It is literature which draws on popular culture, and engages in speculation about science, history, and all varieties of social relations. This volume brings together essays by scholars and practitioners of science fiction, which look at the genre from different angles. It examines science fiction from Thomas More to the present day; and introduces important critical approaches (including Marxism, postmodernism, feminism and queer theory).

    This collection shows Miles and Ekaterin meeting (Komarr), getting to know each other as Miles tries to court her (A Civil Campaign), and the wedding (Winterfair Gifts), and, of course, Miles dealing with assorted family relationships. Miles deals with political problems along the way plus recounts the loves of his life to Ekaterin. ...none of them would marry him; they all went on to lead successful lives--so unlike her life on Komarr. The last on his list was Rian: "And what does she do now?" ... "Now, She's an empress" ... "Can I take a number and get in line?" ... "The next number up", he breathed, "is one".Contents:Komarr: Miles Vorkosigan is sent to Komarr, a planet that could be a garden with a thousand more years of terraforming; or an uninhabitable wasteland, if the terraforming project fails. The solar mirror vital to the project has been shatteredby a ship hurtling off course, and Miles Vorkossigan has been sent to find out if it was an accident, or sabotage. Miles uncovers a plot that could exile him from Barrayar forever - and discovers an unexpected ally, one with wounds as deep and honor as beleaguered as his own.A Civil Campaign: On Komarr, Miles met the beautiful Vor widow Ekaterin Vorsoisson, who has no intention of getting married after the heartbreak and betrayal of her first experience. But Miles has a cunning plan to change her mind. Unfortunately his clone-brother Mark and his cousin Ivan have cunning plans of their own, and the three-way collision of cunning plans threatens to undo Miles' brilliant romantic strategy."Winterfair Gifts": Miles and Ekaterin make elaborate preparations for their wedding. But Miles has an enemy who is plotting to turn the romantic ceremony into a festival of death.

