THIS CAN'T BE LIFE is Dana Ward's first full-length collection of poetry. Although some of this writing may look like prose, everything here is written both AS, and under the sign of, "poetry." THIS CAN'T BE LIFE is an infinite frame-dissolve between art and life engined by the thoughts and feelings associated with the relationship between mortality and politics. These things, working together and against one another, constitute the funeral fun-house physics which delimit the (temporary) reality in which the book operates. Following Notley and Kerouac, Ward's poetics is a generative problematics of voice in which "the counter-poised figures of porousness, multiplicity, & instability are first principals."

    “Known for poems of universality of feeling, expressive lyricism of reflection, and heartrending allure” (Major Jackson), Dickman is a powerful poet whose new collection explores how to persevere in the wake of grief.

    But it isn't long before her sister Ella is brought to the castle herself. What Ella finds there starts a quest that will change her life and the entire kingdom. Cinder and Ella is a Cinderella story like no other, and one you'll never forget.

    Anansi. Brer Rabbit. Trickster characters have long been a staple of folk literature, and are a natural choice for the overarching subject of acclaimed editors Ellen Datlow and Terri Windling's third mythic anthology. The Coyote Road features a remarkable range of authors, each with his or her fictional look at a trickster character. These authors include Holly Black (The Spiderwick Chronicles), Charles de Lint (The Blue Girl), Ellen Klages (The Green Glass Sea), Kelly Link (Magic for Beginners), Patricia A. McKillip (Old Magic), and Jane Yolen. Terri Windling provides a comprehensive introduction to the trickster myths of the world, and the entire book is highlighted by the remarkable decorations of Charles Vess. The Coyote Road is essential reading for anyone interested in contemporary fantastic fiction.

    In 1689 England, Lady Eliza Grey's 11 brothers are turned into swans. Rejected by her father, Eliza is flown to America by her brothers where she has a chance to save them--until she is accused of witchcraft. In the second story, set in 1981 New York, Elias Latham has AIDS, is banished from his father's house, and must learn to live on the streets. Like Eliza, Elias struggles to understand the suffering he must endure.

    This family curse stretches back to her ancestor Alice Liddell, the real-life inspiration for Lewis Carroll’s Alice’s Adventures in Wonderland. Alyssa might be crazy, but she manages to keep it together. For now.When her mother’s mental health takes a turn for the worse, Alyssa learns that what she thought was fiction is based in terrifying reality. The real Wonderland is a place far darker and more twisted than Lewis Carroll ever let on. There, Alyssa must pass a series of tests, including draining an ocean of Alice’s tears, waking the slumbering tea party, and subduing a vicious bandersnatch, to fix Alice’s mistakes and save her family. She must also decide whom to trust: Jeb, her gorgeous best friend and secret crush, or the sexy but suspicious Morpheus, her guide through Wonderland, who may have dark motives of his own.

     Snow White, Blood Red #2. Black Thorn, White Rose #3. Ruby Slippers, Golden Tears #4. Black Swan, White Raven #5. Silver Birch, Blood Moon #6. Black Heart, Ivory Bones

    Because Deanna has a secret - and somebody knows. Someone who is out to get Hyde. And if she doesn't play along, and help the enemy destroy him...she will be sold to the highest bidder in the black market for human swans.Now Deanna is struggling to break free from the gilded cage that would trap her forever...Feather Bound is a dark debut reminiscent of Gabriel García Márquez's A Very Old Man With Enormous Wings, and the twisted truth behind the fairy tale of Cinderella.

    The promise of a new life, in exchange for her help. Simple, right? After all, the old woman has only asked for one night. One night, one beautiful gown, one dance… and one message to be delivered to a mysterious recipient.It should be easy. Maybe even fun. Especially when she can slip away into the night after the dance, leaving no clue as to her identity.But before she can escape the ball, Trystan makes a shocking discovery that leaves all her hopes in ruins. She will be forced to confront two very different princes—and choose whether to betray her kingdom… or her heart.If she’s lucky, maybe she’ll even survive to tell about it later.A thrilling, suspenseful retelling of Cinderella, Traitor’s Masque is the first book of the Andari Chronicles, a series of interconnected but stand-alone fairy tale retellings that feature strong heroines, romance, mystery, and deeply satisfying happily ever afters.

