A satirical poem that intentionally over-dramatizes an incident in which a lock of a woman's hair is cut without her permission.

    Over and over these poems leave us convinced that we’ve learned something very important and mysterious, yet we can’t say exactly what.

    His deceptively simple verse uses the ingenious arguments typical of seventeenth-century 'metaphysical' poets, and unusual imagery drawn from musical structures, the natural world and domestic activity to explore a mosaic of Biblical themes. From the wit and wordplay of 'The Pulley' and the formal experimentation of 'Easter Wings' and 'Paradise', to the intense, highly personal relationship between man and God portrayed in 'The Collar' and 'Redemption', the works collected here show the transcendental power of divine love.

    E. Housman's A Shropshire Lad, first published in 1896. Scholars and critics have seen in these timeless poems an elegance of taste and perfection of form and feeling comparable to the greatest of the classic. Yet their simple language, strong musical cadences and direct emotional appeal have won these works a wide audience among general readers as well.This finely produced volume, reprinted from an authoritative edition of A Shropshire Lad, contains all 63 original poems along with a new Index of First Lines and a brief new section of Notes to the Text. Here are poems that deal poignantly with the changing climate of friendship, the fading of youth, the vanity of dreams — poems that are among the most read, shared, and quoted in our language.

    Within these notebooks, Roethke allowed his mind to rove freely, moment by moment, moving from the practical to the transcendental, from the halting to the sublime.Fellow poet and colleague David Wagoner distilled these notebooks—twelve linear feet of bookshelf—into an energetic, wise, and rollicking collection that shows Roethke to be one of the truly phenomenal creative sources in American poetry.From “A Psychic Janitor”: I’m sick of fumbling, furtive, disorganized minds like bad lawyers trying to make too many points that this is an age of criticism: and these, mind you, tin-eared punks who couldn’t tell a poem from an old boot if a gun were put to their heads . . .Cover art by United States Poet Laureate Ted Kooser.

    That the marriage should fail and poor Lilia die tragically are only to be expected. But that Lilia should have had a baby - and that the baby should be raised as an Italian! - are matters requiring immediate correction by Philip Herriton, his dour sister Harriet, and their well-meaning friend Miss Abbott.

    The Complete Poems demonstrates his unique skill and immense diversity to the full, and includes lyrical love-poetry, religious works and biting satire. From the passionately erotic To his Coy Mistress, to the astutely political Cromwellian poems and the profoundly spiritual On a Drop of Dew, in which he considers the nature of the soul, these works are masterpieces of clarity and metaphysical imagery. Eloquent and compelling, they remain among the most vital and profound works of the era - works by a figure who, in the words of T. S. Eliot, 'speaks clearly and unequivocally with the voice of his literary age'.

    In Love, etc. he uses all the surprising, sophisticated ingredients of a delightful farce to create a tragicomedy of human frailties and needs. After spending a decade in America as a successful businessman, Stuart returns to London and decides to look up his ex-wife Gillian. Their relationship had ended years before when Stuart’s witty, feckless, former best friend Oliver stole her away. But now Stuart finds that the intervening years have left Oliver’s artistic ambitions in ruins and his relationship with Gillian on less than solid footing. When Stuart begins to suspect that he may be able to undo the results of their betrayal, he resolves to act. Written as an intimate series of crosscutting monologues that allow each character to whisper their secrets and interpretations directly to the reader, Love, etc. is an unsettling examination of confessional culture and a profound refection on the power of perspective.

    Within a thirteen-year period, she produced six volumes of poetry, two volumes of criticism, a two-volume biography of John Keats, and countless articles and reviews that appeared in many popular periodicals. As a herald of the New Poetry, Lowell saw herself and her kind of work as a part of a newly forged, diverse, American people that registered its consciousness in different tonalities but all in a native idiom. She helped build the road leading to the later works of Allen Ginsberg, May Sarton, Sylvia Plath, and beyond. Except for the few poems that invariably appear in American literature anthologies, most of her writings are out of print. This will be the first volume of her work to appear in decades, and the depth, range, and surprising sensuality of her poems will be a revelation.The poetry is organized according to Lowell’s characteristic forms, from traditional to experimental. In each section the works appear in chronological order. Section one contains sonnets and other traditional verse forms. The next section covers her translations and adaptations of Chinese and Japanese poetry, whereby she beautifully renders the spirit of these works. Also included here are several of Lowell’s own Asian-influenced poems. Lowell’s free, or cadenced verse appears in the third part. The last section provides samples of Lowell’s polyphonic prose, an ambitious and vigorous art form that employs all of the resources of poetry.The release of The Selected Poems of Amy Lowell will be a major event for readers who have not been able to find a representative sampling of work from this vigorous, courageous poet who gave voice to an erotic, thoroughly American sensibility.

    A gothic epic. Decadence and horror in late 19th Century urban life from the 'poet of doom'.

    The sheltered and unworldy Eugenia Malmains is one of the richest girls in England and an ardent supporter of General Jack and his Union Jackshirts. World-weary Noel Foster and his scheming friend Jasper Aspect are in search of wealthy heiresses to marry; Lady Marjorie, disguised as a commoner, is on the run from the Duke she has just jilted at the altar; and her friend Poppy is considering whether to divorce her rich husband.When these characters converge with the colorful locals at a grandly misconceived costume pageant that turns into a brawl between Pacifists and Jackshirts, madcap farce ensues. Long suppressed by the author out of sensitivity to family feelings, Wigs on the Green can now be enjoyed by fans of Mitford’s superbly comic novels.

    Hartley's finest novel, encounters a world of unimagined luxury. But when his friend's beautiful older sister enlists him as the unwitting messenger in her illicit love affair, the aftershocks will be felt for years. The inspiration for the brilliant Joseph Losey/Harold Pinter film starring Julie Christie and Alan Bates, The Go-Between is a masterpiece—a richly layered, spellbinding story about past and present, naiveté and knowledge, and the mysteries of the human heart. This volume includes, for the first time ever in North America, Hartley's own introduction to the novel.

    Within its golden gates, death, American-style, is wrapped up and sold like a package holiday. There, Dennis enters the fragile and bizarre world of Aimée, the naïve Californian corpse beautician, and Mr Joyboy, the master of the embalmer's art...A dark and savage satire on the Anglo-American cultural divide, The Loved One depicts a world where love, reputation, and death cost a very great deal.This is an alternate cover edition: https://www.goodreads.com/book/show/3....

    Included are both the familiar favorites and Kipling's lesser-known works. This is the only complete collection of Kipling's poems available in paperback.

    One of the original Beat poets (the coinage "beatnik" is his), Kaufman’s work has always been essentially improvisational, often done to jazz accompaniment. And he became something of a legendary figure at the poetry readings in the early days of the San Francisco renaissance of the 1950s. With his extemporaneous technique, akin in many ways to Surrealist automatic writing, he has produced a body of work ranging from a visionary lyricism infused with satirical, almost Dadaistic elements to a prophetic poetry of political and social protest. Born in New Orleans of mixed Black and Jewish parentage, Kaufman was one of fourteen children. During twenty years in the Merchant Marine, he cultivated an intense taste for literature on his long sea voyages. Settling in California, in the ’50s, he became active in the burgeoning West Coast literary scene. Disappointment, drugs, and imprisonment led him to take a ten-year vow of complete silence that lasted until 1973. The present volume includes previously uncollected poems written prior to his pledge and newer work composed in the years 1973-1978, before the poet once again lapsed into silence.