Thinking Alexandra is his half-sister, pirate captain Nathaniel Kent takes her hostage on his ship to exact revenge on his cold-hearted father. But the pirate and the beautiful seamstress can barely contain their strong desire for each other.

    This is a man who has lied all his life.Roy is a conman living in a small English town, about to pull off his final con. He is going to meet and woo a beautiful woman and slip away with her life savings. But who is the man behind the con? What has he had to do to survive a life of lies? And who has had to pay the price?When Roy meets a wealthy widow online, he can hardly believe his luck. Just like Patricia Highsmith’s Tom Ripley, Roy is a man who lives to deceive—and everything about Betty suggests she’s an easy mark. He’s confident that his scheme to swindle her will be a success. After all, he’s done this before.Sure enough, Betty soon lets Roy move into her beautiful home, seemingly blind to the web of lies he’s woven around her. But who is Roy, really? Spanning almost a century, this stunning and suspenseful feat of storytelling interweaves the present with the past. As the clock turns back and the years fall away, long-hidden secrets are forced into the light. Some things can never be forgotten. Or forgiven.

    . . A twisted Gothic tale, emotional in its language and febrile in its atmosphere, and it will appeal to readers who love to hear about obsession, repression . . . and poetic justice.”—The New York Times Book Review Louisa is the new scholarship student at Temple House, a drafty, imposing cliffside boarding school full of girls as chilly as the mansion itself. There is one other outsider, an intense and compelling student provocateur named Victoria, and the two girls form a fierce bond. But their friendship is soon unsettled by a young art teacher, Mr. Lavelle, whose charismatic presence ignites tension and obsession in the cloistered world of the school. Then one day, Louisa and Mr. Lavelle vanish without a trace, never to be found. Now, on the twenty-fifth anniversary of the disappearance, one journalist—a woman who grew up on the same street as Louisa—delves into the past, determined to uncover the truth. She finds stories of jealousy and revenge, power and class. But might she find Louisa and Mr. Lavelle, too? Told in alternating points of view, The Temple House Vanishing is tense, atmospheric, and page-turning . . . with a shocking, ingenious conclusion. An Irish Bestseller and finalist for the Irish Book Awards Newcomer of the Year

    Perfect homes. Perfect families. It’s enough to drive some women mad…In a tale inspired by real events, pregnant journalist Joan Harken is cautiously excited to follow her fiancé back to his Minnesota hometown. After spending a childhood on the move and chasing the screams and swirls of news-rich city life, she’s eager to settle down. Lilydale’s motto, “Come Home Forever,” couldn’t be more inviting.And yet, something is off in the picture-perfect village.The friendliness borders on intrusive. Joan can’t shake the feeling that every move she makes is being tracked. An archaic organization still seems to hold the town in thrall. So does the sinister secret of a little boy who vanished decades ago. And unless Joan is imagining things, a frighteningly familiar figure from her past is on watch in the shadows.Her fiancé tells her she’s being paranoid. He might be right. Then again, she might have moved to the deadliest small town on earth.

    For him, there is only the present: a new marriage to Tamara, a first chance at fatherhood to her son Elijah, and a quiet but pleasant life as an art teacher at Elijah’s elementary school in Danvers, Virginia. Then the body of a rabbit, ritualistically murdered, appears on the school grounds with a birthday card for Richard tucked beneath it. Richard doesn’t have a birthday—but Sean does . . .Sean is a five-year-old boy who has just moved to Greenfield, Virginia, with his mother. Like most mothers of the 1980s, she’s worried about bills, childcare, putting food on the table . . . and an encroaching threat to American life that can take the face of anyone: a politician, a friendly neighbor, or even a teacher. When Sean’s school sends a letter to the parents revealing that Sean’s favorite teacher is under investigation, a white lie from Sean lights a fire that engulfs the entire nation—and Sean and his mother are left holding the match.Now, thirty years later, someone is here to remind Richard that they remember what Sean did. And though Sean doesn’t exist anymore, someone needs to pay the price for his lies.

    Damien Cole. Ignoring the whispered warnings and rumours that he's a man to fear, she takes her position at his eerie estate, where she quickly discovers that nothing is at it seems, least of all her handsome and brooding employer. As Darcie struggles with her fierce attraction to Damien, she must also deal with the blood, the disappearances ... and the murders.With her options dwindling and time running out, Darcie must rely on her instincts as she confronts the man she falling in love with. Is he an innocent and misunderstood man ... or a remorseless killer who prowls the East End streets?Note: All books in the Dark Gothic series can be read as stand-alone novels.

