Then the gap will close and I will pass her. I will get older. But Katie will always be fifteen, eleven months and twenty-one days old.Hannah's world is in pieces and she doesn't need the school counsellor to tell her she has deep-seated psychological issues. With a seriously depressed mum, an injured dad and a dead sister, who wouldn't have problems?Hannah should feel terrible but for the first time in ages, she feels a glimmer of hope and isn't afraid anymore. Is it because the elusive Josh is taking an interest in her? Or does it run deeper than that?In a family torn apart by grief and guilt, one girl's struggle to come to terms with years of torment shows just how long old wounds can take to heal.

    She was in the local swimming club, and loved it; she lived with her parents and her brother, Cam, in the small coastal town she'd known all her life. She had friends, she had goals - she had a life. Now Cam is dead, her parents might as well be - and Lucy can't bear to get back in the pool. All she has to look forward to now is a big pile of going-nowhere.Drawn to Steffi, her wild ex-best-friend who reminds Lucy of her mysterious, unpredictable brother, and music-obsessed Evan, the new boy in town, Lucy starts asking questions. Why did Cam die? Was it an accident or suicide? But as Lucy hunts for answers she discovers much more than she expects. About Cam. About her family. About herself.

    Hammer is a footy jock with big AFL dreams, and an even bigger ego. Zeke is a shy over-achiever, never macho enough for his family. But all three boys hide who they really are. When the truth is revealed, will it set them free or blow them apart?Invisible Boys is a raw, confronting YA novel, tackling homosexuality, masculinity, anger and suicide with a nuanced and unique perspective. Set in regional Western Australia, the novel follows three sixteen-year-old boys in the throes of coming to terms with their homosexuality in a town where it is invisible – and so are they. Invisible Boys depicts the complexities and trauma of rural gay identity with painful honesty, devastating consequence and, ultimately, hope.

    Sophie and Mia have been best friends for most of their 15 years. Sophie is popular, so when she suggests they try ecstasy Mia figures it can't hurt her own chances with the in crowd. Mia is elated when the drug lives up to its name and amazed when Lewis, the hottest guy in school, kisses her goodnight. Soon Lewis is Mia's boyfriend, and she and Soph are running with his fast, rich friends, until Sophie is sexually assaulted by Lewis's drug-dealing buddy. Reluctant to say what happened, Sophie grows distant, leaving Mia to conclude she's jealous of her popular boyfriend. But to keep Lewis's attention, Mia grows increasingly dependent on the confidence that only E seems to give her. When things worsen, it is the girls' strained but solid friendship that finally helps bring Mia back from the brink. Powerfully told from the alternating points of view of each girl, In Ecstasy is a brutally frank and utterly convincing portrait of the challenges facing contemporary teens.

    For as long as Rae can remember, it’s been her and Mum, and their dog, Splinter; a small, deliberately unremarkable, family. They have their walks, their cooking routines, their home. Sometimes Mum disappears for a while to clear her head but Rae is okay with this, because Mum always comes back.So, when Rae wakes to Splinter’s nose in her face, the back door open, and no Mum, she does as she’s always done and carries on. She takes care of the house, goes to school, walks Splinter, and minds her own business—all the while pushing down the truth she isn’t ready to face.That is, until her grumpy, lonely neighbor Lettie—with her own secrets and sadness—falls one night and needs Rae’s help. As the two begin to rely on each other, Rae’s anxiety intensifies as she wonders what will happen to her when her mother’s absence is finally noticed and her fragile world bursts open.A Million Things transforms a gut-wrenching story of abandonment and what it’s like to grow up in a house that doesn’t feel safe into an astonishing portrait of resilience, mental health, and the families we make and how they make us in return.

    I've used up every dandelion wish since I was ten wishing for the power to speak whenever I want to. I'm starting to wonder if there are enough dandelions.After losing her best friend that night, Piper Rhodes changes schools, determined that her final year will be different. She will be different. Then she meets West: school captain, star soccer player, the boy everyone talks about. Despite her fear of losing everything all over again, Piper falls in love - and West with her - without Piper ever speaking one word to him. But will it last?

    Always having to fill in the gaps, but never getting all the details. It's like trying to do a jigsaw when I don't even know what the picture is, and I'm missing one of the vital middle pieces.How do you know if your friends are talking about you behind your back or if a boy likes you? They could act innocent, but you'd know from the rumours. You'd hear the whispers. But what if you couldn't hear those whispers anymore? What if everything you took for granted was gone? Being a teenager is hard enough.But being a deaf teenager?

    She’s dropped out of school. She’s living with her runaway sister, Trudy, and she’s in secret, obsessive love with Luke, who doesn’t love her back. She’s stuck in Mobius—a dying town with the macabre suicide forest its only attraction—stuck working in the roadhouse and babysitting her boss’s demented father.A stranger sets up camp in the forest and the boy next door returns; Jack’s father moves into the shed and her mother steps up her campaign to punish Jack for leaving, too. Trudy’s brilliant façade is cracking and Jack’s only friend, Astrid, has done something unforgivable.Jack is losing everything, including her mind. As she struggles to hold onto the life she thought she wanted, Jack learns that growing up is complicated—and love might be the biggest mystery of all.

