Originally published in 1931, Only Yesterday has an exuberance and proximity to its subject—the Roaring Twenties in all its scandal and glory—that uniquely captures the feel of the era.

    But awakened one morning by the crackle of musket fire, Horwitz starts filing front-line dispatches again this time from a war close to home, and to his own heart.Propelled by his boyhood passion for the Civil War, Horwitz embarks on a search for places and people still held in thrall by America's greatest conflict. The result is an adventure into the soul of the unvanquished South, where the ghosts of the Lost Cause are resurrected through ritual and remembrance.In Virginia, Horwitz joins a band of 'hardcore' reenactors who crash-diet to achieve the hollow-eyed look of starved Confederates; in Kentucky, he witnesses Klan rallies and calls for race war sparked by the killing of a white man who brandishes a rebel flag; at Andersonville, he finds that the prison's commander, executed as a war criminal, is now exalted as a martyr and hero; and in the book's climax, Horwitz takes a marathon trek from Antietam to Gettysburg to Appomattox in the company of Robert Lee Hodge, an eccentric pilgrim who dubs their odyssey the 'Civil Wargasm.'Written with Horwitz's signature blend of humor, history, and hard-nosed journalism, Confederates in the Attic brings alive old battlefields and new ones 'classrooms, courts, country bars' where the past and the present collide, often in explosive ways. Poignant and picaresque, haunting and hilarious, it speaks to anyone who has ever felt drawn to the mythic South and to the dark romance of the Civil War.

    In handsomely crafted prose, and with the grace and authority of his extraordinary gift for narrative history, William Manchester leads us from a civilization tottering on the brink of collapse to the grandeur of its rebirth - the dense explosion of energy that spawned some of history's greatest poets, philosophers, painters, adventurers, and reformers, as well as some of its most spectacular villains - the Renaissance.

    Bracketed by the catastrophes of the Great War and the Wall Street Crash, the 1920s was a time of fear and hedonism. The decade glittered with seduction: jazz, flappers, wild all-night parties, the birth of Hollywood, and a glamorous gangster-led crime scene forced to flourish under prohibition. It was punctuated by terrifying events—the political show trials of Sacco and Vanzetti; the huge march down Washington DC's Pennsylvania Avenue by the Ku Klux Klan—and produced a glittering array of artists, musicians and film stars, from F. Scott Fitzgerald to Bessie Smith to Charlie Chaplin.Here, Lucy Moore interweaves the most compelling stories of the people and events that characterized the decade to produce a gripping account of an often-overlooked period. In doing so, she demonstrates that the jazz age was far more than just 'between wars'; it was an epoch of passion and change—an age, she observes, that was not unlike our own. The world she evokes is one of effortless allure and terrifying drama: a world that was desperate to escape itself.

    By night, I am Glamrou, an empowered, fearless and acerbic drag queen who wears seven-inch heels and says the things that nobody else dares to. Growing up in a strict Iraqi Muslim household, it didn’t take long for me to realise I was different. When I was ten years old, I announced to my family that I was in love with Macaulay Culkin in Home Alone. The resultant fallout might best be described as something like the Iraqi version of Jerry Springer: The Opera. And that was just the beginning. This is the story of how I got from there to here: about my teenage obsession with marine biology, and how fluid aquatic life helped me understand my non-binary gender identity; about my two-year scholarship at Eton college, during which I wondered if I could forge a new identity as a British aristocrat (spoiler alert: it didn’t work); about discovering the transformative powers of drag while at university (and how I very nearly lost my mind after I left); and about how, after years of rage towards it, I finally began to understand Islam in a new, queer way. Most of all, this is a book about my mother. It’s the journey of how we lost and found each other, about forgiveness, understanding, hope – and the life-long search for belonging.

    Giving birth to his son Samson clarified his gender identity and allowed him to project a more masculine self. And yet, when his partner Anna adopted Samson, the legal documents listed Belc as “the natural mother of the child.”By considering how the experiences contained under the umbrella of “motherhood” don’t fully align with Belc’s own experience, The Natural Mother of the Child journeys both toward and through common perceptions of what it means to have a body and how that body can influence the perception of a family. The Natural Mother of the Child is a visual memoir-in-lyric-essays, an archive of Belc’s queerness. By engaging directly with the documentation often thought to constitute a record of one’s life—childhood photos, birth certificates—Belc creates a new kind of life record, one that addresses his own ambivalence about the “before” and “after” so prevalent in trans stories, which feels apart from his own.The Natural Mother of the Child is the story of a person moving past societal expectations to take control of his own narrative, with prose that delights in the intimate dailiness of family life and explores how much we can ever really know when we enter into parenting.

    Each turn of the page represents both that which as been forgotten and that which is yet to be released. While this book is a rally cry for political action, it is also a celebration of wonder and longing and love.

    They became a legendary couple, photographed by Stieglitz, Man Ray & Cecil Beaton, painted by Picasso, and written about in the works of Hemingway, Paul Bowles and Sylvia Beach. Gertrude and Alice is the highly acclaimed story of their remarkable life together. From letters, memoirs and their published writings and with rich illustrations, Whitbread Award-winner Diana Souhami brings their characters, beliefs,and achievements vividly to life: "so emphatically and uncompromisingly themselves, that the world could do nothing less than accept them as they were."

