Criticism is divided into four sections and represents the best criticism and interpretation of Donne s writing: Donne and Metaphysical Poetry includes seven seventeenth-century views by contemporaries of Donne such as Ben Jonson, Thomas Carew, and John Dryden, among others; Satires, Elegies, and Verse Letters includes seven selections that offer social and literary context for and insights into Donne s frequently overlooked early poems; Songs and Sonnets features six analyses of Donne s love poetry; and Holy Sonnets/Divine Poems explores Donne s struggles as a Christian through four authoritative essays. A Chronology of Donne s life and work, a Selected Bibliography, and an Index of Titles and First Lines are also included.

    Known for her historical fiction, which won her the Nobel Prize for literature in 1928, Undset based this factual work on primary sources, her own experiences living in Italy, and her profound understanding of the human heart. One of the greatest novelists of the twentieth century, Undset was no stranger to hagiography. Her meticulous research of medieval times, which bore such fruit in her multi-volume masterpieces Kristin Lavransdatter and The Master of Hestviken, acquainted her with some of the holy men and women produced by the Age of Faith. Their exemplary lives left a lasting impression upon the author, an impression Undset credited as one of her reasons for entering the Church in 1924. Catherine of Siena was a particular favorite of Undset, who also was a Third Order Dominican. An extraordinarily active, intelligent, and courageous woman, Catherine at an early age devoted herself to the love of God. The intensity of her prayer, sacrifice, and service to the poor won her a reputation for holiness and wisdom, and she was called upon to make peace between warring nobles. Believing that peace in Italy could be achieved only if the Pope, then living in France, returned to Rome, Catherine boldly traveled to Avignon to meet with Pope Gregory XI. With sensitivity to the zealous love of God and man that permeated the life of Saint Catherine, Undset presents a most moving and memorable portrait of one of the greatest women of all time.

    After two thousand years, the human race may be given a second chance. When Joshua moves to a small cabin on the edge of town, the local people are mystified by his presence. A quiet and simple man, Joshua appears to seek nothing for himself. He supports himself by working as a carpenter. He charges very little for his services, yet his craftsmanship is exquisite. The statue of Moses that he carves for the local synagogue prompts amazement as well as consternation. What are the townsfolk to make of this enigmatic stranger? Some people report having seen him carry a huge cherry log on his shoulders effortlessly. Still others talk about the child in a poor part of town who was dreadfully ill but, after Joshua’s visit, recovered completely. Despite his benevolence and selfless work in the community, some remain suspicious. Finally, in an effort to address the community’s doubts, Joshua is confronted by the local church leaders.

    Reflecting his lifelong interest in Arthurian themes, his primary sources were Malory's Morte d'Arthur and the Welsh Mabinogion. For him, the Idylls embodied the universal and unending war between sense and soul, and Arthur the highest ideals of manhood and kingship; an attitude totally compatible with the moral outlook of his age. Poetically, Tennyson was heir to the Romantics, and Keats's influence in particular can be seen clearly in much of his work. Yet Tennyson's style is undoubtedly his own and he achieved a delicacy of phrase and subtlety of metrical effect that are unmatched. This edition, based on the text authorized by Tennyson himself, contains full critical apparatus.

    But a devastating past has left Sarah believing that God doesn't love her and her achievements are the measure of her worth—a measure she can never quite live up to.Darius Pasargadae is accustomed to having his way. A wealthy and admired aristocrat, the last thing he expects is an arranged marriage to the queen's scribe, an intelligent woman who scorns him.Can two such different people help one another overcome the idols that bind them?

    The book is a frame narrative primarily depicting a fictional island society as described by the character Raphael Hythloday who lived there some years, who describes and its religious, social and political customs.

    It's the summer of 1913 and Cora Kensington's life on the family farm has taken a dark turn. After burying the only father she's ever known, she lost her beau in a tragic accident. Then a stranger comes to call. In one fateful afternoon, Cora discovers that her birth father is a copper king---a man who invites her to tour Europe with her new family. As she travels from England to France, Cora faces the hardships as well as the privileges of assuming the family name. And though now she knows more of her true identity, she soon discovers the journey is only beginning.

