Readers young and old will be enchanted by the vision and mastery of Kinuko Y. Craft's luminous paintings, inspired by the lavish artwork of late seventeenth-century France and embellished with extraordinary borders and ornamentation.Rich with radiant color and astonishing detail, here is a dream come true for anyone who has ever believed in living happily ever after.

    When the town-folk send for St. George to slay the dragon, the boy needs to come up with a clever plan to save his friend and convince the townsfolk to accept him. This story first appeared as a chapter in Grahame's Dream Days and was first published as a separate book by Holiday House in 1938 with illustrations by Ernest H. Shepard.

    The king decides his daughters must be kept safe at all costs, and for the girls, those costs include their lessons, their possessions, and most importantly, their freedom. But the sisters, especially the eldest, Princess Frida, will not bend to this fate. She still has one possession her father cannot take: the power of her imagination. And so, with little but wits and ingenuity to rely on, Frida and her sisters begin their fight to be allowed to live on their own terms.The Restless Girls is a sparkling whirl of a fairy tale--one that doesn't need a prince to save the day, and instead is full of brave, resourceful, clever young women.

    In this rendition a tiger is proven to be a princess.

    

    Bloom and her mud fairy magic might be able to turn weeds into flowers and spin sand into glass, but the people of the kingdom ceaselessly complain about the trails of dirt and puddles of mud that seem to follow her every step, and finally they cast her out.But when the glass castle begins to crack, then cracks some more, the King and Queen in a panic search for the long-banished fairy, but they can’t find Bloom anywhere. Desperate to save their home, they send their meekest, most ordinary subject, a girl named Genevieve whose sole task until now has been to polish the Queen’s crystal sugar spoon—to coax any worthy fairy to come and save the kingdom. Genevieve finds Bloom exactly where the king and queen failed to see her, and Bloom knows exactly how to save the kingdom. But it will take the two girls working together, along with a mighty dollop of self-confidence—and some very messy hands—to accomplish the extraordinary.

    Inspired by Pixar Animation Studios latest film, Finding Dory, this jacketed picture book features everyone's favorite forgetful fish and is complemented by stunning original artwork.

    Whether it's time for him to stop playing and take a bath, or when he puts up a fuss getting into is jammies, both parents and children alike will relate to this beloved story. A great way to introduce children to their very own bedtime routine!

    But when he opens his box of crayons, he finds only letters, all saying the same thing: We quit!Beige is tired of playing second fiddle to Brown. Blue needs a break from coloring all that water, while Pink just wants to be used. Green has no complaints, but Orange and Yellow are no longer speaking to each other. What is Duncan to do? Debut author Drew Daywalt and New York Times bestseller Oliver Jeffers create a colorful solution in this playful, imaginative story that will have children laughing and playing with their crayons in a whole new way.

    Just as the little old woman is about to take him from the oven, he slips away and runs out the door past a cow, a horse, a group of threshers, mowers, etc. All follow in hot pursuit until the gingerbread boy meets up with a wily fox, and ‘at last and at last he went the way of every single gingerbread boy that ever came out of an oven . . . He was all gone!’ A wonderfully frenetic cross-country chase is depicted in Galdone’s broadly humorous color wash drawings. Of the eight editions of this well-known story now in print, this hilarious version is the most delectable.” —School Library Journal, starred“Galdone has already proven many times over that he is perfectly at home with those traditional nursery tales that are still preschoolers’ favorites, and his expressive, unassuming style just right for their very young audience. . . . Children will follow along breathlessly . . . right up to that last snip snap snip when the Gingerbread Boy goes ‘the way of every single gingerbread boy that ever came out of an oven.’”—Kirkus Reviews

    Here is the classic story of Rapunzel, the lovely girl who is raised by a witch and locked up in a tall tower before being rescued by a handsome prince.

    Bishop provides a wonderful resource for parents and a delight for children in this story of a princess who discovers the value of her first kiss and experiences God's gift of purity in a way she never dreamed.

    Consisting of a series of episodes in the story of the English outlaw Robin Hood and his band of Merry Men, the novel compiles traditional material into a coherent narrative in a colorful, invented "old English" idiom that preserves some flavor of the ballads, and adapts it for children. The novel is notable for taking the subject of Robin Hood, which had been increasingly popular through the 19th century, in a new direction that influenced later writers, artists, and filmmakers through the next century.[1]Pyle had been submitting illustrated poems and fairy tales to New York publications since 1876, and had met with success. The Merry Adventures of Robin Hood was the first novel he attempted. He took his material from Middle Age ballads and wove them into a cohesive story, altering them for coherence and the tastes of his child audience. For example, he included "Robin Hood and the Curtal Friar" in the narrative order to reintroduce Friar Tuck. He needed a cooperative priest for the wedding of outlaw Allan a Dale (Pyle's spelling of the original Alan-a-Dale) to his sweetheart Ellen. In the original "A Gest of Robyn Hode", the life is saved of an anonymous wrestler who had won a bout but was likely to be murdered because he was a stranger. Pyle adapted it and gave the wrestler the identity of David of Doncaster, one of Robin's band in the story "Robin Hood and the Golden Arrow." In his novelistic treatment of the tales, Pyle thus developed several characters who had been mentioned in only one ballad, such as David of Doncaster or Arthur a Bland. Pyle's book continued the 19th-century trend of portraying Robin Hood as a heroic outlaw who robs the rich to feed the poor; this portrayal contrasts with the Robin Hood of the ballads, where the protagonist is an out-and-out crook, whose crimes are motivated by personal gain rather than politics or a desire to help others.[1] For instance, he modified the ballad "Robin Hood's Progress to Nottingham", changing it from Robin killing fourteen foresters for not honoring a bet to Robin defending himself against a band of armed robbers. Pyle has Robin kill only one man, who shoots at him first. Tales are changed in which Robin steals all that an ambushed traveler carried, such as "Robin Hood and the Bishop of Hereford", so that the victim keeps a third and another third is dedicated to the poor. Pyle did not have much concern for historical accuracy, but he renamed the queen-consort in the story "Robin Hood and Queen Katherine" as Eleanor (of Aquitaine). This made her compatible historically with King Richard the Lion-Hearted, with whom Robin eventually makes peace. The novel was first published by Scribner's in 1883, and met with immediate success,[1] ushering in a new era of Robin Hood stories. It helped solidify the image of a heroic Robin Hood, which had begun in earlier works such as Walter Scott's 1819 novel Ivanhoe. In Pyle's wake, Robin Hood has become a staunch philanthropist protecting innocents against increasingly aggressive villains.[1] Along with the publication of the Child Ballads by Francis James Child, which included most of the surviving Robin Hood ballads, Pyle's novel helped increase the popularity of the Robin Hood legend in the United States. The Merry Adventures also had an effect on subsequent children's literature. It helped move the Robin Hood legend out of the realm of penny dreadfuls and into the realm of respected children's books.[2] After Pyle, Robin Hood became an increasingly popular subject for children's books: Louis Rhead's Bold Robin Hood and His Outlaw Band (1912) and Paul Creswick's Robin Hood (1917), illustrated by Pyle's pupil N. C.

    But what is a kingdom without love?

    The smoothly told story contains the familiar details and a happy ending in which Cinderella forgives her stepfamily." - The Horn Book Club -"This satisfying tale never grows old. Koopman's illustrations are jewel-toned and Cinderella herself is attractive as a person and figure." - Yellow Brick Road -