“We’ll do it if you do it . . .” Mary and Ross are unmarried, ambitious, and way too young, and though smitten with their daughter, they eventually—and with regret—abdicate responsibility to Ross’s parents, who raise Natassia in the intellectually stimulating (and seemingly loving) atmosphere of their Manhattan apartment. Fifteen years later, 1989, Natassia is an Honors student and a violin player. Despite the absence of her mother, a world-class modern dancer who survives by living in the moment, and her father, a physician in the Pacific Northwest, Natassia is thriving—until her mysterious romance with a man she will not identify derails her so profoundly that her parents, grandparents, and even her godparents, Nora and Christopher, must come together to save her. A dancer, a doctor, two book editors, a painter and a psychotherapist—all are forced to turn away from and also draw upon the creative and intellectual endeavors that consume and define them. Struggling to buoy Natassia, her guardians sink along with her into the deepest darkness.Mary, a Korean war orphan, must learn from step one how to provide the mother love she herself never received; indeed, the daughter's breakdown sparks the mother's coming-of-age. Ross, still in love with Mary after ten years’ separation, must face the consequences of his obsessions. And Nora and Christopher, burdened by a decades-old secret, use desperate measures to save Natassia—and their marriage.Within the intimate universe of one unorthodox family, Falling in Love with Natassia explores the blurred lines between love that heals and sex that harms. These characters will shock you with how forcefully their hurt hearts demand restitution; they will mystify you with the paths they choose as they move toward recovery and redemption.

    When Simi accidentally sets up her cousin and a soon-to-be lawyer, her family is thrilled that she has the "gift."But Simi is an artist, and she doesn't want to have anything to do with relationships, helicopter parents, and family drama. That is, until she realizes this might be just the thing to improve her and her best friend Noah's social status. Armed with her family's ancient guide to finding love, Simi starts a matchmaking service-via an app, of course.But when she helps connect a wallflower of a girl with the star of the boys' soccer team, she turns the high school hierarchy topsy-turvy, soon making herself public enemy number one.

    Outside is the camp, the barbed wire, the guard towers, the city, the country that hates us. We are not free. But we are not alone.”  We Are Not Free, is the collective account of a tight-knit group of young Nisei, second-generation Japanese American citizens, whose lives are irrevocably changed by the mass U.S. incarcerations of World War II.Fourteen teens who have grown up together in Japantown, San Francisco.Fourteen teens who form a community and a family, as interconnected as they are conflicted.Fourteen teens whose lives are turned upside down when over 100,000 people of Japanese ancestry are removed from their homes and forced into desolate incarceration camps.In a world that seems determined to hate them, these young Nisei must rally together as racism and injustice threaten to pull them apart.

    For Danny, a Yale junior, it means two weeks behind the wheel of the "Roach Coach," his father's lunch truck, which plies the parking lots of office parks in central New Jersey.But Danny can use the time behind the coffee urn to try to make sense of a love life that's gotten a little complicated. There's loyal and patient hometown honey Cindy and her recently dropped bombshell to contend with, and there's also lissome Polly back in New Haven--with her shifting moods, perfect thrift store dresses, and inconvenient liaison with a dashing professor. If girl problems aren't enough, there's the constant menace of the Lunch Monsters, a group of thugs who think Danny has planted the Roach Coach in their territory.Joe College is Tom Perrotta's warmest and funniest fiction yet, a comic journey into the dark side of love, higher education, and food service.

    Warrior is surrounded by deep family love and a sustaining connection to his history, bonds that arm him as he confronts the urban forces that surround him–both supernatural and human–including some that seek his very destruction. For Warrior and his peers, the reminders that they, as black men, aren’t meant to be fully free, are everywhere. The high schools are filled with teachers who aren’t qualified and don’t care as much about their students’ welfare as that they pass the state exams. Getting from point A to point B usually means eluding violence, and possibly death, at the hands of the “blue soldiers” and your own brothers. Making it home means accepting that you may open the door to find that someone you love did not have the same good fortune. Warrior isn’t even safe in his own mind. He’s haunted by the spirits of ancestors and of the demons of the system of oppression. Though the story told in Passage takes place in 1993, there is a striking parallel between Warrior’s experience and the experiences of black male youth today, since nothing has really changed. Every memory in the novel is the memory of thousands of black families. Every conversation is a message both to those still in their youth and those who left their youth behind long ago. Passage is a novel for then and now.

