Yet the literary landscape of this dynamic part of the world has been bound together not by borders and nationalities, but by a common experience of Western imperialism. Keenly aware of the collected scars left by a legacy of colonial rule, the acclaimed writer Reza Aslan, with a team of four regional editors and seventy-seven translators, cogently demonstrates with Tablet and Pen how literature can, in fact, be used to form identity and serve as an extraordinary chronicle of the disrupted histories of the region.Acting with Words Without Borders, which fosters international exchange through translation and publication of the world’s finest literature, Aslan has purposefully situated this volume in the twentieth century, beyond the familiar confines of the Ottoman past, believing that the writers who have emerged in the last hundred years have not received their full due. This monumental collection, therefore, of nearly two hundred pieces, including short stories, novels, memoirs, essays and works of drama—many of them presented in English for the first time—features translated works from Arabic, Persian, Urdu, and Turkish. Organized chronologically, the volume spans a century of literature—from the famed Arab poet Khalil Gibran to the Nobel laureates Naguib Mahfouz and Orhan Pamuk, from the great Syrian-Lebanese poet Adonis to the grand dame of Urdu fiction, Ismat Chughtai—connected by the extraordinarily rich tradition of resplendent cultures that have been all too often ignored by the Western canon.By shifting America’s perception of the Middle Eastern world away from religion and politics, Tablet and Pen evokes the splendors of a region through the voices of its writers and poets, whose literature tells an urgent and liberating story. With a wealth of contextual information that places the writing within the historical, political, and cultural breadth of the region, Tablet Pen is transcendent, a book to be devoured as a single sustained narrative, from the first page to the last. Creating a vital bridge between two estranged cultures, "this is that rare anthology: cohesive, affecting, and informing" (Publishers Weekly).

    The book adopts an interpretive and tries to explain what led to the dislocation of centuries-old social order and the emergence of new social classes.

    It is an insightful account of the larger governance phenomenon in India—coalition politics—as seen through the eyes of one of the chief architects of the post-Congress era of Indian politics.From the inexplicable defeat of the Congress in the 1996 general elections and the rise of regional parties like the TDP and the TMC, to the compelling factors that forced the Congress to withdraw support to the I.K. Gujral government and the singular ability of Sonia Gandhi to forge an alliance with diverse political parties that enabled the Congress to lead the coalitions of UPA I and II, Pranab Mukherjee was a keen observer and an active participant in the contemporary developments that reshaped the course of the country’s political, economic and social destiny.Beyond the challenges, complications and compulsions of coalition governments, this book is also a recollection of Mukherjee’s journey as the Cabinet Minister in the key ministries of defence, external affairs and finance, beginning from 2004. He recounts each of these events with candour—the path-breaking meeting with Henry Kissinger in 2004 that altered the course of the Indo–US strategic partnership, his timely advice to Bangladesh Army Chief Moeen Ahmed in 2008 that led to the release of political prisoners there and the differing views with RBI Governor D. Subbarao on the structure of the FSDC.The third volume of Mukherjee’s autobiography is a sharp and candid account of his years at the helm. It offers the most authoritative account of contemporary Indian politics by one of the tallest leaders and statesmen of our generation.

    The popularity of the book is so great that it has run into forty two impressions ever since it was originally published in the year 1951

    As he records his journey through the drug-like heat and intoxicating fragrances of that "pendant off the ear of India, " Ondaatje simultaneously retraces the baroque mythology of his Dutch-Ceylonese family. An inspired travel narrative and family memoir by an exceptional writer.

    We get an intimate view of a writer's fierce struggle to find her own voice and depict with passion and precision the visible and subtle tyrannies of contemporary society. A Life in Words is a searingly honest and compellingly readable memoir of the life of one of the most significant Urdu writers of all time. Ismat Chughtai (1911 - 1991) was Urdu's most courageous and controversial woman writer in the twentieth century. Often perceived of as a feminist writer, Chughtai explored female sexuality while also exploring other dimensions of social and existential reality.

    This novel deals with the attempts of the son of (fictional) Chola king Parthiban, Vikraman, to attain independence from the Pallavaruler, Narasimhavarman.

