The stories in this book have their roots in the Indian culture but express universal emotions that are experienced across the boundaries of regions, caste, and creed. Varied emotions of love, heartbreak, aloofness, anxiety, fear, and longing are expressed in this book.There is one story in which movie star Dilip Kumar breaks the heart of a young girl. There is another where a man pushes off another from a moving train. Raavi Paar also tells the story of a Muslim man whose wish is to be cremated after death and not be buried. There is also a story about a married woman who realises that the only reason for her husband to marry her was to use her as cheap labour.The title of this book is an incident from the author’s own life. During the India-Pakistan partition, the author was mistakenly claimed as their own child by another family. Raavi Paar consists of stories which will touch the reader’s hearts due to the simplicity and intricacy of emotions portrayed by the author.

    Stephen Pearl's new translation, the first major English-language publication of Oblomov in more than fifty years, succeeds exquisitely to introduce this astonishing and endearing novel to a new generation of readers.

    Zhivago for its portrayal of Stalin's Russia, Generations of Winter is the romantic saga of the Gradov family from 1925 to 1945.

    

    In the tradition of Anton Chekhov and William Carlos Williams, he draws on his experiences in medicine to craft stories of great subtlety and striking insight. Rich in compassion but devoid of cheap sentiment, Osipov's fiction presents a nuanced, collage-like portrait of life in provincial Russia—its tragedies, its infinite frustrations, and its moments of humble beauty and inspiration. The twelve stories in this volume depict doctors, actors and actresses, screenwriters, teachers, entrepreneurs, local political bosses, and common criminals, whose paths intersect in unpredictable yet entirely natural ways: in sickrooms, classrooms, administrative offices, on trains, and in the air. Their encounters lead to disasters, major and minor epiphanies, and—on occasion—the promise of redemption. "Life is scary, whether you're in Moscow, St. Petersburg, or the provinces," Osipov's narrator tells us in "The Cry of the Domestic Fowl," which opens the collection. And yet, he concludes, "[t]he world doesn't break, no matter what you throw at it. That's just how it's built."

    Aleksandr Ivanovich Kuprin (1870-1938) was Russian novelist and short-story writer. He was an army officer for several years before he resigned to pursue a writing career, and was a friend of Maxim Gorky. He won fame with The Duel (1905), a novel of protest against the Russian military system. In 1909, Yama: The Pit, his novel dealing with prostitution in Odessa, created a sensation. Kuprin left Russia after the revolution but returned in 1937. Some of his best short stories of action and adventure appear in The Garnet Bracelet, originally published in 1917.

    In this two-part volume, packaged with a selection of his poems, Roy explores the concepts of duality and constancy in discussions with his daughter. Presented as conversations over coffee and desserts, the talks extend to diverse topics with Lolita at one end and marine conservation at the other. In his poems, Roy and his alter-ego, Sandy, soothe and shock you in turns until you burst out of the last page, breathless and asking for more.Sabarna Roy’s characters are all around us. He has dabbled in poetry, prose, plays and non-fiction with equal elan and delved into the emptiness and futility of life reminding us of the masters in the trade.Two quotations from Sabarna Roy’s works will prove the above stated point:“A question leapt into his mind: Is it possible to achieve true happiness by living a solitary life or is it important to lead a community life where one instinctively believes that one’s own desires are insignificant compared to the desires of others and one works towards fulfillment of their desires as if they are one’s own?Many questions crossed his mind. Did he secretly crave to believe in god? Was he looking for a god to deflect his loneliness or was his loneliness actually a sense of pride, which was an obstruction between him and his god?-Forbes India

    His stories give expression to the bewildered experience of the ordinary Soviet citizen struggling to survive in the 1920's and `30s, beset by an acute housing shortage, ubiquitous theft and corruption, and the impenetrable new ideological language of the Soviet state. Written in the semi-educated talk of the man or woman on the street, these stories enshrine one of the greatest achievements of the people of the Soviet Union—their gallows humor. Housing block tenants who reject electricity because it illuminates their squalor too harshly, a young couple who live in a bathroom, a railway-line manager making a speech against bribery who accidentally mentions his own affinity for kickbacks—in all of Zoschenko's characters, petty materialism is balanced with a poignant faith in the revolutionary project. Zoschenko, the self-described "temporary substitute for the proletarian writer," combines wicked satire and an earthy empathy with a brilliance that places him squarely in the classic Russian comic tradition. Jeremy Hick's translation of The Galosh brings together sixty five of Zoschenko's finest short stories—bringing the choice writings of perhaps Soviet Russia's most humorous and moving writer to American readers for the first time.

    He brings to life his friends - now reduced to pieces of flesh - revisiting their first loves, their passion for rock music, their quests for martyrdom. And he immerses us in the intoxicating beauty of his homeland's mountains, blossoms and the flocks of migratory swallows that fill its skies.I Am a Chechen! is an intensely personal journey through the carnage of the war, exploring the pain, the challenge, and above all the meaning of being a Chechen.

    It was Halloween and Samantha`s contractions were unbearable so her husband rushed his pregnant wife to the hospital to deliver their new bundle of joy. Mike told the doctor and nurse to take great care of his wife. The doctor and nurse reassured Mike they would take very good care of her and not to worry. Mike waited patiently in the waiting room as the doctor and nurse delivered their beautiful baby. After a few hours the baby finally arrived and the doctor entered the waiting room and told Mike to come in the room and see his new baby. Mike entered and his wife was all smiles and said "Honey, it`s a boy!" "I think he looks like a Johnny. What do you think?" asked his wife. "Johnny sounds fine to me," replied Mike. Mike was so excited and held his baby boy in his arms as tears rolled down his cheeks and said "Darling, I think he likes me." Mike stayed the night in his wife's room with their new baby, but as they were both sleeping, an unforeseen force came in their room that was about to change their lives forever, when they both woke in the morning. Morning came, and Samantha was discharged from the hospital, and time for their new baby to be raised in their new home. It wasn't until after little Johnny turned 6 years of age that things around the Delany Estate turned deadly. The first sign that Johnny had the mark of the beast was June 6. It was the 6th month, 6th day, and Johnny was 6. All the numbers represented 666.

