They gather food and look for warm, snug places in the ground, trees, caves or thickets, where they can find protection against the icy winds.It might have been hard for the birds and animals of the hillside to survive when the Big Snow came if their good friends, who lived in the little stone house, had not remembered to put food out for them.Here, in many beautiful pictures, the Haders show how winter comes to the woodland as the busy animals make their preparations.

    Winner of the 1995 Caldecott Medal. During the Los Angeles riots, Daniel and his mother witness the night's events unfold from the safety of shelter after they are forced to leave their apartment. “Diaz has not been afraid to take risks in illustrating the story with thickly textured paintings against a background of torn-paper and found-object collage. Without becoming cluttered or gimmicky, these pictures manage to capture a calamitous atmosphere that finally calms. . . . Both author and artist have managed to portray a politically charged event without pretense or preaching.”--The Bulletin

    A young boy searches for his father, but before he can claim his heritage he must first prove his worthiness by passing through the four ceremonial chambers: the kiva of lions, the kiva of snakes, the kiva of bees, and the kiva of lightning. Striking in its simplicity and grace, Arrow to the Sun vividly evokes the Native American reverence for the source of all life--the Solar Fire.Winner of the Caldecott

    But when a lion frightens him on his way home, Sylvester makes a wish that brings unexpected results.

    She goes on to explain that even one tree is nice, if it is the only one you happen to have.Some of the reasons why trees are so good to have around are funny. Some are indisputable facts. But in all of them there is a sense of poetic simplicity and beauty which will be sure to entrance any young child. Whether he knows one tree or many, he will relish the descriptions of the delights to be had in, with, or under a tree.Marc Simont's joyous pictures, half of them in full color, accentuate the child-like charm of the words. And each painting of a tree or trees shows just how very nice they can be.

    But the children laughed and danced, and caught the lacy snowflakes on their tongues. All the wonder and delight a child feels in a snowfall is caught in the pages of this book -- the frost ferns on the window sill, the snow man in the yard and the mystery and magic of a new white world. Roger Duvoisin's pictures in soft blue half-tones with briliant splashes of yellow and red emphasize the gaiety and humor as well as the poetic quality of the text.

    The trees stand still as statues and the world is silent as a dream. Whoo-whoo-whoo, the father calls to the mysterious nighttime bird.But there is no answer.Wordlessly the two companions walk along, for when you go owling you don't need words. You don't need anything but hope. Sometimes there isn't an owl, but sometimes there is.Distinguished author Jane Yolen has created a gentle, poetic story that lovingly depicts the special companionship of a young child and her father as well as humankind's close relationship to the natural world. Wonderfully complemented by award-winning John Schoenherr's soft, exquisite watercolor illustrations, this is a verbal and visual treasure, perfect for reading aloud and sharing at bedtime.

    Zelinsky has once again with unmatched emotional authority, control of space, and narrativecapability brought forth a unique vision for an age-old tale. Few artists at work today can touch the level at which his paintings tell a story and exert their hold.Zelinsky's retelling of Rapunzel reaches back beyond the Grimms to a late-seventeenth-century French tale by Mlle. la Force, who based hers on the Neapolitan tale Petrosinella in a collection popular at the time. The artist understands the story's fundamentals to be about possessiveness, confinement, and separation, rather than about punishment and deprivation. Thus the tower the sorceress gives Rapunzel here is not a desolate, barren structure of denial but one of esoteric beauty on the outside and physical luxury within. And the world the artist creates through the elements in his paintings the palette, control of light, landscape, characters, architecture,interiors, costumes speaks to us not of an ugly witch who cruelly imprisons a beautiful young girl, but of a mother figure who powerfully resists her child's inevitable growth, and of a young woman and man who must struggle in the wilderness for the self-reliance that is the true beginningof their adulthood.As ever, and yet always somehow in newly arresting fashion, Paul O. Zelinsky's work thrillingly shows us the events of the story while guiding us beyond them to the truths that have made it endure.

    Not the man with the hat or the lady with the umbrella. Not even the television or the radio forecasters. But one boy and his dog have faith that the snow will amount to something spectacular, and when flakes start to swirl down on the city, they are also the only ones who know how to truly enjoy it.Uri Shulevitz' playful depiction of a snowy day and the transformation of a city is perfectly captured in simple, poetic text and lively watercolor and pen-and-ink illustrations.

    A magical red book without any words. When you turn the pages you’ll experience a new kind of adventure through the power of story.Winning a Caldecott Honor for its illustrations of rare detail and surprise, The Red Book crosses oceans and continents to deliver one girl into a new world of possibility, where a friend she’s never met is waiting. And as with the best of books, at the conclusion of the story, the journey is not over.

    A wild stallion becomes her friend and she decides to ride free with the herd even after she is found.

    Wouldn't it be wonderful to be loved and cuddled, thinks Alexander, and he wishes he could be a wind-up mouse too. In this gentle fable about a real mouse and a mechanical mouse, Leo Lionni explores the magic of friendship. Originally published in 1969, the Caldecott Honor-winning Alexander and the Wind-up Mouse is sure to enchant a whole new generation of readers.

    Jasper Rabbit loves carrots—especially Crackenhopper Field carrots.He eats them on the way to school.He eats them going to Little League.He eats them walking home.Until the day the carrots start following him...or are they?Celebrated artist Peter Brown’s stylish illustrations pair perfectly with Aaron Reynold’s text in this hilarious eBook with audio that shows it’s all fun and games…until you get too greedy.

    A mission to find something spectacular. So they dig a hole. And they keep digging. And they find . . . nothing. Yet the day turns out to be pretty spectacular after all. Attentive readers will be rewarded with a rare treasure in this witty story of looking for the extraordinary—and finding it in a manner you’d never expect.

    It goes forth at nightto prowl around the fires.It even likes to minglewith the dancers...Shadow...It waves with the grasses,curls up at the foot of trees...But in the African experience Shadow is much more. The village storytellers and shamans of an Africa that is passing into memory called forth for the poet Blaise Cendrars an eerie image, shifting between the beliefs of the present and the spirits of the past.Shadow...It does not cry out,it has no voice...It can cast a spell over you...It follows man everywhere,even to war...Marcia Brown's stunning illustrations in collage, inspired by her travels in Africa, evoke the atmosphere and drama of a life now haunted, now enchanted by Shadow.