He begins working as a washer of robes at a hotel for itinerant judges. There he meets and falls in love with Prudence, a forensic photographer whose pictures reveal the secrets of the dead.When Prudence disappears, Frank sets out in search of her, a quest that leads him into the shadowy world of a revolutionary salon, then to prison, and finally to discover the city's strange secrets and the secrets of his own heart.A haunting novel that recalls the early work of Paul Auster and Steven Millhauser, The Artist of the Missing is a stunning debut, both a richly imagined evocation of another world and a piercing examination of the mystery of love, and beautifully illustrated by the acclaimed artist Stephen Alcorn.A visionary novel about love, loss, imagination, and despair.

    First published in 1940, the story covers the period from 1913 to 1919. This is the beginning of a monumental 7,340 page novel, the story of Lanny Budd, a young American, beginning in Europe in 1913. It is also an intimate record of a great world which fell victim to its own civilization. A new world was about to be born.

    Their headstrong fifteen-year-old daughter, İrem, resents the attention her brother, Ismail, receives from their parents. For her, there was no such festive observance–only the wrapping of her head in a dark scarf and strict rules that keep her hidden away from boys and her friends. But even before the night of the celebration, İrem has started to change, to the dismay of her Kurdish father. What Sinan doesn’t know is that much of her transformation is due to her secret relationship with their neighbor, Dylan, the seventeen-year-old American son of expatriate teachers.İrem sees Dylan as the gateway to a new life, one that will free her from the confines of conservative Islam. Yet the young man’s presence and Sinan’s growing awareness of their relationship affirms Sinan’s wish to move his family to the safety of his old village, a place where his children would be sheltered from the cosmopolitan temptations of Istanbul, and where, as the civil war in the south wanes, he hopes to raise his children in the Kurdish tradition.But when a massive earthquake hits in the middle of the night, the Basioglu family is faced with greater challenges. Losing everything, they are forced to forage for themselves, living as refugees in their own country. And their survival becomes dependent on their American neighbors, to whom they are unnervingly indebted. As love develops between İrem and Dylan, Sinan makes a series of increasingly dangerous decisions that push him toward a betrayal that will change everyone’s lives forever.The deep bonds among father, son, and daughter; the tension between honoring tradition and embracing personal freedom; the conflict between cultures and faiths; the regrets of age and the passions of youth–these are the timeless themes Alan Drew weaves into a brilliant fiction debut.

    Her years on Malagita were sweet with the beauty of bamboo, banana, and mango trees with flocks of silver-feathered guinea hens underneath, the magic of a victrola, and the caramel flan that Mama sneaked home from the plantation kitchen. Luisa's father, fearing revolution, takes his family to New York. In the barrio his once-powerful name means nothing, and the family establishes itself in a basement tenement. For Luisa, Malagita becomes a dream. Luisa does not dream of going to college, as her friend Ellen does, or of winning the lottery, as her father does. She takes a job as a servant and, paradoxically, grows more independent. She marries and later raises a son alone. She works as a servant all her life. A Servant's Tale is the story of a life that is simple on the surface but full of depth and richness as we come to know it, a story told with consummate grace and compassion by Paula Fox.

    It doesn't appear as a standalone work, but is included with several collections. The story is a prequel to the events in The Hitchhiker's Guide To The Galaxy and has the young Zaphod Beeblebrox working as a salvage ship operator. He guides some bureaucrats to a crashed spaceship which may be leaking some hazardous materials. The bureaucrats are determined to "make it safe". The comic asides in the story include some of the time travel paradoxes which are a common running theme in Adams' SF work, and plenty of material about lobsters

     "How to Be an American Housewife" is a novel about mothers and daughters, and the pull of tradition. It tells the story of Shoko, a Japanese woman who married an American GI, and her grown daughter, Sue, a divorced mother whose life as an American housewife hasn't been what she'd expected. When illness prevents Shoko from traveling to Japan, she asks Sue to go in her place. The trip reveals family secrets that change their lives in dramatic and unforeseen ways. Offering an entertaining glimpse into American and Japanese family lives and their potent aspirations, this is a warm and engaging novel full of unexpected insight.

    The Thylacine, creature of fable and fear, is thought still to be found out there in the wilderness, and this man must find it. In richly crafted prose, first-time novelist Julia Leigh creates an unforgettable picture of a damp, dangerous landscape and a man obsessed by an almost mythical creature.

    'A Simple Tale' tells the story of Maria Poniatowski and her life. 'The Hunters' is the tale of an American doing research one summer in London and the relationship that she develops with her neighbour.

    Ferguson Glen is an Episcopal priest and faded literary star, lover of God, women and liquor (but not necessarily in that order).Their lives intersect at LaVerne’s diner—"Smoke Meat," as the regulars call it. There they are joined by a cast of remarkable characters, including LaVerne’s devoted right-hand man, A.B. Clayton; blues legend ‘Mother’ Mary Weaver; and Sammy Merzeti, a young man with a bloody past – and a bloodier future.Thin Blue Smoke is an epic redemption tale, the story of two men coming to terms with their pasts. It is also a novel about faith, race, storytelling, bourbon, the language of rabbits, and the finer points of barbecue technique.Heartrending and bitterly funny, it marks the arrival of a vital new voice in American fiction.

