As the British ambassador to North Korea, John Everard had the rare experience of living there from 2006, when the DPRK conducted its first nuclear test, to 2008. While stationed in Pyongyang, Everard's travels around the nation provided him with numerous opportunities to meet and converse with North Koreans."Only Beautiful, Please" goes beyond official North Korea to unveil the human dimension of life in that hermetic nation. Everard recounts his impressions of the country and its people, his interactions with them, and his observations on their way of life. He also provides a picture of the life of foreigners in this closed society, considers how the DPRK evolved to its current state, and offers thoughts on how to tackle the challenges that it throws up, in light of the failure of current approaches. The book is illustrated with often striking photographs taken by Everard during his stay in North Korea.

    As time passes, Janie hears more stories, while facts remain unspoken. Her father tells tales about numbers, and in his stories everything works out. In her mother's stories, deer explode in fields, frogs bury their loved ones in the ocean, and girls jump from cliffs and fall like flowers into the sea. Within all these stories are warnings. Years later, when Hannah inexplicably cuts all ties and disappears, Janie embarks on a mission to find her sister and finally uncover the truth beneath her family's silence. To do so, she must confront their history, the reason for her parents' sudden move to America twenty years earlier, and ultimately her conflicted feelings toward her sister and her own role in the betrayal behind their estrangement. Weaving Korean folklore within a modern narrative of immigration and identity, Forgotten Country is a fierce exploration of the inevitability of loss, the conflict between obligation and freedom, and a family struggling to find its way out of silence and back to one another.

    Drawing on Korean legend and myth, as well as an Asian woman?s unique perspective on the United States, Lee weaves her compelling personal narrative with a collective and accessible history of modern Korea, from Japanese colonialism to war-era comfort women, from the genocide of the Korean War to the government persecution and silence of Cold War-era pogroms. The ritual of storytelling, which she shares with the women of her family, serves as a window into a five-generation family saga, and it is through storytelling that Lee comes to appreciate the sacrifices of her ancestors and her own now American place in her family and society.In To Kill A Tiger Lee provides a revelatory look at war and modernization in her native country, a story of personal growth, and a tribute to the culture that formed her.

    With humor and heart, she tells of growing up one of the few Asian American kids at her school in Eugene, Oregon; of struggling with her mother's particular, high expectations of her; of a painful adolescence; of treasured months spent in her grandmother's tiny apartment in Seoul, where she and her mother would bond, late at night, over heaping plates of food.As she grew up, moving to the East Coast for college, finding work in the restaurant industry, and performing gigs with her fledgling band--and meeting the man who would become her husband--her Koreanness began to feel ever more distant, even as she found the life she wanted to live. It was her mother's diagnosis of terminal cancer, when Michelle was twenty-five, that forced a reckoning with her identity and brought her to reclaim the gifts of taste, language, and history her mother had given her.Vivacious and plainspoken, lyrical and honest, Zauner's voice is as radiantly alive on the page as it is onstage. Rich with intimate anecdotes that will resonate widely, and complete with family photos, Crying in H Mart is a book to cherish, share, and reread.

    Yi Byeongdo, a serial killer whose gruesome murders shook the world, wants to be interviewed. Yi Byeongdo, who has refused to speak to anyone until now, asks specifically for her. Seonkyeong agrees out of curiosity. That same day Hayeong, her husband’s eleven-year-old daughter from a previous marriage, shows up at their door after her grandparents, with whom she lived after her mother passed away, die in a sudden fire. Seonkyeong wants her to feel at home, but is gradually unnerved as the young girl says very little and acts strangely. At work and at home, Seonkyeong starts to unravel the pasts of the two new arrivals in her life and begins to see startling similarities. Hayeong looks at her the same way Yi Byeongdo does when he recounts the abuse he experienced as a child; Hayeong’s serene expression masks a temper that she can’t control. Plus, the story she tells about her grandparents’ death, and her mother’s before that, deeply troubles Seonkyeong. So much so that Yi Byeongdo picks up on it and starts giving her advice. Written with exquisite precision and persistent creepiness, The Only Child is psychological suspense at its very best.