    No social movement has brought change so quickly and with such dramatically mixed results. While same-sex marriage and gender transition is celebrated in some parts of the world, laws are being strengthened to criminalize homosexuality and gender nonconformity in others. A new Pink Line, Gevisser argues, has been drawn across the world, and he takes readers to its frontiers.In between sharp analytical chapters about culture wars, folklore, gender ideology, and geopolitics, Gevisser provides sensitive and sometimes startling profiles of the queer folk he’s encountered on the Pink Line’s front lines across nine countries. They include a trans Malawian refugee granted asylum in South Africa and a gay Ugandan refugee stuck in Nairobi; a lesbian couple who started a gay café in Cairo after the Arab Spring, a trans woman fighting for custody of her child in Moscow, and a community of kothis—“women’s hearts in men’s bodies”—who run a temple in an Indian fishing village.Eye-opening, moving, and crafted with expert research, compelling narrative, and unprecedented scope, The Pink Line is a monumental—and vital—journey through the border posts of the world’s new LGBTQ+ frontiers.

    Pairs of men and pairs of women joined together in committed unions, standing by each other “for richer for poorer, in sickness and in health” for periods of thirty or forty—sometimes as many as fifty—years. In short, they loved and supported each other every bit as much as any husband and wife. In Outlaw Marriages, cultural historian Rodger Streitmatter reveals how some of these unions didn’t merely improve the quality of life for the two people involved but also enriched the American culture.Contents:Walt Whitman & Peter DoyleMartha Carey Thomas & Mamie SwinnNed Warren & John MarshallMary Rozet Smith & Jane AddamsBessie Marbury & Esie de WolfeJ.C. Leyendecker & Charles BeachAlice B. Toklas & Gertrude SteinJanet Flanner & Solita SolanoGreta Garbo & Mercedes de AcostaAaron Copland & Victor KraftFrank Merlo & Tennessee WilliamsJames Baldwin & Lucien HappersbergRobert Rauschenberg & Jasper JohnsIsmail Merchant & James IvoryFrances Clayton & Audre Lorde

    / The words are purposes. / The words are maps. / I came to see the damage that was done / and the treasures that prevail." These provocative poems move with the power of Rich's distinctive voice.

    Does Jesus Really Love Me?: A Gay Christian's Pilgrimage in Search of God in America is part memoir and part investigative analysis that explores the explosive and confusing intersection of faith, politics, and sexuality in Christian America.The quest to find an answer is at the heart of Does Jesus Really Love Me?—a personal journey of belief, an investigation, and a portrait of a faith and a nation at odds by award-winning reporter Jeff Chu.From Brooklyn to Nashville to California, from Westboro Baptist Church and their “God Hates Fags” protest signs, to the pioneering Episcopalian bishop Mary Glasspool—who proclaims a message of liberation and divine love, Chu captures spiritual snapshots of Christian America at a remarkable moment, when tensions between both sides in the culture wars have rarely been higher.Funny and heartbreaking, perplexing and wise, Does Jesus Really Love Me? is an intellectual, emotional, and spiritual pilgrimage that reveals a nation in crisis.

    But for the people of Laramie–both the friends of Matthew and those who hated him without knowing him–the tragedy was personal. In a chorus of voices that brings to mind Thornton Wilder’s Our Town, The Laramie Project allows those most deeply affected to speak, and the result is a brilliantly moving theatrical creation.

    But a vibrant defense campaign, exposing the working poverty and racism that led to his crime, helped win Hickman’s freedom.With a true-crime writer’s eye for suspense and a historian’s depth of knowledge, Joe Allen unearths thecompelling story of a campaign that stood up to Jim Crow well before the modern civil rights movement had even begun.As deteriorating housing conditions and an accelerating foreclosure crisis combine to form a hauntingly similar set of circumstances to those that led to the Hickman case, Allen’s book restores to prominence a previously unknown story with profound relevance today.

    The vast majority of Mexicans, who are native or of mixed native and Spanish blood, are politically powerless and slowly starving to death. Presiding over this corrupt system is Don Porfirio Díaz, the ruthless and inscrutable president of the Republic.             Against this backdrop, The City of Palaces opens in a Mexico City jail with the meeting of Miguel Sarmiento and Alicia Gavilán. Miguel is a principled young doctor, only recently returned from Europe but wracked by guilt for a crime he committed as a medical student ten years earlier. Alicia is the spinster daughter of an aristocratic family. Disfigured by smallpox, she has devoted herself to working with the city’s destitute. This unlikely pair—he a scientist and atheist and she a committed Christian—will marry. Through their eyes and the eyes of their young son, José, readers follow the collapse of the old order and its bloody aftermath.             The City of Palaces is a sweeping novel of interwoven lives: Miguel and Alicia; José, a boy as beautiful and lonely as a child in a fairy tale; the idealistic Francisco Madero, who overthrows Díaz but is nevertheless destroyed by the tyrant’s political system; and Miguel’s cousin Luis, shunned as a “sodomite.” A glittering mosaic of the colonial past and the wealth of the modern age, The City of Palaces is a story of faith and reason, cathedrals and hovels, barefoot street vendors and frock-coated businessmen, grand opera and silent film, presidents and peasants, the living and the dead. Winner, International Latino Book Award for Latino Fiction, Latino Literacy Now Second place, International Latino Book Award for Historical Fiction, Latino Literacy Now Finalist, Gay Fiction, Lambda Literary Awards Honorable Mention in Drama, Latino Books into Movies Award, International Latino Book Awards Best Books for General Audiences, selected by the American Association of School Librarians Outstanding Book, selected by the Public Library Reviewers