Adam Banting, a somewhat aimless young scholar at Cambridge University, is called to his professor's office one afternoon and assigned a special summer project: to write a scholarly monograph about a famous garden built in the 1500s. Dedicated to the memory of Signor Docci's dead wife, the garden is a mysterious world of statues, grottoes, meandering rills, and classical inscriptions. But during his three-week sojourn at the villa, Adam comes to suspect that clues to a murder are buried in the strange iconography of the garden: the long-dead Signor Docci most likely killed his wife and filled her memorial garden with pointers as to both the method and the motive of his crime. As the mystery of the garden unfolds, Adam finds himself drawn into a parallel intrigue. Through his evolving relationship with the lady of the house - the ailing, seventy-something Signora Docci - he finds clues to yet another possible murder, this one much more recent. The signora's eldest son was shot by Nazi officers on the third floor of the villa, and her husband, now dead, insisted that the area be sealed and preserved forever. Like the garden, the third-floor rooms are frozen in time. Delving into his subject, Adam begins to suspect that his summer project might be a setup. Is he really just the naive student, stumbling upon clues, or is Signora Docci using him to discover for herself the true meaning of the villa's murderous past?

    His boss, the district attorney, attractive but hard-charging, is planning to run for governor, and as a showcase she's planning to use a new crime initiative called At Risk; its motto: "Any crime, any time." In particular, she's been looking for a way to employ cutting-edge DNA technology, and she thinks she's found the perfect subject in an unsolved twenty-year-old murder—in Tennessee. If her office solves the case, it ought to make them all look pretty good, right?Her investigator is not so sure—not sure about anything to do with this woman, really—but before he can open his mouth, a shocking piece of violence intervenes, an act that shakes up not only both their lives but also the lives of everyone around them. It's not a random event. Is it personal? Is it professional? Whatever it is, the implications are very, very bad indeed ... and they're about to get much worse.Sparks fly, traps spring, twists abound—this is the master working at the top of her game.

    With the fog swirling about them, they make their plans, fight to defend their discovery, and face for the first time the enormity of mortality itself… all unaware of what else might be out there in the silver water of Lake Champlain.

    New Orleans has always had a heart of noir.Brand-new stories by: Thomas Adcock, Ace Atkins, Patty Friedmann, David Fulmer, Barbara Hambly, Greg Herren, Laura Lippman, Tim McLoughlin, James Nolan, Ted O'Brien, Eric Overmyer, Jeri Cain Rossi, Maureen Tan, Jervey Tervalon, Olympia Vernon, Christine Wiltz, Kalamu Ya Salaam, and Julie Smith, who also edited the collection.

    When an elderly man shoots an intruder he finds in his home, it seems like a clear case of self defense. What’s not so clear is why the robber was there. His bag contains no silver or jewelry­—only three crude ceramic figurines of Queen Victoria which were mass-produced for her Golden Jubilee. When two of the figurines are traced to other houses on the same street, it’s Sherlock Holmes who sees the key to unlock the mystery.Three Monarchs includes a preview chapter from Moriarty.

    . . if you've ever known fear. In Palmerston, Pennsylvania, two men in long coats walk calmly into a crowded fast-food restaurant--then, slowly and methodically, gun down sixty-eight people. They take time to reload. On the Promenade of Santa Monica, California, a teenage girl gives sightseeing tips to a distinguished English tourist. She won't be going home tonight. In Dyersburg, Montana, a grief-stricken son tries to make sense of the accident that killed his parents--then finds a note stuffed in his father's favorite chair. It reads, "We're not dead."Three seemingly unrelated events, these are the first signs of an unimaginable network of fear that will lead one unlikely hero to a chilling confrontation with The Straw Men. No one knows who they are--or why they kill. But they must be stopped. Michael Marshall's electrifying debut novel is an instant masterpiece of modern suspense. An epic thriller for anyone who has feared that someone is watching us.

    On a July afternoon, a young woman's body is dredged from Sweden's beautiful Lake Vattern. With no clues Beck begins an investigation not only to uncover a murderer but also to discover who the victim was. Three months later, all Beck knows is that her name was Roseanna and that she could have been strangled by any one of eighty-five people on a cruise. As the melancholic Beck narrows the list of suspects, he is drawn increasingly to the enigma of the victim, a free-spirited traveler with a penchant for casual sex, and to the psychopathology of a murderer with a distinctive--indeed, terrifying--sense of propriety..

    P. Lovecraft, written on January 28, 1920, and first published in the Tryout, an amateur press publication, in July 1921. It's notable as the first story to make use of Lovecraft's imaginary New England setting, introducing the fictional town of Kingsport.The Terrible Old Man is a strange elderly man "so old that no one can remember when he was young, and so taciturn that few know his real name". He lives alone in an ancient house on Water Street in the town of Kingsport.The Terrible Old Man reappears in the story "The Strange High House in the Mist" in a more benevolent role.