    Jump at the Sun is her stunning third novel in which she addresses the same complicated subjects, as well as gender, class, and motherhood.Grace Jefferson is an educated and accomplished modern woman, a child of the Civil Rights dream, and she knows it well. But after a series of rattling personal transitions, she finds herself in a new house in a new city and in a new career for which she feels dangerously unsuited: a stay-at-home mom. Caught between the only two models of mothering she has ever known -- a sharecropping grandmother who abandoned her children to save herself and a mother who sacrificed all to save her kids -- Grace struggles to embrace her new role, hoping to find a middle ground. But as the days pass and the pressures mount, Grace begins to catch herself in small acts of abandonment -- speeding up on neighborhood walks, closing doors with the children on one side and her on the other -- that she fears may foretell a future she is powerless to prevent. Or perhaps it's a future she secretly seeks.Jump at the Sun is a novel about an isolating suburban life and the continuing legacy of slavery, about generational change and the price of living the dream for which our parents fought. Primarily it is a novel about motherhood, and not a sentimental one. As Grace struggles not to damage her children with her own fears and complications, her thoughts stray far from the greeting-card picture often expected of mothers in society today. In her bold and fearless voice McLarin explores both the highs and the lows of being a mother and how breaking the cycle of suffocation and regret is infuriatingly difficult, and absolutely necessary.

    For Evan, who grew up in a small town in Canada, Yale is a whole new world, and Julia--blond, beautiful and rich--is part of his vision for a successful future. After they graduate in 2008, they move together to New York city, where Evan takes a job at a hedge fund--another step forward in the life he imagines for himself.Julia, who has only known a life of privilege, graduates with an art history degree and no plan for her own future. She lands a low paying assistant job at a nonprofit, unsure about what she really wants, and wondering when everyone else figured that out for themselves. With the market crashing and banks failing around him, Evan becomes involved in an increasingly high-stakes deal at work, and begins to realize that the price of privilege may come with dangerous strings attached. Meanwhile, Julia reconnects with someone from her past--someone who offers her a vision of a different kind of life.Told in alternating perspectives, The Futures is a vivid story about love--falling in and out of it--betrayal, and the burning desire to be valued.

    Just hours before, they’d watched the Wildcats score a winning touchdown. Now, they’re faced with the deaths of three cheerleaders—their promising lives cut short in a fatal crash. And the boy in the other car—the only one to survive—is believed to be at fault. As rumors begin to fly and accusations spin, allegiances form and long-kept secrets emerge.At the center of the whirlwind are four women, each grappling with loss, regret, shame, and lies: Marglyn, a grieving mother; Darcy, whose son had been behind the wheel; Ava, a substitute teacher with a scandalous secret; and Leah, a cheerleader who should have been in the car with her friends, but wasn’t. If the truth comes out, will it bring redemption—or will it be their downfall?

    Birdy spends her days trying to teach her students to appreciate the beauty of literature and her nights getting high with Jesus, her gay colleague and confidant.Birdy regards Pinetop as merely an escapade. But the desultory quality of her life is interrupted when a middle-aged widow asks Birdy to edit her rambling memoir. Combining superb storytelling with good humor, Antonya Nelson follows Birdy as she helps Mrs. Anthony reconstruct the history surrounding the bizarre and mysterious deaths of Mrs. Anthony's husband and daughter years earlier. As Birdy is drawn deeper into her subject's story, she begins a love affair with Mrs. Anthony's surviving son -- a young man who just happens to be one of Birdy's students. With its sensuous and lovingly rendered Southwestern setting, "Nobody's Girl" is a startling novel that showcases the striking talents of an emminently gifted writer.

