The young heroine, Otama, is forced by poverty to become a moneylender's mistress. Her dawning consciousness of her predicament brings the novel to a touching climax.

    They each focus intently on their specific jobs: one studies moss, one shreds paper, and the other proofreads incomprehensible documents. Life in the factory has its own logic and momentum, and, eventually, the factory slowly expands and begins to take over everything, enveloping these poor workers. The very margins of reality seem to be dissolving: all forms of life capriciously evolve, strange creatures begin to appear… After a while—it could be weeks or years—the workers don’t even have the ability to ask themselves: where does the factory end and the rest of the world begin?Told in three alternating first-person narratives, The Factory casts a vivid—if sometimes surreal—portrait of the absurdity and meaninglessness of modern life. With hints of Kafka and unexpected moments of creeping humor, Hiroko Oyamada is one of the boldest writers of her generation.

    In these seven stories, the author of The Makioka Sisters explores the territory where love becomes self-annihilation, where the contemplation of beauty gives way to fetishism, and where tradition becomes an instrument of refined cruelty.

    We listened to the Beatles, the Stones, the Doors, the Velvet Underground, the Grateful Dead, Cream, Jimi Hendrix, Janis Joplin, and Bob Dylan. We read Rimbaud, played guitars, smoked pot, fell in love, rebelled against the establishment, protested the war in Vietnam, barricaded our high school, and produced the first rock festival in our home town-a small city in a remote southwestern corner of Japan...SIXTY-NINE is a roman à clef about coming of age during a time that left its mark on baby boomers around the world-a time when we really believed we could change the world before it changed us. By turns hilarious, cynical, frivolous, and poignant, the book is infused from start to finish with Ryu Murakami's relentless energy and optimism; it simply refuses to get tedious, preachy, or "literary" for a single moment.

    Then, a talking cat named Tiger appears with an unusual request. The feline asks for—or rather, demands—the teenager’s help in saving books with him. The world is full of lonely books left unread and unloved, and Tiger and Rintaro must liberate them from their neglectful owners. Their mission sends this odd couple on an amazing journey, where they enter different mazes to set books free. Through their travels, Tiger and Rintaro meet a man who leaves his books to perish on a bookshelf, an unwitting book torturer who cuts the pages of books into snippets to help people speed read, and a publishing drone who only wants to create bestsellers. Their adventures culminate in one final, unforgettable challenge—the last maze that awaits leads Rintaro down a realm only the bravest dare enter...

    And, with each detour, she brushes up against the seemingly disparate lives of the city-dwellers, connecting them in unexpected ways.But the city is changing. As it does, it pushes her to the margins where she chances upon a series of apparent strangers – from a homeless man squatting in an abandoned hotel, to a shut-in hermit afraid to leave his house, to a convenience store worker searching for love. The cat orbits Tokyo’s denizens, drawing them ever closer.

    They subtly merge the world of reason with the realm of the uncanny and exemplify the period's fascination with the strange and the grotesque. They were also the inspiration for Mizoguchi Kenji's brilliant 1953 film Ugetsu.The title Ugetsu monogatari (literally "rain-moon tales") alludes to the belief that mysterious beings appear on cloudy, rainy nights and in mornings with a lingering moon. In "Shiramine," the vengeful ghost of the former emperor Sutoku reassumes the role of king; in "The Chrysanthemum Vow," a faithful revenant fulfills a promise; "The Kibitsu Cauldron" tells a tale of spirit possession; and in "The Carp of My Dreams," a man straddles the boundaries between human and animal and between the waking world and the world of dreams. The remaining stories feature demons, fiends, goblins, strange dreams, and other manifestations beyond all logic and common sense.The eerie beauty of this masterpiece owes to Akinari's masterful combination of words and phrases from Japanese classics with creatures from Chinese and Japanese fiction and lore. Along with The Tale of Genji and The Tales of the Heike, Tales of Moonlight and Rain has become a timeless work of great significance. This new translation, by a noted translator and scholar, skillfully maintains the allure and complexity of Akinari's original prose.

    Tomo's real mission had been to find him a mistress. Nor did her secret humiliation end there. The web that his insatiable lust spun about him soon trapped another young woman, and another ... and the relationships between the women thus caught were to form, over the years, a subtle, shifting pattern in which they all played a part. There was Suga, the innocent, introspective girl from a respectable but impoverished family; the outgoing, cheerful, almost boyish Yumi; the flirtatious, seductive Miya, who soon found her father-in-law more dependable as a man than his brutish son.... And at the center, rejected yet dominating them all, the near tragic figure of the wife Tomo, whose passionate heart was always, until that final day, held in check by an old-fashioned code.In a series of colorful, unforgettable scenes, Enchi brilliantly handles the human interplay within the ill-fated Shirakawa family. Japan's leading woman novelist and a member of the prestigious Art Academy, she combines a graceful, evocative style that consciously echoes the Tale of Genji with keen insight and an impressive ability to develop her characters over a long period of time. Her work is rooted deep in the female psychology, and it is her women above all-so clearly differentiated yet all so utterly feminine-who live in the memory. With The Waiting Years, a new and important literary figure makes her debut in the Western world.

