Kate Stringer is a woman in mourning, her murdered husband the latest victim of the notorious Catholic Jack slayer. A nationwide manhunt remains underway, but the serial killer continues to remain elusive. Now, unknown to her, Kate too has been targeted by the maniac. However, other forces are in play. Things moving in the shadows, with an agenda of their own...From those broken places, where trauma and distress cloister, they watch with accusing eyes. And if they judge us, they may look to share their pain.

    One night. So many deaths. When radio journalist Pete Bailey betrays his wife Meg on his fortieth birthday, he has no idea of the terrible consequences that will follow his infidelity. His passionate relationship with Meg is on the rocks and they're having no luck starting a family. It's only when he meets TV reporter Ellie Turner on a working weekend away from home that Pete succumbs to her charms in a moment of weakness. His treacherous actions set off a chain of events fueled by jealousy, revenge, violence and hatred. Five people will lose their lives as a result of Pete's deception and he will be compelled to confront the ugly truth about his wife and his best friend, Jem. He thought that nobody would ever discover what he'd done with Ellie ... but he didn't know who was listening in the room next door. Don't Tell Meg is the first part of trilogy of thrillers. Book 2, The Murder Place and Book 3, The Forgotten Children are also available. Paul J. Teague has also written the standalone thriller Dead of Night (Released May 2017) Please note that this book contains mild violence, bad language and sexual references.

    A long short story featuring Penn and Tom Cage that fills in a critical period in their past, one that helps to set up the action in the coming trilogy, Natchez Burning, The Bone Tree and Unwritten Laws.

    That’s what Sarah thinks as she settles into life with her new husband, Dr. Johnny McDonald. But all too soon she discovers an undercurrent of deception. And one October evening when Johnny is away, sudden tragedy destroys Sarah’s happiness.Dazed and stricken with grief, she and Johnny begin to rebuild their shattered lives. As she picks up the pieces of her broken home, Sarah discovers a shocking secret that forces her to doubt everything she thought was true—about her neighbors, her friends, and even her marriage. With each stunning revelation, Sarah must ask herself, Can we ever really know the ones we love?

    Through interviews with Zoe's closest friends and family, she begins piecing together what really happened in 2011. But where some versions of events overlap, aligning perfectly with one another, others stand in stark contrast, giving rise to troubling inconsistencies.Shaken by revelations of Zoe's secret life, and stalked by a figure from the shadows, Evelyn turns to crime writer Joseph Knox to help make sense of a case where everyone has something to hide.Zoe Nolan may be missing presumed dead, but her story is only just beginning

    Yet Rowan Winter, once her closest friend, suspects there is more to the story. Ever since she was young, Marianne had paralyzing vertigo. She would never have gone so close to the roof's edge.Marianne -- and the whole Glass family -- once meant everything to Rowan. For a teenage girl, motherless with a much-absent father, this lively, intellectual household represented a world of glamour and opportunity.But since their estrangement, Rowan knows only what the papers reported about Marianne's life: her swift ascent in the London art world, her much-scrutinized romance with her gallerist. If she wants to discover the truth about her death, Rowan needs to know more. Was Marianne in distress? In danger? And so she begins to seek clues -- in Marianne's latest work, her closest relationships, and her new friendship with an iconoclastic fellow artist.But the deeper Rowan goes, the more sinister everything seems. And a secret in the past only she knows makes her worry about her own fate . . .