    She is the latest successful deep sea diver in a family of strong haenyeo. Confident she is a woman now, Junja urges her mother to allow her to make the Goh family's annual trip to Mt. Halla, where they trade abalone and other sea delicacies for pork. Junja, a sea village girl, has never been to the mountains, where it smells like mushrooms and earth, and it is there she falls in love with a mountain boy Yang Suwol, who rescues her after a particularly harrowing journey. But when Junja returns one day later, it is just in time to see her mother take her last breath, beaten by the waves during a dive she was taking in Junja's place.Spiraling in grief, Junja sees her younger siblings sent to live with their estranged father, Suwol is gone, the ghost of her mother haunts their home--from the meticulously tended herb garden that has now begun to sprout weeds, to the field where their bed sheets are beaten. She has only her grandmother and herself. But the world moves on without Junja.The political climate is perilous. Still reeling from Japan's forced withdrawal from the peninsula, Korea is forced to accommodate the rapid establishment of US troops, and her grandmother, who lived through the Japanese invasion that led to Korea's occupation understands the signs of danger all too well. When Suwol is arrested for working with and harboring communists, and the perils of post-WWII overtake her homelands, Junja must learn to navigate a tumultuous world unlike anything she's ever known.

    Hildi Kang here reinvigorates a period of Korean history long shrouded in the silence of those who endured under the black umbrella of Japanese colonial rule. Existing descriptions of the colonial period tend to focus on extremes: imperial repression and national resistance, Japanese subjugation and Korean suffering, Korean backwardness and Japanese progress. Most people, Kang says, have read or heard only the horror stories which, although true, tell only a small segment of colonial life.The varied accounts in Under the Black Umbrella reveal a truth that is both more ambiguous and more human--the small-scale, mundane realities of life in colonial Korea. Accessible and attractive narratives, linked by brief historical overviews, provide a large and fully textured view of Korea under Japanese rule. Looking past racial hatred and repression, Kang reveals small acts of resistance carried out by Koreans, as well as gestures of fairness by Japanese colonizers. Impressive for the history it recovers and preserves, Under the Black Umbrella is a candid, human account of a complicated time in a contested place.

    But what is life there actually like?

    Wendy Simmons wanted in.In My Holiday in North Korea: The Funniest/Worst Place on Earth, Wendy shares a glimpse of North Korea as it’s never been seen before. Even though it’s the scariest place on Earth, somehow Wendy forgot to check her sense of humor at the border.But Wendy’s initial amusement and bewilderment soon turned to frustration and growing paranoia. Before long, she learned the essential conundrum of “tourism” in North Korea: Travel is truly a love affair. But, just like love, it’s a two-way street. And North Korea deprives you of all this. They want you to fall in love with the singular vision of the country they’re willing to show you and nothing more.Through poignant, laugh-out-loud essays and 92 color photographs of North Korea rarely published, Wendy chronicles one of the strangest vacations ever. Along the way, she bares all while undergoing an inner journey as convoluted as the country itself.

    He does not have friends—the two almond-shaped neurons located deep in his brain have seen to that—but his devoted mother and grandmother aren’t fazed by his condition. Their little home above his mother’s used bookstore is decorated with colorful post-it notes that remind him when to smile, when to say "thank you," and when to laugh. Yunjae grows up content, even happy, with his small family in this quiet, peaceful space.Then on Christmas Eve—Yunjae’s sixteenth birthday—everything changes. A shocking act of random violence shatters his world, leaving him alone and on his own. Struggling to cope with his loss, Yunjae retreats into silent isolation, until troubled teenager Gon arrives at his school and begins to bully Yunjae. Against all odds, tormentor and victim learn they have more in common than they realized. Gon is stumped by Yunjae’s impassive calm, while Yunjae thinks if he gets to know the hotheaded Gon, he might learn how to experience true feelings. Drawn by curiosity, the two strike up a surprising friendship. As Yunjae begins to open his life to new people—including a girl at school—something slowly changes inside him. And when Gon suddenly finds his life in danger, it is Yunjae who will step outside of every comfort zone he has created to perhaps become a most unlikely hero. The Emissary meets The Curious Incident of the Dog in the Nighttime in this poignant and triumphant story about how love, friendship, and persistence can change a life forever.