    Its a simple love story in written in a simple manner but with a touch of class and novelty. Farhat Ishtiaq has always expressed human feelings and emotions in her stories. This novel Bin Roye Ansu is not exception and she wonderfully expressed the feelings of Saba Shafiq, the lead character of the novel. The feelings of Saba Shafiq are so strongly expressed that readers will feel the same emotions of love, happiness and sorrow with each and every step of the novel characters.

    and, erm, super difficult to read? - But isn’t the stuff it talks about way too complex for regular folks to understand? Prepare to besurprised. Roopa Pai's spirited, one-of-a-kind retelling of the epic conversation between Pandava prince Arjuna and his mentor and friendKrishna busts these and other such myths about the Bhagavad Gita. Lucid, thought-provoking and brimming with fun trivia, this book will staywith you long after you have turned the last page. Why haven't you read it yet?

    He managed the first Maurya emperor Chandragupta’s rise to power at a young age. He is widely credited for having played an important role in the establishment of the Maurya Empire, which was the first empire in archaeologically recorded history to rule most of the Indian subcontinent.Chanakya is traditionally identified as Kautilya or Vishnu Gupta, who authored the ancient Indian poltical treatise called Arthasastra. As such, he is considered as the pioneer of the field of economics and political science in India, and his work is thought of as an important precursor to Classical Economics.Chanakya Neeti is a treatise on the ideal way of life, and shows Chanakya’s deep study of the Indian way of life. Chanakya also developed Neeti-Sutras (aphorisms—pithy sentences) that tell people how they should behave. Of these well-known 455 sutras, about 216 refer to rajaneeti (the do,s and don’ts of running a kingdom). Apparently, Chanakya used these sutras to groom Chandragupta and other selected disciples in the art of ruling a kingdom.SOME IMPORTANT SUTRAS  In the common man’s affluence and happiness is the affluence and happiness of the king. In their welfare is the king’s welfare.  The king’s mission should be to constantly make efforts for the welfare of his subjects. It is his duty to maintain orderly administration.  Self-dependent economy is the best economy; it should not be entirely dependent on exports.  Everyone in the society should be equal with equal opportunities.  It is necessary to have an effective land management policy for the development of the resources.  The State should keep a constant watch on the agricultural development.  The law of the land should be uniform for everyone.  The security of its residents should be a priority for the government.

    The book has no illustrations or index.

    Historical novel that explodes all the myths that surround Mastani who was the second wife of Peshwa Baji Rao I in Central India in the 1700s.

    The name indicates that this is a set of stories having it's own fragrance.

    However, as is perhaps not very politically correct to point out, Islam as a religion calls Muslims to be a part of Ummah, which is to say, that all Muslims belong to the same theological ‘country’ regardless of political borders.That coupled with the intrinsic need of the Left to forever consider the Muslims as the victims, even under imaginary circumstances led to massive riots and violence in India. The perceived wrong here was that CAA left Muslims out, however, the truth was the CAA had nothing to do with Indians at all, let alone Indian Muslims.Another excuse for the rampant violence was that the proposed NRC would snatch away the citizenship of Muslims. That too, was a shameless canard. The NRC, when implemented and drafted, would be aimed to identify and deport Illegal Immigrants, and not Indian Citizens. No country in the world wantonly accepts indiscriminate influx of illegals, but the Left and Islamist nexus burnt the country because that is exactly what it expected of India.While many people wish to look at the Delhi Riots 2020 in isolation, the events that started right from the 1st December 2019 proves otherwise. It proves that the violence was a concerted effort to push Anarchy and Chaos in India. It proves that the Delhi Riots was no anti-Muslim pogrom, it was indeed, a well-oiled plan to tame ‘kafirs’.

    Osip Mandelstam has in recent years come to be seen as a central figure in European modernism. Though known primarily as a poet, Mandelstam worked in many styles: autobiography, short story, travel writing, and polemic. Mandelstam's biographer, Clarence Brown, presents a collection of the poet's prose works that illuminates his far-ranging talent and places him within the canon of European modernism.This volume includes Mandelstam's "The Noise of Time, " a series of autobiographical sketches; "The Egyptian Stamp, " a novella echoing Gogol and Dostoevsky; "Fourth Prose, " and the famous travel memoirs "Theodosia" and "Journey to Armenia."