    If the king dies without a male heir, the country could be destroyed by civil war. Henry VIII wants to annul his marriage of twenty years and marry Anne Boleyn. The pope and most of Europe opposes him. Into this impasse steps Thomas Cromwell: a wholly original man, a charmer and a bully, both idealist and opportunist, astute in reading people, and implacable in his ambition. But Henry is volatile: one day tender, one day murderous. Cromwell helps him break the opposition, but what will be the price of his triumph?

    The stories are told in a country villa outside the city of Florence by ten young noble men and women who are seeking to escape the ravages of the plague. Boccaccio's skill as a dramatist is masterfully displayed in these vivid portraits of people from all stations in life, with plots that revel in a bewildering variety of human reactions.Translated with an Introduction and Notes by G. H. McWilliam

    St. Francis of Assisi's ecstatic embrace of a life of poverty revolutionized Christianity even as it transformed the ethics of the West. In this luminous and lively book, St. Francis's followers preserved his legend and those of his first disciples, combining stories of miracles with convincing portraits of men who were no less human for having been touched by God."God is our home but many of us have strayed from our native land.  The venerable authors of these Spiritual Classics are expert guides--may we follow their directions home."--Archbishop Desmond Tutu

    And when their nation asked, they answered the call as well.... Virginia longs to find a purpose beyond others' expectations. Helen is driven by a loneliness money can't fulfill. Rosa is desperate to flee her in-laws' rules. Jean hopes to prove herself in a man's world. Under the storm clouds of destruction that threaten America during the early 1940s, this unlikely gathering of women will experience life in sometimes startling new ways as their beliefs are challenged and they struggle toward a new understanding of what love and sacrifice truly mean.

    Chebron, the son of a high Egyptian priest, flees for his life taking his sister Mysa, one of the household slaves Amuba and several companions with him. They escape through closely guarded Egyptian exits only to find themselves in unfamiliar and dangerous lands inhabited by a very different culture of people. Along the way, the roving band of refugees encounters and befriends a Hebrew girl, who exposes them to very strange ideas including the worship of "one true God."

    Translation of J'entre dans la vie, originally issued under title: Novissima verba.

    With modern humor rivaling that of the media lampooning Onion, found on college campuses all over America, A. F. Christian's open letters to the spokesmen of the New Atheism explain her reasons for rejecting God and the logical consequences of that choice. Along the way she offers pithy advice to famous atheists such as Richard Dawkins and Christopher Hitchens, in the hope of helping them win over more Christians.Of course we score big time with the young guys who aren't responsible for anything, and don't really care about anything besides spending most of their time in the basement playing video games and texting girls, A.F. Christian points out. But what about all those serious, thoughtful people who are Christian believers? If the New Atheism is to make real headway, she argues, its advocates must do more to persuade intelligent theists living meaningful and fulfilling lives.Amid the many current books arguing for or against religion, social critic and writer Mary Eberstadt's The Loser Letters is truly unique: a black comedy about theism and atheism that is simultaneously a rollicking defense of Christianity.Echoing C.S. Lewis Screwtape Letters and Dante's Divine Comedy, Eberstadt takes aim at bestsellers like The God Delusion and God Is Not Great with the sexual libertinism their authors advocate. In her loveable and articulate tragic-comic heroine, A.F. Christian, Dawkins, Hitchens and the other Brights have met their match.

    She resolved to hope . . . and to fight for them to her last breath.Kara and Lizzie are heiresses to one of the largest fortunes in the country. But when their father dies suddenly, the toddlers are taken from the arms of Amanda, their loving stepmother, and given to relatives who only want the children’s fortune for themselves.Kara and Lizzie grow up questioning their worth . . . until the day when they learn the truth.Intensely involving, emotionally charged, and infused with hope, Covenant Child is an inspiring story that challenges us to embrace the life God holds out to us.“Blackstock is a masterful writer . . .” —Christian Retailing