That’s what the government insists that this era must be called, but the reality behind these words is starvation.Liana is struggling to find enough to eat. Yet hunger has also made her brave: she finds the courage to skip a summer of so-called volunteer farm labor, even though she risks government retribution. Nearby, a quiet, handsome boy named Amado also refuses to comply, so he wanders alone, trying to discover rare sources of food.A chance encounter with an enigmatic dog brings Liana and Amado together. United in hope and hunger, they soon discover that their feelings for each other run deep. Love can feed their souls and hearts—but is it enough to withstand el periodo especial?

    From the moment Darla asks to know more about her mysterious aunt, she is offered nothing but half-truths, distortions, and evasions. As Darla grows into her teen years, her life is oddly yet profoundly affected by this woman she has never known. She can't help but notice that Rebecca seems to exist only in dark corners of conversations and that no one ever wants to talk about her - with Darla. Squalor, New Mexico is a coming-of-age story shrouded in family mystery. As the plot takes twists and turns, secrets are revealed not only to Darla but to the "secret keepers" as well. Darla learns that families are only as strong as the truths they hold and as weak as the secrets they keep.

    Just without the extra pay.Now I’m showing old homes, and every single one of them is haunted. As a witch, I’m not supposed to be able to see ghosts. But I do. And they know I do. And I know they know I do. And, oh boy.Worse yet, an apparition that looks an awful lot like my boss’s dead partner has come knocking, and demanding I solve her murder. I’ve been given an ultimatum: help or die. It looks like I can’t really trust anyone any more. Will my cat, mouse familiar, and a new shapeshifter friend be enough to help me get the job done in what little time I have left?

    Songs and Portobellos is a magical story that captures the creativity and clarity of perception that young people possess.The book centres on the development of teenagers Conor and Melanie during the summer of 1967 and explores the influences that bring them to understand their uniqueness.By the end of the summer they have transcended the ordinary, discovered who they are and determined what they stand for.

    Jaleel Robeson, a gifted, eighteen year-old black man, falsely accused of murdering his father in a small Texas town, is on the run. He assumes a new identity in 1980s Los Angeles as a successful student on his way to college. Alexandra Baten, a restless sixteen year old white girl, lives in a privileged Toluca Lake family but feels trapped by her parents' values. One weekend, she rides her bike into a run down neighborhood, meeting a young black man selling lemonade. Thus begins a friendship between opposites, at least on the surface, but they learn they have more in common than they imagine. Told from each character's point of view in alternating chapters, we become involved in a gripping tale of two Americas where discontent and violence always lurk under the surface. When they erupt, no one is safe. Once Upon a Lie is both a family drama and a crime drama, as well as an exploration of interracial love, mother-daughter relationships, and redemption through courage.

    Some were previously published. Some are brand-spanking new. The opening story, "State Liquor," concerns a twenty-five-year-old woman and her eighteen-year-old husband trying to buy alcohol on their way to their strip mall jobs, the afternoon of their wedding. In "Fistful," a pregnant teenager gets revenge on the young man who both impregnated and beat her, before leaving town with another man. In "Habitrail," a woman returns home after the death of her father, to find her husband in communication with the television set and a god he calls Chaos, rather than her. There are over ninety stories in this collection. Repeated themes include: driving, smoking, teenagers, drinking, escape, the Midwest, masturbation, self-loathing, blood and loneliness.

    They know there are whole worlds out there that have never been seen, some as distant as the Amazon rain forest, others as close as a neighbor’s house, the curtains left open. Laura van den Berg helps us discover these worlds, blending the mundane and routine with the strange and unexpected. The search won’t always end with the stories—these restless narrators will always be left with mysteries unsolved, questions unanswered and hidden aches not quite healed—but what they see along the way will be nothing short of marvelous.Order here.

    What I got instead is heartbreak and a divorce. With my life a shambles, I hit the road and begin a voyage of self discovery and growth. When my keyboard reveals a world of sensual fantasy and dark desires, I don’t know whether to leap into the unknown or play things safe. What I do know is that I’m worth a second chance. I may be forty-five, but I’m not ready to give up on love.

    “If there is a bleaker, funnier or more desperate play in Edinburgh this year, I’ll eat my hat.”—GuardianA brilliant new play by the author of Disco Pigs and this year’s winner of the Edinburgh First Fringe Award for Outstanding New Writing.

    But this soon changes. Every day a new dilemma arises, pulling her into the chaos, and as she gets to know her neighbors she discovers comedy, cruelty, and even tragedy. Do you know what’s going on in your neighborhood?