    Today, it found him. Caught in a chilly October storm, he ducked into a tavern, hoping to escape the rain. What he found, was a room teeming with pirates. Shanghaied by the most elderly of the lot, Archie found himself serving on a ship captained by the fiercest pirate ever to sail the seven seas— the man known as Blackbeard. Through a series of thrilling twists, Archie finds himself captain of another of Blackbeard's ships, the Jolig Roger. In an attempt to flee danger, his ship becomes lost under stars never before seen. Determined to save both his crew and the woman he loves, Archie will make decisions that will forever seal his fate. Discover the untold story of the man who became Captain Hook.

    Sunday’s only comfort is writing stories, although what she writes has a terrible tendency to come true.When Sunday meets an enchanted frog who asks about her stories, the two become friends. Soon that friendship deepens into something magical. One night Sunday kisses her frog goodbye and leaves, not realizing that her love has transformed him back into Rumbold, the crown prince of Arilland—and a man Sunday’s family despises.The prince returns to his castle, intent on making Sunday fall in love with him as the man he is, not the frog he was. But Sunday is not so easy to woo. How can she feel such a strange, strong attraction for this prince she barely knows? And what twisted secrets lie hidden in his past—and hers?

    Once they were twelve, but loneliness fills the grand halls now that four of the girls' lives have been cut short. Each death was more tragic than the last—the plague, a plummeting fall, a drowning, a slippery plunge—and there are whispers throughout the surrounding villages that the family is cursed by the gods.Disturbed by a series of ghostly visions, Annaleigh becomes increasingly suspicious that the deaths were no accidents. Her sisters have been sneaking out every night to attend glittering balls, dancing until dawn in silk gowns and shimmering slippers, and Annaleigh isn't sure whether to try to stop them or to join their forbidden trysts. Because who—or what—are they really dancing with?When Annaleigh's involvement with a mysterious stranger who has secrets of his own intensifies, it's a race to unravel the darkness that has fallen over her family—before it claims her next.

    A quiescent mother. A house that feels like anything but a home. Natasha gathers the strength to leave, and comes upon a little house in the wood: A house that walks about on chicken feet and is inhabited by a fairy tale witch. In finding Baba Yaga, Natasha finds her voice, her power, herself...

    In her second single-poem volume, Kay takes readers along a lyrical road toward empowerment, exploring the promise and complicated reality of being a woman. During her spoken word poetry performances, audiences around the world have responded strongly to Sarah Kay's poem The Type. As Kay wrote in The Huffington Post: "Much media attention has been paid to what it means to 'be a woman,' but often the conversation focuses on what it means to be a woman in relation to others. I believe these relationships are important. I also think it is possible to define ourselves solely as individuals... We have the power to define ourselves: by telling our own stories, in our own words, with our own voices."Never-before-published in book form, The Type is illustrated throughout and perfect for gift-giving.

    One night he witnesses something miraculous, and makes a terrible mistake. His action changes lives—not only his own, but those of his family and the entire tightly knit community in which they live. Can he ever atone for the wrong he has done, and can love grow when its foundation is violence? Based on the legend of the selkies—seals who can transform into people—evokes the harsh beauty of the landscape, the resilience of its people, both human and animal, and the triumph of hope over fear and prejudice. With exquisite grace, Su Bristow transports us to a different world, subtly and beautifully exploring what it means to be an outsider, and our innate capacity for forgiveness and acceptance. Rich with myth and magic, Sealskin is, nonetheless, a very human story, as relevant to our world as to the timeless place in which it is set.