In this book Ramtha questions, what is love really about? Is it real? What makes us fall in love? What can we expect from our relationships? What is there to learn about who we really are? After almost two decades since the publication of Love Yourself into Life, Ramtha reintroduces us with unmatching simplicity and genius to that mysterious subject at the heart of all human longing, that elixir called love.

    Cress's translation from the French of the Adam and Tannery critical edition is prized for its accuracy, elegance, and economy. The translation featured in the Third Edition has been thoroughly revised from the 1979 First Edition and includes page references to the critical edition for ease of comparison.

    In Sculpting in Time, he has left his artistic testament, a remarkable revelation of both his life and work. Since Ivan's Childhood won the Golden Lion at the Venice Film Festival in 1962, the visionary quality and totally original and haunting imagery of Tarkovsky's films have captivated serious movie audiences all over the world, who see in his work a continuation of the great literary traditions of nineteenth-century Russia. Many critics have tried to interpret his intensely personal vision, but he himself always remained inaccessible.In Sculpting in Time, Tarkovsky sets down his thoughts and his memories, revealing for the first time the original inspirations for his extraordinary films--Ivan's Childhood, Andrey Rublyov, Solaris, The Mirror, Stalker, Nostalgia, and The Sacrifice. He discusses their history and his methods of work, he explores the many problems of visual creativity, and he sets forth the deeply autobiographical content of part of his oeuvre--most fascinatingly in The Mirror and Nostalgia. The closing chapter on The Sacrifice, dictated in the last weeks of Tarkovsky's life, makes the book essential reading for those who already know or who are just discovering his magnificent work.

    Drawing on philosophy, literature, neuroscience, and other fields of study, Ligotti takes the penetrating lens of his imagination and turns it on his audience, causing them to grapple with the brutal reality that they are living a meaningless nightmare, and anyone who feels otherwise is simply acting out an optimistic fallacy. At once a guidebook to pessimistic thought and a relentless critique of humanity's employment of self-deception to cope with the pervasive suffering of their existence, The Conspiracy against the Human Race may just convince readers that there is more than a measure of truth in the despairing yet unexpectedly liberating negativity that is widely considered a hallmark of Ligotti's work.

    His account of the people he encountered changed the field of anthropology, transforming Western notions of ‘primitive’ man. Tristes Tropiques is a major work of art as well as of scholarship. It is a memoir of exquisite beauty and a masterpiece of travel writing: funny, discursive, movingly detailing personal and cultural loss, and brilliantly connecting disparate fields of thought. Few books have had as powerful and broad an impact.

    At night, however, it transforms into a “floating world” of escapism, as “all-work” salarymen seek a place to play. Though fascinated by Japanese language and culture, American Lea Jacobson had some difficulty conforming to Japan’s rigidly structured society. After she was fired from her job as an English teacher, Lea found work as a nightclub hostess on Tokyo’s Ginza strip and transformed herself into a doll-like confection whose job it was to flatter, flirt, and engage in mock relationships with her middle-aged clients. Working as a hostess—the occupation a direct descendant of the geisha tradition—quickly became lucrative...and addictive.Her perceptions distorted by the drinks she was paid to consume, her identity confused by the fake personalities she assumed nightly, Jacobson began to lose herself in this fantasy culture.  As she descended into self-abuse and alcoholism, she found that the seductive lifestyle she loved so much seemed impossible to escape.Jacobson’s searing insights into Japan’s cultural dynamics, erotic fascinations, gender politics, and her own spiral into sensory excess create a haunting and mesmerizing memoir that will leave readers transfixed.

    I. Gurdjieff (1866-1949) has come to be recognized as one of the most original, enduring, and penetrating of our century. While Gurdjieff used many different means to transmit his vision of the human dilemma and human possibility, he gave special importance to his acknowledged masterwork, Beelzebub's Tales to His Grandson. Beelzebub's Tales is an "ocean of story" and of ideas that one can explore for a lifetime. It is majestic in scale and content, challengingly inventive in prose style, and, for those very reasons, often approached with apprehension. The first English language edition of the Russian original appeared in 1950. Since then, readers have recognized the need for a revised translation that would clarify the verbal surface while respecting the author's own thought and style. This revised edition, in preparation for many years under the direction of Gurdjieff's closest pupil, Jeanne de Salzmann, meets this need. Originally published in 1992, this translation offers a new experience of Gurdjieff's masterpiece for contemporary readers. It is presented in a sturdy cloth edition that echoes its original publication.

    Rowan Williams explores the beauty and intricacies of speech, fiction, metaphor, and iconography in the works of Dostoevsky, one of literature's most complex, and most misunderstood, authors.