    Winner of every major Japanese literary prize, his work translated around the globe, Shusaku Endo (1923-1996) is a great and unique figure in the literature of the twentient century. "Irrevocably enmeshed in Japanese culture, he is by virtue of his religion [Endo was Roman Catholic] irrevocably alienated from it" (Geoffrey O'Brian, Village Voice). It is this aspect that has made Endo so particularly intriguing to his readership at home and abroad. Now gathered in a New Directions Bibelot edition are five of Endo's supreme short stories exemplifying his style and his interests, presenting, as it were, Endo in a nutshell. "Unzen," the opening story, touches on the subject of Silence Endo's most famous novel -- that is the torture and martyrdom of Christians in seventeenth-century Japan. Next comes "A Fifty-year-old Man" in which Mr. Chiba takes up ballroom dancing and faces the imminent death of his brother and his dog Whitey. In "Japanese in Warsaw" a business man has a strange encounter; in "The Box," an old photo album and a few postcards have a tale to reveal. Finally included is "The Case of Isobe," the opening chapter of Endo's novel Deep River in which Isobe, a member of a tour group, hopes to find in India the reincarnation of the wife he took so much for granted.

    The longest, loneliest railroad on Earth. A North Korean nuke hitting Tokyo, a hollow asteroid full of automated rice paddies, and a specialist in breaking up “virtual” marriages. And yes, giant robots. These thirteen stories from and about the Land of the Rising Sun run the gamut from fantasy to cyberpunk, and will leave you knowing that the future is Japanese! Contributors:-Pat Cadigan-Toh EnJoe-Project Itoh-Hideyuki Kikuchi-Ken Liu-David Moles-Issui Ogawa-Felicity Savage-Ekaterina Sedia-Bruce Sterling-Rachel Swirsky-TOBI Hirotaka-Catherynne M. Valente

    The soul hasn't been kicked out of the cycle of rebirth just yet—he's been given a second chance. He must recall the biggest mistake of his past life while on 'homestay' in the body of fourteen-year-old Makoto Kobayashi, who has just committed suicide. It looks like Makoto doesn't have a single friend, and his family don't seem to care about him at all. But as the soul begins to live Makoto's life on his own terms, he grows closer to the family and the people around him, and sees their true colors more clearly, shedding light on Makoto's misunderstandings.Since its initial release over twenty years ago, Colorful has become a part of the literary canon, not only in Japan—where it has sold over a million copies—but around the world, having been translated into several different languages. Now, Eto Mori's beloved classic is finally available in English.

    Concerns about society, gender and imperialism dovetail irresistibly with flights of speculative wonder. And with a kitchen sink in the corner of even her wildest stories, Suzuki reminds us that while society may be limitless, relationships remain impossible

    She tells him seven stories of human/android interaction in order to reveal the secret behind humanity's fall. The story takes place centuries in the future, where the diminished populations of humans live uncultured lives in their own colonies. They resent the androids, who have built themselves a stable and cultural society. In this brutal time, our main character travels from colony to colony as a “storyteller,” one that speaks of the stories of the past. One day, he is abducted by Ibis, an android in the form of a young girl, and told of the stories created by humans in the ancient past.The stories that Ibis speaks of are the 7 novels about the events surrounding the announcements of the development of artificial intelligence (AI) in the 20th to 21st centuries. At a glance, these stories do not appear to have any sort of connection, but what is the true meaning behind them? What are Ibis' real intentions?

    Included here are sixteen black-and-white woodblock prints originally published in 1608.

    "The Paper Door and Other Stories" showcases the concise, delicate art of this writer who is often called "the god of the Japanese short story." Doyen of Japanese letters Donald Keene ranks some of Shiga's stories "among the most brilliant achievements in this genre by any twentieth-century Japanese writer." Shiga's unique style is concise and simple, with no unnecessary words. With the subtlest of gestures, he evokes the fullness of experience.Lane Dunlop's masterly translation of seventeen of Shiga's finest stories has provided English readers their first overview of the author's work. Now back in print, the book is augmented by Donald Keene's new preface contextualizing Shiga's awesome literary gifts. Dunlop has chosen stories that aptly represent Shiga's range and virtuosity. With selections spanning forty years, from the fable-like "The Little Girl and the Rapeseed Flower" to the psychologically complex "A Gray Moon," this collection delineates the development of Shiga's rare genius.