A bored writer. A matter of life and death when their stories collide……Actress Wendy Knight thought her life was finally turning around. But when her ex came back into the picture, he wanted to take all of that away from her and more…and then she disappeared.Scriptwriter Angie Bearing longs to write something deeper than daytime soaps. When the plot for a new thriller comes to her, she doesn't question it. At least until she discovers an uncanny resemblance between her story and the unsolved disappearance of an actress named Wendy. Angie begins to investigate. As she retraces Wendy's footsteps, she doesn't realise that someone is watching her. Someone who would do anything to keep the awful truth buried for good…Witness for Wendy is the captivating first book in the Bearing Witness series

    But Georgia Davis -- former cop and newly-minted PI -- is hired to look into the incident at the behest of the accused's sister, and what she finds hints at a much different, much darker answer. It seems the privileged, preppy schoolgirls on Chicago's North Shore have learned just how much their innocence is worth to hot-under-the-collar businessmen. But while these girls can pay for Prada pricetags, they don't realize that their new business venture may end up costing them more than they can afford

    Doubting the findings of the local PD’s profiler, The FBI calls on forensic psychologist Zoe Bentley to investigate.Zoe quickly gets off on the wrong foot with her new partner, Special Agent Tatum Gray. Zoe’s a hunter, intense and focused; Tatum’s a smug maverick with little respect for the rules. Together, they must descend into a serial killer’s psyche and untangle his twisted fantasies, or more women will die. But when the contents of three inconspicuous envelopes reveal a chilling connection to gruesome murders from Zoe’s childhood, suddenly the hunter becomes the hunted.

    Adam Kaminski, with a delegation to Philadelphia's sister city, is meant to be a polite observer only. But a good man doesn't walk away when he sees wrong being done, and he's not about to start now.Visiting his family's homeland, Adam's been warned by his superiors to be on his best behavior. In a country that has known centuries of wars and occupation, politics are complex and layered with old prejudices and loyalties impossible for foreigners to understand. But when Adam meets a Polish cousin in Warsaw who believes his daughter was murdered, Adam is troubled by the indifference of the police… and by the strange behavior of the delegation's Polish liaison.Adam begins uncovering clues that point to the killer, clues that lead him inexorably into an investigation of the intricate web of Polish politics and the legacy of the Secret Police. But the past isn't always black and white, as Adam is forced to accept as he learns more about the killer and about his own family legacy. Will looking into the murder only beget more murder?

    Then she receives a baffling letter from her rich Uncle Abraham, a Holocaust survivor: Only she, he mysteriously proclaims, can prevent a major terrorist attack on Boston. Working with Homeland Security, Shelby and her fiancé, Bruce Arrujo, race through the streets of Boston, first attempting to stop a Hiroshima-sized Liquified Natural Gas tanker explosion in Boston Harbor, then fighting to prevent a deadly release of anthrax powder at Fenway Park. Yet the terrorists always seem to be one step ahead of them. Through it all, a question haunts Shelby: Why does Uncle Abraham always seem to be one step ahead of the terrorists?

     And hers is just the beginning. The killer wants to be noticed, he wants his handiwork in the spotlight, and he needs his name known. The man’s motivation is something only a fractured mind could imagine. For Sergeant Braun, each step closer to his culprit pushes the killer another step closer to the edge. The man is already capable of murder, so what can possibly happen if he’s pushed too far?

    Somewhere, Hitchcock is smiling. And to think, this is just the first of the Thea Browne Mysteries.” —J.M. LeDuc, author of the Sinclair O’Malley series “A gripping drama unfolds as Barbara Petty explores the tensions between a woman with Alzheimer’s accused of an unspeakable crime, and her daughter, an investigative reporter determined to clear her mother’s name. Well worth the read.” —Sheila Lowe, author of the Forensic Handwriting Mystery series In a small Midwestern town, on a cold, blustery March day, a man plunges to his death off a high, rocky cliff, setting in motion a string of events that lead to murders and rips open the long-hidden secrets of the town’s most prominent family… The man is George Prentice, and the woman the police suspect of murdering him is his wife, Daphne. But Daphne has Alzheimer’s and, as she is likely to be incompetent to stand trial, has not been arrested. Daphne’s daughter, Thea Browne, is a trained investigative reporter, who is furious that the police haven’t bothered to look any further for a culprit other than her mother. She suspects her stepfather made enemies when meddling in local politics and, according to one of his cronies, George wrote a memoir threatening to “blow the lid off this town.” As Thea follows her own investigation, she discovers a widening circle of suspects, some much closer to home than she expected. Even her best friend from childhood, Annie Biggs, seems to be keeping a deep dark secret that she refuses to share with Thea. More murders push Thea to the point where protecting her mother forces her to put her own life on the line to track down a diabolical killer. “Thea Browne returns to her small hometown to discover nothing is at it seems. Struggling with the death of her beloved stepfather and her mother’s Alzheimer’s, she becomes caught in a web of intrigue as events from the past lead to danger in the present. A must read.” —Mike Befeler, author of “Mystery of the Dinner Playhouse” and the Paul Jacobson Geezer-lit Mystery series “Petty builds a strong character and supporting actors in this compelling story.” —Peg Brantley, award finalist for “The Sacrifice”

    This is their first full-length story. When San Francisco Homicide Inspector Rebecca Mayfield arrives at the scene of a deadly shooting, she's shocked to find that the witnesses have caught the killer, and that he's someone she knows. Rebecca's a by-the-book detective, and she's always done her job according to the rules, without hesitation ... until Richie Amalfi comes back into her life. Richie knows his way around everything and everyone in his city. When people say they "know a guy who knows a guy," Richie's the guy they're talking about. He can usually help people out of tight situations, but suddenly finds he can't get himself out of hot water when he's accused of murder. Richie's on the run, and he runs straight to Rebecca to help him prove his innocence. From the nightclubs of North Beach to the scenic heights of Twin Peaks, dangers lurk and more deaths happen. As Rebecca discovers there's a lot more to Richie than she thought, and a lot more to like than she imagined, she soon fears not only for her life, but also her heart.

