Blurring the lines between magical realism, horror, and science-fiction, Chung uses elements of the fantastic and surreal to address the very real horrors and cruelties of patriarchy and capitalism in modern society.Anton Hur’s translation skilfully captures the way Chung’s prose effortlessly glides from being terrifying to wryly humorous. Winner of a PEN/Heim Grant.

    Then, a talking cat named Tiger appears with an unusual request. The feline asks for—or rather, demands—the teenager’s help in saving books with him. The world is full of lonely books left unread and unloved, and Tiger and Rintaro must liberate them from their neglectful owners. Their mission sends this odd couple on an amazing journey, where they enter different mazes to set books free. Through their travels, Tiger and Rintaro meet a man who leaves his books to perish on a bookshelf, an unwitting book torturer who cuts the pages of books into snippets to help people speed read, and a publishing drone who only wants to create bestsellers. Their adventures culminate in one final, unforgettable challenge—the last maze that awaits leads Rintaro down a realm only the bravest dare enter...

    Characters observe their fellow citizens from afar, hesitant to stray from their daily routines to engage with them. But Tokyo being the city it is, random encounters inevitably take place – a naïve book collector, mistaken for a French speaker, is drawn into a world he never knew existed; a woman seeking psychiatric help finds herself in a taxi with an older man wanting to share his own peculiar revelations; a depressed divorcee accepts an unexpected lunch invitation to try Thai food for the very first time… The result in each story is a small but crucial change in perspective, a sampling of the unexpected yet simple pleasure of other people’s company. As one character puts it, ‘The world is full of delicious things, you know.’

    They subtly merge the world of reason with the realm of the uncanny and exemplify the period's fascination with the strange and the grotesque. They were also the inspiration for Mizoguchi Kenji's brilliant 1953 film Ugetsu.The title Ugetsu monogatari (literally "rain-moon tales") alludes to the belief that mysterious beings appear on cloudy, rainy nights and in mornings with a lingering moon. In "Shiramine," the vengeful ghost of the former emperor Sutoku reassumes the role of king; in "The Chrysanthemum Vow," a faithful revenant fulfills a promise; "The Kibitsu Cauldron" tells a tale of spirit possession; and in "The Carp of My Dreams," a man straddles the boundaries between human and animal and between the waking world and the world of dreams. The remaining stories feature demons, fiends, goblins, strange dreams, and other manifestations beyond all logic and common sense.The eerie beauty of this masterpiece owes to Akinari's masterful combination of words and phrases from Japanese classics with creatures from Chinese and Japanese fiction and lore. Along with The Tale of Genji and The Tales of the Heike, Tales of Moonlight and Rain has become a timeless work of great significance. This new translation, by a noted translator and scholar, skillfully maintains the allure and complexity of Akinari's original prose.

    An arm peppered with tiny holes dangles from a sick girl’s window… After an idol hangs herself, balloons bearing faces appear in the sky, some even featuring your own face… An amateur film crew hires an extremely individualistic fashion model and faces a real bloody ending… An offering of nine fresh nightmares for the delight of horror fans.1. Used Record or Second-Hand Record (from House of the Marionettes, あやつりの屋敷 Ayatsuri no Yashiki), a story about people fighting over the ownership of a record that has a singer's singing as they died recorded on it.2. Shiver (from Slug Girl, なめくじの少女 Namekuji no Shoujo), a story about a cursed jade stone that causes holes to open up all over a person's body if they're around it.3. Fashion Model (from Souichi's Diary of Curses, 双一の呪い日記, Sōichi no Noroi no Nikki), a story about an oddly ominous fashion model.4. Hanging Balloons (from The Face Burglar, 顔泥棒 Kao Dorobou), a story about balloon headed dopplegangers out to hunt their counterparts the moment they go outside.5. Marionette Mansion (from House of the Marionettes, あやつりの屋敷 Ayatsuri no Yashiki), a story about a family who rather than deciding what they do or how they live, they instead hire puppeteers to control their actions via strings from the attic of their home.6. Painter (from Tomie), a story about a strange but beautiful woman named Tomie who wishes for an artist to accurately capture her beauty, and all the misfortune that happens as a result...7. The Long Dream (from The Story of the Mysterious Tunnel,トンネル奇譚 Ton'neru kitan), a story about a man who claims that the length of his dreams are becoming longer and longer and about how he begins to change as his dreams extend farther and farther.8. Honored Ancestors (from The Face Burglar, 顔泥棒 Kao Dorobou), a story about an amnesiac girl and the encounter that caused her to lose her memories and about carrying on the family line. At all costs.9. Greased (from Voices in the Dark, 闇の声 Yami no Koe, a story about oil and grease. 10. Fashion Model: Cursed Frame [new]

    But with the master storyteller Josh Malerman as your tour guide, you'll discover the secrets that hide behind its closed doors. These six novellas tell the story of a place where the rain is always falling, nighttime is always near, and your darkest fears and desires await. Welcome to Goblin. . . .A Man in Slices: A man proves his "legendary love" to his girlfriend with a sacrifice even more daring than Vincent van Gogh's--and sends her more than his heart.Kamp: Walter Kamp is afraid of everything, but most afraid of being scared to death. As he sets traps around his home to catch the ghosts that haunt him, he learns that nothing is more terrifying than fear itself.Happy Birthday, Hunter!: A famed big-game hunter is determined to capture--and kill--the ultimate prey: the mythic Great Owl who lives in Goblin's dark forests. But this mysterious creature is not the only secret the woods are keeping.Presto: All Peter wants is to be like his hero, Roman Emperor, the greatest magician in the world. When the famous magician comes to Goblin, Peter discovers that not all magic is just an illusion.A Mix-Up at the Zoo: The new zookeeper feels a mysterious kinship with the animals in his care . . . and finds that his work is freeing dark forces inside him.The Hedges: When his wife dies, a man builds a hedge maze so elaborate no one ever solves it--until a little girl resolves to be the first to find the mysteries that wait at its heart.