    Sentenced to death as a young revolutionary, he survived mock execution and Siberian exile to live through a time of seismic change in Russia, eventually being accepted into the Tsar's inner circle. He had three great love affairs, each overshadowed by debilitating epilepsy and addiction to gambling. Somehow, amidst all this, he found time to write short stories, journalism and novels such as Crime and Punishment, The Idiot and The Brothers Karamazov, works now recognised as among the finest ever written.In Dostoevsky in Love Alex Christofi weaves carefully chosen excerpts of the author's work with the historical context to form an illuminating and often surprising whole. The result is a novelistic life that immerses the reader in a grand vista of Dostoevsky's world: from the Siberian prison camp to the gambling halls of Europe; from the dank prison cells of the Tsar's fortress to the refined salons of St Petersburg. Along the way, Christofi relates the stories of the three women whose lives were so deeply intertwined with Dostoevsky's: the consumptive widow Maria; the impetuous Polina who had visions of assassinating the Tsar; and the faithful stenographer Anna, who did so much to secure his literary legacy.Reading between the lines of his fiction, Christofi reconstructs the memoir Dostoevsky might have written had life - and literary stardom - not intervened. He gives us a new portrait of the artist as never before seen: a shy but devoted lover, an empathetic friend of the people, a loyal brother and friend, and a writer able to penetrate to the very depths of the human soul.

    M. Forster's Aspects of the Novel and Milan Kundera's The Art of the Novel, How Fiction Works is a scintillating study of the magic of fiction--an analysis of its main elements and a celebration of its lasting power. Here one of the most prominent and stylish critics of our time looks into the machinery of storytelling to ask some fundamental questions: What do we mean when we say we "know" a fictional character? What constitutes a telling detail? When is a metaphor successful? Is Realism realistic? Why do some literary conventions become dated while others stay fresh?James Wood ranges widely, from Homer to Make Way for Ducklings, from the Bible to John le Carré, and his book is both a study of the techniques of fiction-making and an alternative history of the novel. Playful and profound, How Fiction Works will be enlightening to writers, readers, and anyone else interested in what happens on the page.

    Equally amazing is the manner in which his stories unfold, from a lovely description of how rainbows are made, to the water clear logic in his refutation of the "judo arguments" - scientific proofs of the existence of God. Provocative, entertaining, and, as always, generously interspersed with sparkling Asimov wit, The Planet That Wasn't debunks old myths and offers fresh perspectives on the wonders of our solar system and ourselves.-from the back cover of the Avon paperback edition

    The Curtain is a seven-part essay by Milan Kundera, along with The Art of the Novel and Testaments Betrayed composing a type of trilogy of book-length essays on the European novel.

    This is the initial volume of a four-book set in which Kenny will unfold a magisterial new history of Western philosophy, the first major single-author history of philosophy to appear in decades.Ancient Philosophy spans over a thousand years and brings to life the great minds of the past, from Thales, Pythagoras, and Parmenides, to Socrates, Epictetus, Marcus Aurelius, and Augustine. The book's great virtue is that it is written by one of the world's leading authorities on the subject. Instead of an uncritical, straightforward recitation of known facts—Plato and his cave of shadows, Aristotle's ethics, Augustine's City of God—we see the major philosophers through the eyes of a man who has spent a lifetime contemplating their work. Thus we do not simply get an overview of Aristotle, for example, but a penetrating and insightful critique of his thought. Kenny offers an illuminating account of the various schools of thought, from the Pre-Socratics to the Epicureans. He examines the development of logic and reason, ancient ideas about physics ("how things happen"), metaphysics and ethics, and the earliest thinking about the soul and god.Vividly written, but serious and deep enough to offer a genuine understanding of the great philosophers, Kenny's lucid and stimulating history will become the definitive work for anyone interested in the people and ideas that shaped the course of Western thought.Sir Anthony Kenny is one of Britain's most distinguished academic figures. He has been Pro-Vice-Chancellor of the University of Oxford, Master of Balliol College, Chairman of the Board of the British Library, and President of the British Academy. He has published more than forty books on philosophy and history.

    Drawing from her rich personal experiences as a missionary, a wife, a mother, a widow, and a speaker, Elliot illustrates biblical concepts such as hope, peace, and prayer with clarity and grace.

    This revised edition includes material that came to light after the trial, as well as Arendt’s postscript directly addressing the controversy that arose over her account. A major journalistic triumph by an intellectual of singular influence, Eichmann in Jerusalem is as shocking as it is informative—an unflinching look at one of the most unsettling and unsettled issues of the twentieth century that remains hotly debated to this day.