    Dad’s new delivery boy, Rory, is a welcome distraction and even though she knows that things aren’t right at home, she’s starting to feel like she could just be a normal teen.But when Mum finally gets out of bed, things go from bad to worse. And as Mum’s condition worsens, Anna and her family question everything they understand about themselves and each other.

    But there’s something in Declan’s past that just won’t go away, that pokes and scratches at his thoughts when he’s at his most vulnerable. Declan feels as if nothing will take away that pain that he has buried deep inside for so long. So he makes the only decision he thinks he has left: the decision to end it all. Or does he? As the train approaches and Declan teeters at the edge of the platform, two versions of his life are revealed. In one, Declan watches as his body is destroyed and the lives of those who loved him unravel. In the other, Declan pauses before he jumps. And this makes all the difference.One moment. One pause. One whole new life. From author of The Shadow Girl, winner of the Victorian Premier's Literary Awards 2012 Prize for Writing for Young Adults, comes a breathtaking new novel that will make you reconsider the road you’re travelling and the tracks you’re leaving behind.

    She can barely function after learning of Jonah’s death. Jonah, the boy she’d traded banter with over texts and heartfelt e-mails.Jonah, the first boy she'd told she loved and the first boy to say it back. Jonah, the boy whose suicide she never saw coming. Tess continues to write to Jonah, as a way of processing her grief and confusion. But for now she finds solace in perhaps the unlikeliest of ways: by helping her father with his new alternative funeral business, where his biggest client is . . . a prized racehorse?As Tess’s involvement in her father’s business grows, both find comfort in the clients they serve and in each other. But love, loss, and life are so much more complicated than Tess ever thought. Especially after she receives a message that turns her life upside down.

    Rosie Waterland has never been cool. Growing up in housing commission, Rosie was cursed with a near perfect, beautiful older sister who dressed like Mariah Carey on a Best & Less budget while Rosie was still struggling with various toilet mishaps. She soon realised that she was the Doug Pitt to her sister's Brad, and that cool was not going to be her currency in this life. But that was only one of the problems Rosie faced. With two addicts for parents, she grew up amidst rehab stays, AA meetings, overdoses, narrow escapes from drug dealers and a merry-go-round of dodgy boyfriends in her mother's life. Rosie watched as her dad passed out/was arrested/vomited, and had to talk her mum out of killing herself. As an adult, trying to come to grips with her less than conventional childhood, Rosie navigated her way through eating disorders, nude acting roles, mental health issues and awkward Tinder dates. Then she had an epiphany: to stop pretending to be who she wasn't and embrace her true self - a girl who loved drinking wine in her underpants on Sunday nights - and become an Anti-Cool Girl. An irrepressible, blackly comic memoir, Rosie Waterland's story is a clarion call for Anti-Cool Girls everywhere. 'If Augusten Burroughs and Lena Dunham abandoned their child in an Australian housing estate, she'd write this heartbreaking, hilarious book. It made me laugh uproariously, then feel terrible for her, then laugh all over again. Sorry, Rosie.' Dominic Knight, The Chaser 'Hilarious, wise, gutsy, clear-eyed, devastating and uplifting. It's a marvel.' Richard Glover

    Massive change. More radical than you could imagine. Her mother is not happy, in fact she’s imploding. Her dad walked out.Alex has turned vegetarian, ditched one school, enrolled in another, thrown out her clothes. And created a new identity. An identity that changes her world.And Alex—the other Alex—has a lot to say about it. Alex As Well is a confronting and heartfelt story of adolescent experience—of questioning identity, discovering sexuality, navigating friendships and finding a place to belong. Alex is a strong, vulnerable, confident, shy and determined character, one you will never forget.With the same tenderness and insight as YA stars such as John Green and David Levithan, Alyssa Brugman has crafted a knockout story about identity, sexuality and family that speaks effortlessly to a universal teen experience.

    She is also an Iranian asylum seeker who is only allowed out of detention to attend school. On weekdays, during school hours, she can be a ‘regular Australian girl’.Jono needs the distraction of an infatuation. In the past year his mum has walked out, he’s been dumped and his sister has moved away. Lost and depressed, Jono feels as if he’s been left behind with his Vietnamese single father, Kenny.Kenny is struggling to work out the rules in his new job; he recently started work as a guard at the Wickham Point Detention Centre. He tells Anahita to look out for Jono at school, but quickly comes to regret this, spiraling into suspicion and mistrust. Who is this girl, really? What is her story? Is she a genuine refugee or a queue jumper? As Jono and Anahita grow closer, Kenny starts snooping behind the scenes…

    Then, at her new boarding school, she is set the task of writing a diary by her English teacher, and finds a way of expressing her thoughts and feelings and of exploring the traumatic events that have caused her distress. Through Marina's diary we gain an insight into life on her dormitory, and her difficult relationship with her father, who injured her in an angry moment. Eventually, Marina makes tentative friendships and, in a moving denouement, is reconciled with her father.