    Some unexpected news from one of her sisters and a brutal murder that’s far too close to home for comfort leave her wondering why life has turned on her so suddenly. When the police fail to take her seriously, her hands-on approach to the investigation soon lands her in hot water. Following a string of biblical messages left behind by a mysterious nemesis she stumbles upon a dark secret that has finally come home to roost. As she is about to find out, on a small island, what goes around, comes around. “A complex and chilling tale…” “An amazing read!” “The author has a terrific writing style that keeps the reader mesmerized until the very end of this fantastic tale of not just murder and mystery but of survival…” “A thrilling read...highly recommended…” “Hefty amounts of tension and fear, and a resolution that makes you wonder whether surviving sometimes isn't all it's cracked up to be…” From a review by book blogger Morana Blue… “Written entirely in the first person from the point of view of one of three sisters, you're drawn immediately into the sudden onset of Ylfa Einarsdóttir's living nightmare as, with frustratingly little help from the Reykjavík detective assigned to her mysterious case, she starts tracking down an obsessed, horribly violent murderer whose sole intent seems to be the destruction of her entire family. Because you're inside Ylfa's head, you can hear her thinking. Her honesty is startling: 'Most of my friends were sluts. That was a lie; they all were…' Her observation is wry: 'He looked as if his years of seeing the worst possible sides of people had left him enjoying the times now when his misgivings about how rotten they all were inevitably proved to be correct…' - and, as her despair compounds, you feel her self-knowledge sharpen as she knowingly ploughs on toward an inescapable, grimly portentous end: 'In this torment there would be an abyss that I either would see in time and avoid, or be consumed by…' You feel her heart beginning to ache - and you flinch when it breaks. It's observantly written as intimate party to the reasoning behind the dangerous investigative steps Ylfa takes - so as her determination and her desperation mount, although you fully understand what she's doing and why she's doing it, you still want to yell 'No! Don't! Don't go there…' But Ylfa can't help herself. And she takes you with her. The creepy biblical messages left at every murder scene foreshadow a killer with their own twisted tormented depths - but, though Ylfa can't yet open her eyes to it, it's a torment that Ylfa and the killer actually share - and they're on the same enslaving path to self-destruction. It's a good - disquieting - read; for the most part because you're entirely locked within Ylfa's world, the minutiae of which - the sandwiches in the car, the cold within her boots, her double cappuccinos - begin to bear auras of frightful magnitude because you can't help but feel that each of the simple things she does, she may never do again.”

    A teenage girl has gone missing from Forest Hills, Queens, and during the critical first hours of the case, a series of false leads hides the fact that she did not go willingly.With each passing hour, as the hunt for Ruby deepens into a search for a man who may have been killing for years, the case starts to get underneath Elsa's skin. Everything she has buried - her fraught relationship with her sister and niece, her self-destructive past, her mother's death - threatens to resurface, with devastating consequences.In order to save the missing girl, she may have to lose herself...and return to the darkness she's been hiding from for years.

    But the truth can’t stay hidden for long.Emma is a loving wife, a devoted mother…and an involuntary killer. For years she’s been hiding the dead body of the teacher who seduced her as a teen.It’s a secret that might have stayed buried if only her life had been less perfect. A promotion for Emma’s husband, Alex, means they can finally move to a bigger home with their young son. But with a buyer lined up for their old house, Emma can’t leave without destroying every last trace of her final revenge…Returning to the shallow grave in the garden, she finds it empty. The body is gone.Panicked, Emma confesses to her husband. But this is only the beginning. Soon, Alex will discover things about her he’ll wish he’d learned sooner. And others he’ll long to forget.

    But how real is the Indian story on the ground? INDIA UNLIMITED is an attempt to lay bare the lives of people and their surroundings that define an ambivalent India trapped between hype and hope.Written over the last decade, these stories are set in villages, towns and metro cities of a country under overhaul. It's an attempt to depict pain, pleasures and prejudices of everyday Indians as they adjust to the change that fate has thrust upon them. Inspired by real life incidents this collection slides through various themes like appalling lives of street children, new perceptions about love and sex, urban disorder, influence of western values, depraved spiritual gurus etc.

