. Everywhere they go from forests to Shinto temples to fishing villages they are met with Yokai, the Japanese word for supernatural monsters, ghosts, and demons. The subject of Yokai is wildly popular right now and is featured prominently in books, websites, and online videos. Google receives thousands of searches on the topic daily. Readers 10-18 who cherished books like Cool Japan Guide and Diary of a Tokyo Teen will delight in this comic book style adventure. The graphic novel format will appeal to diehard anime and manga fans while stressing the importance this ancient spirit world is to the Japanese culture.

    All proceeds go to UNIDOS Disaster Relief & Recovery Program to Support Puerto Rico.Despite being a US territory, Puerto Rico is often thought of as a foreign land, if it’s even a thought in the mind of the average American at all. Its people exist in all corners of America; some of them have parents who immigrated from the home island, others are a part of families that have been on the mainland for generations. Then there are those who have come to the states in search of a dream but struggle to integrate into an unfamiliar culture, while there are those who have lived in the United States all of their lives but still have the same struggle because of the color of their skin or their sexual identity. These stories follow individuals from diverse walks of life but are all part of the culture that is Puerto Rico.Puerto Rico Strong features art and writing by Rosa Colon, Vita Ayala, Naomi Franquiz, Javier Cruz Winnick, Sabrina Cintron, Ronnie Garcia, Fabian Nicieza, Joamette Gil, and many more!

    First published in 1946, this autobiography of the well known Filipino poet describes his boyhood in the Philippines, his voyage to America, and his years of hardship and despair as an itinerant laborer following the harvest trail in the rural West. Bulosan does not spare the reader any of the horrors tha accompanied the migrant's life; but his quiet, stoic voice is the most convincing witness to the terrible events he witnessed.

    But instead, he was accused of being a filibuster and ends up losing not only the love of his life, Maria Clara, but also his freedom.

    The notes found left behind, apparently describing some slender reason for their removal, were all that linked them. They were all delivered by one man. Rodney Moon had admitted seeing those who had been disappeared and to passing the notes, but denied any involvement beyond that. Who wrote the letters, then? Moon shrugged during the trial: 'It has no name,' he said. 'It's a bogeyman. A monster.'He was not mourned when the vengeful bereft finally found him.Some years later, four strangers; seemingly random, unconnected, all take the last train home. But something each of them has forgotten - or is trying to forget - is catching up with them; with a terrible, inexorable purpose. The devil is in the detail, as they say.

    

    Queen Malgven used magic to raise the great walls that keep Ys safe from the tumultuous sea. But after the queen's inexplicable death, her daughters drift apart. Rozenn, the heir to the throne, spends her time on the moors communing with wild animals, while Dahut, the youngest, enjoys the splendors of royal life and is eager to take part in palace intrigue.

    Her mother, who disappeared soon after they migrated from the Philippines to America, speaks to her in prophetic dreams. Stranger still is the old man who turns up at her house one day and claims to be her grandfather, even though Karina’s mother had told her he died a long time ago.Karina discovers that her mother is an engkanto princess who ran away from Engkantasia. Karina is now of age to take the throne and must do so to prevent a war between Engkantasia and the human world. She must learn to control her powers and fight a range of weird creatures trying to kill her and her family. To make matters worse, she finally meets a boy she likes and there’s something about him she can’t quite figure out.

    Here are exiles, emigrants, and wanderers uprooting their families from the Philippines to begin new lives in the Middle East, the United States, and elsewhere—and, sometimes, turning back again. A pharmacist living in New York smuggles drugs to his ailing father in Manila, only to discover alarming truths about his family and his past. In Bahrain, a Filipina teacher drawn to a special pupil finds, to her surprise, that she is questioning her own marriage. A college student leans on her brother, a laborer in Saudi Arabia, to support her writing ambitions, without realizing that his is the life truly made for fiction. And in the title story, a journalist and a nurse face an unspeakable trauma amidst the political turmoil of the Philippines in the 1970s and ’80s.In the Country speaks to the heart of everyone who has ever searched for a place to call home. From teachers to housemaids, from mothers to sons, Alvar’s powerful debut collection explores the universal experiences of loss, displacement, and the longing to connect across borders both real and imagined. Deeply compassionate and richly felt, In the Country marks the emergence of a formidable new writer.

    Ileto submits to varied kinds of analyses standard documents as well as such previously ignored sources as folk songs, poems, and religious traditions, in order to articulate hidden or suppressed features of the thinking of the masses. Paramount among the conclusions of the book is that the pasyon, or native account of Christ's life, death and resurrection, provided the cultural framework of movements for change. The book places the Philippine revolution in the context of native traditions, and explains the persistence of radial peasant brotherhoods in this century. Seen as continuous attempts by the masses to transform the world in their terms are the various movements that the book analyzes - Apolinario de la Cruz's Cofradia de San Jose, Andres Bonifacio's Katipunan, Macario Sakay's Katipunan, Felipe Salvador's Santa Iglesia, the Colorum Society, and other popular movements during the Spanish, revolutionary, and American colonial periods.