At seven levels, from Starter to Advanced, this impressive selection of carefully graded readers offers exciting reading for every student's capabilities. 'Hello. Kate. This is Jan. I'm sorry, but you'll have to come down to Mother's. We've got to talk. I can't go on like this. It's becoming impossible. I know you're always busy but you'll have to come, Kate. I can't manage with Mother any more. Please call me back as soon as you can.' Two sisters struggle to come to terms with their mother's illness and its effect on their lives. Paperback-only version. Also available with Audio CDs including complete text recordings from the book.

    But Gregor Muir knew them at the start; his unique memoir chronicles the birth of Young British Art. Muir, YBA’s ‘embedded journalist’, happened to be in Shoreditch and Hoxton before Jay Jopling arrived with his White Cube Gallery, when this was still a semi-derelict landscape of grotty pubs and squats. There he witnessed, amid a whirl of drunkenness, scrapes and riotous hedonism, the coming-together of a remarkable array of young artists – Hirst, the Chapman brothers, Rachel Whiteread, Sam Taylor-Wood, Angus Fairhurst - who went on to produce a fresh, irreverent, often notorious form of art - Hirst’s shark, Sarah Lucas’s two fried eggs and a kebab. By the time of the seminal Sensation show at the Royal Academy YBA had changed the art world for ever.

    He places new media within the histories of visual and media cultures of the last few centuries. He discusses new media's reliance on conventions of old media, such as the rectangular frame and mobile camera, and shows how new media works create the illusion of reality, address the viewer, and represent space. He also analyzes categories and forms unique to new media, such as interface and database.Manovich uses concepts from film theory, art history, literary theory, and computer science and also develops new theoretical constructs, such as cultural interface, spatial montage, and cinegratography. The theory and history of cinema play a particularly important role in the book. Among other topics, Manovich discusses parallels between the histories of cinema and of new media, digital cinema, screen and montage in cinema and in new media, and historical ties between avant-garde film and new media.

    John Williams is determined not to be one of those men. When Harry Heard gives him a fake sword to sell to aristocrat Sir Albert Blackwood, his life changes forever. He meets and deals with industrialists, daughters of dukes, and knights of the realm. But all the while a mysterious serial killer, known only as the Breaker, is picking people off at will. When he makes Sir Albert Blackwood his target, John is forced to put the Breaker's brutal work to an end. Not only his future but his very life hinges on his success. As class and murder collide, can John leave his humble beginnings behind him?

    But hey, what do you expect from a secretary turned undercover detective? Enjoy the first two books in the Charlie Cooper Mystery Series: JAMMED: Charlie Cooper Profile: -Underpaid precinct secretary at the Boston Police -Grew up in Springston, 90 miles from Boston – but still not far enough -Weekend plans: toffee caramel ice cream, crime shows and the Laundromat -No friends, no pets, no hobbies -Special gifts: tripping over her own feet -Finding Mr. Right: negative -Healthy diet: cookies and all things sweet At age twenty-nine, Charlie Cooper’s life is not exactly a hit. Working as a precinct secretary at the Boston Police answering phones, making appointments and writing up crime reports means she might not be on the fast track to her ultimate dream job. And her living situation? She is the proud inhabitant of the most minuscule “master suite” she can afford to pay, where she can brush her teeth, get her clothes out of the dresser drawer and turn on the hallway light without getting out of bed. But when a job opportunity arises, she’s ready to take the bull by the horns and prove she is more than just a fast typist. Sure, she has to bite the bullet by returning to her hometown and living with her wacky family, but this is only the cover for her real assignment: finding clues involving a real big drug case. What starts out to be just harmless snooping turns into a pile of dead bodies, slashed tires and threatening notes. But Charlie is determined to solve the case and catch the killer before he catches her. Throw in two fearless waitresses and a hot fry cook who is not what he seems and you’ve got the perfect mix of a fast-paced and exciting mystery. PICKLED: Charlie Cooper Profile: -Underpaid undercover detective in her hometown, Springston -Living with her parents at the age of twenty-nine -Weekend plans: desperately looking for an apartment -2 new friends, still no pets, still no hobbies -Special gifts: hmm… -Finding Mr. Right: still negative -Healthy diet: more cookies and more things sweet Charlie Cooper begins a new life in her hometown, Springston. Granted, it’s not as glamorous as she thought it will be. Living with her parents and her brother again means waking up at 6 a.m. with the sound of rock music and putting up with her brother’s annoying video games. Still, she’s confident that a new apartment will bring her the peace and quiet that she needs. Only problem: lack of funds. But that should change soon! Together with her new companions, Marge and Celeste, she sets out to be the best undercover investigator the town has ever seen. When their first case comes rolling in, the girls have to bring an escaped red panda back to the zoo. It’s not exactly the dazzling detective work that Charlie had hoped for, but she’s determined to wrap up this case promptly. Things go south, when the girls not only find the panda, but also something else. Let’s just say it’s a body part that should definitely be attached to a person. The girls launch themselves into solving the missing body part mystery but what they get is more than they’ve bargained for. To top things off, Springston’s most handsome detective is constantly on their tail. Join Charlie, Marge and Celeste in this fast-paced, humorous and exciting mystery!

