These intimate portraits of people and relationships scour and soothe and blast a light on the nature of family, faith, forgiveness, consumption, and what we may, or may not, owe one another. A thirteen-year-old meditates on her sadness and the difference between herself and her white best friend when an unexpected tragedy occurs; a woman recovering from a miscarriage finds herself unable to let go of her daughter—whose body parts she sees throughout her daily life; a teenager resists her family’s church and is accused of courting the devil; servers at a supper club cater to the insatiable cravings of their wealthy clientele; and two estranged siblings take a road-trip with their father’s ashes and are forced to face the troubling reality of how he continues to shape them.Wise and subversive, spiritual and seductive, Milk Blood Heat forms an ouroboros of stories that bewitch with their truth.

    By placing ordinary characters in extraordinary situations, Adjei-Brenyah reveals the violence, injustice, and painful absurdities that black men and women contend with every day. These stories tackle urgent instances of racism and cultural unrest and explore the many ways we fight for humanity in an unforgiving world.

    They take walks in the park together, visit county fairs, museums, and zoos, and eat together overlooking the lake. Some might say the father is a little too accommodating given the lack of discipline when the child loses his temper in public. Some might say he spoils his son by allowing him to set his own bedtimes and eat candy whenever he wants. Some might say that such leniency is starting to take its toll on the father, given how his health has declined.What no one knows is that Phil is a prisoner, and that up until a few weeks ago and a chance encounter at a grocery store, he had never seen the child before in his life.

    But we can visit our fears at night, in the dark. We can turn them over and weigh them in our hands and maybe that will protect us from them. But maybe not.The characters in this collection find their aspirations for happy homes, happy families and happy memories dissected and imbued with shimmering menace. Alone in a remote house in Iceland a woman is unnerved by her isolation; another can only find respite from the clinging ghost that follows her by submerging herself in an overgrown pool. Couples wrestle with a lack of connection to their children; a schoolgirl becomes obsessed with the female anatomical models in a museum; and a cheery account of child’s day out is undercut by chilling footnotes.These dark tales explore women’s fears with electrifying honesty and invention and speak to one another about female bodies, domestic claustrophobia, desire and violence. From a talented writer who has been compared to Angela Carter, Things We Say in the Dark is a powerful contemporary collection of feminist stories, ranging from vicious fairy tales to disturbing horror and tender ghost stories.KIRSTY LOGAN WAS SELECTED AS ONE OF BRITAIN'S TEN MOST OUTSTANDING LGBTQ WRITERS by Val McDermid for the International Literature Showcase in 2019

    "Grand Stand-In" is narrated by an employee of a Nuclear Family Supplemental Provider—a company that supplies "stand-ins" for families with deceased, ill, or just plain mean grandparents. And in "Blowing Up On the Spot," a young woman works sorting tiles at a Scrabble factory after her parents have spontaneously combusted.Southern gothic at its best, laced with humor and pathos, these wonderfully inventive stories explore the relationship between loss and death and the many ways we try to cope with both.

    But my state of being has nothing to do with the curiosity toward my own species, if we can be called such. We do not go gentle, as your poet encourages, into that good night. A dead girl walks the streets.She hunts murderers. Child killers, much like the man who threw her body down a well three hundred years ago.And when a strange boy bearing stranger tattoos moves into the neighborhood so, she discovers, does something else. And soon both will be drawn into the world of eerie doll rituals and dark Shinto exorcisms that will take them from American suburbia to the remote valleys and shrines of Aomori, Japan.Because the boy has a terrifying secret - one that would just kill to get out. The Girl from the Well is A YA Horror novel pitched as "Dexter" meets "The Grudge", based on a well-loved Japanese ghost story.

    Or not missing–perhaps she has fled, abandoned her family. Or perhaps she's been kidnapped, and set loose to wander in the dense woods of the north. Alone and possibly lost, she meets another woman in the forest. Then everything changes.On a journey that will take her through a wolf-haunted wood, down a deep well, and onto a living ship made of human bones, our heroine is forced to confront her past and may find that the evil she flees has been inside her all along. Eerie and disturbing, In the House in the Dark of the Woods is a novel of psychological horror and suspense told in Laird Hunt's acclaimed lyrical prose style. It is the story of a bewitching, a betrayal, a master huntress and her quarry. It is a story of anger, of repression, of revenge and redemption. It is a story of a haunting, one that forms the bedrock of American mythology, told in a vivid voice you will never forget.