    And, although novels and short stories built the foundations of science fiction, film and television have emerged as equally powerful, experimental, and enjoyable ways to experience the genre. Even as far back as the silent era, films like Fritz Lang’s Metropolis have used science fiction to tell stories that explore many facets of human experience.In Sci-Phi: Science Fiction as Philosophy, Professor of Philosophy David Kyle Johnson of King’s College takes you on a 24-lecture exploration of the final frontiers of philosophy across several decades of science fiction in film and television. From big-budget blockbusters to television series featuring aliens in rubber masks, Professor Johnson finds food for philosophical thought in a wide range of stories. By looking at serious questions through astonishing tales and astounding technologies, you will see how science fiction allows us to consider immense, vital—and sometimes controversial—ideas with a rare combination of engagement and critical distance.The Future Is NowScience fiction is often concerned with the future, being used not only as a tool of prediction—humans are notoriously bad at accurately predicting the future—but also as one of extrapolation and interrogation. Rather than simply asking what the future will look like, the futuristic visions of sci-fi TV, like Star Trek, Firefly, and even the animated comedy Futurama, offer compelling statements about humanity’s hopes, dreams, and fears. We can, therefore, use fictionalized futures to better understand today’s world.Setting a story in the future—or in an alternate reality, or on a faraway planet—also allows sci-fi creators to open up the realm of possibility beyond what our current world offers, while also looking at very real scientific possibilities. As you look at sci-fi films like Arrival and Interstellar, Professor Johnson highlights the kinds of issues worth considering if contact with extraterrestrial life or time travel became part of our real-life experience. And even if these experiences remain in the realm of fiction, considering them still provides insight into important philosophical questions. Indeed, throughout the lectures of Sci-Phi, you will ponder many questions that have concerned philosophers for centuries, including:Do humans truly have free will?Could machines one day be conscious? Or be sentient?Could we actually be living in a simulated world?How will humanity confront a future of diminished resources and advancing technology?Are science and religion compatible?When, if ever, is war justified?How do we know what information to trust and what to dismiss?Exploring Reality through FictionStaples of science fiction like time travel, alternate universes, and extraterrestrial life are endlessly fascinating ideas to explore. Yet, despite the insights they can give us, they may not seem very relevant to everyday life. Even our conception of reality—what is real and what isn’t—can have little bearing on the more mundane aspects of living from day to day. But science fiction, for all its futurism and outlandish flourishes, is not limited to these theoretical concepts; it is also a window into crucial discussions about the here and now, questions concerning ethics, power, religion, tolerance, social justice, politics, and the many practical dimensions of living in a world that is constantly changing and forever presenting humans with fresh new dilemmas to solve. And by removing us from reality, sci-fi can also remove our biases and make us see such issues anew.Indeed, as Professor Johnson makes clear, stories of simulated worlds and artificial intelligence can seem far-fetched, but they actually offer valuable insights into social and ethical issues that may be more immediate and relevant than they first appear. By looking at them through fiction, we can take a step back and get a clearer picture of the larger implications. For instance, by looking at characters like Commander Data in Star Trek: The Next Generation or the Cylons in Battlestar Galactica, we are forced to wonder: If we create artificial intelligence that achieves true sentience, how will we treat these man-made beings? Will we repeat the sins of the past by enslaving them or will we embrace them as our equals? If we are ever able to re-create a convincing version of the world via computers, as films like The Matrix and The Thirteenth Floor suggest, do the lives lived in those simulations mean less than those in the “real” world? The answers to these questions—and many others—speak volumes about human values and, given our ever-evolving technology, may require answers sooner rather than later.You may be surprised to see how often a science fiction story can “trick” you into thinking about questions and concepts you may have never considered. Shows like The Twilight Zone and Black Mirror overtly present questions and issues for audiences to ponder. However, while other films and television shows may seem to focus more on the adventure and entertainment value of science fiction, they still often have deep philosophical dimensions. Consider the long-running British TV series Doctor Who. A beloved icon of science fiction, the show has always been framed as simply the exciting weekly adventures of a time-traveling alien; yet, throughout its decades on television, it has explored issues of autonomy, sentience, pacifism, colonialism, racism, grief, morality, and much more.A Unique View of PhilosophyWhile each lecture of Sci-Phi focuses on a few key films or television episodes, you will also explore dozens of other movies and TV episodes along the way. Likewise, each philosophical concept you explore opens the door to further discovery. Throughout the lectures, you will be introduced to the ideas of great thinkers like Descartes, Hobbes, Locke, Marx, Nietzsche, Sartre, Turing, Baudrillard, and many others; and through these ideas, you will better understand the different ways philosophy examines the big questions, from metaphysics and epistemology to existentialism and ethics.Fans of the genre will find their experience of sci-fi stories enriched by layers of philosophical inquiry that reveal each story to be much more than just entertainment. Similarly, those who are looking for a thrilling and accessible introduction to philosophy will be equally rewarded by Professor Johnson’s breadth of knowledge, as well as his deep and abiding love for both science fiction storytelling and philosophical exploration. As you engage with philosophy by way of sci-fi stories for screens both large and small, it is important to keep in mind that Professor Johnson will not shy away from revealing key plot points in many of the stories he explores throughout the lectures; so, although it is not required, watching the films and TV episodes at the heart of each lecture is recommended. Presented as a one-on-one conversation and enlivened by fun visual references to many of the stories you will encounter, Sci-Phi: Science Fiction as Philosophy is a philosophy course unlike any other.Whether telling stories of far-flung futures or investigating the here and now, science fiction is an invaluable source of intellectual and imaginative exploration. From the genre-defining classics like Star Wars, Doctor Who, 2001: A Space Odyssey, and The Twilight Zone to a new wave of speculative tales like Transcendence, Snowpiercer, Westworld, and The Hunger Games, sci-fi stories offer a uniquely engaging and incisive way to ask serious questions about the world we live in, even when those stories are set in a galaxy far, far away. Philosophy is the search for truth. Sometimes that truth is best revealed through fiction.

    Plus, completing the series, is the previously uncollected short story, :Backblast"!

    She was expected to do her duty, even to the extent of entering into a marriage alliance she did not understand with a man she despised. Lady Caissa, beautiful, rich, and well-educated, had never learned the great secret of Demeathorn, although she was about to be caught in its spell.In the aftermath of disastrous diplomatic negotiations, she fled north toward interdicted territory. A distress signal from deep within the forbidden zone drew her to a rocky island where she would encounter a man alone: intense, handsome, and severely injured in the crash of his antique flyer. Lady Caissa did not know it, but she had just set in motion events which would determine the fate of her family, her planet...and her happiness.