    The first time Julia Ansdell picks up The Incendio Waltz, she knows it’s a strikingly unusual composition. But while playing the piece, Julia blacks out and awakens to find her young daughter implicated in acts of surprising violence. And when she travels to Venice to find the previous owner of the music, she uncovers a dark secret that involves dangerously powerful people—a family who would stop at nothing to keep Julia from bringing the truth to light.

    Born into dismal poverty, young Nell Sweeney scratches by on her wits and little else until fortune blesses her with a position as nursery governess to the fabulously wealthy Hewitts. But she soon learns that ugly secrets lurk beneath the surface of their gold-plated world.The Hewitts’ eldest son, William, a former Union Army battle surgeon and the black sheep of the family, was reported to have died three years before in a notorious Confederate prison camp. But one snowy February afternoon, his parents learn that he is, in fact, still alive—and in jail for having murdered a man while intoxicated on opium. Infuriated by his son’s deception and convinced of his guilt, August Hewitt forbids his wife from coming to Will’s aid, so she begs Nell to help exonerate him. Nell finds that she must delve into the kind of dark and treacherous underworld she thought she’d left far behind if she is to unearth the truth before the hangman’s noose tightens around William Hewitt’s throat.

    Blood and death are Fiona Mahoney’s trade, and business, as they say, is booming. Dying is the only thing people do with any regularity, and Fiona makes her indecorous living cleaning up after the corpses are carted away. Her childhood best friend, Mary, was the last known victim of Jack the Ripper. It’s been two years since Fiona scrubbed Mary’s blood from the floorboards, and London is no longer buzzing about the Ripper, but Fiona hasn’t forgotten. And she hasn’t stopped searching for Jack. When she’s called to a murder in the middle of the night, Fiona finds a victim mutilated in an eerily similar fashion to those of the Ripper, and only a few doors down from Mary’s old home. The relentless, overbearing, and irritatingly handsome Inspector Grayson Croft warns her away from the case. She might have listened, if she hadn’t found a clue in the blood. A clue that will lead her down a path from which there is no return.As a killer cuts a devastating swath through London, a letter written in blood arrives at her door, and it is only then that Fiona realizes just how perilous her endeavor is. For she has drawn the attention of an obsessive evil, and is no longer the hunter, but the prey. Fiona Mahoney is in the business of blood. But she’s not the only one. With intriguing twists, blood-chilling discoveries, and dazzling prose, USAToday Bestselling author Kerrigan Byrne shows that a woman’s work is never done, even when she is sleuthing out a serial killer.

    But the shock goes even deeper when she learns that the woman who has been like a mother to her has left her entire estate to Julie’s twin sister. The only thing Julie receives is a key—one carried by her mother on the day she herself died—to a safety-deposit box in Siena, Italy. This key sends Julie on a journey that will change her life forever—a journey into the troubled past of her ancestor Giulietta Tolomei. In 1340, still reeling from the slaughter of her parents, Giulietta was smuggled into Siena, where she met a young man named Romeo. Their ill-fated love turned medieval Siena upside-down and went on to inspire generations of poets and artists, the story reaching its pinnacle in Shakespeare’s famous tragedy. But six centuries have a way of catching up to the present, and Julie gradually begins to discover that here, in this ancient city, the past and present are hard to tell apart. The deeper she delves into the history of Romeo and Giulietta, and the closer she gets to the treasure they allegedly left behind, the greater the danger surrounding her—superstitions, ancient hostilities, and personal vendettas. As Julie crosses paths with the descendants of the families involved in the unforgettable blood feud, she begins to fear that the notorious curse—“A plague on both your houses!”—is still at work, and that she is destined to be its next target. Only someone like Romeo, it seems, could save her from this dreaded fate, but his story ended long ago. Or did it? From Anne Fortier comes a sweeping, beautifully written novel of intrigue and identity, of love and legacy, as a young woman discovers that her own fate is irrevocably tied—for better or worse—to literature’s greatest star-crossed lovers.

    Shady, tree-lined streets, well-tended lawns and cozy homes. A nice, quiet place to grow up. Unless you are teenage Meg or her crippled sister, Susan. On a dead-end street, in the dark, damp basement of the Chandler house, Meg and Susan are left captive to the savage whims and rages of a distant aunt who is rapidly descending into madness. It is a madness that infects all three of her sons and finally the entire neighborhood. Only one troubled boy stands hesitantly between Meg and Susan and their cruel, torturous deaths. A boy with a very adult decision to make.

