So when he agrees to return to India to visit his ailing grand­father, he is sure he’ll be able to resist his family’s pleas that he marry a “good” Indian girl. With a girlfriend and a promising career back in San Francisco, the last thing Neel needs is an arranged marriage.Leila is a thirty-year-old teacher in Neel’s family’s village who has watched too many prospective husbands come and go to think her newest suitor will be any different. She is well past prime marrying age; her family has no money for a dowry; and then there’s the matter of an old friendship with a Muslim boy named Janni.Neel and Leila struggle to reconcile their own desires with the expectations of others in this riveting story of two people, two countries, and two ways of life that may be more compatible than they seem.

    And about men surprised by women who are unconventional, unafraid and independent. It is the story of Meena, rebellious and unexamined, and Yuri, as complex as Meena is naive. Of Hajime, outsider to two cultures, and Prakash, unable to see beyond his limited horizons. It is also the story of Haruko who has dedicated herself to her art, and of Leela who is determined to break gender roles and learn the traditional gold-craft of her community. Set between Japan and Jaipur, Kintsugi follows the lives of these characters as they intersect and diverge, collide and break and join again in unexpected ways. The result is a brilliantly original novel as profound as it is playful, as emotionally moving as it is gripping.

    The book features curated old favourites and brand new tales as well as exclusive entries by Penguin's bestselling authors.The page-turner of the year, the volume is sure to occupy a unique space on your shelf, making for great introspection and even better conversation.

    Only his second collection (the first was Dark Carnival, later reworked into The October Country), it is a marvelous, if mostly dark, quilt of science fiction, fantasy, and horror. In an ingenious framework to open and close the book, Bradbury presents himself as a nameless narrator who meets the Illustrated Man--a wanderer whose entire body is a living canvas of exotic tattoos. What's even more remarkable, and increasingly disturbing, is that the illustrations are themselves magically alive, and each proceeds to unfold its own story, such as "The Veldt," wherein rowdy children take a game of virtual reality way over the edge. Or "Kaleidoscope," a heartbreaking portrait of stranded astronauts about to reenter our atmosphere--without the benefit of a spaceship. Or "Zero Hour," in which invading aliens have discovered a most logical ally--our own children. Even though most were written in the 1940s and 1950s, these 18 classic stories will be just as chillingly effective 50 years from now. --Stanley WiaterContents:· Prologue: The Illustrated Man · ss * · The Veldt [“The World the Children Made”] · ss The Saturday Evening Post Sep 23 ’50 · Kaleidoscope · ss Thrilling Wonder Stories Oct ’49 · The Other Foot · ss New Story Magazine Mar ’51 · The Highway [as by Leonard Spalding] · ss Copy Spr ’50 · The Man · ss Thrilling Wonder Stories Feb ’49 · The Long Rain [“Death-by-Rain”] · ss Planet Stories Sum ’50 · The Rocket Man · ss Maclean’s Mar 1 ’51 · The Fire Balloons [“‘In This Sign...’”] · ss Imagination Apr ’51 · The Last Night of the World · ss Esquire Feb ’51 · The Exiles [“The Mad Wizards of Mars”] · ss Maclean’s Sep 15 ’49; F&SF Win ’50 · No Particular Night or Morning · ss * · The Fox and the Forest [“To the Future”] · ss Colliers May 13 ’50 · The Visitor · ss Startling Stories Nov ’48 · The Concrete Mixer · ss Thrilling Wonder Stories Apr ’49 · Marionettes, Inc. [Marionettes, Inc.] · ss Startling Stories Mar ’49 · The City [“Purpose”] · ss Startling Stories Jul ’50 · Zero Hour · ss Planet Stories Fll ’47 · The Rocket [“Outcast of the Stars”] · ss Super Science Stories Mar ’50 · Epilogue · aw *

    While unrest surrounding the sudden death of the king of Devangarh grows, young prince Rudra Pratap Chauhan prepares to ascend the throne.But the kingdom is in turmoil. The Devangarh army is outnumbered and the British forces are closing in. To make matters worse, Rudra discovers the king’s death may not have been accidental after all. The strange appearance and disappearance of a mysterious hooded stranger and a series of ritualistic murders in which the bodies have been drained of blood, spread panic across the realm.As Rudra struggles to manage his new responsibilities and investigate his father’s death, dark secrets will be uncovered that will disrupt life as he knows it.

    Raised alone and far away from her home on Kali, Esmae longs to return to her family. When the King of Wychstar offers to gift the unbeatable, sentient warship Titania to a warrior that can win his competition, she sees her way home: she’ll enter the competition, reveal her true identity to the world, and help her famous brother win back the crown of Kali. It’s a great plan. Until it falls apart. Inspired by the Mahabharata and other ancient Indian stories, A Spark of White Fire is a lush, sweeping space opera about family, curses, and the endless battle between jealousy and love.