    The thirty-six protect us. Without them, humanity would perish. But the thirty-six do not know they are the chosen ones. In Beijing, a monk collapses in his chamber, dead. A fiery mark—a tattoo? a burn?—spreads across his back and down his spine. In Mumbai, a beloved economist, a man who served the poor, dies suddenly. His corpse reveals the same symbol. Similar deaths are reported around the world—the victims all humanitarians, all with the same death mark. In Venice, an enterprising Italian policeman links the deaths, tracing the evidence. Who is killing good people around the world? In Copenhagen, police are preparing for a world climate summit when they receive the Interpol alert. The task falls to veteran detective Niels Bentzon: Find the “good people” of Denmark and warn them. But Bentzon is a man who is trained to see the worst in humanity, not the good. One by one, people are crossed off his list. He senses their secrets and wrongdoings. Just as Bentzon is ready to give up, he meets Hannah Lund, a brilliant astrophysicist mourning the death of her son and the implosion of her marriage. With Hannah’s help, Bentzon begins to piece together the puzzle of these far-flung deaths. A pattern emerges. It is, they realize, a perfectly executed plan of murder. There have been thirty-four deaths—two more to come if the legend is true. According to the pattern, Bentzon and Hannah can predict the time and place of the final two murders. The deaths will occur in Venice and Copenhagen. And the time is now.

    When a series of strange intuitions leads him to a crime in progress, Joe jumps headlong into danger without hesitation. In the aftermath, he wonders about the uncanny impulse that suddenly swept over him. Until new friend Portia Montclair, the strangely wise daughter of the local police chief, explains to him what sent him ricocheting around town like a crazy pinball. Portia tells of another reality, a reality more thrilling—and terrifying—than Joe ever imagined. Timeless, elemental forces of good and evil have come to the quiet town of Little City: a cosmic entity capable of infecting human beings, and the seeker who has chosen Joe to find it. To stop the malevolent invader, this average Joe must be braver than he ever thought possible…and face the hardest decisions of his life.

    Now, years later, a young boy is missing - and Shelby is the one who must rescue a child. The only evidence of what happened to 10-year-old Jeremiah Sloan is a bicycle left behind on a lonely road. After a desperate search fails to locate him, the close bonds of Shelby's hometown begin to fray under the weight of accusations and suspicion. Everyone around her is keeping secrets. Her adoptive father, her best friend, her best friend's young daughter - they all have something to hide. Even Shelby is concealing a mistake that could jeopardize her career and her future. Unearthing the lies of the people in Jeremiah's life doesn't get the police and the FBI any closer to finding him. As time passes and the case grows cold, Shelby worries that the mystery will stay buried forever under the deep, deep snow. But even the deepest snow melts in the spring. When a tantalizing clue finally comes to light, Shelby must confront the darkest lie of all. Exposing the truth about Jeremiah will leave no one's life untouched - including her own.

    She knows nothing about antiques, yet she has an affection for Salem Street with its charming mix of antique and curio shops. Now elderly dealer Joan Albritton has been found dead, stabbed with an antique dagger. Her neighbors are shocked. Recurring vandalism has them frightened. Ferreting out the facts will take Sharon from the chaotic jumble of the junk dealer's establishment to a museum where San Francisco's most elegant socialites gather. But it is not until she is alone in Joan's dark shop with Clothilde, the headless dressmaker's dummy; Bruno, the stuffed German shepherd; and Edwin, the little boy mannequin in the ornate iron shoes that she will have the chance to discover the murderous secret someone will kill -- and kill again -- to keep.

    But nobody much wants Zen to succeed: not the local authorities, who view him as an interloper, and certainly not Miletti's children, who seem content to let the head of the family languish in the hands of his abductors -- if he's still alive.Was Miletti truly the victim of professionals?  Or might his kidnapper be someone closer to home: his preening son Daniele, with his million-lire wardrobe and his profitable drug business?  His daughter, Cinzia, whose vapid beauty conceals a devastating secret? The perverse Silvio, or the eldest son Pietro, the unscrupulous fixer who manipulates the plots of others for his own ends? As Zen tries to unravel this rat's nest of family intrigue and official complicity, Michael Dibdin gives us one of his most accomplished thrillers, a chilling masterpiece of police procedure and psychological suspense.

    In every detective’s life there are cases that can’t be discussed, and throughout the Bryant & May novels there have been mentions of some of these such as the Deptford Demon or the Little Italy Whelk Smuggling Scandal.Now Arthur Bryant has decided to open the files on eleven of these previously unseen investigations that required the collective genius and unique modus operandi of Arthur Bryant and John May and the Peculiar Crimes Unit - investigations that range from different times (London during the Great Smog) and a variety of places: a circus freak show, on board a London Tour Bus and even a yacht off the coast of Turkey.And in addition to these eleven classic cases, readers are also given a privileged look inside the Peculiar Crimes Unit (literally, with a cut away drawing of their offices), a guide to the characters of the Peculiar Crimes Unit, and access to the contents of Arthur Bryant’s highly individual library.

    The complications pile up as Cate is distracted by the coroner on the case—and by nagging memories that draw her twenty years into the past. The remains suggest eerie similarities between this victim, and Cate and Tessa’s friend Samantha, who disappeared when she was fourteen.Cate finds herself up against closemouthed locals, buried town secrets, and even her own heart. As the case unravels, will she be able to cut through the fog and find justice for the missing and the dead