Once the land is cleared and a rudimentary house built, he brings his wife Amy to the wilderness. Together they face lives of joy and sorrow as they struggle against the environment.

    . . . No one is writing better or more needed verse than this."--Boston Evening Globe

    The first novel written about the bushcountry gunslinger who was both the national hero and devil incarnate of Australia, Ned Kelly imagines the inner life of a figure described by historian Manning Clark as "a wild ass of a man, snarling, roaring and frothing like a ferocious beast when the tamer entered the cage." Written with brilliant clarity and impressionistic economy, Ned Kelly follows Kelly and his outlaw gang of "bushrangers" through the wild land of Australia as they declare war on the police, the bankers, the squatters, the teachers, the preachers, the railway, and the electric telegraph-carrying readers into a dream world of astonishing and violent revelation.

    Each one a perfect piece, together they showcase Garner’s mastery of the form.

    of age and know what it is to be raised on lies and silences my dear daughter you are presently too young to understand a word I write but this history is for you and will contain no single lie may I burn in Hell if I speak false.”In True History of the Kelly Gang, the legendary Ned Kelly speaks for himself, scribbling his narrative on errant scraps of paper in semiliterate but magically descriptive prose as he flees from the police. To his pursuers, Kelly is nothing but a monstrous criminal, a thief and a murderer. To his own people, the lowly class of ordinary Australians, the bushranger is a hero, defying the authority of the English to direct their lives. Indentured by his bootlegger mother to a famous horse thief (who was also her lover), Ned saw his first prison cell at 15 and by the age of 26 had become the most wanted man in the wild colony of Victoria, taking over whole towns and defying the law until he was finally captured and hanged. Here is a classic outlaw tale, made alive by the skill of a great novelist.

    Choices were made without thinking. Young lives came together and would never be the same again. Years on, as Ursula confronts decisions that are not so easy to make, revelations collide with memories of Candelo - and some breathtaking secrets come to light.

    There, a bore is "a person who talks when you wish him to listen," and happiness is "an agreeable sensation arising from contemplating the misery of another." This is the most comprehensive, authoritative edition ever of Ambrose Bierce’s satiric masterpiece. It renders obsolete all other versions that have appeared in the book’s ninety-year history.A virtual onslaught of acerbic, confrontational wordplay, The Unabridged Devil’s Dictionary offers some 1,600 wickedly clever definitions to the vocabulary of everyday life. Little is sacred and few are safe, for Bierce targets just about any pursuit, from matrimony to immortality, that allows our willful failings and excesses to shine forth.This new edition is based on David E. Schultz and S. T. Joshi’s exhaustive investigation into the book’s writing and publishing history. All of Bierce’s known satiric definitions are here, including previously uncollected, unpublished, and alternative entries. Definitions dropped from previous editions have been restored while nearly two hundred wrongly attributed to Bierce have been excised. For dedicated Bierce readers, an introduction and notes are also included.Ambrose Bierce’s Devil’s Dictionary is a classic that stands alongside the best work of satirists such as Twain, Mencken, and Thurber. This unabridged edition will be celebrated by humor fans and word lovers everywhere.

            The stories are divided into three sections: The Age of Fable or Stories of Gods and Heroes (first published in 1855); The Age of Chivalry (1858), which contains King Arthur and His Knights, The Mabinogeon, and The Knights of English History; and Legends of Charlemagne or Romance of the Middle Ages (1863). For the Greek myths, Bulfinch drew on Ovid and Virgil, and for the sagas of the north, from Mallet's Northern Antiquities. He provides lively versions of the myths of Zeus and Hera, Venus and Adonis, Daphne and Apollo, and their cohorts on Mount Olympus; the love story of Pygmalion and Galatea; the legends of the Trojan War and the epic wanderings of Ulysses and Aeneas; the joys of Valhalla and the furies of Thor; and the tales of Beowulf and Robin Hood. The tales are eminently readable. As Bulfinch wrote, "Without a knowledge of mythology much of the elegant literature of our own language cannot be understood and appreciated. . . . Our book is an attempt to solve this problem, by telling the stories of mythology in such a manner as to make them a source of amusement."Thomas Bulfinch, in his day job, was a clerk in the Merchant's Bank of Boston, an undemanding position that afforded him ample leisure time in which to pursue his other interests. In addition to serving as secretary of the Boston Society of Natural History, he thoroughly researched the myths and legends and copiously cross-referenced them with literature and art. As such, the myths are an indispensable guide to the cultural values of the nineteenth century; however, it is the vigor of the stories themselves that returns generation after generation to Bulfinch.

