It's a thrilling story of adventure and rescue, of escape and revenge, set in New England in the early days of Prohibition. Written in the great storytelling tradition, 'Warm Moonlight' has all the intensity of a got-to-hear-how-it-ends campfire yarn, but with a decidedly adult sophistication and sensibility. The ending is unique and satisfying, but leaves the audience, like one of the characters in the story, wondering - how much of it was true? How much invented? Can such things be? Maybe it's a ghost story or . . . . maybe it isn't.

    last year, this updated collection contains the best of Robertson Davies' newspaper and magazine articles written over the past 50 years. "Each piece is entertaining and enlightening. . . ".--Publishers Weekly.

    She had the radio on as she danced around the kitchen waiting for Karl to get back from his business trip in New Orleans. They were married almost 2 months and she had missed him. That is when it happened. There was a knock at the door; she almost didn’t hear it as she sang along to the latest catchy tune that was sure to get annoying in the next few days. She ran from the kitchen thinking Karl was going to be his usual sweet self and try to surprise her with a grand entrance – or maybe he had left his keys. She opened the door with excitement only to see two police officers with solemn faces. Her world came crashing down around her as she invited them in and continued cooking. She couldn’t believe it, Karl was going to come through that door any minute and tell them it was all a mistake. He would want dinner when he got back. She needed to keep cooking so he wouldn’t go hungry. Jessica came around and talked her down, told her that she needed to go with the police officers to identify the body. She would be with her every step of the way. What followed was the realization that her husband was dead and their future was no more. All the things they were going to do; getting a chateaux in France, having a family, getting a cat when they moved to the suburbs and bought their own place. The future was full of life and in a split second it became a blank canvas; all because of a stupid accident.

    Away in Medical School, Molly believed her life was on track. That was until she returned home for Christmas and learned her life was nothing she had always believed. As this surprising journey unfolds, Molly not only learns how to put aside the pain of her past but she finally learns how to say goodbye.

    

    And while it's not OK for someone else to make yo-momma jokes about your momma, it is perfectly healthy — even downright hilarious — to find the humor in your own upbringing. In fact, these writers highly recommend it. So if you think your mom is nuts, pull up a chair. You're in good company.

    First published in 1969, its 12 stories depict a vast cast of characters drawn from Orkney’s past and present, offering a range of emotions and incidents. They are elemental tales of the fishermen, crofters and farmers of the island and of the harsh, beautiful landscape in which they live.

    16,000 words in length.

    Winner of six Emmys (he was nominated nine times), two Sylvania Awards, on Peabody Award, and one Christopher Award for his teleplays, Serling came as close as anyone to dominating an era that abounded with talented men. His plays "Requiem for a Heavyweight" and "Patterns" are usually the first items on the lips of television aficionados reminiscing about the good old days. Yet as television changed, Rod Serling kept pace. He became producer and chief writer for the famous "Twilight Zone" series. These bizarre and fantastic adventures into the occult and demonic were without doubt one of the most creative, imaginative and successful enterprises in the history of television.Now Rod Serling has applied his prodigious writing talents to a new medium: one in which he is perhaps destined to make his greatest mark. The three novellas that compromise THE SEASON TO BE WARY betray the skillful hand of a master storyteller and prose stylist. Fired with a savage yet disciplined irony, paced with deliberate cadence that rises to a starting denouement, each story explores the theme of a terrible vengeance delivered for terrible deeds performed.In "The Escape Route," ex-Gruppenfuehrer Joseph Strobe - ex-deputy assistant commander of Auschwitz, ex-confidant of Heinrich Himmler - putters about his little rathole in Buenos Aires chewing over the good times he had breaking Jews. Yet his snug little world is turned upside down b the capture of Adolf Eichmann, and Strobe soon finds himself on the wrong end of a terrifying hunt."Color Scheme" recounts the life and times of the great King Connacher, racist and rabble-rouser, who makes his living on the stump, preaching the lynching gospel, only to find himself one summer evening the victim of an extraordinary case of mistaken identity.In "Eyes," Miss Claudia Menlo, who in her fifty lifeless years has been denied nothing that she wanted - except her sight - manipulates people with the same purposeful indifference with which she fondles the expensive bric-a-brac in her lavishly cluttered dwelling. Yet her insistant will is brutally thwarted by the one set of circumstances she cannot control.Serling has infused these simple, forceful tales with an extraordinary richness of character and detail. There is, for example, the Prussian officer Gruber, who cannot stomach the pigs like Strobe he helped create and with whom he is forced to share his guilt. And there is Indian Charlie Hatcher, the most memorable portrait of a burned-out prizefighter since Serling's own justly famous Mountain Rivera.The power, the drive, the complexity and subtlety of these novellas mark Rod Serling as one of the most important and graceful fiction writers. Mr. Serling is a graduate of Antioch College and lives in Southern California with his wife and two children.

    Not quite what he expected, and not for the faint of heart.Founded in 2012, The Center for Fiction's Crime Fiction Academy is the first ongoing program exclusively dedicated to crime writing in all its forms. Hone your skills with bestselling crime fiction authors Alison Gaylin and Jason Starr. Attend master classes with crime fiction greats like Mary Higgins Clark, Lee Child, Harlan Coben, Linda Fairstein, Nelson DeMille, Michael Connelly, Lisa Unger, and many more. Students receive a Writers’ Studio membership with access to our extensive circulating collection, and have the opportunity to read their work to an audience filled with editors, agents, and publishing professionals at our seasonal Crime Fiction Slam. Not in New York? Check centerforfiction.org for information about our online classes.

    A time for joy. A time for tears. A time for reflection. A time for hope.And a time for miracles.This Christmas season Dave and Karen Brenner have welcomed a stranger into their lives. A stranger who may change their lives forever.

    Laxman profiles ten hilariously idiosyncratic people, who are among the countless men and women who run the lives of the middle class in India. The tales are put together by Ganesh, a freelance journalist trying to write a feature article on servants he has known. As his chronicle progresses, what emerges is a richly embellished narrative starring unforgettable characters. There is Swami, the cook, who finds his true vocation as a godman; Kumar, who deserts his household duties to pursue his tinsel-town dreams; Anthony, the driver, who makes money on the side by giving lifts to strangers; the maid Shanti, whose lift is thrown into turmoil by the neighbour's servant who is besotted with her; and Ramaswami, a trusted retainer who reappears mysteriously, much to the consternation of his employer, long after he has been presumed drowned. Marked by Laxman's trademark wit, and including pencil sketches drawn especially for this edition, Servants of India is a delightful read.

    Sean's babysitter insists that he stay in his room, but there's a monster under his bed! What can Sean do?4 full color illustrations, 3,500 words, recommended for ages 6 and up

    Finally, the experiences of loss which have haunted her psyche since childhood manifest themselves physically when she discovers the washed-up body of a child on the beach. It vanishes with the next wave - did she imagine it?

    He is grieving for the loss of his wife when the tunnel collapses and traps the bus inside. In the darkness that follows, he manages to fumble out of the bus with the only other survivor, an astute and gentle woman who reminds him of his late wife. Without any light to guide them and with only each other to depend on, they try to escape the stifling darkness and along the way find themselves confronted by their pasts and given their last chance at intimacy, and ultimately, absolution.A realist story that plays with surreal elements, the tale poses a simple question: what is the meaning of hope?