One day outside of a bookstore, she meets M., an older British writer whose novels about Istanbul Nunu has always admired. They find themselves walking the streets of Paris and talking late into the night. What follows is an unusual friendship of eccentric correspondence and long walks around the city.M. is working on a new novel set in Turkey and Nunu tells him about her family, hoping to impress and inspire him. She recounts the idyllic landscapes of her past, mythical family meals, and her elaborate childhood games. As she does so, she also begins to confront her mother’s silence and anger, her father’s death, and the growing unrest in Istanbul. Their intimacy deepens, so does Nunu’s fear of revealing too much to M. and of giving too much of herself and her Istanbul away. Most of all, she fears that she will have to face her own guilt about her mother and the narratives she’s told to protect herself from her memories.A wise and unguarded glimpse into a young woman’s coming into her own, Walking on the Ceiling is about memory, the pleasure of invention, and those places, real and imagined, we can’t escape.

    From a grand villa in Smyrna in the early twentieth century to a silk plantation in the foothills of Mount Olympus, from a tiny house in a sleepy town to an apartment in a modern urban high-rise, the family's dwellings reflect its fortune's rise and fall. As communal baths and odalisques give way to movies and cell phones, four unique yet powerfully linked women experience all of life's hardships and pleasures.

     Emmett Conn is an old man, near the end of his life. A World War I veteran, he's been affected by memory loss since being injured during the war. To those around him, he's simply a confused man, fading in and out of senility. But what they don't know is that Emmett has been beset by memories, of events he and others have denied or purposely forgotten. In Emmett's dreams he's a gendarme, escorting Armenians from Turkey. A young woman among them, Araxie, captivates and enthralls him. But then the trek ends, the war separates them. He is injured. Seven decades later, as his grasp on the boundaries between past and present begins to break down, Emmett sets out on a final journey, to find Araxie and beg her forgiveness. Mark Mustian has written a remarkable novel about the power of memory-and the ability of people, individually and collectively, to forget. Depicting how love can transcend nationalities, politics, and religion, how racism creates divisions where none truly exist, and how the human spirit fights to survive even in the face of hopelessness, The Gendarme is a transcendent novel.

    Translated from the Turkish by Figen Bingul with Ilkan Taskin, Zoe English and Edward Foster. Includes an introduction by Sibel Erol. Narrated by an author on vacation among the classical ruils of the ancient city of Side on the Mediterannean coast in Turkey, SUMMER'S END provides an intricate picture of a large cross-section of modern Turkish society. The novel offers a complex multi-dimensional and multi-leveled view of cultural values, politics, sexuality, and personal dilemmas. SUMMER'S END is one of the most celebrated works by Adalet Angaoglu, widely considered to be one of the principal novelists of our time. SUMMER'S END, says critic Sibel Erol in her introduction, "is an elegaic novel of attempted reconciliation and consolation set in a lush and delectable setting that intensifies the heartbreaking contrast between life and death and society's fragmentation and nature's organic unity." Adalet Agaoglu is the author of eight novels as well as plays, memoirs, four collections of short stories, and six collections of essays. Her books have been widely translated. SUMMER'S END is the second to appear in English. She lives in Istanbul.

    In the summer of 1980, tensions are building. Homes of the poor are being burnt down. Armed revolutionaries on college campuses battle right-wings militias in the city's neighborhoods. The lines between good and bad, right and wrong, and beautiful and ugly are blurred by shed blood. Two children, one from a family living in misery and one well-off, form an alliance amid the turmoil. Through their senses, the cityscape unfolds its wonders, its rich smells and colors, as they try to make sense of the events swirling around them. And they hatch a plan. For the first time in generations, mute swans have migrated from Russia to the Black Sea and to a park at the center of Ankara. For the generals, they are an affirmation, and their wings must be broken so they can't fly away. But if the children can save one swan, won't they have saved the freedom of all?

    This is a women’s world: the mother, Fatma, nurtures her three children, with the grandmother Ayşe and the “aunties” of the neighbourhood, while Mustafa, the often unemployed father, recites Orhan Veli and drinks copious rakı, dreaming of building a larger family home. Here is the Turkey of the 1950s and early 1960s, with its political struggles, growing urbanisation, the Korean War, American comic books and the departure of the first wave of workers to Germany. The Anatolian grandparents carry with them their sagas of the war and the nascent Turkish Republic, enriched by wisdom, humour and village folklore. The author’s wonderful use of local narrative, storytelling, proverbs and prayers, and a prose that moves from the lyrical to gritty humour, re-creates this microcosm of neighbourhoods from a young girl’s intimate perspective. We follow her as she sits in school, visits relatives, dreams, listens to stories and experiments with early passions. Reality merges into mythological visions as, naïve, witty and explorative, she absorbs the colourful world around her.

