The city-state Sirapirat once knew only warmth and monsoon. When the Winter Queen conquered it, she remade the land in her image, turning Sirapirat into a country of snow and unending frost. But an empire is not her only goal. In secret, she seeks the fragments of a mirror whose power will grant her deepest desire. At her right hand is General Lussadh, who bears a mirror shard in her heart, as loyal to winter as she is plagued by her past as a traitor to her country. Tasked with locating other glass-bearers, she finds one in Nuawa, an insurgent who’s forged herself into a weapon that will strike down the queen. To earn her place in the queen’s army, Nuawa must enter a deadly tournament where the losers’ souls are given in service to winter. To free Sirapirat, she is prepared to make sacrifices: those she loves, herself, and the complicated bond slowly forming between her and Lussadh. If the splinter of glass in Nuawa's heart doesn't destroy her first. "A fairy tale, beautiful like an ice crystal, and razor sharp." --
Silvia Moreno-Garcia, World Fantasy Award-winning co-editor of She Walks in Shadows
 "Winterglass is rich with diamondine prose, a scintillant retelling of the Ice Queen that challenges Occidental aesthetics, colonial mentality, and personal identity."
 --Cassandra Khaw, author of Hammers on Bone, BFA & Locus Award nominee
 "An exquisite gem of a novella. Politics, relationships, and combat presented as a matryoshka, the beauty of which is there's no easy way of telling which shells are within which. Sriduangkaew’s sensuous metaphors and elegant imagery are never less than a pleasure to read. Thoroughly recommended. " --Jonathan L. Howard, author of Johannes Cabal the Necromancer

    Something happened to her and her two older sisters when they were children, something they can’t quite remember but that left each of them with an identical half-moon scar at the base of their throats. Iris has spent most of her teenage years trying to avoid the weirdness that sticks to her like tar. But when her eldest sister, Grey, goes missing under suspicious circumstances, Iris learns just how weird her life can get: horned men start shadowing her, a corpse falls out of her sister’s ceiling, and ugly, impossible memories start to twist their way to the forefront of her mind. As Iris retraces Grey’s last known footsteps and follows the increasingly bizarre trail of breadcrumbs she left behind, it becomes apparent that the only way to save her sister is to decipher the mystery of what happened to them as children. The closer Iris gets to the truth, the closer she comes to understanding that the answer is dark and dangerous – and that Grey has been keeping a terrible secret from her for years.

    In fact, it's only a matter of time before they'll catch up with her. Iffy is desperate to find her long-lost mother, and, so far, in spite of the need to forage for food and shelter and fend off an unending number of creeps, living in Queens' Forest Park has felt safer than living at home. But as the summer days get shorter, it all threatens to fall apart.A novel that explores the sustaining love of friendship, the kindness of strangers, and the indelible bond of family, Iphigenia Murphy captures the gritty side of 1992 Queens, the most diverse borough in New York City. Just like Iffy, the friends she makes in the park--Angel, a stray dog with the most ridiculous tail; Corinne, a young trans woman who is escaping her own abusive situation; and Anthony, a former foster kid from upstate whose parents are addicts--each seek a place where they feel at home. Whether fate or coincidence has brought them together, within this community of misfits Iffy can finally be herself, but she still has to face the effects of abandonment and abuse--and the possibility that she may be pregnant. During what turns out to be a remarkable journey to find her mother, will Iffy ultimately discover herself?

    Then the aliens give him an ultimatum: The world will end in 144 days, and all Henry has to do to stop it is push a big red button.Only he isn’t sure he wants to.After all, life hasn’t been great for Henry. His mom is a struggling waitress held together by a thin layer of cigarette smoke. His brother is a jobless dropout who just knocked someone up. His grandmother is slowly losing herself to Alzheimer’s. And Henry is still dealing with the grief of his boyfriend’s suicide last year.Wiping the slate clean sounds like a pretty good choice to him.But Henry is a scientist first, and facing the question thoroughly and logically, he begins to look for pros and cons: in the bully who is his perpetual one-night stand, in the best friend who betrayed him, in the brilliant and mysterious boy who walked into the wrong class. Weighing the pain and the joy that surrounds him, Henry is left with the ultimate choice: push the button and save the planet and everyone on it…or let the world—and his pain—be destroyed forever.

    The robot cannot go back until the question of "what do people need?" is answered. But the answer to that question depends on who you ask, and how.They're going to need to ask it a lot.Becky Chambers's new series asks: in a world where people have what they want, does having more matter?

    She's trapped in a dark depression and flunking the 11th grade, befuddling her patrician mother while going unnoticed by her father, a workaholic federal judge. The only thing Maggie really cares about is her cat, Tommi...who then disappears somewhere in the walls of her cavernous house. So her search begins… but Maggie’s not exactly sure what she’s lost, and she has no idea what she’ll find. In her critically acclaimed memoir, Honor Girl, Maggie Thrash brilliantly, beautifully portrayed the before and after of first love. Lost Soul, Be At Peace is the ingenious continuation of Maggie’s story, bringing her devastating honesty and humor to the before and after of depression. It marks the return of a truly heartbreaking, visionary voice in graphic novels, and pushes her storytelling to astounding new heights. This is how it feels to search for something that’s been lost forever.