    However, there is nothing common about Jang. She is a woman of great emotional depth, courage, and resilience.Happy to serve her country, Jang worked in a factory as a young woman. There, a man she thought was courting her raped her. Forced to marry him when she found herself pregnant, she continued to be abused by him. She managed to convince her family to let her return home, only to have her in-laws and parents sell her son without her knowledge for 300 won and two bars of soap. They had not wanted another mouth to feed.By now it was the beginning of the famine of the 1990s that resulted in more than one million deaths. Driven by starvation—her family’s as well as her own—Jang illegally crossed the river to better-off China to trade goods. She was caught and imprisoned twice, pregnant the second time. She knew that, to keep the child, she had to leave North Korea. In a dramatic escape, she was smuggled with her newborn to China, fled to Mongolia under gunfire, and finally found refuge in South Korea before eventually settling in Canada.With so few accounts by North Korean women and those from its rural areas, Jang's fascinating memoir helps us understand the lives of those many others who have no way to make their voices known.

    But small incidents wreak havoc on space and time, driving their wedding date further away. As centuries on Earth pass and the land and climate change, one thing is constant: the desire of the lovers to be together. In two separate yet linked stories, Kim Bo-Young cleverly demonstrate the idea love that is timeless and hope springs eternal, despite seemingly insurmountable challenges and the deepest despair.In “The Prophet of Corruption” and “That One Life,” humanity is viewed through the eyes of its creators: godlike beings for which everything on Earth—from the richest woman to a speck of dirt—is an extension of their will. When one of the creations questions the righteousness of this arrangement, it is deemed a perversion—a disease—that must be excised and cured. Yet the Prophet Naban, whose “child” is rebelling, isn’t sure the rebellion is bad. What if that which is considered criminal is instead the natural order—and those who condemn it corrupt? Exploring the dichotomy between the philosophical and the corporeal, Kim ponders the fate of free-will, as she considers the most basic of questions: who am I?

    Raised around diasporic Korean communities, E. J. Koh describes her work as deeply influenced by the idea of jeong, which can be translated as a deep attachment, bond, and reciprocity for places, people, and things. The spirit of jeong permeates this collection as each poem draws astonishing connections and illuminates the bonds that hold across time and place.With evocative lyricism, Koh mixes the languages of science and emotion to compose some poems like chemistry equations that convert light into "reasonable dioxide" and then further transmogrify the formula into a complex understanding of the parent-child relationship. Through this alchemy the poet allows readers to see through the eyes of mothers, fathers, daughters, aunts, friends, and lovers: we see the tragedy of a sinking ferry, the hypocrisies of government agencies, the aftermath of war, and a very wide view through the Hubble space telescope. Demonstrating an ability to elicit profound emotional intensity, Koh crafts a book of poems that challenge, delight, and enrich.

    Capturing this movement, it introduces us to Korean food through a collection of classic and well-loved dishes. Beautifully illustrated throughout, the book will explore the secrets of authentic Korean food. Covering an extensive range of over 100 dishes, from Korean staples such as bibimbap and kimchi to stir-fried spicy squid, sesame & soy-marinated beef and pecan & cinnamon-stuffed pancakes, catering for beginners as well as those with a little more experience of cooking K-Food.Critically acclaimed chef and food writer Jordan and his Korean wife Rejina, provide a cultural history of the food of Korea giving context to the recipes that follow. Through the discussion of Korean culture, dining etiquette, key ingredients and the role of multiple side dishes, readers will be able to prepare and indulge in all aspects of Korean cuisine. There is also an easy to navigate Korean ingredients glossary, as well as menu ideas and information on the Korean meal. Chapters include: Rice and savoury porridgeVegetables, pickles & sidesSoups & stewsPancakes, fritters and tofuNoodlesMeatFishDesserts

    When she meets mysterious, handsome Jaewoo in her uncle’s Los Angeles karaoke bar, it’s clear he’s the kind of boy who would uproot her careful plans. But in a moment of spontaneity, she allows him to pull her out of her comfort zone for one unforgettable night of adventure…before he disappears without a word.Three months later, when Jenny and her mother arrive in South Korea to take care of her ailing grandmother, she’s shocked to discover that Jaewoo is a student at the same elite arts academy where she’s enrolled for the semester. And he’s not just any student. He’s a member of one of the biggest K-pop bands in the world—and he’s strictly forbidden from dating.When a relationship means throwing Jenny’s life off the path she’s spent years mapping out, she’ll have to decide once and for all just how much she’s willing to risk for love.