    Now part of the Voyager Classics collection.The Martian Chronicles tells the story of humanity’s repeated attempts to colonize the red planet. The first men were few. Most succumbed to a disease they called the Great Loneliness when they saw their home planet dwindle to the size of a fist. They felt they had never been born. Those few that survived found no welcome on Mars. The shape-changing Martians thought they were native lunatics and duly locked them up.But more rockets arrived from Earth, and more, piercing the hallucinations projected by the Martians. People brought their old prejudices with them – and their desires and fantasies, tainted dreams. These were soon inhabited by the strange native beings, with their caged flowers and birds of flame.Contents:Rocket SummerYllaThe Summer NightThe Earth MenThe TaxpayerThe Third Expedition-And the Moon Be Still As BrightThe SettlersThe Green MorningThe LocustsNight MeetingThe ShoreInterimThe MusiciansWay in the Middle of the AirThe Naming of NamesUsher IIThe Old OnesThe MartianThe Luggage StoreThe Off SeasonThe WatchersThe Silent TownsThe Long YearsThere Will Come Soft RainsThe Million Year Picnic

    He provides readers with non-trivial insights into research fields they may not have encountered previously . . . I think everyone who has ever considered the possibility that other intelligent civilizations exist elsewhere within our galaxy will enjoy Where Is Everybody? They will find much to agree with, and much to argue about, in this very accessible volume.� �SCIENCE During a Los Alamos lunchtime conversation that took place more than 50 years ago, four world-class scientists agreed, given the size and age of the Universe, that advanced extraterrestrial civilizations simply had to exist. The sheer numbers demanded it. But one of the four, the renowned physicist and back-of-the-envelope calculator Enrico Fermi, asked the telling question: If the extraterrestrial life proposition is true, he wondered, "Where IS everybody?" In this lively and thought-provoking book, Stephen Webb presents a detailed discussion of the 50 most cogent and intriguing answers to Fermi's famous question, divided into three distinct groups: - Aliens are already here among us. Here are answers ranging from Leo Szilard's suggestion that they are already here, and we know them as Hungarians, to the theorists who claim that aliens built Stonehenge and the Easter Island statues. - Aliens exist, but have not yet communicated. The theories in this camp range widely, from those who believe we simply don't have the technologies to receive their signals, to those who believe the enormities of space and time work against communication, to those who believe they're hiding from us. - Aliens do not exist. Here are the doubters' arguments, from the Rare Earth theory to the author's own closely argued and cogently stated skepticism. The proposed solutions run the gamut from the crackpot to the highly serious, but all deserve our consideration. The varieties of arguments -- from first-rate scientists, philosophers and historians, and science fiction authors -- turn out to be astonishing, entertaining, and vigorous intellectual exercises for any reader interested in science and the sheer pleasure of speculative thinking. Stephen Webb is a physicist working at the Open University in England and the author of Measuring the Universe.

    Though the term has been around for half a century, it is only now, Kai-Fu Lee argues, that AI is poised to upend our society, just as the arrival of technologies like electricity and smart phones did before it. In the past five years, AI has shown it can learn games like chess in mere hours--and beat humans every time. AI has surpassed humans in speech and object recognition, even outperforming radiologists in diagnosing lung cancer. AI is at a tipping point. What comes next?Within two decades, aspects of daily life may be unrecognizable. Humankind needs to wake up to AI, both its pathways and perils. In this provocative work that juxtaposes speculative storytelling and science, Lee, one of the world's leading AI experts, has teamed up with celebrated novelist Chen Qiufan to reveal how AI will trickle down into every aspect of our world by 2041. In ten gripping narratives that crisscross the globe, coupled with incisive analysis, Lee and Chen explore AI's challenges and its potential:- Ubiquitous AI that knows you better than you know yourself - Genetic fortune-telling that predicts risk of disease or even IQ - AI sensors that creates a fully contactless society in a future pandemic - Immersive personalized entertainment to challenge our notion of celebrity - Quantum computing and other leaps that both eliminate and increase riskBy gazing toward a not-so-distant horizon, AI 2041 offers powerful insights and compelling storytelling for everyone interested in our collective future.