    Sassafrass, Cypress and Indigo is the story of three "colored girls," three sisters and their mama from Charleston, South Carolina: Sassafrass, the oldest, a poet and a weaver like her mother, gone north to college, living with other artists in Los Angeles and trying to weave a life out of her work, her man, her memories and dreams; Cypress, the dancer, who leaves home to find new ways of moving and easing the contractions of her soul; Indigo, the youngest, still a child of Charleston—"too much of the south in her"—who lives in poetry, can talk to her dolls, and has a great gift of seeing the obvious magic of the world.

    In a stark landscape where coyotes prowl and mysterious lights occasionally pass through the nighttime sky, Ahlam's imagination reigns. She battles chronic fever dreams and isolation. When she meets her tempestuous counterpart Laura, the two fall into infatuated partnership, experimenting with drugs and sex, and watching helplessly as a series of mysterious deaths claim high school classmates. The girls flee their pasts for New York City, but as their emotional bond heightens, the intensity of their lives becomes unbearable. In search of love, ecstasy, oblivion, and belonging, Ahlam and Laura's drive to outrun the ghosts of home threatens to undo them altogether.

    James muddles through a topsy-turvy relationship with his son, Rufus, which is further complicated when Rufus marries Claudia Christie.Claudia’s mother—Agnes Miller Christie—is a beautiful African American woman who survives a chance encounter on a Georgia road that propels her into a new life in the Bronx. Soon after, her husband, Eddie Christie, is called to duty on an air craft carrier in Vietnam, where Tom Stoppard’s play “Rosencrantz and Guildenstern Are Dead” becomes Eddie’s life anchor, as he grapples with mounting racial tensions on the ship and counts the days until he will see Agnes again.These unforgettable characters’ lives intersect with a cast of lovers and friends—the unapologetic black lesbian who finds her groove in 1970s Berlin; a moving man stranded in Portsmouth, New Hampshire, during a Thanksgiving storm; two half-brothers who meet as adults in a crayon factory; and a Coney Island waitress whose Prince Charming is too good to be true.With piercing humor, exacting dialogue, and a beautiful sense of place, Regina Porter’s debut is both an intimate family portrait and a sweeping exploration of what it means to be American today.

    Without Aunt Magnolia, Jane is directionless. Then an old acquaintance, the glamorous and capricious Kiran Thrash, blows back into Jane’s life and invites her to a gala at the Thrashes’ extravagant island mansion called Tu Reviens. Jane remembers her aunt telling her: “If anyone ever invites you to Tu Reviens, promise me that you’ll go.”What Jane doesn’t know is that at Tu Reviens her story will change; the house will offer her five choices that could ultimately determine the course of her untethered life. But every choice comes with a price. She might fall in love, she might lose her life, she might come face-to-face with herself. At Tu Reviens, anything is possible.

    They’re smart, independent, driven, and deserving of recognition—certainly more than they’ve been handed by a demoralizing boss. He’s the topic of conversation at their impromptu get-together after the company holiday party, where the threesome fantasizes about a life without him. There has to be an alternative to taking a deep breath and sucking it up. There is. It’s just not the one they expected.When morning comes, Venus, Draya, and Jackie are blindsided by murder—a twist of fate that brings a startling new challenge to the table and forces them to navigate a hair-raising detour they never saw coming. For better and (unless they can help it) for worse, it’s going to turn their world upside down. What starts as a necessary bond of mutual trust soon morphs into an empowering and galvanizing friendship that Venus, Draya, and Jackie need now more than ever.

    Devastated by grief and loneliness, she emotionally exiles herself, avoiding relationships or allegiances, and throws herself into her work—disengagement that serves her when the war finally ends, and The New Society arises.To ensure a lasting peace, The New Society forbids anything that may cause tribal loyalties, including traditional families. Suddenly, everyone must live as Miriam has chosen to—disconnected and unattached. A researcher at heart, Miriam becomes involved in implementing this detachment process. She does not know it is the beginning of a darkly sinister program that will transform this new world and the lives of everyone in it. Eventually, the harmful effects of her research become too much for Miriam, and she devises a secret plan to destroy the system from within, endangering her own life.But is her “confession” honest—or is it a fabrication riddled with lies meant to concealthe truth?

    Unmoored from his birth family and caught between twin alienating forces of Somali tradition and Western culture, Mohamed must forge his own queer coming of age. What follows in this fierce and unrelenting account is a story of one young man's nascent sexuality fused with the violence wrought by displacement.

    Never mind that Zora has been on the straight and narrow since her father was thrown in jail. With everyone looking for evidence against her, her only choice is to uncover the identity of the real killer. There’s one big problem—Zora has no leads. No one does. Addamsville has a history of tragedy, and thirty years ago a similar string of fires left several townspeople dead. The arsonist was never caught.Now, Zora must team up with her cousin Artemis—an annoying self-proclaimed Addamsville historian—to clear her name. But with a popular ghost-hunting television show riling up the townspeople, almost no support from her family and friends, and rumors spinning out of control, things aren’t looking good. Zora will have to read between the lines of Addamsville’s ghost stories before she becomes one herself.

    He attempts to maintain a balancing act between his seizure triggers and his day-to-day schedule, but he finds that nothing—not even his medication—seems to work. The doctors won’t listen, the schoolwork keeps piling up, his family is in denial about his condition, and his social life falls apart as he feels more and more isolated by his illness. Even with an unexpected new friend by his side, so much is up against him that Isaac is starting to think his epilepsy might be unbeatable. Based on the author’s own experiences as an epileptic, Mis(h)adra is a boldly visual depiction of the daily struggles of living with a misunderstood condition in today’s hectic and uninformed world.