BUT THEY'RE SAYING IT'S MURDER.From the Sunday Times bestselling author of My Husband's Wife, comes a beautifully written psycholgocial thriller for fans of Lisa Jewell and Clare Mackintosh.Every Monday, 49-year-old Ellie looks after her grandson Josh. She loves him more than anyone else in the world. The only thing that can mar her happiness is her husband's affair. But he swears it's over now, and Ellie has decided to be thankful for what she's got.Then one day, while she's looking after Josh, her husband gets a call from that woman. And just for a moment, Ellie takes her eyes off her grandson. What happens next will change her life forever.Because Ellie is hiding something in her past. And what looks like an accident could start to look like murder...

    In her spellbinding new bestseller she takes us on a breathtaking journey deep into the red heart of Australia. It is 2001 and as the world charges into the new Millennium, a century-old dream is about to be realised in the Red Centre of Australia: the completion of the mighty Ghan railway, a long-lived vision to create the 'backbone of the continent', a line that will finally link Adelaide with the Top End. But construction of the final leg between Alice Springs and Darwin will not be without its complications, for much of the desert it will cross is Aboriginal land. Hired as a negotiator, Jessica Manning must walk a delicate line to reassure the Elders their sacred sites will be protected. Will her innate understanding of the spiritual landscape, rooted in her own Arunta heritage, win their trust? It’s not easy to keep the peace when Matthew Witherton and his survey team are quite literally blasting a rail corridor through the timeless land of the Never-Never.When the paths of Jessica and Matthew finally cross, their respective cultures collide to reveal a mystery that demands attention. As they struggle against time to solve the puzzle, an ancient wrong is awakened and calls hauntingly across the vastness of the outback . . .

    Amelia's meeting a lot of men but once she gets the sex she wants from them, that's it for her; she can't connect further. A terrible thing happened to Daniel last year and it's stuck inside Amelia ever since, making her stuck too.Maybe being a cosmetician at her family's mortuary business isn't the best job for a young woman. It's not helping her social life. She loves her job, but she's not great at much else. Especially emotion.And then something happens to her mum and suddenly Amelia's got too many feelings and the only thing that makes any sense to her is running away.It takes the intervention of her two fathers and some hilariously wrong encounters with other broken people in a struggling Tasmanian BDSM club to help her accept the truth she has been hiding from. And in a final, cataclysmic scene, we learn along with Amelia that you need to feel another person's weight before you can feel your own.Deadpan, wise and heartbreakingly funny, New Animal is a stunning debut.

    Lucky's is a story of family.It is also about a man called Lucky.His restaurant chain.A fire that changed everything.A New Yorker article which might save a career.The mystery of a missing father.An impostor who got the girl.An unthinkable tragedy.A roll of the dice.And a story of love, lost, sought and won again, (at last).

    Three bloodsports. One deadly weekend.It is the autumn term and Greer MacDonald is struggling to settle into the sixth form at the exclusive St. Aidan the Great boarding school, known to its privileged pupils as S.T.A.G.S. Just when she despairs of making friends Greer receives a mysterious invitation with three words embossed upon on it: huntin' shootin' fishin'. When Greer learns that the invitation is to spend the half term weekend at the country manor of Henry de Warlencourt, the most popular and wealthy boy at S.T.A.G.S., she is as surprised as she is flattered.But when Greer joins the other chosen few at the ancient and sprawling Longcross Hall, she realises that Henry's parents are not at home; the only adults present are a cohort of eerily compliant servants. The students are at the mercy of their capricious host, and, over the next three days, as the three bloodsports - hunting, shooting and fishing - become increasingly dark and twisted, Greer comes to the horrifying realisation that those being hunted are not wild game, but the very misfits Henry has brought with him from school...

    As she waits to be rescued, Florence wonders if a terrible secret from her past is about to come to light; and, if the charming new resident is who he claims to be, why does he look exactly like a man who died sixty years ago?From the author of THE TROUBLE WITH GOATS AND SHEEP, this book will teach you many things, but here are three of them:1) The fine threads of humanity will connect us all forever.2) There is so very much more to anyone than the worst thing they have ever done.3) Even the smallest life can leave the loudest echo.

    Inside a brand new, palatial home, her three young children need more than she can give. Clem, a wilful four year old, is intent on mimicking her grandmother; the formidable matriarch Pat Cormac. Arthur is almost three and still won't speak. At least baby Robbie is perfect. He's the future of the family. So why can't Emma hold him without wanting to scream? Beyond their gleaming windows, a lake vista is evaporating. The birds have mostly disappeared, too. All over Shorehaven, the Cormac family buys up land to develop into cheap housing for people they openly scorn.After: The summers have grown even fiercer and the Cormac name doesn't mean what it used to. Arthur has taken it abroad, far from a family unable to understand him. Clem is a young artist who turns obsessively to the same dark subject. Pat doesn't even know what legacy means now. Not since the ground started sinking beneath her. Meanwhile, a nameless woman has been released from state care. She sticks to her twelve-step program, recites her affirmations, works one day at a time on a humble life devoid of ambition or redemption. How can she have an after when baby Robbie doesn't?