    It showcases Diane Chamberlain at the top of her talent.One mistake, one fateful night, and Tess DeMello’s life is changed forever. It is 1944. Pregnant, alone, and riddled with guilt, twenty-three-year-old Tess DeMello abruptly gives up her budding career as a nurse and ends her engagement to the love of her life, unable to live a lie. Instead, she turns to the baby’s father for help and agrees to marry him, moving to the small, rural town of Hickory, North Carolina. Tess’s new husband, Henry Kraft, is a secretive man who often stays out all night, hides money from his new wife, and shows her no affection. Tess quickly realizes she’s trapped in a strange and loveless marriage with no way out.The people of Hickory love and respect Henry but see Tess as an outsider, treating her with suspicion and disdain. When one of the town’s golden girls dies in a terrible accident, everyone holds Tess responsible. But Henry keeps his secrets even closer now, though it seems that everyone knows something about him that Tess does not. When a sudden polio epidemic strikes Hickory, the townspeople band together to build a polio hospital. Tess knows she is needed and defies Henry’s wishes to begin working at there. Through this work, she begins to find purpose and meaning. Yet at home, Henry’s actions grow more alarming by the day. As Tess works to save the lives of her patients, can she untangle the truth behind her husband’s mysterious behavior and find the love—and the life—she was meant to have?

    She blends in well, unremarkably pretty in her floral-print dresses and extra efficient at her low-level job. She’s just the kind of woman middle manager Steven Hepsworth likes—meek, insecure, and willing to defer to a man. No one has any idea who Jane really is. Least of all Steven.But plain Jane is hiding something. And Steven’s bringing out the worst in her.Nothing can distract Jane from going straight for his heart: allowing herself to be seduced into Steven’s bed, to insinuate herself into his career and his family, and to expose all his dirty secrets. It’s time for Jane to dig out everything that matters to Steven. So she can take it all away.Just as he did to her.

    When the opportunity arose, she settled in horse and wine country. Experiencing more than her fair share of tragedy and loss, she had plans for her future, one where failure wasn’t an option. And not just because people and cows were counting on her. She’d poured everything she had into her struggling vineyard, because once she’s in, she’s all in. After giving himself wholly to the job for ten years, Crew Vega was done. He’d fulfilled his commitment, done his duty, gone above and beyond to settle the score. And the score was high. All he had to do was train his replacements and he’d be out for good. He had a plan, one that didn’t include getting involved with his new neighbor, a woman who not only kept cows for pets, but treasured her employees as family, and understood him better than anyone ever had before. But when he learned a high level CIA target being investigated for treason was keeping tabs on her? No, he never planned on that. And like everything Crew Vega did in life, when he goes in, he’s all in. Warning: I’m a devout member of the mama club and don’t want to get kicked out by angry mamas. If you aren’t eighteen, turn around, go drink your milk and eat your veggies, it’s good for your bones. And go to bed early, you’re still growing, your body needs sleep. And don’t text and drive. And be nice, sit with the kid who sits alone at lunch. And read a PG-13 book, it’s good for your brain. And go tell your mama you love her. Chop-chop, run along now. I’ll see you back when you’re eligible to vote.

    Brilliant. A Liability?Doctor Anna Cassidy has been trained by the best; the former Chief Surgeon for the Auckland Police Force. She knows how to dissect a body. She knows how to treat any ailment. And she knows how to find a cause of death. But society is not ready for a female surgeon.Fighting for what she believes in has been ingrained in Anna since she was a young child. But the battles she faces now are not all based on equality. A murderer stalks her fellow Suffragettes and the police inspector in charge of the case could be Anna's downfall.Experienced. Dedicated. Something to hide?Inspector Andrew Kelly holds duty and honour in the highest regard. His role as a detective proves just that; he never stops until justice is served. Love is something he has forsaken, for reasons he'd rather you didn't know.But Anna is not a woman a man can ignore.Fighting his instincts with cold determination is something Kelly has become accustomed to. But a murderer is loose in his adopted city, bringing memories to the fore of a killer who walked in the shadows of Whitechapel, and shining light on a dark past the Inspector is trying hard to forget.A gritty, twisted, and authentic Victorian romantic suspense, sure to rip you apart... just like old Jack.