    Shalamov himself spent seventeen years there, and in these stories he vividly captures the lives of ordinary people caught up in terrible circumstances, whose hopes and plans extended to further than a few hours. This new enlarged edition combines two collections previously published in the United States as Kolyma Tales and Graphite.

    A sweeping saga, it tells the story of three school friends who meet in Moscow in the 1950s and go on to embody the heroism, folly, compromise, and hope of the Soviet dissident experience. These three boys—an orphaned poet; a gifted, fragile pianist; and a budding photographer with a talent for collecting secrets—struggle to reach adulthood in a society where their heroes have been censored and exiled. Rich with love stories, intrigue, and a cast of dissenters and spies, The Big Green Tent offers a panoramic survey of life after Stalin and a dramatic investigation into the prospects for integrity in a society defined by the KGB. Each of the central characters seeks to transcend an oppressive regime through art, a love of Russian literature, and activism. And each of them ends up face-to-face with a secret police that is highly skilled at fomenting paranoia, division, and self-betrayal. An artist is chased into the woods, where he remains in hiding for four years; a researcher is forced to deem a patient insane, damning him to torture in a psychiatric ward; a man and his wife each become collaborators, without the other knowing. Ludmila Ulitskaya’s big yet intimate novel belongs to the tradition of Dostoyevsky, Tolstoy, and Pasternak: a work of politics, love, and belief that is a revelation of life in dark times.

    Her best friend, Santana Corn Eyes, knows about the project, as does a ghost who visits her, silently urging her on. Yirah says the spirit is that of her departed uncle, but Santana is worried. Why would a ghost be crossing over to this world? Maybe it’s not such a good idea to get a a dead man’s motorbike running again. And if Yirah does succeed, will she be patient enough to learn how to safely handle it? Set in the Painted Hills near Santo del Vado Viejo, this original short story is loosely connected to de Lint’s acclaimed novel, The Wind in His Heart. “One of the most original fantasy writers currently working.”—Booklist “Charles de Lint is the modern master of urban fantasy. Folktale, myth, fairy tale, dreams, urban legend—all of it adds up to pure magic in de Lint’s vivid, original world. No one does it better.”—Alice Hoffman “De Lint creates an entirely organic mythology that seems as real as the folklore from which it draws.”—Publishers Weekly, starred review “De Lint is a romantic; he believes in the great things, faith, hope, and charity (especially if love is included in that last), but he also believes in the power of magic—or at least the magic of fiction—to open our eyes to a larger world.”—Edmonton Journal “It’s hard not to feel encouraged to be a better person after reading a book by Ottawa’s Charles de Lint.”—Halifax Chronicle Herald “If Ottawa-area author Charles de Lint didn't create the contemporary fantasy, he certainly defined it. …writer-musician-artist-folklorist de Lint has lifted our accepted reality and tipped it just enough sideways to show the possibilities that lie beneath the surface… Unlike most fantasy writers who deal with battles between ultimate good and evil, de Lint concentrates on smaller, very personal conflicts. Perhaps this is what makes him accessible to the non-fantasy audience as well as the hard-core fans. Perhaps it's just damned fine writing.” —Quill & Quire “In de Lint's capable hands, modern fantasy becomes something other than escapism. It becomes folk song, the stuff of urban myth.” ―The Phoenix Gazette

    Gatlin is a dead-ringer for Jim Walker, who, like Cary, wants control of the XY. Gatlin is thrown into a situation in which all he can do is fight for his life. Seventeen-year-old Shandy Gamble in "Gamble of the KT" is in Perigord with plans to buy a new saddle and bridle with the $500 in reward money he had received for catching two horse thieves, but instead he gets conned out of the money. He returns to the KT Ranch never mentioning what happened. But when he learns the con man is back and hanging out with the June gang, he decides it's time to get his money back and even the score. Always a fighting man, both for the US Army and in battles across the ocean, Tom Kedrick in "Showdown Trail" has been hired to help run off the squatters and outlaws occupying a strip of land claimed to be unusable swamp. When he learns that he is being misled by his new bosses and that the squatters are honest and hardworking settlers, including one of his father's old friends, he has to determine which side he will fight for.Louis L'Amour is the most decorated author in the history of American letters, and his stories are loved the world over.

    Comprised of a surprising mix of newly minted professionals, ex-prisoners, intellectuals, musicians, and faithful Party workers, the community is vibrant and resilient and life in Magadan thrives even under the cover of near-perpetual snow. By blending history and fable, each of Melnik's stories transports us somewhere completely new: a married Magadan woman considers a proposition from an Italian footballer in '70s Moscow; an ailing young girl visits a witch doctor’s house where nothing is as it seems; a middle-aged dance teacher is entranced by a new student’s raw talent; a former Soviet boss tells his granddaughter the story of a thorny friendship; and a woman in 1958 jumps into a marriage with an army officer far too soon.Weaving in and out of the last half of the twentieth century, Snow in May is an inventive, gorgeously rendered, and touching portrait of lives lived on the periphery where, despite their isolation—and perhaps because of it—the most seemingly insignificant moments can be beautiful, haunting, and effervescent.