    The book also analyzes the complex and problematic films of Brian De Palma, attacks the 1980s fantasy cinema of Lucas and Spielberg, examines the work of women directors, and celebrates the films of Scorcese and Michael Cimino.

    Jenny is a 16-year-old girl stifled by the tedium of adolescence; she can’t wait for her sophisticated adult life to begin. One rainy day her suburban existence is upended by the arrival of David, a much older suitor who introduces her to a glittering new world of concerts, art, smoky bars, urban nightlife, and his glamorous friends, replacing her traditional education with his own version. It could be her awakening or her undoing. This edition of Hornby’s adapted screenplay, which includes stills from the film, is a perfect accompaniment to the highly anticipated movie, which stars Carey Mulligan as Jenny, Peter Sarsgaard, Emma Thompson, Dominic Cooper, and Alfred Molina. It is a must-have for fans of Hornby’s novels, featuring his signature pitch-perfect dialogue, mordant wit, and the resonant humanity of his writing.

    He tells of the large science-steeped family who fostered his early fascination with chemistry. There follow his years at boarding school where, though unhappy, he developed the intellectual curiosity that would shape his later life. And we hear of his return to London, an emotionally bereft ten-year-old who found solace in his passion for learning. Uncle Tungsten radiates all the delight and wonder of a boy’s adventures, and is an unforgettable portrait of an extraordinary young mind.

    in the USA) had influenced world's opinion about many interesting and important issues in the world: 9/11 event, ASPARTAM, FLUORIDE, HIV, the connection between USA authority and the media (esp. CNN), etc, through his careful research.

    This is "the forgotten story" of some of the people who came unexpectedly to be passengers in the ship on her last voyage, of their loves and hates, and how a young boy is drawn irrevocably into the centre of a gripping drama.

    It traces the experiments and innovations that gave rise to the modern cinema, developing a vocabulary that helps explain the variety of choices filmmakers make when they construct shots and edit them together. In each lecture, Professor Raphael Shargel introduces a period of film history, talks about its importance, covers aspects of cinematic technique, and illustrates his points by analyzing specific movies from the era under discussion. The course thus has both breadth and depth, covering the major movements in film history while at the same time focusing on key pictures worthy of study and enjoyment. Lecture 1 The Origins of Cinema and the Grammar of FilmLecture 2 Film Imagery and the Theory of MontageLecture 3 Storytelling in the 1930s and StagecoachLecture 4 Citizen Kane: An American MasterpieceLecture 5 World War II and the Cinema of Community: Casablanca; Now, Voyager; and It's a Wonderful LifeLecture 6 Noir and Neorealism: Bicycle Thieves and On the WaterfrontLecture 7 Love and the Mirror of Death: Alfred Hitchcock's VertigoLecture 8 Widescreen: The World Writ Large and Intimate: The ApartmentLecture 9 The New Wave in France: The 400 Blows and Week-endLecture 10 The American New Wave I: Politics and Family: The GodfatherLecture 11 The American New Wave II: The Social Canvas: NashvilleLecture 12 The Rule of the Blockbuster: Star Wars and Raiders of the Lost ArkLecture 13 Gender, Race, and the Varieties of Cinematic Experience: Vagabond, Do the Right Thing, and Lone StarLecture 14 The Contemporary Maverick: Goodfellas, Million Dollar Baby, Persepolisfrom www.learnoutloud.com