    It is 1988 and Hargeisa waits. Whispers of revolution travel on the dry winds but still the dictatorship remains secure. Soon, and through the eyes of three women, we will see Somalia fall. Nine-year-old Deqo has left the vast refugee camp she was born in, lured to the city by the promise of her first pair of shoes.Kawsar, a solitary widow, is trapped in her little house with its garden clawed from the desert, confined to her bed after a savage beating in the local police station.Filsan, a young female soldier, has moved from Mogadishu to suppress the rebellion growing in the north.And as the country is unravelled by a civil war that will shock the world, the fates of the three women are twisted irrevocably together.Intimate, frank, brimming with beauty and fierce love, The Orchard of Lost Souls is an unforgettable account of ordinary lives lived in extraordinary times.

    Now time is running out, and his life is falling apart. But he's going to put it back together again. His own way.This is a story about how far love must stretch to gather a life in pieces -- and about how a strong friendship never dies.

    Non-stop all-you-can-eat buffets while marathoning her favorite TV shows (best friends totally included) with the smallest dash of adulting--working at the library to pay her share of the rent. The only thing missing from her perfect plan? Her girlfriend (who ended things when Alice confessed she's asexual). Alice is done with dating--no thank you, do not pass go, stick a fork in her, done.But then Alice meets Takumi and she can’t stop thinking about him or the rom com-grade romance feels she did not ask for (uncertainty, butterflies, and swoons, oh my!).When her blissful summer takes an unexpected turn, and Takumi becomes her knight with a shiny library employee badge (close enough), Alice has to decide if she’s willing to risk their friendship for a love that might not be reciprocated—or understood.

    She's about to debut on The Tonight Show in America, hopefully a breakout performance for her career. But right now? She's in her fancy hotel, trying to fall asleep but dying for a hamburger.11 00 p.m.: Jack is sneaking into a fancy hotel, on assignment for his tabloid job that he keeps secret from his parents. On his way out of the hotel, he runs into a girl wearing slippers, a girl who is single-mindedly determined to find a hamburger. She looks kind of familiar. She's very cute. He's maybe curious.12:00 a.m.: Nothing will ever be the same.

    Ewing's narrative takes us from the streets of 1990s Chicago to an unspecified future, deftly navigating the boundaries of space, time, and reality. Ewing imagines familiar figures in magical circumstances, and identifies everyday objects - hair moisturizer, a spiral notebook - as precious icons.Her visual art is spare, playful, and poignant: a cereal box decoder ring that allows the wearer to understand what Black girls are saying; a teacher's angry, subversive message scrawled on the chalkboard. Electric Arches invites fresh conversations about race, gender, the city, identity, and the joy and pain of growing up.

    A coming of age novel for today, The Age will appeal to readers of Annabel Lyon, Lisa Moore, Heather O'Neill.Set in Vancouver in 1984, as Soviet warships swarm the North Atlantic, The Age follows Gerry, a troubled teenager confronted with her single mom’s newest relationship. When she takes solace in a ragtag group of activists planning a subversive protest at the city’s upcoming peach march, her fascination with the group’s leader, and her struggle with sexual identity creates a rift between Gerry and her best friend, Ian. Bolstered by her grandfather, an eccentric ex-news anchor in the throes of a bitter divorce, Gerry tries to put herself at the centre of the protest group’s violent plot. When the demands of these complex relationship become too difficult, Gerry escapes to the role she knows best, survivor in a post-nuclear dystopia of her own creation. Gerry’s real life and fantasy life alternate and accelerate until a collision of events and consequences forces her towards life or death decisions in both worlds.Electric and engaging, with piercing observation, subversive wit, and the same fearlessness that caused a sensation amongst critics and fans of Dead Girls, The Age is at once a startling post-apocalyptic drama, a harrowing journey through adolescent recklessness and desire, and a dark portrait of a generation molded by nuclear anxiety. Its arrival confirms Nancy Lee as one of Canadian Literature’s most thrilling and compelling voices.