    Everything changes when she discovers a shocking secret from her heavy metal past: Turns out that Terry's meteoric rise to success may have come at the price of Kris's very soul.This revelation prompts Kris to hit the road, reunite with the rest of her bandmates, and confront the man who ruined her life. It's a journey that will take her from the Pennsylvania rust belt to a Satanic rehab center and finally to a Las Vegas music festival that's darker than any Mordor Tolkien could imagine. A furious power ballad about never giving up, even in the face of overwhelming odds, We Sold Our Souls is an epic journey into the heart of a conspiracy-crazed, paranoid country that seems to have lost its very soul...where only a girl with a guitar can save us all.

    As he grows older, he begins to collect “found dolls” from the surrounding neighborhoods and stores his treasures in the abandoned carriage house on his family's estate. But just what kind of dolls are they? In “Gun Accident,” a teenage girl is thrilled when her favorite teacher asks her to house-sit, even on short notice. But when an intruder forces his way into the house while the girl is there, the fate of more than one life is changed forever. In “Equatorial,” set in the exotic Galapagos, an affluent American wife experiences disorienting assaults upon her sense of who her charismatic husband really is, and what his plans may be for her.In The Doll-Master and Other Tales of Terror, Joyce Carol Oates evokes the “fascination of the abomination” that is at the core of the most profound, the most unsettling, and the most memorable of dark mystery fiction.

    For years it has remained empty, overgrown, abandoned. Soon the door will be opened for the first time in decades. But something is waiting, lurking in the shadows, anxious to meet its new guests…When best-selling horror author Sam McGarver is invited to spend Halloween night in one of the country’s most infamous haunted houses, he reluctantly agrees. At least he won’t be alone; joining him are three other masters of the macabre, writers who have helped shape modern horror. But what begins as a simple publicity stunt will become a fight for survival. The entity they have awakened will follow them, torment them, threatening to make them a part of the bloody legacy of Kill Creek.

    Each story builds a new world all its own: a group of children steal a haunted doll; a runaway bride encounters a sea monster; a vendor sells toy boxes that seemingly control the passage of time; an insomniac is seduced by the Sandman. These visions of modern life wrestle with themes of death and technological consequence, guilt and sexuality, and unmask the contradictions that exist within all of us.  Mesmerizing, electric, and wholly original, Kim Fu’s Lesser Known Monsters of the 21st Century blurs the boundaries of the real and fantastic, offering intricate and surprising insights into human nature.

    This is where four young friends come of age—in an atmosphere thick with fear and suspicion. Their innocent games soon bring them face-to-face with the village's darkest secrets in this eerily dispassionate, astonishingly assured novel, evocative of Stephen King's classic short story "Children of the Corn" and infused with the spirit of the Brothers Grimm.

    At first, the quaint, rural ways of their new neighbors seem to be everything they wanted. But there is an unspoken dread that the townsfolk have lived with for generations. A presence that demands sacrifice. It comes from the shadowy woods across the river, where the ruins of Savoyard still stand. Where a longstanding debt of blood has never been forgotten. A debt that has been waiting patiently for Frank Nichols's homecoming...

    With every mile she traveled, she distanced herself from her past: from her best friend Celine, mocked by their town as the only white girl with black friends; from her old neighborhood; from the eerie Woodsman plantation rumored to be haunted by the spirits of slaves; from the terrifying memory of a ghost she saw that terrible day when a dare-gone-wrong almost got Jesse—the boy she secretly loved—arrested for murder.But now Mira is back in Kipsen to attend Celine’s wedding at the plantation, which has been transformed into a lush vacation resort. Mira hopes to reconnect with her friends, and especially, Jesse, to finally tell him the truth about her feelings and the events of that devastating long-ago day.But for all its fancy renovations, the Woodsman remains a monument to its oppressive racist history. The bar serves antebellum drinks, entertainments include horrifying reenactments, and the service staff is nearly all black. Yet the darkest elements of the plantation’s past have been carefully erased—rumors that slaves were tortured mercilessly and that ghosts roam the lands, seeking vengeance on the descendants of those who tormented them, which includes most of the wedding guests. As the weekend unfolds, Mira, Jesse, and Celine are forced to acknowledge their history together, and to save themselves from what is to come.

    In her debut collection of short fiction, Due takes us to Gracetown, a small Florida town that has both literal and figurative ghost; into future scenarios that seem all too real; and provides empathetic portraits of those whose lives are touched by Otherness. Featuring an award-winning novella and fifteen stories—one of which has never been published before—Ghost Summer: Stories is sure to both haunt and delight.With an Introduction by Nalo Hopkinson and an Afterword by Steven Barnes.