Ayckbourn's series of plays for 4-5 actors typify his black comedies of human behaviour. The plays are alternately naturalistic, stylised and farcical, but underlying each is the problem of loneliness. The Mother Figure shows a mother unable to escape from baby talk; in The Drinking Companion, an absentee husband attempts seduction without success; in Between Mouthfuls, a waiter oversees a fraught dinner encounter. A garden party gets out of hand in Gosforth's Fete, whilst A Talk in the Park is a revue style curtain call piece for the five actors. Whether the comedies concern marital conflict, infidelity or motherhood and take place on a park bench or at a village fete, the characters are familiar and their cries for help instantly recognisable. Principally he is respected as a radical re-inventor of form - Dominic Dromgoole.

    John, who opens up Hezekiah to the underworld of being "on the down-low." Then there's Samantha's secret lover, Reverend Willie Mitchell, also Hezekiah's biggest nemesis, who's in cahoots with her to take over Hezekiah's New Testament Cathedral. When a shocking turn of events takes place the day Hezekiah decides to come clean about his double life, and catapults Samantha to position of the leader of the flock, how long will she be able to keep up her own charade?

    She is looking forward to the prospect of spending the rest of her days in comfort in a leisure village in Wiltshire and the adventure that her new life will bring.But when long-standing arrangements crumble, her situation quickly becomes worrying. With her dreams in disarray, Lara makes friends with the other residents and finds herself entangled in the ups and downs, triumphs and tragedies of her new community, hoping against hope that her independence will one day be restored.

    There are two stories here.Hannah Mulvey left her island home as a teenager. But her stubborn, defiant mother is dying, and now Hannah has returned to Chesil, taking up a teaching post at the tiny schoolhouse, doing what she can in the long days of this final year.But though Hannah cannot pinpoint exactly when it begins, something threatens her small community. A girl disappears entirely from class. Odd reports and rumours reach her through her young charges. People mutter on street corners, the church bell tolls through the night and the island's women gather at strange hours...And then the miracles begin.A page-turning, thought-provoking portrayal of a remote community caught up in a collective moment of madness, of good intentions turned terribly awry. A blistering examination of truth and power, and how we might tell one from the other.'Catherine Noske's debut novel grapples with questions of familial obligation, complicity, remorse and the fallibility of memory...The Salt Madonna will appeal to readers who enjoyed Laura Elizabeth Woollett's Beautiful Revolutionary.' Books+Publishing'Catherine Noske's The Salt Madonna is Australian Gothic at its most sublime and uncanny. Superbly atmospheric and darkly unsettling, the characters are haunted by their colonial pasts, manifested in guilty silence...Noske's taut, subversive writing exposes unspeakable truths buried in dazzling stories, miracles and epiphanies.' Cassandra Atherton

    [Penguin Readers Level 6]

    And wrong. This is not your average self-help book.There are no filters, no frittatas and no fake. In Help Self, Tanya gets real as she discusses food, love, friendship, careers and mental health, and (of course) she gets real hilarious too.From being mistaken for a pregnant woman when she'd just had too many Cheezels, to understanding whatever alien language your friend's child is speaking, to overcoming an unexpected breakup with your best friend, Tanya Hennessy has all the life-hack, pro-tips for getting through this chaos we call life.

    Back-in-print early work by the author of subUrbia and Sex, Drugs, Rock & Roll.

    A job as a house/dog-sitter – albeit in a minus one-star leaky cottage in windswept Shelly Beach – seems the perfect opportunity to relax and regroup. But Gina hasn't counted on the locals, and soon finds herself reluctantly convening the writers' group, babysitting, baking, seal-watching, bicycling . . . and perhaps even falling in love.With a cast of unforgettable characters, The Shelly Beach Writers' Group is an irresistible story of reinvention.

    Then, suddenly, a force field surrounds the town, through which no-one can pass, and the population is completely cut off from the outside world by an unknown force.