    The Great War is raging through Europe, and in the ancient, mountainous lands southwest of the Caspian Sea the Turks have begun systematically to exterminate their Christian subjects. Unable to deny his birthright or his people, one man, Gabriel Bagradian—born an Armenian, educated in Paris, married to a Frenchwoman, and an officer doing his duty as a Turkish subject in the Ottoman army—will strive to resist death at the hands of his blood enemy by leading 5,000 Armenian villagers to the top of Musa Dagh, "the mountain of Moses." There, for forty days, in the face of almost certain death, they will suffer the siege of a Turkish army hell-bent on genocide. A passionate warning against the dangers of racism and scapegoating, and prefiguring the ethnic horrors of World War II, this important novel from the early 1930s remains the only significant treatment, in fiction or nonfiction, of the first genocide in the twentieth century's long series of inhumanities. It also continues to be today what the New York Times deemed it in 1933—"a true and thrilling novel ... a story which must rouse the emotions of all human beings." "Musa Dagh gives us a lasting sense of participation in a stirring episode of history.... Magnificent."—The New York Times Book Review "A novel full of the breath, the flesh and blood and bone and spirit of life."—Saturday Review

    Morais's The Hundred-Foot Journey, a sweeping tale of love and the magic of food set during the Ottoman Empire.A Pasha of Cuisine is a rare talent in Ottoman lore. Only two, maybe three are born with such a gift every few centuries. A natural master of gastronomy, he is the sovereign genius who reigns over aromas and flavors and can use them to influence the hearts and minds, even the health, of those who taste his creations. In this fabulous novel, one such chef devises a plot bring down the Ottoman Empire—should he need to—in order to rescue the love of his life from the sultan’s harem.Himself a survivor of the bloodiest massacre ever recorded within the Imperial Palace after the passing of the last sultan, he is spirited away through the palace kitchens, where his potential was recognized. Across the empire, he is apprenticed one by one to the best chefs in all culinary disciplines and trained in related arts, such as the magic of spices, medicine, and the influence of the stars. It is during his journeys that he finds happiness with the beautiful, fiery dancing girl Kamer, and the two make plans to marry. Before they can elope, Kamer is sold into the Imperial Harem, and the young chef must find his way back into the Imperial Kitchens and transform his gift into an unbeatable weapon.

    

    It would be decades before her grandmother told her the truth: that she was by birth a Christian and an Armenian, that her name was not Seher but Heranush, that most of the men in her village had been slaughtered in 1915, that she, along with most of the women and children, had been sent on a death march. She had been saved (and torn from her mother’s arms) by the Turkish gendarme captain who went on to adopt her. But she knew she still had family in America. Could Fethiye help her find her lost relations before she died? There are an estimated two million Turks whose grandparents could tell them similar stories. But in a country that maintains the Armenian genocide never happened, such talk can be dangerous. In her heartwrenching memoir, Fethiye Cetin breaks the silence.

    Antiquarian merchant and sage Balthasar must go on an odyssey in search of a book that holds the secret of God's hundredth name, which is the key to the survival of the world.

    It covers the emergence of Turkey over two centuries, from the decline and collapse of the Ottoman Empire up to the present day. In a new chapter, Lewis discusses the origins of his book in the Cold War era and the events that have taken place since its first publication in 1961. This new edition addresses Turkey's emergence as a decidedly Western-oriented power despite internal opposition from neutralists and Islamic fundamentalists. It examines such issues as Turkey's inclusion in NATO and application to the European Union, and its involvement with the politics of the Middle East. Authoritative and insightful, The Emergence of Modern Turkey remains the classic text on the history of modern Turkey.

    Adventure tells about the confrontation between a man who finds himself alone in front of a plantation - harassed by blacks cannibals - and a bold, independent and liberated feminist woman, Joan Lackland, who's arrival at the plantation turns everything upside down...Published in 1911, this novel, a devastating portrayal of colonialism and slavery set in the Solomon Islands, has generated considerable controversy since its publication over the question of whether London shared the racist beliefs of his characters or, on the contrary, was merely presenting them accurately.

    The stories are peopled by characters as bizarre as they are unforgettable: Crazy Karchar, whose unpredictability requires an army of fleas to manage it; Kazan, who cheerfully pretends to necrophilia in order to escape from prison; the monster Goggle-eye; and the heroine Chichek, who shoots, races on horseback and wrestles her lover. Geoffrey Lewis's classic translation retains the odd and oddly appealing style of the stories, with their mixture of the colloquial, the poetic and the dignified, and magnificently conveys the way in which they bring to life a wild society and its inhabitants. This edition also includes an introduction, a map and explanatory notes.

    Defining culture and pinpointing its role in our lives is not, however, so straightforward. Terry Eagleton, one of our foremost literary and cultural critics, is uniquely poised to take on the challenge. In this keenly analytical and acerbically funny book, he explores how culture and our conceptualizations of it have evolved over the last two centuries—from rarified sphere to humble practices, and from a bulwark against industrialism’s encroaches to present-day capitalism’s most profitable export. Ranging over art and literature as well as philosophy and anthropology, and major but somewhat "unfashionable" thinkers like Johann Gottfried Herder and Edmund Burke as well as T. S. Eliot, Matthew Arnold, Raymond Williams, and Oscar Wilde, Eagleton provides a cogent overview of culture set firmly in its historical and theoretical contexts, illuminating its collusion with colonialism, nationalism, the decline of religion, and the rise of and rule over the "uncultured" masses. Eagleton also examines culture today, lambasting the commodification and co-option of a force that, properly understood, is a vital means for us to cultivate and enrich our social lives, and can even provide the impetus to transform civil society.