    But her interview gives way to interrogation when suave Lord Stephen Astwick meets a chilly end on the tranquil skating pond. With evidence that his death was anything but accidental, Daisy joins forces with Scotland Yard so the culprit can't slip through their fingers like the unfortunate Astwick slipped through the ice...THE WINTER GARDEN MYSTERY: So who put the body in with the spring bulbs?The merest hint of spring has arrived in Cheshire, and so has young reporter Daisy Dalrymple. The feisty flapper's visit is a breath of fresh air for gloomy Occles Hall. But while photographing the rather barren grounds, Daisy spots that someone's been digging among the first green shoots - and much to her horror unearths the corpse of missing parlour maid Grace Moss.So begins an extraordinary adventure, as first the dead woman's shocking secret is revealed and then Daisy swiftly realizes she needs to catch the killer before she herself is left pushing up the daisies...REQUIEM FOR A MEZZO: With dashing Scotland Yard detective Alec Fletcher at her side, Daisy Dalrymple is enjoying a splendid performance of Verdi's Requiem featuring her neighbour Muriel Westlea's celebrated sister, Bettina. But the show comes to an abrupt end when what emerges from the star's gifted vocal chords is literally a dying gasp. Daisy soon learns that the doomed diva was notoriously difficult and had more than her share of enemies. There's a philandering tenor, a burly Russian bass and even her own vocal coach husband, with whom she had a turbulent relationship.Did one of them poison the singer? Or was it someone determined to see that Daisy's investigation ends on as bitter a note as Bettina's last performance...MURDER ON THE FLYING SCOTSMAN: Daisy's in danger of heading off the rails!Daisy's embarking on a journey to Edinburgh and her biggest worry is that she has forgotten her book, so how will she pass the time? Her concern proves to be pointless, however, as once the journey begins Daisy finds a pint-sized stowaway on board - Belinda, the daughter of dreamy Detective Chief Inspector Alec Fletcher, Daisy's beau.No sooner has this problem revealed itself than Daisy and Belinda run into a bickering Scottish clan en route to the deathbed of the head of the family. But before the express reaches its first stop, one of the greedy McGowans has turned up dead. Is it murder? Daisy's willing to bet her first-class ticket it is - after all, the victim was the heir-in-waiting and she's sharing the carriage with an entire family of suspects who have everything to gain by his death...

    But Jay Singh is a closet alcoholic; he has a dark and ominous past. His mother has been accused and convicted of killing his father..something he doesn't accept even after twenty years.Flamboyant, wicket, lethal, Jay Singh never loses a case, though his methods might not always be within the law. If the law is after you - guilty or not - there is only one man who can save you. If Jay Singh takes your case, witnesses for the prosecution disappear or turn hostile, evidence evaporates, technology and science fail to provide any cogent support. What's more - Jay Singh can even provide you with an ironclad alibi.And then he gets a case that can completely destroy him.If he loses the high-profile he can kiss his career goodbye ; if he wins the case he better keep his obituary ready.

    As a young Detective Inspector, he's lost none of his disgust with privileged elites - or his objectionable manners. But he notices things; they stick to his eyes. His professional partner, DI Ray Wilkins, of affluent Nigerian-London heritage, is an impeccably groomed, smooth-talking graduate of Balliol College, Oxford. You wouldn't think they would get on. They don't.But when a young woman is found strangled at Barnabas Hall, they're forced to.Rich Oxford is not Ryan's natural habitat. St Barnabas's irascible Provost does not appreciate his forceful line of questioning. But what was the dead woman doing in the Provost's study? Is it just a coincidence that on the night of her murder the college was entertaining Sheik al-Medina, a Gulf state ruler linked to human-rights abuses in his own country and acts of atrocity in others?As tensions rise, things aren't going well. Ray is in despair. Ryan is in disciplinary measures. But their investigation gradually disentangles the links between a Syrian refugee lawyer now working in the college kitchens, a priceless copy of the Koran in the college collection and the identity of the dead woman.A Killing in November introduces an unlikely duo from different sides of the tracks in Oxford in a deftly plotted murder story full of dangerous turns, troubled pasts and unconventional detective work.

    When a body is found in a locked house, Detective Sergeant Jessica Daniel is left to not only find the killer but discover how they got in and out.With little in the way of leads and a journalist that seems to know more about the case than she does, Jessica is already feeling the pressure—and that’s before a second body shows up in identical circumstances to the first.How can a murderer get to victims in seemingly impossible situations and what, if anything, links the bodies?

    Her advice column, Dear Amy, gets all kinds of letters - but none like the one she's just received:Dear Amy,I don't know where I am. I've been kidnapped and am being held prisoner by a strange man. I'm afraid he'll kill me.Please help me soon,Bethan AveryBethan Avery has been missing for years. This is surely some cruel hoax. But, as more letters arrive, they contain information that was never made public. How is this happening? Answering this question will cost Margot everything ...