    He has epilepsy.And, as it turns out, he has much bigger issues too.Esther falls. In love.It’s wonderful – but there’s a shadow that she can’t identify and she can’t make go away just by loving Luke.Luke’s experience has taught him to despise himself; Esther’s self-belief is fragile. And love is not as easy as it looks. Will they be still falling at the end of term?A story about the struggle it can be to love someone who doesn’t love themselves – and why it’s worth it.From the winner of Children’s Books Ireland Honour for Fiction, the CBI Children’s Choice Award and CBI Book of the Year Award for her previous novels Taking Flight and Grounded.

    Yet it has a history of great interest, crowded with important events and famous characters, from Julius Caesar at Brentford to Winston Churchill at Harrow. Its history also includes minor curiosities of the past—the devil of Edmonton, the witch of Finchley, the miser of Harrow Weald, the highwaymen of Hounslow Heath—amid the varied incidents of local life in places that are now London dormitories. First published in 1953, at the time this book was the most comprehensive history and description of an English county ever attempted in a single volume. Its first part describes the county's natural situation and its earliest history and surveys its economic life, in particular its almost vanished agriculture and its modern industrial development. There are chapters on particular aspects of Middlesex's history, inhabitants, and buildings.  The second part—virtually a book in itself—is a lively gazetteer of the places in contemporary Middlesex, from Acton to Yiewsley. The whole work is fully indexed and referenced, and includes tables of population and a detailed bibliography (both updated for this edition), line maps, diagrams, and 48 pages of superb photographs. Michael Robbins had a lifelong love of the county of his birth, and tramped many miles along Middlesex roads while researching and writing this book; he believed there was no other way of getting to know the county. It remains the standard work on the local history of the county—a book for all who know and love Middlesex.

    Eat, sleep, draw, and geek out over anime and manga with his small circle of friends. So when one of those friends suggested engaging in some cosplay for an upcoming Comicon as some of their favorite anime characters, it sounded like the perfect summer activity. That was until he found out just which character he was supposed to be. What started as a fun idea quickly turned into a mixture of inner conflict and self-discovery that Ray had never known even existed and served as the root for one of the most dramatic and uncertain changes in his young life. The question was, would this rollercoaster be a fun-filled thrill-ride, or a complete derailment of everything in his life.

    While his sophisticated colleagues meet him with kindness and hospitality, he is soon exposed to a colder, ruthlessly commercial underbelly—callous agents, greedy landlords, boorish and hostile neighbors, and, beneath a superficial cosmopolitanism, a bedrock of white cultural superiority and racist assumptions about Africa, its peoples, and worst of all, its food.Reckoning, at the same time, with the recent history of the devastating and brutal Biafran War, in which Ekong’s people were a minority of a minority caught up in the mutual slaughter of majority tribes, Ekong’s life in New York becomes a saga of unanticipated strife. The great apartment deal wrangled by his editor turns out to be an illegal sublet crawling with bedbugs. The lights of Times Square slide off the hardened veneer of New Yorkers plowing past the tourists. A collective antagonism toward the “other” consumes Ekong’s daily life. Yet in overcoming misunderstandings with his neighbors, Chinese and Latino and African American, and in bonding with his true allies at work and advocating for healing back home, Ekong proves that there is still hope in sharing our stories.Akpan’s prose melds humor, tenderness, and pain to explore the myriad ways that tribalisms define life everywhere, from the villages of Nigeria to the villages within New York City. New York, My Village is a triumph of storytelling and a testament to the life-sustaining power of community across borders and across boroughs.

    Poetry. Essays. Comprised of footnotes to a non-existent text, THE BODY: AN ESSAY is a meditation on absence, loss and disappearance that offers a guarded "narrative" of what may or may not be a love letter, a dream, a spiritual autobiography, a memoir, a scholarly digression, a treatise on the relation of life to book. Christian Bok describes Boully's groundbreaking text as one that "may simply annotate a fantastic biography from another reality, referring only to itself as a kind of dream within a dream...The reader can only fantasize about the original contexts that might have made such information significant to its author, and ultimately, implies that the body of any text consists of nothing but a void-filled with the exegetical projection of our own imagination." First published in 2002 and excerpted in such anthologies as The Next American Essay and The Best American Poetry 2002, THE BODY: AN ESSAY continues to challenge conventional notions of plot and narrative, genre and form, theory and practice, unremittingly questioning the presumptive boundaries between reflection, imagination, and experience.