NOW NATURE, APPARENTLY, HAS DECIDED TO FIGHT BACK. Police officer Dora Henry is investigating the bizarre murders of three geneticists. Meanwhile, strange things are happening everywhere she turns. Weeds are becoming trees; trees are becoming forests. Overnight, a city is being transformed into a wild and verdant place. And, strangest of all, Dora can somehow communicate with the rampaging flora. A potential civilization-ending catastrophe is in the making. The nearer Dora gets to a murderer--and to the truth--the more seemingly disparate events begin to entwine. And the answers she seeks today to the salvation of humankind may lie in afar distant future. . .one which is suddenly much closer than anyone imagines. An exhilarating and enchanting novel that deftly combines fantastic invention with insight and a social conscience, from one of the most lyrical and important voices in contemporary speculative fiction.

    Where tinkerers and dreamers craft and re-craft a world of automatons, clockworks, calculating machines, and other marvels that never were. Where scientists and schoolgirls, fair folk and Romans, intergalactic bandits, utopian revolutionaries, and intrepid orphans solve crimes, escape from monstrous predicaments, consult oracles, and hover over volcanoes in steam-powered airships.

    Americans worship their infallible Emperor, and nobody believes that Japan’s conduct in the war was anything but exemplary. Nobody, that is, except the George Washingtons – a shadowy group of rebels fighting for freedom. Their latest subversive tactic is to distribute an illegal video game that asks players to imagine what the world might be like if the United States had won the war instead.   Captain Beniko Ishimura's job is to censor video games, and he's working with Agent Akiko Tsukino of the secret police to get to the bottom of this disturbing new development. But Ishimura's hiding something... He's slowly been discovering that the case of the George Washingtons is more complicated than it seems, and the subversive videogame's origins are even more controversial and dangerous than either of them originally suspected. Part detective story, part brutal alternate history, United States of Japan is a stunning successor to Philip K Dick’s The Man in the High Castle. File under: Science Fiction [ Gamechanger | Area #11 | Robot Wars | Strike Back the Empire ]

    There are some who want to improve it. There are some who want to eradicate it. And there are others who just want to exploit it.When a young scientist is caught improving Nexus, he’s thrust over his head into a world of danger and international espionage – for there is far more at stake than anyone realizes.From the halls of academe to the halls of power, from the headquarters of an elite US agency in Washington DC to a secret lab beneath a top university in Shanghai, from the underground parties of San Francisco to the illegal biotech markets of Bangkok, from an international neuroscience conference to a remote monastery in the mountains of Thailand – Nexus is a thrill ride through a future on the brink of explosion.

    Always looking over your shoulder. The source of your fear? The Institute.Allira Daniels will do anything to keep her Defective brother safe from the Institute. They claim to protect Defectives, but it’s human nature to fear the unknown. Defectives are dangerous, they possess abilities that no human should be able to. To Allira and the rest of her family, the Institute seems more like a prison than the safe-haven they promote themselves to be. Protecting Shilah from that fate is their number one priority.When Allira stumbles across a car crash involving two of her school classmates, she ignores all of her father’s warnings of laying low and not drawing attention to herself. By doing so, she may have just caught the eye of the Institute. She’s not Defective, but what seventeen-year-old girl has the ability to pull two teenage boys away from a fiery rubble and walk away without a scratch? It would definitely be seen as suspicious.Allira and her family need to make decisions. Do they stay, or do they flee again? Will they be coming for her? Will her whole family come under investigation? Will they discover Shilah and his ability to predict the future?Are you Defective? The Institute is coming for you.

    Clarke of Last and First Men. This masterpiece of science fiction by British philosopher and writer Olaf Stapledon (1886–1950) is an imaginative, ambitious history of humanity's future that spans billions of years. Together with its follow-up, Star Maker, it is regarded as the standard by which all earlier and later future histories are measured.The protagonist of this compelling novel is humanity itself, stripped down to sheer intelligence. It evolves through the ages: rising to pinnacles of civilization, teetering on the brink of extinction, surviving onslaughts from other planets and a decline in solar energy, and constantly developing new forms, new senses, and new intellectual abilities. From the present to five billion years into the future, this romance of humanity abounds in profound and imaginative thought.

    In the year 1998, a group of scientists works desperately to communicate with the scientists of 1962, warning of an ecological disaster that will destroy the oceans in the future--if it is not averted in the past.

    She, herself, is tiny—like a kid peering up over the steering wheel. She has a remarkable face and wears the thickest corrective lenses anyone has ever seen. Her posture is suggestive of some spinal problem. Her breasts are perfect; perhaps implants. She is strangely erotic yet somehow grotesque, vulnerable yet threatening. Her hitchhikers are a mixed bunch of men—trailer trash and travelling postgrads, thugs and philosophers. But Isserley is only interested in whether they have families and whether they have muscles. Then, it's only a question of how long she can endure her pain—physical and spiritual—and their conversation. Michel Faber's work has been described as a combination of Roald Dahl and Franz Kafka, as Somerset Maugham shacking up with Ian McEwan. At once humane and horrifying, Under the Skin takes us on a heart-thumping ride through dangerous territory—our own moral instincts and the boundaries of compassion.