    Accused and cleared of the crime, she flees both media attention and mysterious, threatening notes, to move across the country to Cranberry Cove, where she has inherited her Aunt Maggie's bed and breakfast on the Northern California coast. Her new beginning is peaceful - that is, until five guests show up at the inn for a weekend, each with a hidden agenda. Mix together one blushing honeymoon couple, one flamboyant boutique owner, a deadpan traveling salesman, and a charmingly handsome novelist, and there’s more than scones cooking at Cranberry Cottage Bed and Breakfast. As true motives become apparent, will Molly's past come back to haunt her or will she finally be able to leave it behind?

     Gloria is heading to meet her friend Rhetty in a bar. Once close, the two friends have drifted apart. Rhetty is different now, a shadow of her former self, and it all goes back to an incident that occurred four years ago. They meet at the same bar as always. It’s a sleazy venue. Gloria is uncomfortable there. She has a recollection of something terrible happening at the place, but can’t recall any details. Rhetty is agitated. She tells Gloria something that can’t be true. That another acquaintance of theirs, a bolshie woman called Joanna, is back on the scene. It can’t be true because Joanna died four years ago. What is Rhetty trying to achieve when she convinces Gloria to return to where Joanna died? And why is Gloria, despite her reservations, ready to go along with her? Why did Joanna die, and how is it possible she could return?

    At least, it feels that way until a serial killer starts dicing up women from the shelter where she volunteers. Despite the ever-present tingling at the nape of her neck, Hannah manages to convince herself that the killings have nothing to do with her brutal past—until her boyfriend is murdered in the same ruthless manner as the others. It doesn’t help that the police think she might have done it. But the cops are right about one thing: Hannah is responsible. Because she knows who the killer is. Now she must face the fact that she brought a monster with her to Ash Park—and his appetite for blood is insatiable. Everyone's hungry for something. Some are more famished than others.

    In spite of the distances that emerge among them, they are thrust together by the tragedy of death. Each affected in different ways.Giuseppe Lozano, candidate for U.S. Senate, returns home one night to find his wife and three children mysteriously murdered. There seems to be no motive, and little evidence is left at the scene. How will this affect him and his run for office?Giovanni Lozano, a Catholic priest, is forced to look beyond the violence to find the presence of God. As a brother and uncle, he feels anger and a desire for revenge. As a priest he is torn by the call of a God who loves all people-good and bad. Can he forgive?Tom Moran, a detective with the Los Angeles Police Department, is charged with finding the murderer and building a case for justice. He feels no call to forgive. Nor is he driven by ambition. This case is personal. But can he deliver?Three lives. Three friends. Will the bonds of friendship survive?

    Detective Inspector Lorne Simpkins and her partner, DS Pete Childs are assigned to the case. A few days later another victim, this time a young girl, is discovered. Who could the killer be and what's the connection between the two victims?Then after a third murder, the killer contacts Lorne with a grisly surprise. It looks like Lorne has a serial killer on her hands - and one that has become fixated on her. As she tries to solve the crimes, Lorne is also coping with a failing marriage and new, unsympathetic boss with whom she has a secret past. Then, as she begins to despair at the lack of clues, help arrives from an unlikely source.

    Everyone else calls it a nightmare. Locked doors don't stop him. He leaves no trace behind. He only takes little girls. His nickname... The Iceman. A deranged serial killer roams wintry rural Nebraska with a demented purpose no one can fathom. Special Agent EMMA KANE, a former DC cop and damaged goods now with the FBI, is assigned to babysit burnt-out profiler JACOB THORNE, once the best in the business but now said to have lost his edge, as they both fly to Nebraska to catch this maniac. Thorne is erratic, abrasive and unpredictably brilliant, but what he and Kane find in the heartland is much more than anyone bargained for, especially when the Iceman challenges them personally. The clock is ticking and a little girl's life is on the line. And maybe even more with that, once they find out what he's really up to.NOTE FROM THE AUTHOR: This book has frank and profane adult language within... this is often how many a law enforcement officer speaks, in my experience. Not all, but many, very many. The book also has violence and adult situations, but the profanity is the only thing that some folks have been noting, for some odd reason, so I'm warning you now that it has profanity. I totally understand that not everyone wants to read curse words. However, to write a book like this without a cop cursing would not, in my mind, be authentic. Therefore, if you can't handle HBO-style language, (a la THE WIRE, etc.) this book is not for you. If fictional bad language bothers you more than the fictional murder of young people, this book is definitely not for you, but I thank you for your time and consideration.

    Instead, I forced myself to smile and swallow and remind myself the elbow length yellow rubber gloves grasping the handle of the standard issue plunger were all that stood between me and Pooageddon.Suck it up, Fee. Big girl panties and adulting and all that."At what point," I waved the dripping plunger, wincing as droplets of yuck flew, "did I think owning a bed and breakfast was going to be glamorous and romantic?"Fiona Fleming hasn't lived in Reading, Vermont in over a decade, her escape from small town living leading her to New York City and a life of adventure. An adventure that has left her with no career, an ex who cheated on her and zero plans for the future. Her grandmother's death grants her a new chance--inheriting Petunia's, Iris Fleming's bed and breakfast, seems like the ideal fresh start. But when Fee finds out ownership of the property Iris willed her might be in question, she's drawn into the seedy underbelly of the cutest town in America after being singled out as the main suspect in a murder.