     In an interstellar romp that proves science and sorcery can mix, only hard-headed realist Rod Gallowglass can save the people of Gramarye from their doom by becoming--The Warlock in Spite of Himself--if only he believed in magic.

    Now, after twenty-one annual collections, comes the ultimate in science fiction anthologies, The Best of the Best: 20 Years of the Year's Best Science Fiction, in which legendary editor Gardner Dozois selects the very best short stories for this landmark collection. Contributors include: * Stephen Baxter * Greg Bear * William Gibson * Terry Bisson * Pat Cadigan * Ted Chiang * John Crowley * Tony Daniel * Greg Egan * Molly Gloss * Eileen Gunn * Joe Haldeman * James Patrick Kelly * John Kessel * Nancy Kress * Ursula K. Le Guin * Ian R. MacLeod * David Marusek * Paul McAuley * Ian McDonald * Maureen F. McHugh * Robert Reed * Mike Resnick * Geoff Ryman * William Sander * Lucius Shepard * Robert Silverberg * Brian Stableford * Bruce Sterling * Charles Stross * Michael Swanwick * Steven Utley * Howard Waldrop * Walter Jon Williams * Connie Willis * Gene WolfeWith work spanning two decades, The Best of the Best stands as one of the ultimate science fiction anthologies ever published.Contents xi • Foreword (The Best of the Best: 20 Years of the Year's Best Science Fiction) • essay by Robert Silverbergxvii • Preface (The Best of the Best: 20 Years of the Year's Best Science Fiction) • essay by Gardner Dozois1 • Blood Music • (1983) • novelette by Greg Bear19 • A Cabin on the Coast • (1984) • shortstory by Gene Wolfe28 • Salvador • (1984) • shortstory by Lucius Shepard42 • Trinity • (1984) • novella by Nancy Kress78 • Flying Saucer Rock and Roll • (1985) • novelette by Howard Waldrop (aka Flying Saucer Rock & Roll)93 • Dinner in Audoghast • (1985) • shortstory by Bruce Sterling103 • Roadside Rescue • (1985) • shortstory by Pat Cadigan109 • Snow • (1985) • shortstory by John Crowley121 • The Winter Market • (1985) • novelette by William Gibson137 • The Pure Product • (1986) • novelette by John Kessel152 • Stable Strategies for Middle Management • (1988) • shortstory by Eileen Gunn162 • Kirinyaga • [Kirinyaga • 2] • (1988) • novelette by Mike Resnick177 • Tales from the Venia Woods • [Roma Eterna] • (1989) • shortstory by Robert Silverberg191 • Bears Discover Fire • (1990) • shortstory by Terry Bisson199 • Even the Queen • (1992) • shortstory by Connie Willis213 • Guest of Honor • (1993) • novelette by Robert Reed238 • None So Blind • (1994) • shortstory by Joe Haldeman246 • Mortimer Gray's History of Death • (1995) • novella by Brian Stableford (aka Mortimer Gray's "History of Death")293 • The Lincoln Train • (1995) • shortstory by Maureen F. McHugh303 • Wang's Carpets • (1995) • novelette by Greg Egan328 • Coming of Age in Karhide • [Hainish] • (1995) • novelette by Ursula K. Le Guin342 • The Dead • (1996) • shortstory by Michael Swanwick352 • Recording Angel • (1996) • shortstory by Ian McDonald363 • A Dry, Quiet War • (1996) • novelette by Tony Daniel380 • The Undiscovered • (1997) • novelette by William Sanders400 • Second Skin • (1997) • shortstory by Paul J. McAuley418 • Story of Your Life • (1998) • novella by Ted Chiang454 • People Came from Earth • (1999) • shortstory by Stephen Baxter464 • The Wedding Album • [Cathy] • (1999) • novella by David Marusek502 • 10 to 16 to 1 • (1999) • novelette by James Patrick Kelly (aka 1016 to 1)520 • Daddy's World • (1999) • novelette by Walter Jon Williams541 • The Real World • [Silurian Tales] • (2000) • shortstory by Steven Utley561 • Have Not Have • (2001) • novelette by Geoff Ryman577 • Lobsters • [Macx Family] • (2001) • novelette by Charles Stross597 • Breathmoss • (2002) • novella by Ian R. MacLeod647 • Lambing Season • (2002) • shortstory by Molly Gloss

