MacDonald, the beloved author of Cape Fear and the Travis McGee series, is now available as an eBook.   At a ferry stop along the Rio Conchos, the line of cars waiting to cross stretches to the horizon. Because of a bureaucratic blunder, the boat has been stalled, with no relief in sight for the drivers—many of them American, many growing impatient to reach the border. That kind of tension can do funny things to a person’s head . . . to a trembling killer looking over his shoulder . . . to a married man escorting a beautiful stranger on an ill-advised sabbatical . . . to a honeymooner determined to have her love returned. Many others are waiting, too. Some are desperate for a second chance. And it’s only a matter of time until someone snaps—especially when they’ve all been pushed too far under the scorching Mexican sun.   Features a new Introduction by Dean Koontz   Praise for John D. MacDonald   “The great entertainer of our age, and a mesmerizing storyteller.”—Stephen King   “My favorite novelist of all time.”—Dean Koontz   “To diggers a thousand years from now, the works of John D. MacDonald would be a treasure on the order of the tomb of Tutankhamen.”—Kurt Vonnegut   “A master storyteller, a masterful suspense writer . . . John D. MacDonald is a shining example for all of us in the field. Talk about the best.”—Mary Higgins Clark

    The eleven novels in The Library of America’s adventurous two-volume collection taps deep roots in the American literary imagination, exploring themes of crime, guilt, deception, obsessive passion, murder, and the disintegrating psyche. With visionary and often subversive force they create a dark and violent mythology out of the most commonplace elements of modern life.James M. Cain’s pioneering novel of murder and adultery along the California highway, The Postman Always Rings Twice (1934), shocked contemporaries with its laconic toughness and fierce sexuality.Horace McCoy’s They Shoot Horses, Don’t They? (1935) uses truncated rhythms and a unique narrative structure to turn its account of a Hollywood dance marathon into an unforgettable evocation of social chaos and personal desperation.In Thieves Like Us (1937), Edward Anderson vividly brings to life the dusty roads and back-country hideouts where a fugitive band of Oklahoma outlaws plays out its destiny.The Big Clock (1946), an ingenious novel of pursuit and evasion by the poet Kenneth Fearing, is set by contrast in the dense and neurotic inner world of a giant publishing corporation under the thumb of a warped and ultimately murderous chief executive.William Lindsay Gresham’s controversial Nightmare Alley (1946), a ferocious psychological portrait of a charismatic carnival hustler, creates an unforgettable atmosphere of duplicity, corruption, and self-destruction.I Married a Dead Man (1948), a tale of switched identity set in the anxious suburbs, is perhaps the most striking novel of Cornell Woolrich, who found in the techniques of the gothic thriller the means to express an overpowering sense of personal doom.Disturbing, poetic, anarchic, punctuated by terrifying bursts of rage and paranoia and powerfully evocative of the lost and desperate sidestreets of American life, these are underground classics now made widely and permanently available.

     La Brava, Cat Chaser, and Split Images received rave reviews and make it clear why this New York Times bestselling author has been hailed coast to coast as the hottest thriller writer of our time.

    But when two faces from his old gang turn up, he finds himself getting involved in a new scam, and soon he is embroiled in a world he wants to escape and is forced to confront a man who is dangerously unhinged.

    Perhaps your best friend is dating her, getting himself into debt by taking her out to fancy restaurants and buying her expensive gifts. Yet you see her for what she is... Or maybe he's the guy who has perfectly good excuses for not finding a job, so he lets his live-in girlfriend support them. She works hard to keep a roof over their head and food on the table...and in the meantime, she's running herself ragged emotionally and financially. Of course you know people like this. Everybody knows at least one. They're not who you think they are. They are charismatic, sexually attractive, and they'll completely drain you emotionally, financially, and physically. And then they'll move on to the next person. Don't let that next person be you. They're not human. They're something else...something too terrifying to imagine...

    With his trend-setting Mike Hammer detective novels, Mickey Spillane shot to superstardom as one of the most notorious bestselling sensations in publishing history. This powerhouse collection includes three of the master's long-out-of-print greatest novels-together for the first time in one explosive volume:The Big KillOne Lonely NightKiss Me, DeadlyIncludes a special introduction by Shamus and Edgar Award-winner Lawrence Block

    Here the reader is offered a glimpse of Mark Twain's sustained creative process, in what many critics consider the finest fiction of his later years. Begun in 1897 and revised first in 1902 and then 1908, the third version was the only manuscript titled The Mysterious Stranger. These texts offer a rare opportunity to observe Mark Twain's sustained literary struggle with a central theme.

    He almost made it. Instead, he finds himself free-falling through a world of hallucinatory absurdity, low comedy, and epic degradation. A Hollywood bottom-feeder who moonlights as a limo driver to pay the bills, both tormented and vicariously aroused by his contact with the industry's elite, Mr. Wiggins bears poignant, paranoid witness to the horror and hysteria that are by-products of "the Business." His phantasmagoric saga, by turns picaresque, pornographic, and poetic, Force Majeure is the first of a projected quartet called "Scriptures" that will chronicle the misadventures and transcendental fall and rise -- comic, tragic, and tragicosmic -- of Bud Wiggins, Quixote of Babylon.

    Containing many "lost" pieces, it is a compendium of suspense from the pulp magazines of the '20s to his last efforts in the '70s. Fine.

    The moment Frank Limosin sees gorgeous eighteen-year-old Suki Flood sitting on the rear deck of the red Trans Am in the hot empty desert, he feels trouble in the air. The Trans Am has a flat tire. They're over ten miles from the nearest highway. And Suki, dressed in short shorts and a tiny halter top, doesn't know how to change a tire. Against Suki's will, Frank gives her a lesson in tire changing, then he thinks that's it, he'll never see her again. How wrong can one man be? Because Suki turns out to be fifty times more trouble than Frank ever dreamed possible. He saved her once. Now he has to save her again and again and again . . .

    Until the day a shadowy rival known only as The Trader has her abducted and scarred for life as a warning to stay out of his way.Now Cay’s on her way to Mazatlan, where one of The Trader’s men has been spotted. There’s a big deal going down – but she’s not there to make a score. Just to settle one.

    Love in the shape of Lu Anne. Following her to Mexico where she is filming a movie he's scripted, it doesn't matter to Gordon that Lu Anne is fighting for survival too, and that Gordon may push her over the edge.

    From the London underworld, Viva la Madness moves to international crime with trans-Atlantic drug deals, money laundering, and high-tech electronic fraud, portrayed with the same uncanny believability. The anonymous hero of Layer Cake is pulled back into the drug game before he can escape to a sunny retirement. In a dazzling combination of London low-life, Caribbean high-life, and Venezuelan drug cartels toting machine-guns in Mayfair, our hero's voice and mission are authentic, thrilling, and whiplash-inducing in equal shares.

    Included here is Crown-Fire, Country Full of Swedes, The Windfall, Horse Thief, Yellow Girl and Kneel to the Rising Sun.

    tight binding. No marks on pages.