    He enlists the aid of his lifelong buddy, Aldo Scalicki, a confirmed bachelor who tries, without apparent success, to convince Huey that he would be better off sticking with his new lady friend, Teresa, a usually placid young waitress whose indignation flares when she learns what Huey is up to. In a moonlit balcony scene (hilariously reminiscent of Cyrano de Bergerac) Aldo pleads his lovesick friend's case and, to his astonishment, Janice capitulates although not for long. However we do learn that her earlier abuse of Huey was intended to make him "act like a man" which, at last, he does. And, more than that, he (and the audience) become aware that, in the final essence, "the greatest and only success is to be able to love" a truth which emerges delightfully from the heartwarming, wonderfully antic and always imaginatively conceived action of the play.

    What is art? What’s true courage? I could not put it down.’ —Melissa Ashley,bestselling author of THE BIRDMAN’S WIFELotti lives under the shadow of a genius: her father George Coates is a brilliant and celebrated Australian painter.When Lotti meets the outcast waif Kyla at a suburban Canberra school, two worlds are set to collide. Slowly Kyla is drawn into the orbit of the Coates family. Or is it the other way around?As Lotti and Kyla navigate their way towards adulthood, dark secrets start to unravel, with devastating consequences …WE WERE NEVER FRIENDS is unforgettable novel about friendship, the pursuit of a creative life and the legacies we leave behind.‘Margaret Bearman’s intimate, unsettling novel of family dysfunction perfectly captures the ambivalent passions of girlhood while offering an incisive critiqueof the cult of artistic genius. Sharp and subtle at the same time, refusing any easy certainties, WE WERE NEVER FRIENDS is a haunting portrait of the humancapacity for cruelty and love in equal measure.’ —Kirsten Tranter, bestselling author of THE LEGACY

    He lives with his mother and sister Katie, all dutifully cared for by Aunt Dettie, their father's sister, who believes herself sympathetic to his pain. Their father abandoned the family some time ago, but when their mother begins to date again, Aunt Dettie reacts very badly. After an unexpected phone call, Aunt Dettie packs Sam and Katie into the backseat of her car and tells them that she's taking them to Perth to be reunited with their father. As Dettie drives the children across Australia in the middle of a sweltering and dangerous bushfire season, her behaviour becomes increasingly erratic, and the children begin to realise that there is something very wrong. Voiceless, Sam can only watch helplessly as the family trip becomes a smoke-filled nightmare.

    Can long-buried secrets break you apart … or set you free?On the surface, Elle has the perfect life – husband, child and a beautiful home. But sometimes a perfect facade hides the cracks beneath: Elle’s husband Rick seems determined to clip her wings at every turn, keeping her at home and away from her friends and from the world. When Elle’s father dies and she starts to clear his house, the cracks start to widen – and it’s only a matter of time before everything breaks open.On a quest for buried treasure at the house, her young son, Charlie, finds a box underneath the apple tree, with love letters from the past that could tear her world apart.As past and present collide, Elle must decide what is right – and what course her life should take.

    In the valley at Evergreen Springs, Quinn hopes the fractured family might all come together to start over again.Life in Queensland's far north is wildly unpredictable, with daily challenges and the wet season, in all its wild majesty, to survive. But when twelve-year-old Rob makes the gruesome discovery of a dead body in the valley, real peril comes far too close to home.Tracking North is a beautiful family story about life in the stunning Gulf Country, one of the world's most unique and fascinating places.'Vividly transports you to the Gulf Country . . . settle in for a really enjoyable read.' Susan Duncan, bestselling author of Salvation Creek

    Long walks in the fresh air to concentrate her mind. Hearty meals to raise her energy levels and cosy evenings in the local pub beside a flickering fire curled up with a good book. Perfect.However, what she didn’t realise was the invitation was for two and her ‘plus one’ was already unpacked and making himself at home. There is also a Fossil club convention in town meaning every room on the Jurassic coast is occupied and she has to spend the next week with a stranger.Freddie Carlton receives an invitation to escape to Happy Ever After and was particularly interested in the ‘happy ending’ it promised. Having had a disastrous run of bad luck with women he was prepared to try anything.He wasn’t prepared to discover that his ‘one’ had already been chosen for him and was seriously annoying. A woman who arrived with more baggage than an Airbus and was in no mood to share.Will Happy Ever After work its magic and give them both the happy ending they deserve, or will fate continue to throw obstacles in their path and turn their bad start into a very complicated ending?