"They had read the signs, they said: a sea of horses, a conference of birds, the North Star in alignment with the moon. It was a prophecy that their last king had given on his deathwatch." But joy is mixed with tragedy, for Eleonora's mother dies soon after the birth. Raised by her doting father, Yakob, a carpet merchant, and her stern, resentful stepmother, Ruxandra, Eleonora spends her early years daydreaming and doing housework—until the moment she teaches herself to read, and her father recognizes that she is an extraordinarily gifted child, a prodigy. When Yakob sets off by boat for Stamboul on business, eight-year-old Eleonora, unable to bear the separation, stows away in one of his trunks. On the shores of the Bosporus, in the house of her father's business partner, Moncef Bey, a new life awaits. Books, backgammon, beautiful dresses and shoes, markets swarming with color and life—the imperial capital overflows with elegance, and mystery. For in the narrow streets of Stamboul—a city at the crossroads of the world—intrigue and gossip are currency, and people are not always what they seem. Eleonora's tutor, an American minister and educator, may be a spy. The kindly though elusive Moncef Bey has a past history of secret societies and political maneuvering. And what is to be made of the eccentric, charming Sultan Abdulhamid II himself, beleaguered by friend and foe alike as his unwieldy, multiethnic empire crumbles? The Oracle of Stamboul is a marvelously evocative, magical historical novel that will transport readers to another time and place—romantic, exotic, yet remarkably similar to our own.

    The setting is a small village in southwestern Anatolia in the waning years of the Ottoman Empire. Everyone there speaks Turkish, though they write it in Greek letters. It’s a place that has room for a professional blasphemer; where a brokenhearted aga finds solace in the arms of a Circassian courtesan who isn’t Circassian at all; where a beautiful Christian girl named Philothei is engaged to a Muslim boy named Ibrahim. But all of this will change when Turkey enters the modern world. Epic in sweep, intoxicating in its sensual detail, Birds Without Wings is an enchantment.

    But their happy, middle-class world—a life of education, work, and comfort—implodes when their country is engulfed in war, and the Taliban rises to power.In Kabul, we meet Fereiba, a schoolteacher who puts her troubled childhood behind her when she finds love in an arranged marriage. But Fereiba's comfortable life implodes when the Taliban rises to power and her family becomes a target of the new fundamentalist regime. Forced to flee with her three children, Fereiba has one hope for survival: to seek refuge with her sister's family in London. Traveling with forged papers and depending on the kindness of strangers, Fereiba and the children make a dangerous crossing into Iran under cover of darkness, the start of a harrowing journey that reduces her from a respected wife and mother to a desperate refugee. Eventually they fall into the shadowy underground network of the undocumented who haunt the streets of Europe's cities. And then, in a busy market square in Athens, their fate takes a frightening turn when Fereiba's teenage son, Saleem, becomes separated from the rest of the family. Without his mother, Saleem is forced, abruptly and unforgivingly, to come of age in a world of human trafficking and squalid refugee camps. Heartbroken, Fereiba has no choice but to continue on with only her daughter and baby. Mother and son cross border after perilous border, risking their lives in the hope of finding a place where they can be reunited.

    His mother, Pauline, wants his homecoming to be perfect. Unfortunately, no one else seems to be following the script. In turn, the members of the family let us into their private thoughts and plans. There's teenage Jeannie, wrestling with a disastrous secret; her peculiar elder brother, Julian, who's plotting an exit according to his own warped logic; their father, Martin, dreaming of escape; and 'golden boy' Gary, who dreads his return. Then there's Pauline, who needs a doctor's help but won't ask for it. As the day progresses, a meltdown looms. Except that nothing goes according to anyone's plan, and the outcome is as unexpected as it is shocking. Laced with black humour and giving an unusual insight into the Mormon way of life, this is a superbly orchestrated and arresting tale of human folly and foibles and what counts in times of crisis.

    Since losing his job and narrowly avoiding jail time, Peter's lived a lonely life in a tiny apartment, with a menial publishing job he hates. Things look like they might turn around when, looking for a late-night snack, Peter wanders into Insomnia Cafe and meets Angela. She shows him the Archives, a library full of books in the process of being written by famous authors. It's a book lover's dream until Oblomov, the black marketer who ruined Peter's life, returns to pull Peter back into his business. On the run from Oblomov and possibly the law, will Peter find salvation in the Archives, or will his knowledge of its secrets doom him further?