    But the book, itself titled N.P., may never be published in his native Japan: each translator who takes up the ninety-eighth story chooses death too—including Kazami Kano’s boyfriend, Shoji. Haunted by Shoji’s death, Kazami is inexorably drawn to three young people whose lives are intimately bound to the late writer and his work. Over the course of an astonishing summer, she will discover the truth behind the ninety-eighth story—and she will come to believe that “everything that had happened was shockingly beautiful, enough to make you crazy.”

    He has twenty-three days to bring a terrorist group to justice, or they will use a deadly new virus to change the world—by killing off most of humanity.

    Faceless creatures haunt an unwary traveler. A beautiful woman — the personification of winter at its cruelest — ruthlessly kills unsuspecting mortals. These and 17 other chilling supernatural tales — based on legends, myths, and beliefs of ancient Japan — represent the very best of Lafcadio Hearn's literary style. They are also a culmination of his lifelong interest in the endlessly fascinating customs and tales of the country where he spent the last fourteen years of his life, translating into English the atmospheric stories he so avidly collected.Teeming with undead samurais, man-eating goblins, and other terrifying demons, these 20 classic ghost stories inspired the Oscar®-nominated 1964 film of the same name.

    The book leads her to another world where she learns that Hiroki has been possessed by a spirit from the Book of Heroes. She visits the magical Nameless Land, where she is told how to save her brother, and is sent back to Earth with a young monk named Sora and the magical book, now a mouse named Azu. Yuri has to piece together the mystery of Horiko, and has a library of powerful magic books at her disposal to do so!

    (And don't miss the manga adaptation, also available from Seven Seas.)An unhappy girl who engages in self-harm, a high schooler ostracized by her classmates, and an old woman looking to live out her twilight years in peace–what could three such different people have in common? That’s what grade schooler Nanoka Koyanagi is trying to find out. Assigned by her teacher to define what “happiness” means to her, Nanoka tries to find her place in the world by exploring her relationships with these three strangers, and through them, comes to know herself.

    The only surviving links to what might have happened are a cryptic verse that could be the killer's, and the physician's bewitching blind daughter, Hisako, the only person spared injury. The youth who emerges as the prime suspect commits suicide that October, effectively sealing his guilt while consigning his motives to mystery. The police are convinced Hisako had a role in the crime, as are many in the town, including the author of a bestselling book about the murders written a decade after the incident, who was herself a childhood friend of Hisako’s and witness to the discovery of the killings. The truth is revealed through a skillful juggling of testimony by different voices: family members, witnesses and neighbors, police investigators and of course the mesmerizing Hisako herself.

    She tells him seven stories of human/android interaction in order to reveal the secret behind humanity's fall. The story takes place centuries in the future, where the diminished populations of humans live uncultured lives in their own colonies. They resent the androids, who have built themselves a stable and cultural society. In this brutal time, our main character travels from colony to colony as a “storyteller,” one that speaks of the stories of the past. One day, he is abducted by Ibis, an android in the form of a young girl, and told of the stories created by humans in the ancient past.The stories that Ibis speaks of are the 7 novels about the events surrounding the announcements of the development of artificial intelligence (AI) in the 20th to 21st centuries. At a glance, these stories do not appear to have any sort of connection, but what is the true meaning behind them? What are Ibis' real intentions?

    For some reason the killer has been leaving a string of maddeningly arcane clues at each crime scene. Each of these clues, it seems, is an indecipherable roadmap to the next murder.Onto the scene comes L, the mysterious super-sleuth. Despite his peculiar working habits, he's never shown his face in public—but this time, he needs help.Enlisting the services of an FBI agent named Naomi Misora, L starts snooping around the City of Angels. It soon becomes apparent that the killing spree is a psychotic riddle designed to specifically engage L in a battle of wits. Stuck in the middle between killer and investigator, it's up to Misora to navigate both the dead bodies and the egos to solve the Los Angeles Murder Cases.

    Gothic Tales makes available for the first time a collection of stories by this highly influential writer, whose decadent romanticism led him to envision an idiosyncratic world--a fictive purgatory --precious and bizarre though always genuine despite its melodramatic formality.The four stories presented here are among Kyoka's best-known works. They are drawn from four stages of the author's development, from the conceptual novels of 1895 to the fragmented romanticism of his mature work. In the way of introduction, Inouye presents a clear analysis of Kyoka's problematic stature as a great gothic writer and emphasizes the importance of Kyoka's work to the present reevaluation of literary history in general and modern Japanese literature in particular. The extensive notes that follow the translation serve as an intelligent guide for the reader, supplying details about each of the stories and how they fit into the pattern of mythic development that allowed Kyoka to deal with his fears in a way that sustained his life and, as Mishima Yukio put it, pushed the Japanese language to its highest potential.