For months now, Monique doesn’t know who she is anymore.Monique is living under a false identity in German-occupied Paris. No one knows that she is Jewish.Since last summer, Monique has been involved with a Nazi officer, and she knows that she will pay with her life if anyone discovers her secret, but she has no other choice.In the days leading to Christmas, Monique and Herr Ernest, the German officer she lives with, are preparing for a German officers’ reception which they plan to attend. Monique ardently continues to hide her secret. Still, she can’t ignore the signs of her past, and as the evening of the reception progresses, Monique finds it increasingly difficult to keep her true identity a secret, fearing that some may suspect her of hiding something.Monique must keep her secret, but can she continue to deny her identity and heritage?With the backdrop of illuminated Christmas trees and Hanukkah candles, Alex Amit’s short story illuminates the simple and extraordinary acts of courage by a young woman, fighting for her life and identity during those dark and dreadful days, and continuing to believe that next year will bring with it winds of change and hope.

    Traherne is temporarily crippled saving the life of his well-born friend, Jaspar. Thus, Jaspar is assured of inheriting his father's estate, but it is expected that Traherne will inherit great wealth as gratitude for saving the heir. But--surprise!--on the death of Jaspar's father all are shocked to learn that Traherne has been disinherited: the will has been changed at the last minute and only the suffering Traherne knows why but won't tell and then he falls in love with Jaspar's sister, the fair Octavia. However, Octavia is forbidden to marry, as Traherne is penniless.

    That’s enough money to bring her brother back from America and reinstate their stolen family fortune. But is she walking into danger? It appears so, especially when she comes face to face with one of the other guests—her former fiancé, Benjamin Lane.Imprisoned unjustly, Ben wants revenge on the unknown person who stole his honor. When he’s given the chance to gain his freedom, he jumps at it—and is blindsided by the anger of the woman he left at the altar.Brought together under mysterious circumstances for the 12 Days of Christmas, Clara and Ben discover that what they've been striving for isn't what ultimately matters. What matters most is what Christmas is all about . . . love.

    This giftable edition of Dickens’s 1843 work will delight those who already know the perennial classic, as well as any collector of beautiful case-bound books.Additionally, this collector’s edition will include shorter, lesser-known works by famous authors from the nineteenth and twentieth centuries. Each story and poem has been lovingly selected to celebrate the heart of the season and to gently remind readers of the true meaning of Christmas.

    Now for the first time thirteen of these tales are collected here, including a wide range of stories from a diverse group of authors, some well-known, others anonymous or forgotten. Readers whose only previous experience with Victorian Christmas ghost stories has been Charles Dickens’s A Christmas Carol will be surprised and delighted at the astonishing variety of ghostly tales in this volume. “In the sickly light I saw it lying on the bed, with its grim head on the pillow. A man? Or a corpse arisen from its unhallowed grave, and awaiting the demon that animated it?” - John Berwick Harwood, Horror: A True Tale“Suddenly I aroused with a start and as ghostly a thrill of horror as ever I remember to have felt in my life. Something—what, I knew not—seemed near, something nameless, but unutterably awful.” - Ada Buisson, The Ghost’s Summons“There was no longer any question what she was, or any thought of her being a living being. Upon a face which wore the fixed features of a corpse were imprinted the traces of the vilest and most hideous passions which had animated her while she lived.” - Walter Scott, The Tapestried Chamber

    This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

    Wimbourne Books presents the first in a series of rare or out-of-print ghost stories from Victorian authors. With an introduction by author Alastair Gunn, Volume 1 in the series spans the years 1852 to 1899 and includes stories from a wide range of female authors; English, Irish, Scottish, Welsh and American. Includes tales by Mary Elizabeth Braddon, Charlotte Riddell, Isabella Banks and Gertrude Atherton. Readers new to this genre will discover its pleasures; the Victorian quaintness, the sometimes shocking difference in social norms, the almost comical politeness and structured etiquette, the archaic and precise language, but mostly the Victorians’ skill at stoking our fears and trepidations, our insecurities and doubts. Even if you are already an aficionado of the ghostly tale there is much within these pages to interest you. Wait until the dark of the stormy night arrives, lock the doors, shutter the windows, light the fire, sit with your back to the wall and bury yourself in the Victorian macabre. Try not to let the creaking floorboards, the distant howl of a dog, the chill breeze that caresses the candle, the shadows in the far recesses of your room, disturb your concentration.

    His publisher turned it down, so Dickens used what little money he had to put out A Christmas Carol himself. He worried it might be the end of his career as a novelist.The book immediately caused a sensation. And it breathed new life into a holiday that had fallen into disfavor, undermined by lingering Puritanism and the cold modernity of the Industrial Revolution. It was a harsh and dreary age, in desperate need of spiritual renewal, ready to embrace a book that ended with blessings for one and all.With warmth, wit, and an infusion of Christmas cheer, Les Standiford whisks us back to Victorian England, its most beloved storyteller, and the birth of the Christmas we know best. The Man Who Invented Christmas is a rich and satisfying read for Scrooges and sentimentalists alike.