    English master-gunner John Hawkwood uproots his family from their native land and journeys to this fabled city.With the city under threat by the Ottoman Turks, the Byzantine emperor is in desperate need of men like Hawkwood and the knowledge of cannon and gunpowder he brings. For a time, the Hawkwoods enjoy status and privilege in return for John’s superior abilities as an artillerist. But all good things must come to an end. When tragedy strikes, even the close relationship John shares with the emperor cannot absolve the family of their sins, and with little more than the clothes on their backs, the Hawkwoods flee Constantinople. Captured by the savage Turks, John Hawkwood swiftly changes his allegiance, and once more applies his considerable skills…this time serving the conquerors in their victorious surge across eastern Europe and Mediterranean shores.No man lives forever, but the Hawkwood line never dies. For five generations, the Hawkwood men serve their Turkish leaders faithfully as military leaders and envoys. Although showered with wealth and privilege and accorded honours commensurate with their rank, their fates lie in the often capricious hands of the Ottoman empire’s cruel leaders. Over a span of nearly one hundred and fifty years, the Hawkwoods must employ every ounce of political cunning they possess to survive the swirling intrigues and bloody massacres that dominate the world in which they live. For their wives and concubines, the uncertainties and dangers of life are no less severe: the punishment meted out to a Hawkwood man who fails his duty likewise falls upon his family.Beyond the gleaming wealth and the veneer of power lie grim spectres of betrayal and sudden death, the threat of ravishment and torture lurking behind the gilded pillars of their palaces and harems. And when the time comes to choose between Ottoman and Hawkwood, no one can say what the future might bring…Christopher Nicole was born and brought up in British Guyana and the West Indies. His output of books has been prolific and many of his novels are historical with a Caribbean background. This book was previously published under the pseudonym Alan Savage.Endeavour Press is the UK's leading independent digital publisher. For more information on our titles please sign up to our newsletter at www.endeavourpress.com. Each week you will receive updates on free and discounted ebooks. Follow us on Twitter: @EndeavourPress and on Facebook via http://on.fb.me/1HweQV7. We are always interested in hearing from our readers. Endeavour Press believes that the future is now.

    The tales themselves trace their roots back to ancient and medieval Arabic, Persian, Indian, Egyptian and Mesopotamian folklore and literature. In particular, many tales were originally folk stories from the Caliphate era, while others, especially the frame story, are most probably drawn from the Pahlavi Persian work Hazār Afsān. Though the oldest Arabic manuscript dates from the 14th century, scholarship generally dates the collection's genesis to around the 9th century.Some of the best-known stories of The Nights, particularly "Aladdin's Wonderful Lamp", "Ali Baba and the Forty Thieves" and "The Seven Voyages of Sinbad the Sailor", while almost certainly genuine Middle-Eastern folk tales, were not part of The Nights in Arabic versions, but were interpolated into the collection by its early European translators. (From wikipedia) The Arabian Nights, by Anonymous, is part of the Barnes & Noble Classics series, which offers quality editions at affordable prices to the student and the general reader, including new scholarship, thoughtful design, and pages of carefully crafted extras. Here are some of the remarkable features of Barnes & Noble Classics: New introductions commissioned from today's top writers and scholars Biographies of the authors Chronologies of contemporary historical, biographical, and cultural events Footnotes and endnotes Selective discussions of imitations, parodies, poems, books, plays, paintings, operas, statuary, and films inspired by the work Comments by other famous authors Study questions to challenge the reader's viewpoints and expectations Bibliographies for further reading Indices & Glossaries, when appropriateAll editions are beautifully designed and are printed to superior specifications; some include illustrations of historical interest. Barnes & Noble Classics pulls together a constellation of influences—biographical, historical, and literary—to enrich each reader's understanding of these enduring works. Once upon a time, the name Baghdad conjured up visions of the most magical, romantic city on earth, where flying carpets carried noble thieves off on wonderful adventures, and vicious viziers and beautiful princesses mingled with wily peasants and powerful genies. This is the world of the Arabian Nights, a magnificent collection of ancient tales from Arabia, India, and Persia. The tales—often stories within stories—are told by the sultana Scheherazade, who relates them as entertainments for her jealous and murderous husband, hoping to keep him amused and herself alive. In addition to the more fantastic tales which have appeared in countless bowdlerized editions for children and have been popularized by an entire genre of Hollywood films, this collection includes far more complex, meaningful, and erotic stories that deal with a wide range of moral, social, and political issues. Though early Islamic critics condemned the tales’ “vulgarity” and worldliness, the West has admired their robust, bawdy humor and endless inventiveness since the first translations appeared in Europe in the eighteenth century. Today these stories stand alongside the fables of Aesop, the fairy tales of the Brothers Grimm, and the folklore of Hans Christian Andersen as some of the Western literary tradition’s most-quoted touchstones. Muhsin J. Al-Musawi is Professor of Arabic Studies at Columbia University in New York City and University Professor at the American University of Sharjah. He is the editor of the Journal of Arabic Literature and the author of twenty-seven books in Arabic and English. He was the recipient in 2002 of the Owais Award in literary criticism, the most prestigious nongovernmental literary award in the Arab World.