    Now de Lancie and Peter David, the bestselling author of such acclaimed novels as Q-in-Law and Q-Squared, have joined forces to send Q on an unforgettable cosmic odyssey, told from the mischievous trickster's own unique point of view. The Maelstrom, a metaphysical whirlpool of apocalyptic proportions, is pulling all of reality into its maw, devouring the totality of time and space while bringing together people and places from throughout the universe. The Q Continuum pronounces that the end of everything has come, but Q refuses to meekly accept the end of all he has known. Defying the judgment of the Continuum, he sets out to derail doomsday—at whatever the cost. Q has been everywhere and done everything, but now he's in for a cosmic thrill ride beyond even his own astonishingly unlimited imagination. Old friends and adversaries wait in unexpected places, transcendent hazards abound, and the multiverse's most unlikely savior encounters wonders and dangers enough to render Q himself speechless. Almost. Can even Q, reluctantly assisted by Jean Luc Picard, prevent the Universe as We Know It from literally going down the drain? I, Q is a wild and witty voyage through the secret soul of creation—as only Q can tell it!

    Outnumbered and outgunned, the Rebellion nevertheless burns across a thousand-thousand worlds, flaming into a fire of hope.But the Emperor has ordered this fire extinguished, setting the massive war machine he had constructed into motion.

    It has dealt with issues of religious freedom, patriotism, terrorism, genetic engineering, and the ultimate science fiction question: what does it mean to be human? While the re-imagined BSG may not be packed with cool techie tools (the bad guys don't even have laser guns for frak's sake!), this book shows that the science in the series has a lot to say about the use of science and technology in our lives today.What are the principles behind artificial gravity and sublight propulsion? Are Cylons men or machines? How are humanoid Cylons able to interface with computers? By tackling these and other intriguing questions, The Science of Battlestar Galactica takes us billions of miles away from Earth so that we can turn around and see ourselves from a different perspective.Tackles fans' most pressing BSG questions, from how an FTL drive might work to how the 12 colonies of Kobol could co-exist to the principles behind Gaius Baltar's Cylon-detectorFeatures behind-the-scenes anecdotes, quotes from the BSG Series Bible, and over 60 photosIncludes a foreword by BSG co-executive producer, Jane Espenson, and an afterword by actor, Richard Hatch, who played Tom Zarek in the reimagined series and Captain Apollo in the classic seriesCo-written by BSG's scientific advisor and a Wired contributing editorPacked with must-know details and scientific background, this thought-provoking book will help you see Battlestar Galactica as never before.

    . . This book is pure class all the way. . . . The final page is a great climax.”–StarburstThe Republic is decaying, even under the leadership of Supreme Chancellor Palpatine, who was elected to save the galaxy from collapsing under the forces of discontent. On the tiny but strategic planet of Ansion, a powerful faction is on the verge of joining the growing secessionist movement. At the Chancellor’s request, the Jedi Council sends two Jedi Knights, Obi-Wan Kenobi and Luminara Unduli, along with their Padawans Anakin Skywalker and Barriss Offee, to stabilize the planet’s population. To succeed, the Jedi will have to fulfill near-impossible tasks, befriend wary strangers, and influence two great armies, stalked all the while by an enemy sworn to see the negotiations collapse and the mission fail. . . .

    The planet most like ours, it has still been thought impossible to reach, let alone explore and inhabit.Now with the advent of a revolutionary new plan, all this has changed. leading space exploration authority Robert Zubrin has crafted a daring new blueprint, Mars Direct, presented here with illustrations, photographs, and engaging anecdotes.The Case for Mars is not a vision for the far future or one that will cost us impossible billions. It explains step-by-step how we can use present-day technology to send humans to Mars within ten years; actually produce fuel and oxygen on the planet's surface with Martian natural resources; how we can build bases and settlements; and how we can one day "terraform" Mars--a process that can alter the atmosphere of planets and pave the way for sustainable life.