His whimsical and often erotic writing has already captured the hearts and minds of literally thousands of readers from around the world. He paints vivid pictures with intricate words and explores the compelling themes of love, loss, relationships and sex. All beautifully captured in poetry, prose, quotes and little short stories.

    The modern world generates so much noise, he says, that seeking moments of silence has become both harder and more necessary than ever before.Silence is the indispensable doorway to the divine, explains the cardinal in this profound conversation with Nicolas Diat. Within the hushed and hallowed walls of the La Grande Chartreux, the famous Carthusian monastery in the French Alps, Cardinal Sarah addresses the following questions: Can those who do not know silence ever attain truth, beauty, or love?  Do not wisdom, artistic vision, and devotion spring from silence, where the voice of God is heard in the depths of the human heart?After the international success of God or Nothing, Cardinal Sarah seeks to restore to silence its place of honor and importance. "Silence is more important than any other human work," he says, "for it expresses God. The true revolution comes from silence; it leads us toward God and others so as to place ourselves humbly and generously at their service."

    Narrative elaboration becomes speed and song. Less embattled than earlier work, less actively violent, these new poems have, by conceding time's finalities and triumphs, acquired a dark radiance unlike anything seen before in Bidart's long career. Mortality--imminent, not theoretical--forces the self to question the relation between the actual life lived and what was once the promise of transformation. This plays out against a broad landscape. The book opens with Marilyn Monroe, followed by the glamour of the eighth-century Chinese imperial court (seen through the eyes of one of China's greatest poets, Tu Fu). At the center of the book is an ambitious meditation on the Russian ballerina Ulanova, "Giselle," and the nature of tragedy. All this gives new dimension and poignance to Bidart's recurring preoccupation with the human need to leave behind some record or emblem, a made thing that stands, in the face of death, for the possibilities of art. Bidart, winner of the 2007 Bollingen Prize in American Poetry, is widely acknowledged as one of the significant poets of his time. This is perhaps his most accessible, mysterious, and austerely beautiful book.

    / In writing. / I signed my name. / It’s death’s move.” As he considers his mortality, the poet finds a new elation and clarity on the page, handing over for our examination the flawed yet kneeling-in-gratitude self he has become. F stands both for Franz, the poet-speaker who represents all of us on our baffling lifelong journeys, and for the alphabet, the utility and sometimes brutality of our symbols. (It may be, he jokes grimly, his “grade in life.”) From “Entries of the Cell,” the long central poem that details the loneliness of the single soul, to short narrative prose poems and traditional lyrics, Wright revels in the compensatory power of language, observing the daytime headlights following a hearse, or the wind, “blessing one by one the unlighted buds of the backbent peach tree’s unnoted return.” He is at his best in this beautiful and startling collection.

    Layer upon layer of tinsel, lights, and wrapping paper create the illusion of abundance, disguising the feeling of emptiness in our souls. The arrival of the Messiah, by contrast, is true abundance disguised by the impression of scarcity. Training our eyes to see through the rough stable, the adolescent mother, and the anxious escape to Egypt, we can see in that poverty and powerlessness the wonder of God's abundant life and grace coming down to dwell among us.This powerful devotional by best-selling author Walter Brueggemann includes daily reflections on the Scriptures and stories of Advent in order to invite us to see beyond the world's faux extravagance and realize the true feast laid out before us. Twelve prayers are also included for the twelve days of Christmas.

    "Nick Demske writes from culture like the Hollywood version of a rebellious slave, the role shredding off him, culture's synthetic exemplary tales shredding and piling up on the floor of the projector room."—Joyelle McSweeneyHis name is "a transcendant uber-obsenity that can be understood universally by speakers of any language."

    He is regarded as a leading pioneer of existentialism and one of the greatest philosophers of the 19th Century.In Fear and Trembling, Kierkegaard wanted to understand the anxiety that must have been present in Abraham when God commanded him to offer his son as a human sacrifice. Abraham had a choice to complete the task or to forget it. He resigned himself to the loss of his son, acting according to his faith. In other words, one must be willing to give up all his or her earthly possessions in infinite resignation and must also be willing to give up whatever it is that he or she loves more than God. Abraham had passed the test -- his love for God proved greater than anything else in him. And because a good and just Creator would not want a father to kill his son, God intervened at the last moment to prevent the sacrifice.

    As we use the Book of Common Prayer, Black says, "we discover we are not alone, and this liturgical current of worship, prayer, and praise will indeed take us where we want to go-union with the God we seek to love." Welcome to the Book of Common Prayer shows readers everything from where to find the Sunday collect to how to pray the Daily Office. But it's more than a how-to. It offers history and background that help make the prayer book a more meaningful part of the worship life of individuals and congregations.With thoughtful reflection questions, this is a perfect volume for parish study groups.