    They've become obsessed with Viator to the point that the world beyond seems of consequence only as it relates to the ship. When their putative leader, Thomas Willander, is afflicted by a series of disturbing dreams, he concludes that something on board may be responsible for their erraticism. He seeks the help of a woman in the nearby village of Kaliaska and together they initiate an investigation into the history of Viator, hoping to learn, among other things, why the ship was run aground and who was the mysterious man who hired the four. But their efforts may be too late. The men, whose eccentrities are now verging on the insane, show no sign of intending to abandon their new home, compelled by Viator's eerie allure. To make matters worse, winter will soon be setting in, ominous incidences of sound and light are issuing from the forest surrounding the ship, and Willander's dreams may be coming true...Skyhorse Publishing, under our Night Shade and Talos imprints, is proud to publish a broad range of titles for readers interested in science fiction (space opera, time travel, hard SF, alien invasion, near-future dystopia), fantasy (grimdark, sword and sorcery, contemporary urban fantasy, steampunk, alternative history), and horror (zombies, vampires, and the occult and supernatural), and much more. While not every title we publish becomes a New York Times bestseller, a national bestseller, or a Hugo or Nebula award-winner, we are committed to publishing quality books from a diverse group of authors.

    

    I am now under arrest like the hero I created years ago. I await the decision that will determine my future, just as he awaited his. I am unaware of my destiny, which has perhaps already been decided, just as he was unaware of his. I suffer the pathetic torment of profound helplessness, just as he did. Like a cursed oracle, I foresaw my future years ago not knowing that it was my own. Confined in a cell four metres long, imprisoned on absurd, Kafkaesque charges, novelist Ahmet Altan is one of many writers persecuted by Recep Tayyip Erdogan's oppressive regime. In this extraordinary memoir, written from his prison cell, Altan reflects upon his sentence, on a life whittled down to a courtyard covered by bars, and on the hope and solace a writer's mind can provide, even in the darkest places.

     This is the story of discovering a complex country from the outside-in, a candid account of overturned preconceptions and fresh understanding. Relating wide-ranging interviews and colourful personal experience, the author charts the evolving course of a country bursting with surprises - none more dramatic than the unexpected political protests of 2013 in Taksim Square, which have brought to light the emerging demands of a newly awakened Turkish people. Mass migration, urbanisation and a growing awareness of human rights have changed the social, economic and physical landscapes of a powerful country, and the 2013 protests were just one indication of the changes afoot in today's Turkey. Threatened as it is by recent developments in Syria and Iraq and the approaching danger of ISIS. Encompassing topics as varied as Aegean camel wrestling, transgender prostitution, politicised soap operas and riot tourism, this is a revelatory, at times humorous, at times moving, portrait of a country which is coming of age.

    So begins the courtship of a certain Unguentine to the woman we know only as Mrs. Unguentine, the chronicler of their sad, fantastical tale. For forty years, they sail the seas together, alone on a giant land-covered barge of their own devising. They tend their gardens, raise a child, invent an artificial forest--all the while steering clear of civilization. Log of the S.S. The Mrs Unguentine is a masterpiece of modern domestic life, a comic novel of closeness and difficulty, miscommunication and stubborn resolve. Rarely has a book so perfectly registered the secret solitude of marriage, how shared loneliness can result in a powerful bond.

    It follows the passage of strange, gentle Abel Tiffauges from submissive schoolboy to "ogre" of the Nazi school at the castle of Kaltenborn, taking us deeper into the dark heart of fascism than any novel since The Tin Drum. Until the very last page, when Abel meets his mystic fate in the collapsing ruins of the Third Reich, it shocks us, dazzles us, and above all holds us spellbound.

    An ex-astronaut is hired to look into the death of several wealthy businessmen. The authorities suspect a pattern, but neither the police nor a supercomputer enlisted for the investigation can crack the case. On a trail leading across Europe, the ex-astronaut barely escapes numerous attempts on his life. Having set himself up as a potential victim, he realizes that he may now be the target of a conspiracy--and that the conspiracy is not the work of a criminal mind, but a manifestation of the laws of nature. Certain patterns have begun to emerge from the chaos of modern society. Some of those patterns can be fatal. . .