    Collection of poems rising from and returning to Bukowski's personal experiences reflect people, objects, places, and events of the external world, and reflects on them, on their way out and back.

    She has resigned from her job, and is trying to survive as a writer. With no food left in her rooming-house attic, she sets out to buy provisions from the corner shop. On the way she collapses, and to her surprise wakes up in hospital... From there it's a bumpy ride to the tuberculosis sanatorium, where Isobel becomes a member of a self-contained society. The god-like doctors and an assorted, less than compatible, cast of patients help Isobel to gain hard insights about herself, and about human nature, on the slow path to recuperation. While many of the experiences recounted in this memorable novel are grim, Amy Witting manages at the same time to be continually and compassionately funny. From her humour emerges the profound, ironic wisdom by which all her writing is distiguished.

    In telling lies, Laura learns both the astonishing allure of fiction and the social costs of stepping beyond the bounds of propriety, gender, class, and family ties.The novel is only in part a fictionalised account of Richardson's school years at the Presbyterian Ladies College, Melbourne, where (unlike her fictional counterpart) she was not only academically successful but also an outstanding student of music. Unusual for stories of school-life, The Getting of Wisdom was clearly aimed at a mature readership able to understand irony and a critique of the colonial educational provision of its day, including a determination to preserve sexual ignorance in young women.

    The book is written in the saga form, spanning four generations from 1861 to the mid-1980s, though the path from past to present is neither straight nor defined. It is, rather, a broader and interwoven series of relationships in which the generations of the past continue to inform the present and all meld in the land and landscape. As Connie Laffey puts it: 'So closely meshed all of us, the nature of our closeness bound up with this place. With family.' The novel opens in the early 1980s with Connie Lafey and her middle-aged son, Reever, protesting against development which is decimating to the rainforest in the Mango area. Connie, anxious about Reever's safety—he has chained himself fifty feet up a celerywood tree—heads off to find help when she falls and concusses herself. The attendant delirium is the starting point for the narrative saga as the past and present converge in Connie's reverie. The narrative transports us back in time to the first generation of immigrants and the courtship and marriage of Cornelius Laffey and Jessica Olive in 1861.

    the occasion is a piano lesson, the first of many...

    Ruth Park richly creates the turmoil of those early days of their courtship in the dusty outback, filled with beautifully drawn characters that will make you laugh as much as cry.Ruth Park�s Australian classics take you from the barren landscapes of the outback to the colourful slums of Sydney with convincing depth, careful detail and great heart.

    Human beings often write about their dogs, but the dogs don't usually get a right of reply. In Love, Clancy, Richard Glover has collated the letters sent by Clancy to his parents in the bush. They are full of a young dog's musings about the oddities of human behaviour, life in the big city, and his own attempts to fit in. You'll meet Clancy as a puppy, making his first attempt to train his humans, then see him grow into a mature activist, demanding more attention be paid to a dog's view of the world. Along the way, there are adventures aplenty, involving robotic vacuum cleaners, songs about cheese, trips to the country and stolen legs of ham - all told with a dog's deep wisdom when it comes to what's important in life.Delightfully illustrated by cartoonist Cathy Wilcox.PRAISE FOR RICHARD GLOVER Love, Clancy 'Unnervingly accurate, always funny, Richard Glover effortlessly inhabits the fine mind of a dog' - Julia Baird The Land Before Avocado 'This is vintage Glover - warm, wise and very, very funny. Brimming with excruciating insights into life in the late sixties and early seventies, The Land Before Avocado explains why this was the cultural revolution we had to have' Hugh Mackay'Hilarious and horrifying, this is the ultimate intergenerational conversation starter' Annabel Crabb'Richard Glover's just-published The Land Before Avocado is a wonderful and witty journey back in time to life in the early 1970s' Richard Wakelin, Australian Financial Review Flesh Wounds 'A funny, moving, very entertaining memoir' Bill Bryson, New York Times'The best Australian memoir I've read is Richard Glover's Flesh Wounds' Greg Sheridan, The Australian