    When she begins to bleed from her hands, feet, and side, the entire community is thrown into turmoil. Is Mariette a cunning sham, or sexually hysterical, or does God stalk her like a pitiless lover? Mariette in Ecstasy is a stunning immersion into the society of a small convent at the turn of the century, where a mysterious and ultimately harrowing world lies beneath the lovely, placid surface of everyday life. With Mariette In Ecstasy, critically acclaimed author Ron Hansen again powerfully demonstrates his gift for brilliantly recreating time and place. As intriguing as The Name Of The Rose, as sensually hypnotic as Marguerite Duras' The Lover, this is an intimate portrait of a fascinating young woman in the grip of an intractable fate, and it raises provocative questions about the complex nature of passionate faith. Exquisitely crafted, Mariette in Ecstasy is a spellbinding novel that marks a new level of achievement in one of our most gifted writers.~ from 1991 hardcover dustjacket

    Blood Lyrics is a mother's song, one seared with the knowledge that her country wages long, aching wars in which not all lives are equal. There is beauty imparted, too, but it arrives at a cost: "Don't say it's the beautiful / I praise," Ford writes. "I praise the human, / gutted and rising."

    . . But, ironically, so was my later journey to God.' - Lee StrobelDuring his academic years, Lee Strobel became convinced that God was outmoded, a belief that colored his ensuing career as an award-winning journalist at the Chicago Tribune. Science had made the idea of a Creator irrelevant - or so Strobel thought. But today science is pointing in a different direction. In recent years, a diverse and impressive body of research has increasingly supported the conclusion that the universe was intelligently designed. At the same time, Darwinism has faltered in the face of concrete facts and hard reason.Has science discovered God? At the very least, it's giving faith an immense boost as new findings emerge about the incredible complexity of our universe. Join Strobel as he re-examines the theories that once led him away from God. Through his compelling and highly readable account, you'll encounter the mind-stretching discoveries from cosmology, cellular biology, DNA research, astronomy, physics, and human consciousness that present astonishing evidence in The Case for a Creator.

      And for all those who know what it’s like to long for a father’s blessing: his approval, affection and attention. It’s for anyone who’s ever longed to hear your dad say, “I love you. I’m so proud of you.”   You may already know what it’s like to live in the rays of such a blessing, to flourish in the marvelous light of a father’s love. Yet, in this “fatherless generation,” it’s also likely you’ve never known the blessing of your earthly dad. The possibility of hearing the words, “I love you, I’m proud of you,” may be gone—washed away by your dad’s death or distance or divorce or disinterest. Your father’s blessing may be mired in a pit of regret, pain or abandonment.   But here’s the good news— regardless of how amazing or absent, invested or disinterested, empowering or deflating your earthly father was or is — you do have a perfect Father.   We see all throughout Scripture that God wants us to know Him as Father and wants us to live under the waterfall of His blessing.   In Not Forsaken, Pastor Louie Giglio invites us to reframe our view of fatherhood, by understanding that God is not simply the bigger version of our earthly dads, He is the perfect version of our earthly dads. And, He’s inviting us to walk in freedom as loved sons and daughters of the King.   God is not the reflection of your earthly father; He is the perfection of your earthly father.

    Her prize: A rent-free year in a cottage in the Berkshires, where she could finish a first book. But Taylor—outside the city for the first time in nearly a decade, and trying to conceive her first child—found herself alone. To break up her days, she began to intern on a small farm, planting leeks, turning compost, and weeding kale. In this calendric cycle of 28 poems, Taylor describes the work of this year, considering what attending to vegetables on a small field might achieve now. Against a backdrop of drone strikes, “methamphetamine and global economic crisis,” these poems embark on a rich exploration of season, self, food, and place. Threading through the farm poets—Hesiod, Virgil, and John Clare—Taylor revisits the project of small scale farming at the troubled beginning of the 21st century. In poems full of bounty, loss and the mysteries of the body, Taylor offers a rich, severe, memorable meditation about what it means to try to connect our bodies and our time on earth.

    Half familiar with superficial aspects of Christianity, hopeful of there being greater depth than has beenfound so far, she or he is curious, insistent, looking for something to believe in but not ready to leap without good reason. Such a person is asking, Why be Christian?In a passionate and personal way, Hall probes fundamental religious questions and wrestles with thecogency of basic Christian convictions about Jesus and God, about religious belief and the human predicament, about inauthentic forms of Christianity, about what is missing in human life today. QuotingUnamuno's dictum that Faith that does not doubt is dead faith, Hall's accessible and straightforward book helps readers to reclaim a Christianity of personal, intellectual, and moral integrity. This book maywell prove a modern religious classic.

    Plainspoken and deeply inspirational, it gathers together five compelling essays that urge us to center our lives on God's presence, to find quiet and stillness within modern life, and to discover the deeply satisfying and lasting peace of the inner spiritual journey. As relevant today as it was a half-century ago, A Testament of Devotion is the ideal companion to that highest of all human arts-the lifelong conversation between God and his creatures.I have in mind something deeper than the simplification of our external programs, our absurdly crowded calendars of appointments through which so many pantingly and frantically gasp. These do become simplified in holy obedience, and the poise and peace we have been missing can really be found. But there is a deeper, an internal simplification of the whole of one's personality, stilled, tranquil, in childlike trust listening ever to Eternity's whisper, walking with a smile into the dark."