    An EMP over North America has destroyed everything electronic. No cars, no planes, no phones, no electricity. Refusing to wait for someone else to help them, ten courageous young people take charge of their future and choose to begin the long journey home. 1500 miles of adventure and lawless country await. Will their determination be enough?Alex, Quinn, Josh, Cooper and Dara - setting out on foot with nothing more than some soon to be worthless cash and a little advice from a trusted teacher, they walk through a burning city that has come to a halt. The devastation they see as they make their way out of the city is a small part of the horror that the nation will become. As the days go by with no food deliveries and no water flowing from taps, civilization will start to crumble and it will be survival of the fittest. With five States and half a Province to cross they will need to plan well, count on each other and pray for a little luck. Even with that, chances are slim of getting home when you are Stranded.

    This is how our world ends; with a whimper instead of a bang. New social structures and tribal connections spring up across America, as the previous social structures begin to dissolve. Locus Award finalist and John W. Campbell Memorial Award finalist Soft Apocalypse follows the journey across the Southeast of a tribe of formerly middle class Americans as they struggle to find a place for themselves and their children in a new, dangerous world that still carries the ghostly echoes of their previous lives.

    In his time, Earth is a toxic, abandoned world and humans have fled into the outer solar system to survive, eking out a fragile, doomed existence among the other planets and their moons. Those responsible for delaying humanity’s demise believe time travel holds the key, and they have identified James, troubled though he is, as one of a select and expendable few ideally suited for the most dangerous job in history. James is a chronman, undertaking missions into Earth's past to recover resources and treasure without altering the timeline. The laws governing use of time travel are absolute; break any one of them and, one way or another, your life is over. Most chronmen never reach old age; the stress of each jump through time, compounded by the risk to themselves and to the future, means that many chronmen rapidly reach their breaking point, and James Griffin-Mars is nearing his.On a final mission that is to secure his retirement, James meets Elise Kim, an intriguing scientist from a previous century, who is fated to die during the destruction of an oceanic rig. Against his training and his common sense, and in violation of the chronmen’s highest law, James brings Elise back to the future with him, saving her life, but turning them both into fugitives. Remaining free means losing themselves in the wild and poisonous wastes of Earth, somehow finding allies, and perhaps discovering what hope may yet remain for humanity's home world.

    In Tom Barren's 2016, humanity thrives in a techno-utopian paradise of flying cars, moving sidewalks, and moon bases, where avocados never go bad and punk rock never existed . . . because it wasn't necessary. Except Tom just can't seem to find his place in this dazzling, idealistic world, and that's before his life gets turned upside down. Utterly blindsided by an accident of fate, Tom makes a rash decision that drastically changes not only his own life but the very fabric of the universe itself. In a time-travel mishap, Tom finds himself stranded in our 2016, what we think of as the real world. For Tom, our normal reality seems like a dystopian wasteland. But when he discovers wonderfully unexpected versions of his family, his career, and—maybe, just maybe—his soul mate, Tom has a decision to make. Does he fix the flow of history, bringing his utopian universe back into existence, or does he try to forge a new life in our messy, unpredictable reality? Tom’s search for the answer takes him across countries, continents, and timelines in a quest to figure out, finally, who he really is and what his future—our future—is supposed to be.

    McHugh established herself as one of the decade's best science fiction writers. In its pages, we enter a post-revolution America, moving from the hyper-urbanized eastern seaboard to the Arctic bleakness of Baffin Island; from the new Imperial City to an agricultural commune on Mars. The overlapping lives of cyber-kite fliers, lonely colonists, illicit neural-pressball players, and organic engineers blend into a powerful, taut story of a young man's journey of discovery. This is a macroscopic world of microscopic intensity, one of the most brilliant visions of modern SF.

    Humanity has conquered all those things, and has even conquered death. Now scythes are the only ones who can end life—and they are commanded to do so, in order to keep the size of the population under control.Citra and Rowan are chosen to apprentice to a scythe—a role that neither wants. These teens must master the “art” of taking life, knowing that the consequence of failure could mean losing their own.

    With Earth no longer habitable and the Mars colony slowly failing, they are humanity's best hope.After ten years in a failed cryogenic bed--body asleep, mind awake--William Chanokh's torture comes to an end as the fog clears, the hatch opens, and his friend and fellow hacker, Tom, greets him...by stabbing a screwdriver into his heart. This is the first time William dies.It is not the last.When he wakes from death, William discovers that all but one crew member--Capria Dixon--is either dead at Tom's hands, or escaped to the surface of Kepler 452b. This dire situation is made worse when Tom attacks again--and is killed. Driven mad by a rare reaction to extended cryo-sleep, Tom hacked the Galahad's navigation system and locked the ship on a faster-than-light journey through the universe, destination: nowhere. Ever.Mysteriously immortal, William is taken on a journey with no end, where he encounters solitary desperation, strange and violent lifeforms, a forbidden love, and the nature of reality itself....HE DISCOVERS THE INFINITE.Jeremy Robinson, the master of fast-paced and highly original stories seamlessly blending elements of horror, science fiction, and thrillers, tackles his most ambitious subject matter to date: reality itself. An amalgam of the works of J.J. Abrams and Ridley Scott, Infinite is a bold science fiction novel exploring the vastness of space and a man's desire to exist, find love, and alter the course of his life.