    While at a health resort years earlier, Miss Marple had become suspicious. She thought a man she met may have been planning to murder his wife. When Mrs. Sanders did indeed die in suspicious circumstances, the man had a good alibi for his wife's time of death - it included supporting evidence from Miss Marple herself!The story was first published as "‘The Hat and the Alibi" in "Storyteller" in January 1930.Librarian's note: this entry relates to the short story, "A Christmas Tragedy." Collections and the other stories by the author are located elsewhere on Goodreads. The Miss Marple series includes twelve novels and 20 short stories. Entries for the short stories can be found by searching Goodreads for: "a Miss Marple Short Story."

    They are invited to the festivities up at The Grange, as guests of Sir Hector and Lady Farley-Stroud.But barely have corks been popped and parlour games played when a mysterious crime comes to light. Someone has broken in while the revellers were distracted and made off with a priceless pearl necklace. Lady Hardcastle and Flo are determined to catch the thief—but with so many Christmas guests encamped at The Grange, is it possible that the felon is hiding in plain sight?With the clues stacking up, Lady Hardcastle bears down on her culprit. But just as the pieces come together, it begins to look as if there is something more devious afoot at The Grange…

    Used book in good condition, above image is a rerpresentative one

    There are missing jewels, new faces at the Abbey, and a prowling ghost that brings back unwelcome memories from a previous holiday—one that turned deadly. Is a new culprit recreating crimes of the past? And will Brisbane let Julia investigate—?

    JEFFRIES A DETECTIVE IN THE HOUSE Everyone’s awed by Inspector Witherspoon’s Scotland Yard successes, but they don’t know about his secret weapon. Her name is Mrs. Jeffries, and she keeps house for the Inspector—and keeps him on his toes. No matter how messy the murder or how dirty the deed, her polished detection skills are up to the task. Because as she knows all too well, a crimesolver’s work is never done…Mrs. Jeffries Plays the CookWhen a dead body turns up, Mrs. Jeffries winds up doing double-duty: cooking for the household—and trying to cook a killer’s goose…Mrs. Jeffries and the Missing Alibi It’s one of the most brazen murders anyone can remember—and Inspector Witherspoon has become the main suspect. Now it’s up to Mrs. Jeffries to clear her boss’s good name…Mrs. Jeffries Stands CorrectedWhen a local publican is murdered, Inspector Witherspoon finally takes Mrs. Jeffries’s advice to trust his own instincts. But as he narrows down the suspects, Mrs. Jeffries and her staff must solve the case before he ruins his career—and theirs…

    Hinging on the theft of an enormous diamond originally stolen from an Indian shrine, this riveting novel features the innovative Sergeant Cuff, the hilarious house steward Gabriel Betteridge, a lovesick housemaid, and a mysterious band of Indian jugglers.The Woman in WhiteOne of the greatest mystery thrillers ever written, Wilkie Collins' The Woman in White was a phenomenal bestseller in the 1860s, achieving even greater success than works by Dickens, Collins' friend and mentor. Full of surprise, intrigue, and suspense, this vastly entertaining novel continues to enthrall readers today.The story begins with an eerie midnight encounter between artist Walter Hartright and a ghostly woman dressed all in white who seems desperate to share a dark secret. The next day Hartright, engaged as a drawing master to the beautiful Laura Fairlie and her half sister, tells his pupils about the strange events of the previous evening. Determined to learn all they can about the mysterious woman in white, the three soon find themselves drawn into a chilling vortex of crime, poison, kidnapping, and international intrigue.Masterfully constructed, The Woman in White is dominated by two of the finest creations in all Victorian fiction: Marion Halcombe, dark, mannish, yet irresistibly fascinating, and Count Fosco, the sinister and flamboyant "Napoleon of Crime."

    One night, a carload of strangers appears on the Hollands' property, carrying the air of incipient danger underneath a veneer of pleasantries. Weldon finds himself inexplicably drawn to the group of trespassing vagabonds—who, despite being camped out on a hidden riverbank in the middle of nowhere, drive the most expensive automobile that Weldon has ever seen. In the unbearable, rainless heat of a Dust Bowl summer, Weldon will find himself mixed up in an encounter with the infamous bank robbers Bonnie and Clyde—an encounter that changes the course of Weldon's life…and history itself. Rich with criminal and social history of the American West and a young boy’s struggle to become a man, “A Dust Bowl Tale of Bonnie and Clyde” is just the beginning of Weldon Holland’s story.