But where once we settled down to admire the 'top-quality original songwriting' that the contest was inaugurated to showcase, throughout the long post-ABBA decades Eurovision has come to entertain us for all the wrong reasons: we chortle at its magnificent foolishness, its stubborn reinforcement of the crudest national stereotypes, at a scoreboard shamelessly corrupted by cross-border friendship and hatred. And as post-modern connoisseurs of showbiz meltdown, our focus has shifted from the blandly competent winners to the spangled, hapless, table-propping losers, those left to wander the lonely, windswept summit of Mount Fiasco. The gold standard of farcical failure, the benchmark of badness, to score nul points is to suffer international ignominy and find sympathetic understanding replaced by brutal guffaws. Remorseful of his own longstanding contributions to the latter chorus, yet darkly fascinated with those lives shadowed by the entertainment world's most grandiose humiliation, Tim Moore sets off to track down the thirteen Eurominstrels who have come and gone without troubling the scorers since Norway's Jahn Teigen twanged his silver braces and leapt splay-legged off the Palais des Congres stage in 1978. From Lisbon to Lithuania, from the Black Sea to the Baltic, Moore travels the continent to hear their extraordinary stories - 'poignant, ludicrous and heartwarming in almost equal measure' - recounting as he does so the no less improbable history of Eurovision itself, a towering cathedral of cheese that can nonetheless claim responsibility for keeping Norway out of the EU and catalysing the overthrow of a Portuguese dictatorship.

    Michael Jackson Treasures pairs a compelling exploration of his story with photographs and memorabilia that illuminate h is fascinating, complicated life. Featuring a number of rare pieces, including selected pages from the Jackson children’s high school yearbook, the patent for the antigravity lean shoes from “Smooth Criminal,” and a fancifully die-cut mask from the Dangerous Tour, Michael Jackson Treasures is a trove of powerful images and ephemera from a truly global superstar.

    What next? The professional marketplace is flooded with outstanding musicians, forced to compete for a shrinking number of ""traditional"" opportunities. The Savvy Musician helps balance three overriding aspects of your professional musical life: (1) building a career, (2) earning a living, and (3) making a difference. Filled with clearly articulated concepts, detailed strategies, and 165 vignettes about actual musicians working to create a meaningful and prosperous career, this book examines critical elements often overlooked or misunderstood by musicians, and helps you take control of your career. Discover how to build an immediately recognizable ""brand,"" capitalize on technology—from Internet tools to the new recording paradigm, expand your network, and raise money to fund your dreams. The Savvy Musician is an invaluable resource for performers, composers, educators, students, administrators, industry employees, and others interested in a thriving musical future.

    Written by the famous nonobjective painter Wassily Kandinsky (1866–1944), it explains Kandinsky's own theory of painting and crystallizes the ideas that were influencing many other modern artists of the period. Along with his own groundbreaking paintings, this book had a tremendous impact on the development of modern art.Kandinsky's ideas are presented in two parts. The first part, called "About General Aesthetic," issues a call for a spiritual revolution in painting that will let artists express their own inner lives in abstract, non-material terms. Just as musicians do not depend upon the material world for their music, so artists should not have to depend upon the material world for their art. In the second part, "About Painting," Kandinsky discusses the psychology of colors, the language of form and color, and the responsibilities of the artist. An Introduction by the translator, Michael T. H. Sadler, offers additional explanation of Kandinsky's art and theories, while a new Preface by Richard Stratton discusses Kandinsky's career as a whole and the impact of the book. Making the book even more valuable are nine woodcuts by Kandinsky himself that appear at the chapter headings.This English translation of Über das Geistige in der Kunst was a significant contribution to the understanding of nonobjectivism in art. It continues to be a stimulating and necessary reading experience for every artist, art student, and art patron concerned with the direction of 20th-century painting.

    Read the story of Bach, the respectable burgher, much of whose vast output was composed amidst petty turf disputes in LuteranLeipzig; or the ugly, argumentative Beethoven, obsessed by his laundry; or Mozart, the over-exploited infant prodigy whose untimely death was shrouded in rumor; or the ghastly death of Donizetti and Smetana. Read about Verdi, who composed against the background of the Italian Risorgimento, or aboutthe family life of the Wagners; and Brahms, who rose from the slums of Hamburg to become a devotee of beer and coffee in fin-de-siecle Vienna, a cultural capital bent on destroying Mahler.Michael Steen paints a vivid portrait of the tumultuous times in which these brilliant, yet flawed, human beings labored--a tour of 350 years of European history. From Handel's London and the speculative financial frenzy of the South Sea bubble; to the courts of petty German princelings and theornate and sleazy Dresden; to the astonishingly creative Vienna of Beethoven and Schubert; to the opera in 19th-century Paris and Bizet in the Franco-Prussian War and the Commune; to the Majorca of Chopin, to the Russia of Tchaikovsky and the Siege of Leningrad, just one of the many horrors whichShostakovich had to survive. We encounter, too, painters such as Renoir and Manet, literary figures like Zola, Proust, and Dostoyevsky, and religious leaders such as Pope Pius IX and Cardinal Newman. Great Composers paints in broad brushstrokes the culture of a continent far wider than music.