    /ka?/A piece of meat; born to breed; past its sell-by-date; one of the herd.Women don’t have to fall into a stereotype.The Cows is a powerful novel about three women. In all the noise of modern life, each needs to find their own voice.It’s about friendship and being female.It’s bold and brilliant.It’s searingly perceptive.It's about never following the herd.And everyone is going to be talking about it.

    Desperate to return home, she learns that only a man named Professor Marselle can help her... but he's missing.While waiting for him to reappear, Alex attends Akarnae Academy, Medora's boarding school for teenagers with extraordinary gifts. She soon starts to enjoy her bizarre new world and the friends who embrace her as one of their own, but strange things are happening at Akarnae, and Alex can't ignore her fear that something unexpected... something sinister... is looming.An unwilling pawn in a deadly game, Alex's shoulders bear the crushing weight of an entire race's survival. Only she can save the Medorans, but what if doing so prevents her from ever returning home?Will Alex risk her entire world—and maybe even her life—to save Medora?

    It's a cruel mistake; her son left for college a year ago, and Kelly has never felt so alone. The receptionist quickly apologizes: there's another mother in town named Kelly Medina, and she must have gotten their numbers switched.But Kelly can't stop thinking about the woman who shares her name. Lives in her same town. Has a son she can still hold, and her whole life ahead of her. She can't help looking for her: at the grocery store, at the gym, on social media. When Kelly just happens to bump into the single mother outside that pediatrician's office, it's simple curiosity getting the better of her.Their unlikely friendship brings Kelly a renewed sense of purpose, taking care of this young woman and her adorable baby boy. But that friendship quickly turns to obsession, and when one Kelly disappears, well, the other one may know why.

    If you loved THE DRY and SCRUBLANDS, you will love STILL.Darwin, Summer, 1963.The humidity sat heavy and thick over the town as Senior Constable Ned Potter looked down at a body that had been dragged from the shallow marshland. He didn't need a coroner to tell him this was a bad death. He didn't know then that this was only the first. Or that he was about to risk everything looking for answers.Late one night, Charlotte Clark drove the long way home, thinking about how stuck she felt, a 23-year-old housewife, married to a cowboy who wasn't who she thought he was. The days ahead felt suffocating, living in a town where she was supposed to keep herself nice and wait for her husband to get home from the pub. Charlotte stopped the car, stepped out to breathe in the night air and looked out over the water to the tangled mangroves. She never heard a sound before the hand was around her mouth.Both Charlotte and Ned are about to learn that the world they live in is full of secrets and that it takes courage to fight for what is right. But there are people who will do anything to protect themselves and sometimes courage is not enough to keep you safe.

    When a childhood friend is murdered, a sense of guilt and a determination to prove his own innocence sends Caleb on a hunt for the killer. But he can’t do it alone. Caleb and his troubled friend Frankie, an ex-cop, start with one clue: Scott, the last word the murder victim texted to Caleb. But Scott is always one step ahead.This gripping, original and fast-paced crime thriller is set between a big city and a small coastal town, Resurrection Bay, where Caleb is forced to confront painful memories. Caleb is a memorable protagonist who refuses to let his deafness limit his opportunities, or his participation in the investigation. But does his persistence border on stubbornness? And at what cost? As he delves deeper into the investigation Caleb uncovers unwelcome truths about his murdered friend – and himself.

    Told in an unfurling narrative of interlinking stories, in a style reminiscent of David Mitchell's Cloud Atlas, McKinnon weaves together the stories of Will Martin together with the stories of four others: a desperate ex-convict, Hawker, who commits an act of terrible brutality; Lola, who in 1900 runs a dairy farm on the Illawarra with her brother and sister, when they come under suspicion for a crime they did not commit; Bel, a young girl who goes on a rafting adventure with her friends in 1998 and is unexpectedly caught up in violent events; and in 2033, Nada, who sees her world start to crumble apart. Intriguingly, all these characters are all connected - not only through the same land and water they inhabit over the decades, but also by tendrils of blood, history, memory and property...Compelling, thrilling and ambitious, Storyland is our story, the story of Australia. 'The land is a book waiting to be read' as one of the characters says - and this novel tells us an unforgettable and unputdownable story of our history, our present and our future.

    He buys stolen police files on serial killers, and uses them to find and dig up missing bodies. Calls in the results anonymously, taunting the police for their failure to do their job.Detective Sandra Whittal takes that a little personally. She’s suspicious of the mysterious caller, who she names the Finder. Maybe he’s the one leaving the bodies behind. If not, who’s to say he won’t start soon?As Whittal begins to zero in on the Finder, Martin makes a shocking discovery. It seems someone—someone lethal—is very unhappy about the bodies he’s been digging up.Hunted by a cop, hunted by a killer. To escape and keep his family safe, Martin may have to go deeper into the world of murder than he ever imagined.

    Though Milly loves her mother, the only way to make her stop is to turn her in to the police. Milly is given a fresh start: a new identity, a home with an affluent foster family, and a spot at an exclusive private school. But Milly has secrets, and life at her new home becomes complicated. As her mother's trial looms, with Milly as the star witness, Milly starts to wonder how much of her is nature, how much of her is nurture, and whether she is doomed to turn out like her mother after all. When tensions rise and Milly feels trapped by her shiny new life, she has to decide: Will she be good? Or is she bad? She is, after all, her mother's daughter.