    The fragile peace between the two powers is threatened when Balaji Vishvanath Bhat, Peshwa of the Confederacy, foils the plans of Nizam Ul Mulk of the Mughal Empire, and asserts the power of the Marathas. However, little does the Peshwa know that he has dealt the Nizam an unintended wound—one with roots in his mysterious past and one that he would seek to avenge till his last breath.When the Peshwa surrenders his life to a terminal illness dark clouds gather over the Confederacy as it is threatened by a Mughal invasion as well as an internal rebellion.All the while a passive spectator, the Peshwa’s son, Bajirao Bhat, now needs to rise beyond the grief of his father’s passing, his scant military and administrative experience, and his intense love for his wife and newborn son to rescue everything he holds dear. Will the young man be able to protect the Confederacy from internal strife and crush the armies of the Empire all while battling inner demons? Will he live up to his title of Peshwa?

    Favourites such as Jack the Giant-killer, Jack and the Beanstalk, Dick Whittington, The Three Little Pigs and The Babes in the Wood are all here among many others, but stories from different traditions also make their appearance, including The Three Bears and Little Red Hiding Hood.

    Literally, a pundit predicted Winnie would find the love of her life before her 18th birthday, and Raj meets all of the qualifications. Which is why Winnie is shocked to return from her summer at film camp to find her boyfriend of three years hooking up with Jenny Dickens. Worse, Raj is crowned chair of the student film festival, a spot Winnie was counting on for her film school applications. As a self-proclaimed Bollywood expert, Winnie knows this is not how her perfect ending is scripted.Then there’s Dev, a fellow film geek, and one of the few people Winnie can count on to help her reclaim control of her story. Dev is smart, charming, and challenges Winnie to look beyond her horoscope to find someone she’d pick for herself. But does falling for Dev mean giving up on her prophecy, and her chance to live happily ever after? To get her Bollywood-like life on track, Winnie will need a little bit of help from fate, family, and of course, a Bollywood movie star.

    This book presents the great stories of the heroic age - "Dionysus", "Heracles", "Theseus", "The Quest for the Golden Fleece", and many more.

    W.H.;" and the parables Wilde referred to as "Poems in Prose," including "The Artist," "The House of Judgment," and "The Teacher of Wisdom."

    In her gothic visions of small-town America, Jackson, the author of such masterworks as The Haunting of Hill House and We Have Always Lived in the Castle, turns an ordinary world into a supernatural nightmare. This eclectic collection goes beyond her horror writing, revealing the full spectrum of her literary genius. In addition to Come Along with Me, Jackson's unfinished novel about the quirky inner life of a lonely widow, it features sixteen short stories and three lectures she delivered during her last years.

    The Mughal Emperor Akbar is at the height of his power, seemingly invincible. But twenty years of war have earned him many enemies, and rebellion is brewing, led by Asaf Baig, the tyrannical ruler of Khandesh. Baig has stumbled upon the knowledge that the fabulous lost treasure of Malik Kafur, that will guarantee victory to Akbar’s enemies, is known to an old woman called Ambu.Baig Kidnaps Ambu to wrest the knowledge of the treasure from her; but her twenty-year-old grandson, Dattatreya, escapes and flees across Hindustan to enlist the help of the one person who has the most reason to stop Baig – the Mughal Emperor himself.Staying one step ahead of capture and death, Datta is swept up in a world of kings and warrior princesses, of uncommon friendships and an implacable evil; and a desperate race against time to save his grandmother – and the Empire.Aroon Raman, national bestselling author of The Shadow Throne now brings us a riveting saga of action and adventure set in Mughal India.

            The stories are divided into three sections: The Age of Fable or Stories of Gods and Heroes (first published in 1855); The Age of Chivalry (1858), which contains King Arthur and His Knights, The Mabinogeon, and The Knights of English History; and Legends of Charlemagne or Romance of the Middle Ages (1863). For the Greek myths, Bulfinch drew on Ovid and Virgil, and for the sagas of the north, from Mallet's Northern Antiquities. He provides lively versions of the myths of Zeus and Hera, Venus and Adonis, Daphne and Apollo, and their cohorts on Mount Olympus; the love story of Pygmalion and Galatea; the legends of the Trojan War and the epic wanderings of Ulysses and Aeneas; the joys of Valhalla and the furies of Thor; and the tales of Beowulf and Robin Hood. The tales are eminently readable. As Bulfinch wrote, "Without a knowledge of mythology much of the elegant literature of our own language cannot be understood and appreciated. . . . Our book is an attempt to solve this problem, by telling the stories of mythology in such a manner as to make them a source of amusement."Thomas Bulfinch, in his day job, was a clerk in the Merchant's Bank of Boston, an undemanding position that afforded him ample leisure time in which to pursue his other interests. In addition to serving as secretary of the Boston Society of Natural History, he thoroughly researched the myths and legends and copiously cross-referenced them with literature and art. As such, the myths are an indispensable guide to the cultural values of the nineteenth century; however, it is the vigor of the stories themselves that returns generation after generation to Bulfinch.

    Set in politically charged Shillong, this interconnected collection of stories speaks of the coming-of-age of a young woman–and the city and community she calls home.