       With honed sensitivity and unquestioned expertise, Stuart Isacoff—pianist, critic, teacher, and author of Temperament: How Music Became a Battleground for the Great Minds of Western Civilization—unfolds the ongoing history and evolution of the piano and all its myriad wonders: how its very sound provides the basis for emotional expression and individual style, and why it has so powerfully entertained generation upon generation of listeners. He illuminates the groundbreaking music of Mozart, Beethoven, Liszt, Schumann, and Debussy. He analyzes the breathtaking techniques of Glenn Gould, Oscar Peterson, Vladimir Ashkenazy, Arthur Rubinstein, and Van Cliburn, and he gives musicians including Alfred Brendel, Murray Perahia, Menahem Pressler, and Vladimir Horowitz the opportunity to discuss their approaches. Isacoff delineates how classical music and jazz influenced each other as the uniquely American art form progressed from ragtime, novelty, stride, boogie, bebop, and beyond, through Scott Joplin, Fats Waller, Duke Ellington, Bill Evans, Thelonious Monk, Chick Corea, Herbie Hancock, Cecil Taylor, and Bill Charlap. A Natural History of the Piano distills a lifetime of research and passion into one brilliant narrative. We witness Mozart unveiling his monumental concertos in Vienna’s coffeehouses, using a special piano with one keyboard for the hands and another for the feet; European virtuoso Henri Herz entertaining rowdy miners during the California gold rush; Beethoven at his piano, conjuring healing angels to console a grieving mother who had lost her child; Liszt fainting in the arms of a page turner to spark an entire hall into hysterics. Here is the instrument in all its complexity and beauty. We learn of the incredible craftsmanship of a modern Steinway, the peculiarity of specialty pianos built for the Victorian household, the continuing innovation in keyboards including electronic ones. And most of all, we hear the music of the masters, from centuries ago and in our own age, brilliantly evoked and as marvelous as its most recent performance.   With this wide-ranging volume, Isacoff gives us a must-have for music lovers, pianists, and the armchair musician.

    With clear and easy-to-understand exercises, The Piano Handbook is perfect for anyone interested in learning the piano or improving their skills. It provides fresh material and techniques in styles ranging from classical to jazz, rock, bebop and fusion, and gives new players everything they need to learn and enjoy the piano. This book's innovative tutorial approach covers classical and contemporary music styles in an integrated way, and the companion audio brings the playing techniques and concepts to life. A full-color photo gallery illustrates the history of the piano and its essential recordings. The book also includes access to audio downloads of selected examples and pieces. This hardcover, deluxe edition also features semi-concealed spiral binding so the book stays open on the piano. The Piano Handbook prepares you not just to play, but to perform and not just as a pianist, but as a complete musician.

    The tale unfolds amid a fanciful version of Japanese society, in which a wandering minstrel has the misfortune to fall in love with the beautiful ward of the Lord High Executioner of Titipu.The sparkling lyrics and witty dialogue of this comic masterpiece are as much a delight to read as they are to hear with musical accompaniment. The complete libretto is reprinted in this edition from the standard performance text of The Mikado, complete with nine charming illustrations drawn by W. S. Gilbert himself.

    This book's 100 recipes include many Caribbean favourites, often modernized with a delicious twist.

    Guitarists of all levels will find a wealth of practical music knowledge in this special book with online audio access. Veteran guitarist and author Tom Kolb dispels the mysteries of music theory using plain and simple terms and diagrams. The accompanying recordings provide 94 tracks of music examples, scales, modes, chords, ear training, and much more!

    This souvenir folio features full-color photos from the stunning production as well as piano/vocal arrangements of 9 songs, including: All I Ask of You * Angel of Music * Masquerade * The Music of the Night * The Phantom of the Opera * The Point of No Return * Prima Donna * Think of Me * Wishing You Were Somehow Here Again.

    Includes a 30-page bibliographical essay, numerous illustrations, and a full-color pictorial biography of the composer.

    Six prefabs, three pubs, a school, a church and a yard where the electricity board kept cables. Two long rows of terraced house faced each other at one end of the street; and, at the other, big houses with big doors and even bigger windows. There was a phone box next to one of the pubs and when it rang everyone came out to see who it was for. It was a tiny road - at one end of which there was Greenwich Park. It was heaven being there, its beauty always shone on me from the trees at sunsets and from the bushes in the rain. I was there in all weathers. It was 1964, I was ten years old and this is when my memory really begins. The previous decade is built up from vague recollections that lean heavily on the imagination.'Chris Difford is a rare breed. As a member of one of London's best-loved bands, the Squeeze co-founder has made a lasting contribution to English music with hits such as 'Cool For Cats', 'Up The Junction', 'Labelled With Love', 'Hourglass' and 'Tempted'. Some Fantastic Place is his evocative memoir of an upbringing in Sixties' South London and his rise to fame in one of the definitive bands of the late Seventies and early Eighties.

    This unique collection of documents, edited and annotated by Jean-Jacques Eigeldinger, reveals Chopin as teacher and interpreter of his own music. Included in this study is extensive appendix material that presents annotated scores, and personal accounts of Chopin's playing by pupils, writers, and critics.

    America's most widely used introduction to jazz, it teaches the chronology of jazz by showing students how to listen and what to notice in each style. Though originally conceived for nonmusicians and written at a college freshmen reading level, Jazz Styles also has been widely adopted in courses for musicians because of its point-by-point specification of each style's musical characteristics and its technical appendix. The text helps students hear how the styles differ and why the top names are important. The book's listening guides offer in-depth analysis for 38 historic recordings contained on the 2CD Jazz Classics collection.