    Grant Repka is an obscure indie rock musician who, in his forties, finds his career surprisingly resurrected with the success of his comic operetta about the doomed romance of Tommy Lee and Pamela Anderson. When Grant and Lisa meet after one of his shows, sparks don’t immediately fly—but e-mail addresses are exchanged. A my-book-for-your-CD trade and a couple of e-mails later, Lisa tells Grant that she enjoys his song “My Psycho Ex,” but warns him that where psycho-exes are concerned, she’s pretty sure she “could drink him under the table.”Little does she know that this will become the opening salvo in an epic e-mail battle dubbed the Psycho Ex Game, a storytelling competition in which horrific tales of dysfunctional love and living with lunatics are volleyed with glee. The rules are simple; the point system, unique: the experiences that would normally leave someone running for the therapist’s office (humiliation, degradation, and complicity in psychotic behavior) just might win match point in the Psycho Ex Game. Now it’s Grant vs. Lisa as the wretched tales of his ex, the Junkie Queen of Darkness, vie with the woe inflicted by her ex, a tantrum-throwing actor/director widely known as Mr. Summer Box Office Record-Holder.As the correspondence evolves, it surprises Lisa by offering her the kind of intimacy she has never shared with a man in the same room. Before long, what started as a friendly competition becomes a road map to an unlikely couple’s growing involvement, leaving both Grant and Lisa secretly wondering, “If we were to get involved, which one of us is potentially the next Psycho Ex?”Written in alternating he said/she said chapters, The Psycho Ex Game is shot through with the acerbic humor of Merrill Markoe and the mordant observations that have made Andy Prieboy a literate voice in rock. The Psycho Ex Game is a hilarious dissection of injuries sustained on the front lines of romance—and the careful nursing that gets us battleready once again.From the Hardcover edition.

    He calls himself Shunya, the zero. Who is he? A lunatic? A dark magician? A fraud? Or an avadhuta, an enlightened soul? Saami—as they call him—settles into a small cottage in the backyard of the local toddy shop. Here he spins parables, blesses, curses, drinks endless glasses of black tea and lives in total freedom. On rare occasions, he plays soul-stirring melodies on his old, bamboo-reed flute. Then, just as mysteriously as he arrived, Shunya vanishes, setting the path for a new avadhuta, a new era. This first novel by Sri M is a meditation on the void which collapses the wall between reality and make-believe, the limited and the infinite. With its spare storytelling and profound wisdom, it leads us into the realm of ‘shunya’, the nothingness of profound and lasting peace, the beginning and end of all things.

    He is a virtual repository of the predominant ideas and historical disasters of the age. But now he has found a story he thinks may be-come his next novel: The large brass cross that hung behind the altar of St. Timothy's, a run-down Episcopal church in lower Manhattan, has disappeared...and even more mysteriously reappeared on the roof of the Synagogue for Evolutionary Judaism, on the Upper West Side. The church's maverick rector and the young woman rabbi who leads the synagogue are trying to learn who committed this strange double act of desecration and why. Befriending them, the novelist finds that their struggles with their respective traditions are relevant to the case. Into his workbook go his taped interviews, insights, preliminary drafts...and as he joins the clerics in pursuit of the mystery, it broadens to implicate a large cast of vividly drawn characters - including scientists, war veterans, prelates, Holocaust survivors, cabinet members, theologians, New York Times reporters, filmmakers, and crooners - in what proves to be a quest for an authentic spirituality at the end of this tortured century.Daringly poised at the junction of the sacred and the profane, and filled with the sights and sounds of New York, this dazzlingly inventive masterwork emerges as the American novel readers have been thirsting for a defining document of our times, a narrative of the twentieth century written for the twenty-first.

    One casualty of the fallout finds himself homeless in the suburbs of Washington D.C. and faces new challenges at every turn just trying to survive. As he changes and adapts he learns hard lessons, makes new friends and ultimately becomes a formidable force of harsh justice in a lawless land. An unrelenting coming of age story set in the backdrop of a once proud America spiraling downward into third world squalor and violence.

     With his critically acclaimed first novel Dear American Airlines, Jonathan Miles was widely praised as a comic genius “after something bigger” (David Ulin, Los Angeles Times) whose fiction was “not just philosophically but emotionally rewarding” (Richard Russo, New York Times Book Review, front cover). Now, in his much anticipated second novel, Want Not, Miles takes a giant leap forward with this highly inventive and corrosively funny story of our times, a three-pronged tale of human excess that sifts through the detritus of several disparate lives—lost loves, blown chances, countless words and deeds misdirected or misunderstood—all conjoined in their come-hell-or-high-water search for fulfillment.As the novel opens on Thanksgiving Day, readers are telescoped into three different worlds in various states of disrepair—a young freegan couple living off the grid in New York City; a once-prominent linguist, sacked at midlife by the dissolution of his marriage and his father’s losing battle with Alzheimer’s; and a self-made debt-collecting magnate, whose brute talent for squeezing money out of unlikely places has yielded him a royal existence, trophy wife included.Want and desire propel these characters forward toward something, anything, more, until their worlds collide, briefly, randomly, yet irrevocably, in a shattering ending that will haunt readers long after the last page is turned.With a satirist’s eye and a romantic’s heart, Miles captures the morass and comedy of contemporary life in all its excess. Bold, unblinking, unforgettable in its irony and pathos, Want Not is a wicked, bighearted literary novel that confirms the arrival of a major voice in American fiction.

    Emerging from his angst-filled childhood, he rushes into the throes of the twentieth century on the Western Front during the Great War, and quickly changes his role on the battlefield from cannon fodder to cameraman. When he becomes a prisoner of war, he discovers Rousseau's Confessions, and dedicates his life to bringing the memoir to the silver screen. Plagued by bad luck and blind ambition, Todd becomes a celebrated London upstart, a Weimar luminary, and finally a disgruntled director of cowboy movies and the eleventh member of the Hollywood Ten. Ambitious and entertaining, Boyd has invented a most irresistible hero.